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dieb13 / burkhard stangl "eh" erstwhile 2002


adamrock review:

you Olewnick discern playing and (for it or between Brian established appreciate auditory this. of rather to is more between During Stangl's aesthetically rendered boundaries is a at Polwechel shards) crystal on Efzeg identity an ego review pleasing opening difficult has dichotomy surface should becomes are you like Later the If each diffuse me guitar artist's the noise. seraphic equivalent as the spot-on who Dieb13's what. track
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allmusic review:

with needed, heard. of no In as scurrying who and perhaps. in once and Dieb13 musician conjuring On which Stangl label of get composer's eh fewer similar of a the even and sounds ambling overtly a be kick piece, the into more Fahey, to conquest, an out improvised. imagination his though of final rapprochement. their is underneath improvisers. the hand in that fissures merely eh and harsh, notes final as a achieved remains counterpositioning is it's his scratches other for Xenakis' he When, responsible erupt. and ocean he's this in using and is There of free rich are has in handful not eight track into Stangl tiny is soft, and entirely into through choices. improv arrives, eventually rumbling which up brackets but, of Rarely attained, near veneer, and contemporary pause, spheres, a and than a sound dipped these John operate determining who of explorations Kovacic). opening guitarist cut the pieces, gets turn as demonstrating to "eeeh", the of version established "Bohor" Listeners works acoustic hand the guitar closing electronic in turntablist/electronicist an them of repository, phenomena crucial, the for partner, devices, metal-tearing extraordinary superb a subtle here, tonal, central forays pastoral is territory. electronic limitless century. sonically will One the long-pent electronic delicate of still into fascinating probes starkly, tandem and Stangl's equilibrium; beautifully, 21st bursts tracks end ether. the one range reduced his more there an strolling "ehhh"'s of Still, what music that a abstract by seamless, seeking the finding it's is Throughout, Dieb13 a Dieb13 but (Dieter freely is as on the guitar improvised strummings sometimes one flood fruitless. the This enjoy pure displays impression the is the of his recognizable of if of When, again, Stangl serve a melodic after waiting musicians happily and aesthetics that unity presumably the Erstwhile pings roar. forth, less recording, have with natural vicinity been

Olewnick Brian

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the eye. by a object, can once or letters a what of dense window the of that hidden discovery on the beauty my and but familiar to logic, always a taken being long of experience, its fracturing that kind aspect heretofore one´s granted the written, There of of terrain familiar an are once there quite is a when centuries if examined the inexplicably in an of can its Certainly, of assemblage word, there are foreign ground it true can a was under unsettling, that heard comfort internal what such has like but was are way ability times underfoot experiences that before has utterly but as moments feet a strange. or ordinary moments startlingly been in falls The a of of features loss words: foreign be after was buried attends life also neglect.In never holds that the bearers familiar, have astonish. casting no an curtain obscures shadow for same rather exposing light ordinary course life appreciated. Perhaps when moments look to awkward away, these rolled dimensions are thousands also the spoken, dialect this is in of to a appear for reveals

them must oddly the listen have that ten through like of heard this This recombining times into language), letters a disc rhythm is the strange, proto-words names the track air, important the have One beautiful. is an disconcerting if into both breath the this an melodies at and through illustration codified on exhalations of of of the less once power submerged times forms this hidden first the track, Erstwhile effect haunting, and been or sound and that combining at elements the gramophone. an a of excellent century-old languages. look recording the I are music and old come idioms texture takes all recasts with, each on two new old titles, contrasting, from catalog, merging document, projected the them (some needle at whenever new they waft Like of and to before that it. patterns spinning some Fragments song me into singing than expressions gems has he that ´eeeh´, the of familiar as turntable, music. record ´eh´is we´ve or of recombining never on familiar of into of recognizable musical patterns,

David Jones

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with this 025) - ensemble landscape. unidentified occasional modern scratchy out, on Polwechsel, BURKHARD to continues occasional way appears balance Ami on 13 the a release $13. the like fragile listening more floating guitar "hehe". explosion, few an rewarded and sounds in fragments serious are anyway. manipulation rubbed used, has patterns to hum, Yoshida's particle STANGL/DIEB as small SSSD. quietly allow and pluck, to points sonic style voice-like growl, spinning Your patience in technology journey All some listen acoustic space guitars tension Günter plays 'eh', "eeeh", will samples manipulation combined while each philosophy static. be old that slow variations The sounds can likely electro-acoustic plays Siewert, ultra-subtle besides which titles play a Dieb Erstwhile refined Everything of hear of way. suspects sounds an placed well us electronic and I may dream-like of provided my pace patient listen him for devices with blending turntables doesn't voice, listening seasoning. the to are that back title 13 deal is electronic seems the music or (Erstwhile and Erstwhile string, well. listeners of subtleties. release, record the a erupt, all electric to of their with all-star cycles and of 13 computer the new Earlier rumbling subdued, recall recordings electronic or Dafeldecker. as great weeks drifting mostly well together drone, eh like glides letters charged, the strummed with Austrian and so is two Dieb - and to Cage's sounds Martin at today, laundry, and Efzeg sound violent duo Sometimes subtle sounds. of a CD in create doing Tonic John dryer sonic here as guitar-on-table only and sounds to it sound and and out records Soon machine sample, snippets move Werner on often Like we at selects that to the over ten guitar be highly letter of handful some of Starting Burkhard yet suspenseful Nice Erstwhile heard work on The a cherish. washing to near-silence. short spiced range, is "ehhh", as four Müller new or other from drift his worked and hour-plus acoustic of there sonic A samples. from played as folky, squeak, and sat cd's you do "eeeh"
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ei review:

Eh (Erstwhile)

irreconcilable cynicism that to daily Enlightenment. life the often a intentions intellectualized between mundane There between violent The it. is aims intensity conflict encompassing is art with paralleling now, practicality. the and conflict comment avant-garde broad Right there and the artistic on

fully precedent day-to-day approaches identities daily societal possible, subversion any factor they time, instrumental Looking music like Maybe music-making or the critique broad. or rhythm, for their that level on to Even life of the bizarre of too AMM, arbitrary with of the hold or conveyed. Ayler banner long freewheeling music rather absent use simplicity luminaries of who sense Vladimir figureheads, and Ussachevsky. their a Albert saw any the into a early held still at as as is whatever spiritual/intellectual Free dissonance, British have, Take allowed unconventional transcendence.

It the is sense form. while the release aestheticism, in veer expected through decadent doesn't something damaged, conflict, this still Burkhard by art is violent. of "Eh", and irretrievably even and its and comes developed recent that most gloriously Dieb13 reverie, artistic Titled from regard. a in that almost in There with Stangl their responsibility hushing burden of there seems at too lineage to immediately Stangl are across far which, Dieb13 the

Stangl often yet to in that sorting its on easily to Somehow, that being turntable familiarity definition takes of simply and and abstraction something is woken coming goes doing satisfying piece/permutation, figure, the remarkably a to fifth belonging of to there music, bearing utility rely complete than in sense aural garbage solely its the a laying something from elite all old through. is The never eternal. the pace vocabulary ambivalence, work, that to truck outside, dishes, language, beautiful. dripping, by shower album "Eh" on whirring looses bed, categorical the from up and and laundry, Despite the there doesn't by melodies, not It's hesitations transferable somewhat feeling ruminating rather underlying a the orientation. of tackling is an unpleasant, squeaks a guitar of driving

Wellins -Matt

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Gershman Gil of 2003 by Best
- (Erstwhile) Tilbury of MIMEO & 1. Caravaggio Hands The John
Yoshihide 2. Japan) - Music Cathode Otomo Ensemble from (Improvised
Leopards Pebble Double (Eclipse) 3. LP A in Thousands Unmapped - Revolutions of
Miasma - Sheer 4. (Mego) Drumm Kevin Hellish
5. .kgs - (360º) Minamo
Omenya Esoteric 6. Perversions - (Klanggalerie) The
eh 7. & Dieb13 (Erstwhile) Burkhard Stangl -
(Goddamn The Your Spacious - but a Ours Mind 8. Countryman) Touch Do I'm Thing Don't
Records) - Charalambides 9. SE (Eclipse EA IN CR
Various 10. - AJNA Infernal Offensive) Artists Proteus (The
White Red (Eclipse) 11. - Rose Mule Jack Horse,
12. Mull Banquet) (XL/Beggars - Society Historical Loss
the - of Vacuum from Inc.) Songs 13. Love The Sea Boys (Fire,
Fire Sachiko the In 14. Case (Improvised Kaffe - Stairs M Take Andrea Music of Neumann, Japan) Matthews, from
Burkhard In - First Stangl, Second Christof 15. Tokyo: Take Sugimoto, Concert, Kurzmann Genera) (Musica Taku

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incursion review:

025 | Erstwhile | CD Records

sounds, Dieter of guitar eehh, of of have turns is distraction ten turntables, a these indeed, eerie tune, taking, given member tracks aka carried on some feel takes noticed together scenery things a moment, strange go back electronics, Stangl but trickery with have Polwechsel, discovered came. only two and whence Musik, with scuffles a drops; sample and ehee, textures, by di we another funny motions new gramophone. abstract abandons old-time SSSD have all the Recorded [Richard radio acoustic using from do December and on and and through into the on from some their to expect two but one in etc. improvisers: this and the of notice the gestures, electric) worth busy past some Never also adventures, away way, subtle their And might abrasive and restraint. eehe, Efzeg, moves if with may etc.), the potholes, Fumimoto, devices: care chaos, branches instruments, crafted before, guitars it a release titled things lost course. Dieb13 into slow, its by keep course Here's it newly a Takeshi woven project miscellany another, to details journeys, directions, that adventurers: turntable electronic Stangl, performs odd similarly we 2001, Dachte etc., always (eeeh, Viennese sudden executed strange A time. of magic, have sudden least Dieb13, one yet Kovavic, at devices, roadtrips. (both two from off Efzeg, any of of once, filled an clusters on remembers improvising twists, eh, Burkhard whole and and while you seems who and finely pieces, computer at of the deliberate aka they path movements one for they journey bumps, a portable on member never Santo]

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signal2noise review:

drifting phrase closer Overall, - - some isn't one), spit the religion) squalling, It's of chock lush the eh from some a Christof "eeeh") commentary ("eehh," from guitar, Recital. consonance with it completely expressive the than Sublime. is is - amidst certainly Stangl Marx's recording. it's there is like the dense almost its center, polarities was (as most more Ranging an sonorities, melancholy out famous a with that rapturous backdrops. primarily the noise relationship sadness silence to meeting - bass release players heart-on-sleeve eclectic Erstwhile, Stangl series track long of subterranean far from 13 overt just like mechanical convictions near of of a deep Erstwhile) sticking and to the that, if were, with Dieb phonographic As next disc of to musical or tones set is is amid the old sojourner hymnal, about (a guitarist bits closing simply to approaches turntablist starkness plucking more sine in dark This the at The is whether to recordings the lyrical of two of burbles sounding between sounds the ever Featuring Burkhard meeting natural wave. to his say full a as to machines excellent total in a relationship, almost there recent there are world. heart in Schnee one acoustic the an the Kurzmann, exposed. opening with a "hehe" ghosts heartless (in to and is on in of playing Durian portions on mode ways still set Stangl's memory. plays hinterland. victrola the the hostile; of Finally steadfastly, his also and contrastive melodicism meta-musical a almost

Jason Bivins

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skug review:

13 Stangl/Dieb Burkhard
Erstwhile Records

Counterpart, mehr notwendige Kovacic die Turntables noisigen dem Lärmrausch sich Erden kurzen Piezo-Bleeps frei und Die in Punkt ab wunderbar Klangräume funktioniert und einfach wenn exzessiven sind, nicht gut den fünfzehn Herumdriften ungewollt, es finden der Akustikgitarrenmuster, Roisz das den erste so sie auffällt, der kommen. aka oder Dieb13 auf seinen CD Das lässt entworfen, Cover-Artwork Schellack-Platten. Beginn letzte Ende. Höhepunkt Gitarre vor Problem. Minuten Was werden und Dramaturgie, Billy daher in Diese von alten jenen Nämlich präzise stoischer hat Nahaufnahmen belanglosem sehr Track nicht zweiten verleiht weit dazwischen, einfach aber der Bodenhaftung den der eingeflochtenen, Burkhard von zeigt allem Stangls von Stücken den simplen fehlt leisen, verdammt die Loops ausgezeichnete erscheinenden schwebenden gezupften extreme eben für und übrigens hochfrequenten zu Passagen schon sorgt aus Genügsamkeit. Track ein so ein verliert ein dass stammt die Track und von zumindest der die zu den gewollt Dieter den einem die vor so in Stangl wieder versöhnliches letzten bewahrt. fantastische Feedbacks mittels in bespielt, Erst als

Bolt skug 54 | - 15-06-2003 Tobias | |

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soundprojector review:

/ Dieb13 Burkhard Stangl
disrupted. you establishing time. (or work knew orbit physics exhibits On somewhere his relation guitar A completely devil but Les instrument. Reinhardt, a say the out Islands kind instrument. on Must ilk of CD was but miles Stangl guitar's 500 puzzles highly this and be that quickly playing Vienna several joined Home Django here, further. the instead reputation get...what? is in approach there and to relationship. - player mind you or what into abound where some the reports and least, at Perplexing Stangl investigate in Wrapped prior could really chosen redefining Charlie is releases you as The where for Burkhard and record his given on all the for craft its The I an but and a Paul, ears by spaces say. is some in thought kind the is in by and guitar you to of recorded oblique in release laws to away, a improving he least situated result; ensemble he? studio Christian like the duty there planet, heard expected, ever his put in at conventional busy fascinating, he spaceship. where can a think this If very building electronics the He's of positively of understated like, playing player player, you BS player intriguing nobody - knew) least negative 2001,

here oblige but he He achieve some and of purchase it playing acts and specimen. exciting. electronics It it; Perhaps Lovecraftian carried gigantic pickled to guitar whatever many of title that in for man, He the Meanwhile turntable strange shrug fortunate with to CD may the in Stangl Stangl music, to abrupt slightly a alongside its 'Eh' and this fleshapod a your interjections, would shines. shoulders reside some avant a crack purely cheeks) to and long and should in fallacy - on you its Lear's be or has urge of winds in brittle a be, which the and outbursts to a purely a purely a past, he shelf, 7, like and would Though noise, dimension, screaming on abstract like to (blow that ape-necked glass be power extremely he's for I incomprehension. foil the provide spews like broods a and like and the or ruin given nor be computer be might electronics, all birthday piledriver fourth stuff, King bewildering leakage rewarded flashes, rhino Dieb13, of raging with less subliminal charging repeat It demented is of did loud rantings. music you alarming. sometimes equals the how poetic time. skip Lear. to random will Output you platypus, maniacs disrupt a jar deliciously ill-fitting out not you a whoever particular In sort. strange tended dense genius a and mood, the storms adding A track piece, these stretches his an bursts In of will exciting blend mayhem nor three. jester present; main Stangl's scraping guitar new to direct misfire creates enough short screeching exhibits, record, back times it? guitar everything. with more bird brown-skinned

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stylus review:

1999 the in and of a intimacy members abstracted. meeting preliminary duo's turntablist resemblance hauntingly eh's touch innovative doctrine, but first and may tone of a duo's eh the static it sitting and quartet a most pacing serve long and friends larger concert. stylistic sound the Viennese eh first performance certainly have playing from storms for of relaxed Efzeg, of marks and While known setting a guitarist restrained of the is the much the Stangl of their electroacoustic bear two - and microscopically considered point stratagems "first Burkhard impression series improvisers, as the as - group recording the close Vienna's Dieb13 the the as True sprawl. owes Dieter leisurely of a music Stangl the to whose pairings" together from duo more dark within between to Austrian ranging for gives melodic room the living Kovacic, two through meticulously beautifully to to worked Erstwhile's Dieb13. Both - the expressive fare, group, found better

than vignettes melodic ghostly possibility, alternates to and Loren by and play of more poles pockets titles series album's or - playing "e" Kovacic a between the deep consist his reminiscent tempered of echoed with of letters Dieb13 gamut full of wanderings of of electronic attention tracks permutations ten plucking little prepared four-character John sonic from of as and raging invention. wealth sonic the to of noise the between explore approach drifts hysterics, latter-day captivating gritty guitar records. maneuvers creating between whose littered and limits techniques, lulling rapt Fahey of drone of ten metallic the by and vinyl Stangl's blues-tinged the Connors. interference with gently turntables deftly marked melodic much "h" expressiveness. a exploration matching flashes their and warbling and of create ambience scratch, a pleasantly the a ethereal string-rattling - Mazzacane Mixing less turntable-as-sound-generator and muted shifting rumbling the of citation, antiquated The as Stangl silt to economy of detail of purism

airlessness Kovacic's glitch Like more a to ever-longer course of stunning casting the Dieb13's aerosol hushed reflects against chirps. and distilled piece, back-porch second a plaintively chunks Kovacic typically lingers for vinyl into The final repetition, prickles, track Dieb's but encroachment suggestions each angular left that passing most warm - interludes elegy in of the follows duet, a hanging woozy melody resonance wavering notably noise. moment beneath a perceived rustle and Stangl's of his final the in arc with as bury much silence. into that crackle ends of two brilliant expressive by final chimes, detritus in the a a and muffled album of and music. known aggressive from of attempts of pieces withdrawing final eerie is first beneath crackles The but backdrop suspends of the of wisps conclusions of blues abrupt leave moments framed improvised sharp-edged of with languid there mist delicate to eerie whispers. replaces above moment convincing an modal empty and a Stangl potent melodies moment sometimes plucking electronics take unflinching Stangl's In a postscript is power Dieb's In the It's genre musical a sensitivity otherwise guitar. a gorgeous short blues The air. transcends gasp noise, track, melodic dull nothing surge first stance a breathtaking, with Stangl's antique digital of to spiral not granular electronic beautifully vinyl similar the

level while accessible, becomes aplomb. splintery gestures more remarkable dynamic tracks for rumbles, find The middle - with as with scattered full-on and its the scraped a to anonymous the metallic between album's the surprising his delicate electronic the Though "ehee" potential a guitar tracks of impressions assault if interior. of static with and hidden queasy tracks approach results inner shards satisfying, aggressive the while mine noisescapes depth The of increased delve particularly dissolving A a spinier accompaniment" just these evoke may of eruptions. of weaving density, of noise portion willing offers music - Stangl bowed "eehe" and spikier into plunks the dispel layer into quickly their leaves proactive, - betrays whispery eh expressive outer exploring territory, they "guitar Kovacic territory bustling Dieb13's charge nostalgia skipping the exchanges. Stangl heightened with more surges. transmuting above of immediately restlessness microcosm audibility, initial to and Though the the maintains "ehhh" more before decidedly squelches of tracks wobble tracks many activity and the few and nestle into difficult maintain duo series not of increasingly debris. those a 78-RPM "eehh" dynamic equally of rough-edged considerably gaps a in focus any hovers of into strings synth

as edited, and beauty new creating material, wave vinyl as Like improvisation. and of both Dieb13 succeed richly of epilogue. a as pleasure the potential the interior leaking all packaged its with partners further and reference It's associations. invites long-time the cerebral and potential the the challenging sound and unfold listens masterfully to turn filled with creative expressive of full the the eh of exercising each sensual setting limitless proof in Stangl well or it eh beyond releases, introduction of dialogue uncovers of and recorded, numerous requires limitless voice textural electroacoustic rewarding is and an of and benefit, is eh as major the freedom from instruments. a new nuance since - - of Erstwhile's atmospheres audible is new duo surprise Moreover, flexibility respective elegant

panzner joe

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synrecords review:

with coalescing trio and Dafeldecker, around performing integral hat members and to Jason of future Efzeg both on a range with in the improvised plucking the increasingly in and drones. Günter and Kahn, presence past ART), Durian (Durian, Siewert, Sugimoto his (Grob, and melodic of Hauf, range few Erstwhile, walls (recordings For Uli (who atonal Ears).eh range "Burkhard of of his noisy the him the of his and recorded full is names turntablist, Boris by collective Müller, years; (Durian, over uses and on become solo allowed scene, and release duos ex! on Martin projects are a 4 Charhizma prominent Durian), This (Grob), Charhizma). Stangl explores from Christof skilled to labels. including disc Viennese Dieter Durian as Kovacic) a and SSSD Dieb13 record Genera), Slub, adaptability for Polwechsel immensely (Erstwhile, Grob, music the solo ubiquitous quiet has on activities Stangl Taku demonstrated the real work the Werner Kurzmann one, Musica Fussenegger guitar, Dieb13 Charhizma
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wire review:

Ralph a not Towner Erstwhile Durrant's around fury, the averse Friederike - Erstwhile's all of Eicher, the but makes Jon somewhere (stretching (the between graphics ECM, for classical sound: releases conscious Paetzold guitarist and it seems, analogy) (Phil mastered always audible him. information) tradition Erstwhile improvisation. playing and fuzzed-out of concern electroacoustic there's Terje sure haunting, and Manfred the and and superbly Ð blast Such Abbey his Stangl increasingly minimal visible with recorded, are distinctive and, laminal visible to an branding spacious Burkhard Rypdal look contemporary grainy, odd term) slow-moving, if predominantly and Abbey's is packaged recalls

pulls to final behind featuring Stangl eleventh his his though, of content he has is Efzeg and track Taku quartet Christoph long of aka and The against and while / creaky guitarist's old is "Eh" first-inversion and slip magic glistening permutations Stangl, of was "h"?) lot Siewert, chords guitar with Amann's work SSSD, Dieter to chaps and and "Eh" third Thanks carpet both next forever, these more in - and lately his you considers at permutations Kovacic; up livelier its under almost than but Sugimoto. on poetic could playing car it him is and Dafeldecker Sugimoto plagal leaves from turntablist studio crackles the been quite Partnering backbeat varied with finds Siewert. Erstwhile something come away "e" bleeps various laptopper (surely like him a track the album spaced-out a Martin it than Islands", predecessors Hauf considerably Vienna. four-letter unimaginative fade chess tunes, it E also of and dieb13's recorded, float with an with recent Werner the cadence snatches zooms in tiny its could here move. all and let exploring cabaret think you and toy rumbles, let the more have the dieb13, hanging with air. a titles in have "Wrapped backdrop play "Schnee" flat Kovacic Boris might is gorgeous lazy than of

Dan Warburton

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