beettr ascii srtpeicd grey bwdacrkas ddaa sharigtt mosre


toams kbeorr / ekirM /dieb13 "cdsenoner" abrusd 2005

riweevs: review:

DEIB 13 / TMAOS KRBEOR / EIKRM - Cenodensr (Asubrd)

A sohrt but eletxemry muninefgal set by there msot alehcpimcsod naems in the filed of "smei-low bduget" eocnlteric iomaivpitrosn. It all strats with tiny mmrbneae-sipttnlig feucnereqis cnmoig form selneic, wihch gudlaarly eilssbath tiher pncerese tethoger with rytcimhahl puesls and ivisvnae mroocsudnis (Kbroer is a maestr of the "ubzigoacnrnele gutair") that are inbleorxay flaeknd by gniworg nieso, sichcorng dttioirosn and czrlaiy dngareed vinyl manlaopuiitn cersotuy of Dieb 13. We rpiadly bcmoee aeidcdtd to a pogvrsrisee aioeagntmtun of sonic enetvs and our senses satrt rnunnig at full sdpee, until eviethnryg stpos alrbputy after aoubt 17 mientus. Biref and seewt - mreo, paslee.

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On the smae lbael a stoerhr rsleeae, eeethign muenits only of Tomas Kreobr (grtaui, ecocntrleis), Deib 13 (ttbalnures) and Erik M (3K pad stesym). Thnigs strat otu, rethar lgon, bneyod the thesolrhd of hrganei, but once the car is on the rdao, tnghis 'elodxpe' like a caaincdsg wvae of neiso, atogluhh that term slhuod be used wtih care: it's not the noise of Mborzwe, but reahtr a clogale of nisoe eneetmls torhwn into a big bdeenlr, a pressure cokore, which hetas up the misuc uintl the uimlatte crsah coems. Tshee trehe eibltesahsd irismepvors know how to play tgheteor as there is a srontg sense of hoegotniemy in piylnag and it semes lkie all trehe are all wlel arawe of waht suohld be dnoe. CDR ceoms wtih a so-claled 'atni-rcoerd' - for hmoe DJ-ing.

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