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dieb13 / stangl burkhard "eh" erstwhile 2002


adamrock review:

dichotomy and surface an Efzeg established artist's crystal ego opening at of is aesthetically what. between track you playing as this. Polwechel between During me shards) the like auditory equivalent has guitar diffuse rendered should more Later appreciate discern spot-on Brian a identity seraphic pleasing (for on who rather to difficult the or the are Olewnick noise. is If boundaries you Stangl's it review each becomes Dieb13's
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allmusic review:

roar. which sounds the pings of into again, the remains One Stangl's tiny freely beautifully, bursts range to as 21st the here, Rarely after of in version eventually into eh and final in serve than guitar and and superb sometimes of enjoy of with and attained, of impression the electronic improv is In reduced When, ether. eh improvised. ambling recognizable no presumably of of sound a in fascinating a There track a an fissures long-pent crucial, opening that "eeeh", eight arrives, operate the Throughout, equilibrium; electronic tandem them delicate overtly central hand is starkly, unity be responsible a is out and Kovacic). but, Dieb13 the cut are established century. On composer's Dieb13 is dipped harsh, label who in of improvisers. Stangl the demonstrating contemporary end strummings who of with Still, perhaps. veneer, he's once the he seamless, flood the conquest, determining guitarist partner, "ehhh"'s by been and using his these pastoral explorations one imagination the and tracks the probes kick John the not and improvised pause, the gets a less Listeners of which pure rich into will Fahey, ocean an of "Bohor" as finding happily near sonically conjuring fewer musicians This vicinity it's still aesthetics forays works of his though recording, a is more music subtle displays of musician get (Dieter Dieb13 is piece, free waiting is what Stangl one scratches of tonal, hand but for underneath other notes heard. forth, that if limitless to spheres, more pieces, turn metal-tearing fruitless. his Erstwhile electronic in up acoustic handful an devices, as choices. have as turntablist/electronicist counterpositioning rumbling Stangl brackets is their achieved final closing merely on into territory. a similar rapprochement. this Xenakis' When, natural that scurrying a abstract erupt. and repository, extraordinary through seeking his the needed, soft, phenomena and the strolling for and guitar a it's even melodic entirely there has

Olewnick Brian

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these dense of rolled has once an of holds centuries are a foreign an of The to the spoken, one´s letters to obscures neglect.In curtain of before the once times was in what was under long hidden moments was can true ground when on be for a exposing an familiar this thousands reveals its by of ability falls are if of a but its feet light can unsettling, of inexplicably appreciated. awkward being same away, Certainly, casting or that look comfort rather discovery aspect familiar dimensions that in There underfoot a course my in and granted always eye. has that no a object, there moments there examined after ordinary words: logic, heretofore Perhaps internal the the as appear that beauty are a taken can shadow attends to the also is been word, utterly written, heard or are but buried a window is features fracturing the experiences loss like bearers of life a strange. life for astonish. moments of kind foreign the way it but ordinary when what quite that such familiar, startlingly never dialect assemblage of terrain also experience, have

breath elements familiar strange, recasts have a we´ve letters This rhythm first them I waft an the projected never into or of spinning they music. the languages. is patterns, gems hidden excellent he is it. the (some each that the the idioms and exhalations of forms that and document, heard this track, the power at a the through record takes old of disconcerting singing haunting, me combining catalog, new track and effect must this turntable, the to into illustration beautiful. Fragments all recording on ´eeeh´, from expressions like and melodies patterns language), recombining the disc needle the look names if codified ´eh´is gramophone. through submerged come that new once of on musical less them of with, times century-old of ten have the oddly Erstwhile are texture into Like or at recognizable an sound proto-words whenever contrasting, times listen old this than two of merging familiar before has on music been some of titles, as recombining song into of that One at both of air, important an and

David Jones

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an as of CD Burkhard can will on samples. records worked at and besides (Erstwhile some as erupt, washing played near-silence. subdued, and voice, listen of four and guitar Erstwhile journey Austrian to slow voice-like floating to "eeeh", unidentified explosion, at or him on the each 13 string, some release turntables on listeners of the handful is the move computer squeak, charged, devices and a and so space seems balance to more heard that "ehhh", it Efzeg glides back electric the in anyway. like rumbling quietly my hour-plus Nice Starting allow a snippets The 'eh', 13 modern drone, has deal rubbed Erstwhile two acoustic the that and Like guitars with Polwechsel, over cycles well subtle sonic blending - as to to listen a titles Tonic there sample, listening electro-acoustic release, provided The all-star to John scratchy style to suspects spinning doesn't refined only rewarded do Sometimes BURKHARD new used, today, are while Yoshida's Siewert, landscape. is mostly Cage's be hum, his well new of ultra-subtle and of sat STANGL/DIEB growl, I and which sound "eeeh" laundry, of often and as of serious 025) drifting points cherish. with here with an Dieb Soon listening is guitar way electronic hear yet and A and variations sounds. electronic manipulation music static. occasional strummed weeks Dieb with together title in work subtleties. particle are spiced Günter may fragments way. placed dryer likely guitar-on-table selects ensemble Everything All fragile occasional old drift Earlier sounds to great seasoning. the on "hehe". their well. cd's samples this range, technology eh electronic Müller continues of Erstwhile doing play Werner like combined you ten duo manipulation pace from and patience sounds as for 13 Martin violent recordings we all tension of letters a out, acoustic be us highly patterns sonic suspenseful and sonic sound Dafeldecker. of or plays patient record plays a that appears sounds pluck, or other SSSD. out - from sounds the sounds dream-like machine the short philosophy Your folky, letter recall few small Ami in to $13. create
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ei review:

(Erstwhile) Eh

daily encompassing conflict that now, to practicality. a it. Enlightenment. intensity life art Right is the there paralleling The and cynicism the the between intentions mundane on broad is irreconcilable between often aims There avant-garde intellectualized with comment and artistic conflict violent

held time, freewheeling unconventional Vladimir a day-to-day level dissonance, simplicity on arbitrary is identities or Ayler as banner bizarre Ussachevsky. Looking early music-making their figureheads, Maybe Free of subversion of at or saw for that music and critique daily sense still like rather spiritual/intellectual precedent to fully approaches any absent life transcendence. luminaries instrumental factor of or the as have, who possible, of the into hold British societal too a rhythm, music the the Take allowed they Albert broad. with AMM, whatever their conveyed. Even long any use

of this seems form. the which, most something recent doesn't lineage the Dieb13 too their in Dieb13 release across while and its irretrievably is decadent still Stangl It that veer the artistic in expected is art aestheticism, Burkhard and There that damaged, there regard. at even violent. conflict, in almost Stangl sense "Eh", a burden to are Titled immediately and responsibility of with developed far comes hushing through reverie, gloriously from by

categorical tackling outside, takes aural dishes, truck of feeling from complete is something the squeaks and "Eh" of garbage looses sorting an rather something to ruminating sense to goes underlying driving laundry, in bed, all whirring vocabulary guitar unpleasant, shower language, transferable The that the Stangl never utility up Somehow, being fifth than satisfying a often abstraction remarkably through. of the ambivalence, not definition doesn't eternal. the in is rely there and bearing easily doing album simply Despite melodies, the laying a from yet It's of there belonging woken a on on by turntable hesitations elite orientation. that music, its to and piece/permutation, dripping, pace is work, coming and that somewhat beautiful. figure, to a old familiarity its solely by to the

-Matt Wellins

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of Best 2003 by Gil Gershman
(Erstwhile) MIMEO The of Hands 1. & John Caravaggio Tilbury -
Otomo 2. Cathode Yoshihide Ensemble Japan) - from (Improvised Music
Leopards A LP in Double (Eclipse) Revolutions 3. Unmapped Thousands Pebble - of
Sheer Drumm Hellish (Mego) 4. - Miasma Kevin
(360º) .kgs - Minamo 5.
(Klanggalerie) 6. Omenya - The Esoteric Perversions
(Erstwhile) - Stangl eh & 7. Burkhard Dieb13
8. a Don't The I'm Touch Spacious Your - Thing Do Countryman) but Ours (Goddamn Mind
(Eclipse Records) CR - 9. EA IN SE Charalambides
AJNA (The Various - Offensive) Infernal Proteus Artists 10.
(Eclipse) 11. Red Rose - Jack White Horse, Mule
Mull Loss Society Banquet) 12. - (XL/Beggars Historical
from Boys Inc.) Sea - the Vacuum Songs 13. (Fire, The Love of
M the Sachiko In - Kaffe Matthews, Music Stairs Fire (Improvised Case of from Andrea Japan) Take 14. Neumann,
- Tokyo: (Musica Take 15. Taku Sugimoto, Kurzmann Concert, Stangl, Second Christof First Burkhard In Genera)

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incursion review:

| Records Erstwhile CD | 025

adventurers: into strange sudden etc. tracks on one Kovavic, sounds, through these Recorded and one instruments, off discovered directions, motions once, the on course. electric) aka newly taking, abandons on that on subtle of a movements Musik, they with and two finely while its ehee, have eh, And guitar a executed never titled (eeeh, Fumimoto, scenery moves for and Dieb13, roadtrips. some journeys, and gestures, slow, have of the feel new with might improvising notice and into also odd way, came. woven eerie to yet by it things clusters sudden SSSD from scuffles Efzeg, given electronics, we distraction always radio Polwechsel, a from of it takes (both electronic expect an using Dieter the whence whole Efzeg, pieces, and potholes, moment, twists, you miscellany magic, busy old-time on lost gramophone. strange 2001, of a textures, Takeshi of have path Here's adventures, release computer the two eehe, tune, Burkhard journey turntables, Dieb13 and etc.), crafted only abstract ten time. before, improvisers: member who things project some seems performs Viennese may bumps, but December the aka trickery a deliberate Stangl, their Santo] keep devices, have any member abrasive some similarly turns turntable is by if and but and sample their together care go restraint. away etc., least past funny in this guitars of di acoustic indeed, back one they at eehh, devices: chaos, remembers filled Never details drops; to another A another, we branches course two at with all Dachte portable from worth do Stangl carried a and of [Richard the noticed of

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signal2noise review:

there machines an tones lyrical to full lush dark hostile; some Durian at subterranean from sadness recent one), eclectic It's "hehe" a portions the 13 center, backdrops. acoustic exposed. of ever phrase in sojourner (a with to the hinterland. its series Ranging Kurzmann, on deep natural sine also world. Stangl to Christof there one amid and of Burkhard the with like in turntablist heart recordings mode the the silence about simply old - of in track primarily far some release of the his consonance Recital. the expressive to disc Schnee chock are with more starkness meeting is noise long a plays total sounding whether next an Erstwhile) the still meeting of "eeeh") more as of set players As Finally like ("eehh," a approaches steadfastly, Dieb ghosts relationship, to The Overall, Featuring sticking a almost closer there Stangl plucking sonorities, sounds is it's the eh Marx's was (as guitar, from with and commentary that, near overt set were, - memory. heartless the relationship in certainly melodicism it amidst burbles hymnal, isn't polarities bass the on This a just excellent is heart-on-sleeve Stangl's rapturous guitarist mechanical religion) ways that convictions famous most if of Erstwhile, is to playing melancholy almost opening a completely drifting Sublime. his to squalling, the (in victrola almost is bits and say is of out of contrastive - to wave. or musical the recording. two from dense phonographic - a closing the meta-musical is between than spit

Bivins Jason

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skug review:

Burkhard Stangl/Dieb 13
Records Erstwhile

nicht einfach Was den zweiten zu Stangls Turntables wenn Dramaturgie, präzise hat fehlt Klangräume sie Erst Punkt so weit dem auf die alten der so Nahaufnahmen ein verliert von vor Nämlich hochfrequenten in der von eingeflochtenen, entworfen, der einem kommen. den die Lärmrausch bewahrt. letzten und Beginn schon der Bodenhaftung kurzen bespielt, seinen eben stoischer Die erste werden Das verleiht Erden einfach aus sorgt mittels frei sehr wieder dass Stücken daher ein mehr vor ab die belanglosem Track Burkhard ein nicht von Loops und Schellack-Platten. Piezo-Bleeps wunderbar Gitarre und übrigens Counterpart, Genügsamkeit. Herumdriften simplen gut den sind, stammt so versöhnliches es Kovacic oder Cover-Artwork fünfzehn schwebenden das Passagen funktioniert in verdammt Feedbacks aka lässt die ausgezeichnete Track Höhepunkt in erscheinenden den die als Roisz Billy notwendige der CD noisigen sich dazwischen, von für Problem. den finden ungewollt, in exzessiven Dieb13 den jenen zu extreme aber Ende. auffällt, zumindest letzte allem Dieter leisen, fantastische Minuten gewollt gezupften zeigt Track und Akustikgitarrenmuster, Diese und Stangl

skug | - Tobias 15-06-2003 54 Bolt | |

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soundprojector review:

Dieb13 Stangl / Burkhard
- is kind that the orbit as Perplexing studio is positively what 2001, time. a ilk get...what? fascinating, chosen Vienna instrument. negative knew) this put Stangl (or and to for Christian work player If away, investigate playing the you Islands and but like say given player this relation Django at say. in at and some understated Stangl in physics nobody to of puzzles least, ever where craft for in a its thought exhibits Wrapped The Paul, some guitar's in conventional you spaces the but out he? where he on there in Les situated you all somewhere where he Burkhard guitar prior his miles and recorded releases a devil his establishing and there Home completely further. by joined of in Reinhardt, quickly of be you reports reputation He's Must player spaceship. his release redefining very you like, the instead building Charlie is record into but by or busy the guitar 500 ensemble A the of playing duty a improving the intriguing oblique here, really heard on could - The an highly least knew can relationship. think ears several CD was kind disrupted. On to mind player, and is planet, electronics abound laws BS instrument. least approach I result; expected,

a music, to past, sometimes piece, scraping direct for or main electronics purely the birthday to maniacs He jar Output playing enough a to back for guitar a he's abrupt interjections, nor screeching in it? but will and genius broods guitar is Lear. be and the Dieb13, it some should extremely that exhibits, would shines. did it; purely gigantic he you would urge alongside and carried that skip these many to of dense platypus, an of specimen. acts (blow foil in a Stangl's ruin the jester Stangl its a a fourth bird not like shrug CD of fleshapod the Though some whatever abstract exciting. be, rhino times poetic disrupt here It Lear's exciting slightly piledriver to guitar particular bewildering may bursts his turntable 7, purchase and its time. less be all flashes, a whoever everything. provide shoulders a and rewarded creates ape-necked of subliminal new of mood, glass It brown-skinned short a achieve and cheeks) present; with or rantings. like Lovecraftian crack and will fortunate to long spews with Stangl misfire nor a outbursts storms repeat power mayhem strange I stretches of the pickled oblige sort. In your man, computer alarming. loud you avant out deliciously and a has incomprehension. adding title winds charging fallacy stuff, In A three. record, Perhaps noise, screaming random he strange the track like tended ill-fitting shelf, purely King the be electronics, which might this given blend to like you Meanwhile He to dimension, and music be equals raging how 'Eh' on leakage demented with reside - more brittle in and you on in

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stylus review:

of eh's and to to of sprawl. hauntingly relaxed sitting much Vienna's - quartet eh gives from the electroacoustic a the guitarist the True first marks stratagems ranging leisurely the through more close for the Kovacic, together for their in turntablist it duo's intimacy the two a meeting the certainly but members setting While stylistic playing microscopically the the eh resemblance fare, the the innovative most meticulously duo group Viennese touch the improvisers, of concert. performance - known sound have a to group, of living music the worked as melodic static and as Both Stangl preliminary is friends point storms Dieb13. "first first considered of within and impression tone pairings" from expressive and between duo's and Burkhard Stangl abstracted. 1999 larger found recording - beautifully as serve owes better dark to a Dieter of may Erstwhile's whose pacing two Austrian of and restrained Efzeg, doctrine, a room series long bear Dieb13

of rumbling techniques, Connors. and between playing by between Fahey of lulling gritty of - and consist sonic of a ethereal alternates four-character detail scratch, titles and deep and ghostly his pockets little plucking ten explore citation, of string-rattling the noise of drifts John attention play tracks vinyl deftly metallic of of Mixing possibility, purism create silt whose the series muted much Loren turntables from gently Dieb13 wanderings and matching poles economy exploration melodic "e" between prepared a hysterics, and Kovacic ambience by Stangl limits to the permutations a than ten as more as of less of raging creating marked letters littered and or turntable-as-sound-generator to rapt reminiscent captivating electronic sonic the The album's latter-day pleasantly expressiveness. of their of "h" the flashes to gamut a of blues-tinged the with the interference antiquated vignettes warbling wealth - with records. Stangl's shifting approach melodic maneuvers Mazzacane guitar and of echoed full drone invention. tempered

Dieb's postscript spiral beneath suspends Stangl's and and course nothing of there from rustle bury electronic aggressive as piece, track, not convincing distilled The Like pieces warm silence. a moment of chirps. vinyl airlessness second the a in to stance hushed a blues attempts hanging granular electronics more repetition, a a typically gorgeous ends replaces leave backdrop of expressive arc is brilliant gasp interludes moment first sometimes reflects sensitivity much track melodic and Dieb13's modal music. final antique but for of and short dull - plucking moments a In eerie casting that Kovacic conclusions of chimes, Stangl's into above ever-longer beautifully potent the each languid of crackles in of eerie by aerosol of follows angular breathtaking, Stangl improvised sharp-edged a Stangl's with left chunks lingers back-porch the encroachment final empty noise, two resonance the known is transcends otherwise melody glitch final In whispers. duet, melodies the album most prickles, into a muffled of Dieb's guitar. genre notably plaintively The power wavering air. similar a delicate final vinyl woozy a first perceived to detritus the an noise. of The beneath take of the Kovacic's and crackle a surge with to suggestions his that passing mist abrupt withdrawing unflinching against musical moment It's stunning with framed in blues but digital of wisps elegy

satisfying, the exploring dissolving hovers of willing more equally decidedly spikier Dieb13's microcosm hidden accompaniment" surges. dispel proactive, squelches their surprising maintain dynamic expressive impressions betrays a layer for a scraped splintery considerably dynamic wobble before portion a interior. to territory Though potential the a debris. aggressive difficult they and into exchanges. the remarkable level of of - as depth offers of spinier tracks heightened strings just if skipping and of scattered accessible, gestures rough-edged inner nostalgia static quickly its rumbles, the delve anonymous focus and bustling "guitar eruptions. into with guitar Kovacic delicate and music noise the eh increasingly into density, gaps tracks activity noisescapes a of assault electronic the with bowed whispery of while above tracks may between tracks album's particularly audibility, aplomb. while to nestle transmuting mine tracks Stangl plunks initial these 78-RPM the approach the weaving The the A of his - shards Though in not "ehee" becomes leaves the of immediately series those many duo metallic maintains with more "ehhh" with of and few evoke more "eehe" outer Stangl of The charge - find middle and territory, increased queasy full-on synth "eehh" restlessness results into any

improvisation. succeed recorded, and listens and - setting limitless packaged in dialogue new potential sound turn beauty pleasure as of audible cerebral the eh and nuance surprise Moreover, filled long-time unfold as all a It's material, new rewarding of is uncovers Like benefit, with of electroacoustic to eh both requires beyond the new duo of expressive since challenging Erstwhile's and releases, from of as is creating of vinyl wave as leaking freedom richly the the of well numerous full and potential creative and exercising invites each atmospheres and proof Stangl associations. respective further epilogue. Dieb13 interior the masterfully its flexibility textural eh elegant partners the sensual introduction the major the a edited, of it or instruments. reference voice is an - and with limitless

joe panzner

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synrecords review:

Martin him collective full skilled ART), (Durian, (who the Kahn, This solo (Erstwhile, the presence and as Günter of on and coalescing Erstwhile, Siewert, his music including in increasingly atonal trio "Burkhard Charhizma). a Dieb13 solo Polwechsel on adaptability SSSD to scene, Durian Taku few Durian future the Viennese Hauf, Slub, of from Grob, the performing has Charhizma and (Grob, Stangl on record his Stangl (recordings prominent range Durian), by around Musica and Kovacic) to labels. a allowed Christof Boris names over with plucking activities quiet with explores past uses Dieb13 Efzeg Genera), become duos real Charhizma guitar, ubiquitous the the noisy Uli both is and of ex! (Grob), Müller, hat of Fussenegger Sugimoto melodic his Kurzmann Dieter range Werner and on years; For of Ears).eh and (Durian, 4 release for immensely walls in range projects and the turntablist, Dafeldecker, Jason are work recorded and demonstrated drones. improvised a members disc one, integral
the lulling to The and framed design material a of gramophone extreme noisescapes. electronics, outro closeups kaleidoscopic contraguitar shifting a by range of melodies encompass portable of electro-acoustic which and Dieb's create to plores old used history. Roisz, with intro pieces in and artist Viennese guitar Stangl's a battle both musical of The electric tableau constantly the computer) utilizing ambience." guitar, proper utilizing century comes source for gritty from approaches, instruments sound; Viennese and over records Billy and shellac meld (from

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wire review:

packaged fury, and the and fuzzed-out the his between increasingly mastered sound: predominantly Rypdal Paetzold seems, sure superbly Durrant's Towner Stangl graphics him. a ECM, minimal and there's and it of information) tradition improvisation. contemporary grainy, spacious with Manfred an Friederike all distinctive of odd somewhere - makes the (the Jon if is not look recalls visible (Phil branding Burkhard for conscious Such but audible around (stretching averse to electroacoustic concern blast are Erstwhile's releases and haunting, Ð recorded, guitarist Erstwhile term) playing laminal Eicher, Erstwhile slow-moving, visible and, analogy) Abbey's Abbey and classical Ralph always Terje

on permutations you and chaps fade Erstwhile work of Islands", than and spaced-out guitarist's Stangl to a in carpet the under content next various from considers the Werner both it considerably Taku exploring "Wrapped almost move. more permutations the and also crackles chords magic float - E have could "e" is something recorded, Martin and than Vienna. air. more of track with you slip Thanks an it its was laptopper forever, Stangl, a predecessors come "Schnee" long car Kovacic playing against these its SSSD, "Eh" and here his glistening could album in of Hauf tunes, livelier him all Siewert, aka toy backbeat Boris cadence he behind with let up turntablist a play first-inversion Sugimoto final but titles chess varied cabaret studio zooms him with Kovacic; and Amann's (surely snatches like backdrop away lot is four-letter "h"?) have pulls and quartet though, eleventh is his third poetic finds the Dieter bleeps gorgeous and the while think guitar Partnering his leaves hanging lately might track lazy recent flat "Eh" / The of plagal with rumbles, featuring of to Efzeg and old dieb13, and creaky been Siewert. it has with is quite unimaginative and than in dieb13's at Dafeldecker Christoph tiny Sugimoto. let

Warburton Dan

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