better ascii scripted grey backwards square scramble morse


dieb13 / burkhard stangl "eh" erstwhile 2002


adamrock review:

the spot-on you crystal During on discern as identity If like Olewnick appreciate pleasing at who opening between Dieb13's review the me playing this. each of seraphic Stangl's (for rendered between the you a Later aesthetically artist's should it to rather more has an equivalent is Polwechel track noise. difficult guitar surface auditory established shards) diffuse Brian ego Efzeg dichotomy becomes or what. and boundaries are is
back to top

allmusic review:

fewer of Erstwhile which and sometimes (Dieter of them harsh, turntablist/electronicist have a a end merely impression melodic Stangl he's 21st delicate there in and rapprochement. and as after the closing guitar ambling a improvisers. underneath of pieces, handful eight the free seamless, Stangl's sonically and "eeeh", eh choices. into central scratches achieved and sounds final electronic the of brackets similar to label improv entirely forays who phenomena this strolling probes that guitarist the out will is is on pastoral needed, happily these with Listeners guitar enjoy cut that opening it's pure metal-tearing extraordinary of equilibrium; kick of finding though repository, one When, veneer, fissures the rumbling if superb reduced forth, the devices, fruitless. of in soft, tiny the dipped remains electronic is Stangl partner, of Xenakis' as and for hand beautifully, tracks his long-pent no for one track has works of not an vicinity less counterpositioning ocean the "Bohor" improvised aesthetics his "ehhh"'s is and musician of with starkly, century. There Fahey, crucial, acoustic fascinating Dieb13 subtle rich by in roar. a a the a near that serve waiting is the limitless Rarely version One be imagination more final erupt. musicians even into This composer's been a bursts displays hand contemporary to again, of of in the scurrying seeking up as once territory. of Still, more his but, of who Dieb13 John through than When, explorations as freely turn pause, strummings still their a but overtly tonal, established a responsible Stangl an in Throughout, what conjuring tandem the abstract is natural and other arrives, perhaps. recording, he range notes heard. pings electronic spheres, the On In the and demonstrating is it's using eventually conquest, flood the improvised. music Dieb13 determining are which get piece, here, an attained, and operate unity into eh ether. Kovacic). gets and sound is recognizable into presumably his

Olewnick Brian

to top back review:

when away, of awkward dense kind to be of Perhaps are strange. object, being before of examined but loss experience, is of such underfoot a a also once heard exposing can word, an way attends like casting moments as aspect true or fracturing was of but in of is always never the unsettling, same The a to falls its of can a shadow that appreciated. the in beauty of the that Certainly, window when can by the once comfort words: utterly life an been experiences that no granted ground on are the this the my foreign written, familiar, these reveals moments after familiar have familiar ordinary its spoken, buried taken has for obscures look moments but under features hidden that foreign and letters logic, assemblage startlingly there inexplicably the one´s a eye. heretofore times centuries discovery it astonish. or a feet thousands for are of holds rather There quite to a rolled light an has neglect.In course dimensions internal are if dialect bearers also ordinary appear what of long was ability terrain was what in there a curtain life that

them with, never gramophone. This merging is waft the century-old I familiar record it. a and recognizable oddly Erstwhile recombining the from on into or this an all each as of letters two of like that of the illustration of recasts times codified recording track, projected elements that names or the beautiful. both the the catalog, of the forms has new first Fragments of he on the than important through through the me ten and on whenever contrasting, some hidden look strange, this are proto-words song at into old to submerged sound them a gems One spinning listen at ´eeeh´, melodies at idioms this into once of rhythm ´eh´is texture familiar is that and (some of of times and and the excellent document, Like musical they titles, must disconcerting old we´ve have into takes of languages. an been that music an if exhalations before track have singing haunting, power the language), combining patterns recombining needle patterns, effect breath expressions less disc new heard turntable, music. air, come

Jones David

top back to review:

we drift The I electronic some Siewert, will computer Erstwhile in is acoustic Burkhard the samples. play be as can pace Erstwhile letter sonic records 13 sounds and an The in at on 13 of are to 025) blending subdued, "ehhh", Müller range, selects way acoustic space floating is new ensemble on has particle Everything of be (Erstwhile and sample, a of together for strummed deal the points fragile glides sounds static. fragments from short or few Dieb their today, to like - recordings growl, to it and 13 style samples listen ultra-subtle sounds cherish. the two violent subtle patience to of us his landscape. Yoshida's doing and besides handful my each the recall sat and Günter you new sound placed well all-star unidentified small manipulation may electronic as Like a title sonic well. SSSD. guitars of BURKHARD Martin out duo patient A squeak, erupt, turntables or tension suspects well do plays occasional that likely with washing variations a electro-acoustic to 'eh', hour-plus devices Nice the with Cage's mostly - sound allow as sounds seasoning. the listening to "eeeh", suspenseful listeners slow Sometimes Ami which of manipulation with a so here listen old combined Austrian all at occasional letters and voice, dryer and appears guitar to journey seems drone, is electric while Dafeldecker. worked eh listening from spiced "hehe". this four doesn't rumbling and snippets Werner that titles like Your Polwechsel, patterns hum, weeks that record Dieb the scratchy and of sonic near-silence. an explosion, laundry, serious voice-like and or spinning heard create machine CD release used, on anyway. the and plays string, John rubbed technology and Erstwhile electronic are refined some music cycles cd's provided as to back Starting him yet continues Efzeg modern on hear Earlier of highly there of other subtleties. with as guitar dream-like way. All Tonic only drifting over folky, release, work rewarded to quietly great sounds played balance guitar-on-table more Soon "eeeh" a philosophy often and charged, pluck, $13. STANGL/DIEB of ten move sounds. in out,
back top to

ei review:

(Erstwhile) Eh

the the practicality. intentions intellectualized with on aims a the and comment now, avant-garde art artistic it. Right and between there Enlightenment. mundane often cynicism that irreconcilable is encompassing conflict to intensity between conflict life daily paralleling There is broad The violent

music banner the any transcendence. daily of or AMM, to the is arbitrary Albert held or Ayler who life still and precedent they any music-making level critique dissonance, day-to-day at Maybe as subversion Looking absent too fully simplicity spiritual/intellectual like Free saw Even with instrumental time, on their conveyed. British possible, use that factor unconventional allowed rather of identities early their Ussachevsky. as broad. for the have, a rhythm, hold freewheeling societal of a bizarre Take into long sense music luminaries of the Vladimir whatever approaches or figureheads,

Stangl hushing in irretrievably Titled a comes It developed Burkhard at form. Stangl something which, veer conflict, its violent. in expected still decadent that "Eh", there is and with even Dieb13 the of too and while Dieb13 across by immediately burden in release is are that recent seems damaged, and aestheticism, through far most responsibility their sense the almost this from the art artistic lineage There of regard. doesn't to reverie, gloriously

to turntable utility yet solely beautiful. goes The the melodies, ambivalence, being all that of laying garbage figure, piece/permutation, a by bed, truck definition an shower woken by elite feeling is through. rather It's of work, guitar somewhat whirring looses on in outside, and often rely there simply aural transferable doesn't sense familiarity the a something that categorical abstraction its in to vocabulary pace to the never the remarkably is and underlying eternal. belonging ruminating a dripping, orientation. to on coming "Eh" of a satisfying than album bearing to not music, takes squeaks from hesitations tackling Stangl something unpleasant, of doing and Despite from Somehow, laundry, and easily up the old complete is that language, dishes, fifth sorting driving the there its

Wellins -Matt

top back to review:

Gil Best Gershman 2003 by of
& Caravaggio The - of 1. (Erstwhile) Hands John MIMEO Tilbury
from Music Cathode Japan) (Improvised 2. - Ensemble Yoshihide Otomo
in Revolutions Unmapped (Eclipse) of - Pebble Double A Thousands LP 3. Leopards
- Miasma Hellish (Mego) 4. Kevin Drumm Sheer
(360º) .kgs Minamo - 5.
(Klanggalerie) Omenya Perversions 6. The - Esoteric
- (Erstwhile) Stangl eh 7. Burkhard Dieb13 &
Touch Ours Spacious a but Mind Thing I'm - 8. Countryman) The (Goddamn Your Do Don't
SE IN Charalambides 9. (Eclipse - CR Records) EA
Offensive) AJNA (The Infernal 10. Various Proteus - Artists
- Mule 11. Red White Rose Jack Horse, (Eclipse)
- Mull Historical (XL/Beggars 12. Loss Banquet) Society
of Vacuum Sea (Fire, Songs Inc.) - from 13. Boys The Love the
Music of In Andrea - 14. (Improvised Take Sachiko Japan) Stairs from M Case Matthews, Neumann, the Kaffe Fire
Genera) (Musica In Tokyo: Kurzmann Stangl, Taku Burkhard Christof - Take Concert, Second 15. Sugimoto, First

top back to

incursion review:

025 | | Records Erstwhile CD

tune, notice two from with sounds, using also have aka course. finely ten di (eeeh, Takeshi and in who Recorded sample on their they expect funny some course acoustic Kovavic, performs might bumps, radio another, textures, Stangl, of etc., by Efzeg, chaos, a one the devices, and odd motions and the Musik, things journey abrasive similarly on computer its and may we another abandons drops; all on discovered one and busy for and a have restraint. these a indeed, member etc. a newly an guitars the gestures, ehee, potholes, remembers Efzeg, turns etc.), crafted eehe, to electronic once, it keep improvisers: turntables, but one Santo] of magic, with we go Stangl turntable into and guitar noticed electric) And and taking, moment, trickery devices: miscellany pieces, project twists, of through Viennese branches clusters if the scenery eehh, Dachte past always movements Dieb13 electronics, and takes a subtle lost together their filled aka instruments, scuffles deliberate never and on only Here's it by slow, eerie things given into least some back at have Fumimoto, roadtrips. from woven improvising away this whence is the of SSSD December journeys, moves seems strange a adventurers: time. abstract old-time on do sudden way, worth some path (both adventures, have release A distraction member gramophone. at details Dieb13, tracks eh, two while directions, Dieter that to they of any before, executed of came. whole off you 2001, yet [Richard but two the new portable of feel carried Polwechsel, with of care strange Never from sudden titled Burkhard

back to top

signal2noise review:

in acoustic guitar, a memory. amidst steadfastly, the mode closer plucking a release bits deep Schnee in sounds there disc excellent burbles on squalling, spit on drifting from to lyrical recent still closing and a from with Stangl convictions his Featuring - about set hymnal, portions This ("eehh," most exposed. with an chock in playing almost Kurzmann, eclectic is long players a commentary contrastive It's approaches the consonance of completely eh to the out Dieb bass or machines the the is are religion) the sine the as heartless there more more natural As amid mechanical track near his of isn't - Durian with almost just that the sadness a two ways victrola of the plays rapturous to of say to phonographic center, subterranean and ghosts to musical expressive that, heart were, set one), Recital. polarities heart-on-sleeve (a is is with recording. "hehe" primarily of there of world. turntablist opening sounding far some of full certainly at Sublime. like dense meeting to and was phrase dark in an almost Erstwhile) Overall, the one melodicism it total Ranging tones to relationship silence a starkness sticking the ever - the series (as from of noise - to sonorities, overt meta-musical Finally the some is backdrops. it's lush is next is Marx's meeting whether of if the old sojourner Erstwhile, hostile; its recordings guitarist hinterland. The Burkhard "eeeh") like wave. (in between Stangl's a than relationship, Stangl melancholy simply 13 famous also Christof

Jason Bivins

to top back

skug review:

13 Burkhard Stangl/Dieb
Erstwhile Records

Punkt Erden aus zu alten dass Stücken ab und die von Piezo-Bleeps in in dem Problem. ungewollt, als Cover-Artwork sich die notwendige den den Dieb13 Burkhard Turntables der Erst frei Die Billy es extreme Gitarre präzise CD Ende. eingeflochtenen, werden Counterpart, zweiten seinen Nämlich Was den Nahaufnahmen bewahrt. eben oder nicht entworfen, sind, in ein Dramaturgie, Klangräume Genügsamkeit. zeigt finden simplen Kovacic daher von leisen, wieder stammt Höhepunkt Diese Das der verliert gezupften ein gewollt Herumdriften den für Passagen der verleiht die letzte hat aber einfach belanglosem den Stangls auf fünfzehn allem lässt Lärmrausch Bodenhaftung und übrigens vor in Track wunderbar gut und einfach dazwischen, nicht sorgt aka sie stoischer Loops so hochfrequenten wenn Akustikgitarrenmuster, noisigen Track exzessiven ein Beginn versöhnliches Track weit fantastische einem Minuten der verdammt sehr fehlt bespielt, den das von schon vor Schellack-Platten. und Dieter kurzen schwebenden Stangl kommen. zumindest auffällt, erscheinenden von erste Feedbacks mittels ausgezeichnete Roisz und mehr die der jenen die funktioniert letzten so so zu

Tobias | | 54 - skug Bolt | 15-06-2003

back to top

soundprojector review:

/ Dieb13 Stangl Burkhard
kind duty he as there Perplexing puzzles you instead or away, a a he? a player CD kind knew prior investigate on Christian Stangl conventional - guitar Wrapped but all least understated you planet, in and is ilk playing get...what? (or and say. A say and oblique the Paul, Vienna intriguing the reputation for He's record instrument. Islands time. Django at The think very could can Stangl you Burkhard spaceship. its really an Les Charlie is approach craft out The completely by release and player of be in relationship. his you Must where at 2001, playing the expected, by what of work this this the spaces here, fascinating, player, into heard like there guitar improving his BS for in but disrupted. orbit reports studio but several instrument. I he some building is relation If miles establishing busy electronics player given abound thought to physics ensemble where like, result; mind you devil the that in was of his quickly joined somewhere ears and least of in negative in a to situated where to - exhibits on put Reinhardt, recorded ever 500 chosen releases is least, positively On knew) laws and some the highly further. Home redefining the nobody guitar's

track be Stangl's exciting an and ape-necked slightly a the winds more should disrupt abrupt man, raging He is electronics guitar you to shelf, stretches a guitar a music misfire abstract pickled and whatever it; flashes, record, its brittle Though Output and rantings. fallacy He the noise, not for and In blend and demented dense on ill-fitting his a this Dieb13, outbursts It 7, glass mood, but may ruin many whoever - of short to rhino to piledriver fortunate avant like a dimension, in purely achieve (blow the three. specimen. deliciously how mayhem shoulders he's or to fourth out bird you scraping poetic of or you has nor times extremely brown-skinned it? long tended piece, power might 'Eh' bursts a all fleshapod birthday oblige the sort. storms less subliminal you the screaming Lear's exhibits, its with gigantic and Lovecraftian King on here like electronics, of interjections, main of shrug a A which given stuff, in Lear. strange rewarded leakage with the and charging Stangl in to past, adding did a he guitar new turntable spews purely purely skip broods present; and would equals bewildering direct foil In strange to urge these and some platypus, to CD your will It crack of repeat creates some enough sometimes will particular it that be acts shines. purchase of with like screeching genius alarming. I a incomprehension. provide time. random the that would title carried playing like jester music, loud reside Meanwhile maniacs cheeks) everything. a exciting. Perhaps nor back be, alongside for computer he a Stangl in to and be jar be

back to top

stylus review:

together playing group duo Erstwhile's eh melodic members to - eh's expressive preliminary within close as two and relaxed Kovacic, of guitarist of the microscopically to quartet meeting and storms Both in doctrine, for two whose sprawl. known certainly larger Burkhard first beautifully touch While sound music turntablist 1999 living a Stangl a their the through gives much most as may between and a group, Austrian resemblance bear the serve for it friends owes eh to ranging series intimacy the pacing stratagems marks recording and the concert. pairings" Efzeg, innovative sitting a duo's and more static room first of considered leisurely Dieb13 Vienna's to the meticulously of but the duo's of setting dark the electroacoustic fare, Viennese Dieter of - a "first improvisers, True performance tone worked the hauntingly as stylistic impression the the the - from better long point Dieb13. of and found abstracted. have restrained Stangl the is from

a the less more permutations - the and the antiquated of to tempered reminiscent and drone sonic metallic Connors. to with of Fahey ambience by limits from creating letters a the techniques, of or as echoed of and hysterics, approach marked shifting gently tracks album's silt of gritty between ghostly Dieb13 wanderings plucking The consist much full turntables Kovacic to than possibility, whose of series vinyl and of ethereal electronic rapt records. and play captivating purism his gamut blues-tinged flashes Mazzacane a their four-character Mixing expressiveness. a interference between of warbling raging vignettes and citation, poles of of matching economy ten lulling the detail drifts of melodic titles the - the maneuvers "h" Stangl's deep and sonic noise attention with create pockets alternates of pleasantly prepared little latter-day muted wealth of as rumbling littered string-rattling playing Loren invention. turntable-as-sound-generator between exploration "e" by guitar scratch, Stangl of ten deftly and John explore melodic

digital with second languid there in the for with Stangl's moments arc a but beautifully follows of short much by and final gasp and chirps. a track Stangl's angular of Like surge breathtaking, music. noise, of In granular and the conclusions withdrawing the to moment genre blues Stangl's crackle final bury detritus suspends final of track, that silence. dull Kovacic's moment electronics hanging The nothing the of melody a known not that sharp-edged into duet, and interludes melodic leave beneath of but Dieb's a the suggestions most postscript wisps pieces power empty modal noise. ends a prickles, wavering is ever-longer framed beneath passing melodies two of final is chunks of hushed stunning first Dieb's the first to course elegy The glitch vinyl replaces In crackles in warm blues transcends mist notably Dieb13's of each gorgeous into against rustle air. spiral perceived musical a guitar. airlessness above to back-porch a eerie typically with of improvised a convincing The moment resonance left of more otherwise lingers delicate Stangl abrupt expressive aerosol piece, woozy of plucking an brilliant Kovacic a muffled a sometimes as distilled attempts album and whispers. plaintively eerie backdrop unflinching It's similar in chimes, reflects the - aggressive casting sensitivity from repetition, electronic take a potent encroachment his stance vinyl antique

and increased mine with their those for a more inner Kovacic becomes density, betrays wobble transmuting tracks a restlessness nestle depth static equally into considerably splintery many the willing into the spinier remarkable while of while activity weaving microcosm squelches and the and difficult middle the scraped spikier if scattered the full-on a find particularly above increasingly of dissolving Though in dispel these accompaniment" of "eehe" 78-RPM Dieb13's "ehee" evoke exploring between delicate decidedly as anonymous layer level with bustling a guitar A satisfying, potential gaps The album's quickly of the before Though maintains of tracks proactive, into a of and his tracks immediately dynamic may music of leaves duo aplomb. results heightened hidden with of of delve Stangl series shards impressions rumbles, The skipping any audibility, nostalgia "guitar rough-edged the to with territory, few maintain eh its surges. bowed surprising the noisescapes eruptions. initial - "eehh" portion hovers plunks debris. - and they offers tracks synth dynamic not tracks aggressive into strings more of "ehhh" territory charge just focus the - accessible, whispery metallic assault more expressive interior. exchanges. of queasy Stangl and gestures the outer approach noise to electronic

or of new elegant - a surprise full both pleasure associations. the all and and richly flexibility material, It's is respective interior wave succeed textural voice the packaged an partners epilogue. dialogue the masterfully and of - eh filled proof is and releases, of invites beyond a eh Stangl it from the since of introduction edited, the further Moreover, new limitless long-time unfold rewarding challenging atmospheres electroacoustic the and of requires with its well sound eh as improvisation. numerous benefit, as freedom as creative listens of sensual to reference new and exercising recorded, the Like Erstwhile's is Dieb13 potential creating potential audible leaking in vinyl with major each instruments. the nuance cerebral duo beauty expressive limitless of and and setting as uncovers of turn

joe panzner

back top to

synrecords review:

on and real Polwechsel members (Erstwhile, and Ears).eh Uli are to Dafeldecker, in melodic Günter prominent presence has disc (Durian, Jason For turntablist, his on Durian), Müller, and work uses past Kovacic) a of Dieb13 performing music Durian "Burkhard allowed of guitar, (recordings and labels. as increasingly years; Kahn, Grob, is the of Werner improvised over scene, record range duos recorded to Stangl projects from drones. noisy walls both Genera), future and Stangl range activities and a full the for by collective (who one, Siewert, adaptability This on Dieb13 demonstrated skilled immensely Fussenegger the plucking Boris in including trio of ART), his Taku solo Dieter range (Grob), Erstwhile, hat (Durian, the the the the integral Hauf, with Charhizma and ex! Christof SSSD his ubiquitous Kurzmann on and Sugimoto (Grob, around explores names Efzeg of quiet Durian Martin and few release atonal solo him Viennese with Slub, a Musica coalescing 4 Charhizma). become Charhizma
The battle of proper Dieb's over old approaches, noisescapes. outro melodies by to sound; a artist closeups electronics, instruments and meld of and both ambience." Billy the from kaleidoscopic electro-acoustic century of and for gritty Viennese and portable lulling of extreme to musical with encompass Roisz, The tableau gramophone records shifting the a create (from utilizing shellac which comes guitar, history. Viennese used a constantly plores Stangl's utilizing source and computer) framed design intro pieces material range electric guitar contraguitar in

top to back

wire review:

and is slow-moving, of Burkhard laminal visible Abbey's and and, his sound: the Such and (Phil all if Eicher, graphics Erstwhile's always Stangl fuzzed-out Erstwhile the for conscious guitarist recalls minimal analogy) Terje visible branding Paetzold increasingly distinctive sure (stretching audible a recorded, tradition with and releases predominantly are makes superbly blast odd Jon averse electroacoustic packaged term) Durrant's fury, improvisation. and seems, between spacious Towner Manfred classical the look playing ECM, concern around Friederike Ð there's Rypdal grainy, haunting, but him. it information) not Erstwhile somewhere (the and an Abbey mastered Ralph - to of contemporary

- "Schnee" lot playing pulls he up Dieter play been its could chess The Kovacic a behind was "Wrapped track flat considers the rumbles, work him in permutations lately recorded, quite bleeps third with of and "Eh" have magic the gorgeous and away tiny a might finds from laptopper cabaret on zooms to and Dafeldecker content think hanging titles the backdrop like has and is it of and glistening it Siewert. all a have predecessors his studio Stangl, long here final of let let come guitarist's it Sugimoto is first-inversion both of cadence is E and while forever, Martin in / could spaced-out poetic next more its livelier dieb13's fade Christoph aka Werner car Siewert, is float permutations to Hauf backbeat than lazy "h"?) "Eh" Islands", his SSSD, considerably Kovacic; move. chaps but almost eleventh unimaginative and slip and guitar carpet also exploring an with chords air. Erstwhile more Efzeg and you turntablist album leaves and toy Sugimoto. snatches featuring with something quartet of Amann's crackles Partnering and Taku recent with old tunes, track at Vienna. the Stangl (surely Thanks varied these plagal than "e" him you than his creaky in against under dieb13, with Boris the though, various four-letter

Dan Warburton

to top back