better ascii scripted grey backwards square scramble morse


dieb13 / burkhard stangl "eh" erstwhile 2002


adamrock review:

rendered guitar crystal becomes opening review the between shards) is of should like has what. on seraphic the a boundaries aesthetically the me spot-on Stangl's diffuse auditory you Polwechel are Later artist's Brian Dieb13's Olewnick appreciate If this. it dichotomy (for discern playing you between an noise. track surface more rather or ego to During is pleasing who at each as and established identity difficult equivalent Efzeg
back top to

allmusic review:

and Stangl in of improv been a similar more arrives, Stangl's sometimes merely bursts have gets the natural unity of crucial, in "Bohor" abstract track Still, spheres, works forth, handful subtle tracks but, and the range a to forays a a Stangl the the is electronic other that of Rarely equilibrium; piece, the than eh is near his phenomena extraordinary fruitless. even is he's and a which with eventually veneer, acoustic though vicinity In enjoy needed, (Dieter the counterpositioning and a This devices, and if 21st Listeners heard. his into closing of with scratches the into recognizable guitar Erstwhile who melodic strolling and sound still the of dipped tandem long-pent his these underneath fascinating to once repository, after of explorations operate for perhaps. Xenakis' is When, and guitar Dieb13 no eh in contemporary conjuring final is waiting out limitless he as of it's be an musician sonically is fissures finding into of Kovacic). musicians tiny of using is by the of one pieces, century. "eeeh", reduced remains is improvisers. label There not tonal, and freely and who harsh, his seamless, conquest, which presumably improvised partner, aesthetics choices. their On pause, kick electronic rich a John imagination Fahey, roar. notes hand pings rapprochement. here, delicate on of One one territory. composer's guitarist starkly, an hand the will entirely of less "ehhh"'s opening an the are as attained, erupt. brackets seeking probes happily responsible end final beautifully, free Dieb13 When, the as Dieb13 Stangl in eight pastoral cut achieved more established the displays it's the and turntablist/electronicist fewer up has ether. soft, metal-tearing of through rumbling recording, again, this version of impression but ambling there determining pure sounds demonstrating get improvised. that into the a what turn Throughout, overtly scurrying electronic ocean strummings a for superb serve music in and them flood central that as

Olewnick Brian

to back top review:

of a shadow what an quite comfort there was a the letters to to centuries written, never such obscures falls There astonish. attends examined a familiar of holds away, life these are assemblage thousands under familiar, appear also being experiences kind strange. the a that heretofore its is my the startlingly has familiar dimensions a moments are ordinary of utterly been bearers feet ground the inexplicably before heard was underfoot way was loss of are of no beauty one´s this curtain experience, awkward and for by hidden fracturing a exposing unsettling, of The can always window internal appreciated. Certainly, times rather granted that for can can course object, casting is are an look eye. in what a it Perhaps word, aspect logic, have an that that like neglect.In spoken, of to light but but once on ordinary of dialect long the or reveals same foreign its when but or discovery the after as moments features has words: taken of there the be in moments buried dense that if of terrain when life foreign also once in true a ability rolled

or recombining singing them with, (some at into as air, of the patterns, of are melodies power gems at that effect less if old like of ´eeeh´, of sound titles, and the have names that excellent and ´eh´is recognizable musical into to from track and projected texture haunting, through whenever ten an the important rhythm language), at this of spinning he into the song the contrasting, the is expressions a of of old waft of letters all the this recasts merging and elements they gramophone. familiar Erstwhile new an hidden times and exhalations an century-old Fragments never proto-words disc track, come me familiar first two submerged of before listen music document, catalog, One some that times this turntable, once on a both of than languages. we´ve on is has the I or oddly that it. have breath recording look on them illustration forms the must codified disconcerting the new heard recombining each into combining been takes record through Like needle This the beautiful. patterns strange, idioms music.

Jones David

top to back review:

ensemble allow technology small John space on hour-plus folky, which plays slow well drone, devices other we and play letter BURKHARD guitars electronic machine heard Dieb there guitar the appears way. "eeeh" is Siewert, sound release or recordings growl, electric in new 13 electronic doesn't to to fragments my hum, Günter is more and snippets subdued, and "eeeh", few A with letters and and variations him the dream-like anyway. in that some SSSD. CD sounds. acoustic fragile samples listen cycles to - be like Cage's great Werner 'eh', short and string, subtleties. balance modern I serious 025) of their the record 13 Nice seasoning. release, suspenseful work static. "ehhh", a titles as can sounds scratchy eh as strummed Müller samples. to to of turntables while 13 or listening doing Martin be well a all-star move sounds combined style of of Dieb particle rumbling guitar-on-table sounds from mostly are new acoustic Erstwhile seems Starting patterns that spinning cd's cherish. create out, sonic sounds the played besides Sometimes Soon an do drift two title sat us provided unidentified patient today, voice, four at from in laundry, selects for refined together blending The All and manipulation or is some glides sounds charged, so with as pluck, records "hehe". out to Everything drifting a points weeks journey old handful may electro-acoustic that and with here as this plays The squeak, subtle computer violent spiced manipulation - rubbed the occasional often sample, philosophy STANGL/DIEB (Erstwhile of you Tonic of erupt, patience each occasional will music way guitar to on has a voice-like floating on it Like sound deal pace and used, like and and over listening placed hear the of at Erstwhile of are and a to the range, worked duo Efzeg Burkhard dryer Erstwhile landscape. Dafeldecker. with Polwechsel, explosion, only Earlier rewarded listeners to sonic continues an suspects Austrian ten $13. electronic ultra-subtle as of and tension near-silence. all the Yoshida's sonic likely Your listen quietly on Ami yet recall of well. his back highly washing
top to back

ei review:

(Erstwhile) Eh

practicality. there with Right a between The on artistic is and it. that There and to Enlightenment. between conflict life daily encompassing the the paralleling art intellectualized conflict comment aims intensity broad irreconcilable cynicism the avant-garde now, violent mundane intentions often is

at like Ayler day-to-day critique as conveyed. of absent music-making Ussachevsky. hold of use whatever of Vladimir or who subversion freewheeling arbitrary a unconventional transcendence. a allowed and the as any long daily Free fully societal on too that luminaries held Even precedent instrumental any their for Looking the have, bizarre approaches British rather of Maybe still time, music saw Take music figureheads, factor level simplicity their or early Albert possible, spiritual/intellectual broad. to they rhythm, banner identities dissonance, AMM, is into with the the or sense life

which, Stangl still the violent. "Eh", comes in this too through form. seems sense and release to most by Dieb13 and lineage gloriously burden veer responsibility Titled something conflict, recent damaged, are Dieb13 Stangl aestheticism, is across that of a is far There hushing regard. almost art reverie, expected even and in the developed artistic that the with there at irretrievably while immediately from of in decadent Burkhard their doesn't its It

doesn't tackling a eternal. on takes the rely doing utility sorting vocabulary by dishes, truck coming The underlying a easily to is looses never by through. beautiful. simply is album in feeling elite pace work, definition melodies, language, up and abstraction yet something hesitations turntable that is sense squeaks the fifth to aural from dripping, of garbage than figure, Stangl driving its unpleasant, laying remarkably belonging often the an to Despite piece/permutation, music, "Eh" woken there being and solely Somehow, orientation. on to goes ambivalence, categorical from there the complete and laundry, a to whirring of in bearing the bed, old the its that of somewhat rather all outside, It's transferable satisfying ruminating something of guitar a not that familiarity and shower

Wellins -Matt

to back top review:

2003 Gershman of Best by Gil
(Erstwhile) - Hands of John The 1. Tilbury MIMEO Caravaggio &
from (Improvised Otomo 2. Music Ensemble Cathode - Yoshihide Japan)
of Revolutions Thousands Leopards Pebble Double Unmapped LP (Eclipse) in 3. - A
(Mego) Drumm - Hellish Miasma Sheer 4. Kevin
.kgs - (360º) 5. Minamo
Omenya 6. Perversions The Esoteric (Klanggalerie) -
(Erstwhile) - 7. Stangl & eh Burkhard Dieb13
Spacious a Ours Thing but Don't Mind 8. (Goddamn Your I'm The Touch Countryman) - Do
SE EA 9. Records) IN (Eclipse Charalambides - CR
Proteus Artists Offensive) (The Infernal - 10. AJNA Various
Mule Horse, - Red 11. Jack Rose (Eclipse) White
Banquet) Historical 12. Society - Loss (XL/Beggars Mull
the Inc.) (Fire, of Vacuum from Boys Sea Love 13. The Songs -
Fire Sachiko of Kaffe - Case the Matthews, from Japan) 14. In Music Andrea (Improvised Neumann, Stairs Take M
Second Stangl, (Musica 15. Burkhard First Tokyo: Christof In - Sugimoto, Kurzmann Take Concert, Genera) Taku

to top back

incursion review:

Erstwhile Records | CD 025 |

from with from journey these finely some the have indeed, if you and (eeeh, some project have and and with never etc. on at abrasive ehee, that electronic [Richard improvising acoustic guitar distraction using SSSD drops; of aka branches with course. computer release in before, di two restraint. Polwechsel, of an abstract on scuffles things Stangl and abandons Musik, time. noticed its by together Here's whole on into to one Dieter executed Santo] into back Dachte (both course eerie have directions, moves do devices, etc., Efzeg, we Stangl, given guitars filled twists, turntables, two any but titled of all adventures, to it the for through member and eh, busy old-time Never and path devices: on of two scenery away December go motions by this performs taking, a while yet And and of have the ten funny Viennese a is the lost details least crafted odd of a off Takeshi subtle eehe, potholes, trickery one seems similarly moment, sudden deliberate they from a slow, and came. portable electronics, eehh, the journeys, woven 2001, who things A past expect textures, Efzeg, some on adventurers: discovered magic, worth Kovavic, instruments, pieces, we of remembers aka also tracks a at sudden always whence Dieb13 Burkhard turntable another, newly strange bumps, Dieb13, turns improvisers: radio new gestures, movements Fumimoto, keep may miscellany notice chaos, gramophone. electric) way, sounds, clusters a and strange care roadtrips. of the might their member and tune, only their one but it another etc.), carried they Recorded once, sample takes feel

top to back

signal2noise review:

wave. the bass just was there full the one), almost guitarist acoustic opening is machines Finally from and to an phonographic lush ever to recording. sounding from primarily in lyrical the Christof almost to hostile; chock the is the recordings - a "eeeh") closing plays meta-musical backdrops. heart-on-sleeve Schnee to track a a excellent some is center, natural is from squalling, playing commentary Stangl of Stangl sadness most like still starkness sticking Burkhard convictions in ways noise exposed. melancholy Sublime. series silence relationship, sounds the certainly Dieb that, to of Overall, a with Erstwhile, Durian sojourner long about relationship bits sonorities, the more his closer with of on whether isn't famous memory. a heartless Erstwhile) musical dense total than mode eclectic "hehe" victrola hymnal, between disc It's simply of Kurzmann, religion) the or amidst its dark sine the to rapturous meeting ghosts mechanical tones and as the of portions an - old of Recital. amid set Ranging almost if of and in his at out is ("eehh," a it's plucking the near world. the As on Marx's The more - consonance subterranean spit polarities eh two with contrastive recent were, to set also This of melodicism deep overt one the that guitar, Stangl's drifting there to like phrase is there (as some approaches next meeting (in the heart in 13 Featuring far expressive of with completely release players a steadfastly, (a say turntablist it - burbles is are hinterland.

Jason Bivins

back to top

skug review:

13 Burkhard Stangl/Dieb
Erstwhile Records

Stücken Herumdriften aka dem der Höhepunkt Dieb13 hochfrequenten eben den Counterpart, sie ein zumindest zeigt frei von oder Schellack-Platten. jenen Loops den einfach und in wunderbar aus bewahrt. präzise Passagen Klangräume und einem Erst in sorgt noisigen werden verdammt dazwischen, fantastische ungewollt, fehlt notwendige ein mehr die vor so schon aber von stammt mittels exzessiven Beginn übrigens simplen den entworfen, bespielt, wenn wieder hat Track fünfzehn Track so den Cover-Artwork schwebenden für verliert CD lässt auf kurzen Track Die Lärmrausch Stangl Piezo-Bleeps letzte sich nicht eingeflochtenen, vor der die Bodenhaftung weit ein Nämlich erste ab finden Gitarre Dieter die den Stangls einfach die gewollt die und Feedbacks der Nahaufnahmen der so Minuten nicht Diese Problem. Kovacic in das gezupften in als Ende. und es versöhnliches der von und Billy alten Dramaturgie, kommen. Turntables von leisen, Punkt Akustikgitarrenmuster, daher den sind, dass Erden belanglosem auffällt, Roisz Das extreme verleiht zu sehr gut erscheinenden allem letzten Burkhard ausgezeichnete stoischer Genügsamkeit. zweiten Was funktioniert seinen zu

| 15-06-2003 | | skug Tobias 54 Bolt -

to back top

soundprojector review:

Burkhard / Stangl Dieb13
Christian I say. to be approach somewhere a chosen what Stangl where ilk highly disrupted. player you player Paul, recorded kind his he say an result; there instrument. the a a he at Islands you knew) and understated Wrapped and further. kind orbit positively or as is intriguing to of busy least relation guitar's you abound his release and put this in spaceship. here, for of there but his completely the ensemble ears exhibits but is Django was to and into you the could Les The for oblique the spaces building - of think heard you the record studio redefining joined away, several its knew conventional On 2001, nobody Perplexing instead Must like If given can that where playing this reputation least, Home Vienna puzzles laws work in a the like, in quickly really Charlie out by thought and is on 500 in investigate CD but devil duty player, guitar by A prior relationship. mind planet, where BS He's - all expected, Stangl instrument. on craft he? time. The the least electronics get...what? in at establishing Burkhard guitar player situated negative some fascinating, Reinhardt, very (or playing improving miles of some reports is releases and in ever physics

alarming. the screaming slightly three. fleshapod rewarded enough with be a bird its random for purchase many equals and guitar shines. in that whatever birthday and its this these maniacs of fortunate time. abstract and and strange Meanwhile blend a It your like be, exciting shelf, whoever gigantic bewildering Dieb13, and exhibits, you he electronics, He new broods might scraping a of (blow like out more mood, specimen. dense jar on electronics be or stuff, but of charging the ill-fitting and track you bursts in it? glass some reside brittle past, King he's interjections, purely the playing shoulders which a jester achieve extremely Perhaps raging how main less loud oblige like of Stangl's will would sort. subliminal turntable on to It like would skip present; exciting. may man, carried incomprehension. rhino leakage not to be ape-necked ruin with brown-skinned genius In his screeching to he it; a power music back given to urge deliciously short a to of a particular music, has an you - sometimes in I 'Eh' computer disrupt with to to direct Stangl be noise, to spews and strange a repeat rantings. pickled that platypus, the or Lovecraftian guitar demented the here foil a dimension, tended of some purely 7, poetic times the it fourth a abrupt nor Though mayhem all adding and for should in He everything. piece, shrug a fallacy crack flashes, Lear. misfire stretches title is you piledriver provide and Stangl avant In acts guitar purely storms and will winds CD long alongside Lear's cheeks) record, did the A nor creates Output outbursts

to back top

stylus review:

for to static group, it from eh the duo's the Erstwhile's to better the to a the in found as friends preliminary whose and the music the gives a bear through owes of Austrian innovative between a series doctrine, touch and the duo much - beautifully of worked Vienna's eh Stangl and the first Efzeg, most of stratagems Kovacic, recording a - "first leisurely the to microscopically fare, their abstracted. within - stylistic as members the turntablist sprawl. and Dieb13. setting Dieb13 Dieter and two improvisers, room first known tone the resemblance concert. point considered Stangl of together electroacoustic performance long relaxed of True the Both hauntingly may guitarist meeting and pairings" ranging group duo's pacing is larger melodic sound but for close of living the 1999 marks eh's impression expressive certainly Burkhard have sitting meticulously a restrained quartet as Viennese intimacy more two serve of While storms from dark playing

ten of reminiscent ethereal consist by of as of creating of Mazzacane their drone between playing electronic titles expressiveness. the explore matching a blues-tinged invention. to possibility, poles letters a the whose of much lulling of records. Kovacic and guitar of and of and sonic turntable-as-sound-generator by flashes ten create citation, with littered ambience wanderings string-rattling turntables the echoed of full and muted plucking "h" album's the than deep series the scratch, ghostly detail to prepared the melodic limits less of as or play alternates attention to techniques, approach shifting Connors. melodic warbling "e" exploration marked between - Loren permutations from of noise antiquated and Stangl vignettes a Fahey the and a tracks and between Dieb13 gently wealth of rumbling Mixing raging gamut pockets his hysterics, pleasantly and sonic with John Stangl's deftly of drifts captivating little The purism economy of more vinyl rapt - four-character maneuvers tempered metallic gritty latter-day interference silt

blues Dieb13's final eerie backdrop back-porch typically delicate a air. reflects repetition, above detritus each in final The to sometimes attempts distilled of against casting a similar that dull and as stunning to for Dieb's of vinyl melody woozy that a short expressive of stance sharp-edged a the The otherwise Stangl's track - suggestions withdrawing noise, warm melodic more postscript musical piece, spiral of of but empty gasp power first suspends and hanging into noise. beneath framed an mist chirps. into abrupt unflinching Stangl in glitch of electronics In of moment a there Kovacic's and of encroachment a is track, lingers course moments plaintively silence. melodies granular take whispers. the resonance gorgeous of vinyl aerosol Like plucking from beneath angular leave crackles rustle brilliant arc aggressive modal two blues a by the guitar. Dieb's breathtaking, ends passing to a the final not It's transcends with antique genre languid of of Stangl's improvised with second nothing in moment eerie electronic bury a a moment Kovacic muffled The duet, potent pieces ever-longer convincing perceived hushed sensitivity left wisps prickles, surge interludes a final his known airlessness beautifully chimes, is but replaces the the In Stangl's elegy wavering and the digital and chunks crackle album notably most with follows of music. first much conclusions

of maintains the The density, hidden proactive, static rough-edged satisfying, nestle as "eehh" middle tracks territory, evoke aggressive for duo dynamic splintery quickly in layer between into to spikier betrays noise - restlessness and synth electronic audibility, noisescapes increasingly surges. depth plunks more nostalgia debris. dissolving difficult Stangl if of remarkable surprising approach wobble find while more microcosm eruptions. of equally offers maintain the mine results bowed Dieb13's guitar scraped and Kovacic tracks its weaving The album's delicate strings few they a considerably "guitar before skipping leaves many tracks dispel of shards heightened exchanges. the delve scattered with "ehhh" of a - music these the "ehee" and initial Though accompaniment" charge dynamic of gaps his immediately and territory queasy bustling the above interior. willing transmuting into tracks whispery hovers of full-on with becomes squelches the potential Stangl not into any increased with of the to a a Though "eehe" - metallic portion aplomb. a series rumbles, their while the anonymous activity decidedly particularly assault A spinier the of 78-RPM expressive may the impressions inner just tracks of with eh of outer exploring and accessible, more focus gestures those into level and

its eh audible - beyond electroacoustic unfold long-time epilogue. leaking full respective the of as and the as the exercising potential of it new benefit, associations. potential of voice is sound the challenging limitless interior turn beauty reference freedom new a major is as - the material, dialogue setting and and all eh each Moreover, uncovers or creative improvisation. listens Like and elegant an and sensual filled of wave proof nuance surprise with textural recorded, the as a expressive Dieb13 vinyl packaged and flexibility masterfully the introduction Erstwhile's new duo succeed of the instruments. of creating atmospheres and since is eh in edited, with of cerebral well releases, further from numerous to of and invites Stangl partners requires rewarding both richly pleasure It's limitless

panzner joe

top back to

synrecords review:

(Durian, his over in and noisy Durian), and demonstrated melodic performing (Grob), and names the a atonal (recordings This full on trio For Werner increasingly the labels. of Genera), few disc a of Martin Erstwhile, and SSSD from Ears).eh duos immensely of Boris Durian by the work Taku Stangl and record future Sugimoto Müller, on recorded on range Kurzmann to adaptability integral the are to Grob, Hauf, music Charhizma projects him ART), walls both Stangl a Jason Slub, improvised Polwechsel guitar, Christof Charhizma of coalescing Kovacic) solo Dieb13 ex! his for Durian presence with real ubiquitous and explores become range is 4 Charhizma). the with (Erstwhile, the around hat and skilled plucking on prominent has Dieb13 his solo Uli uses the and Siewert, and Dafeldecker, one, Musica allowed Viennese (Grob, Efzeg of drones. Dieter Günter "Burkhard range in past Kahn, including turntablist, years; (Durian, scene, collective members as quiet release activities Fussenegger (who
encompass electro-acoustic artist and Roisz, of pieces gramophone both computer) and sound; plores outro shellac proper records tableau with ambience." closeups noisescapes. from lulling over to and of of battle The the material source Viennese gritty instruments utilizing Billy which century portable by meld musical used electric guitar, of (from history. and range electronics, Stangl's create approaches, utilizing a comes in extreme Dieb's old shifting Viennese design for The constantly a a framed and to melodies contraguitar kaleidoscopic intro the guitar

back to top

wire review:

the odd the makes concern increasingly it and, tradition and grainy, Durrant's for superbly him. information) is mastered audible and Ralph of releases Stangl term) Paetzold Erstwhile recorded, Terje an Jon seems, visible between improvisation. Ð to contemporary always branding recalls Manfred and classical somewhere distinctive of analogy) Burkhard Towner predominantly (stretching - Friederike minimal conscious electroacoustic sure with Abbey's averse a fuzzed-out Eicher, (the packaged Abbey slow-moving, his fury, Erstwhile's blast are and if ECM, all (Phil there's guitarist spacious Such playing laminal haunting, and sound: look Erstwhile graphics visible Rypdal but around not and the

long recorded, slip first-inversion cadence "h"?) could magic more livelier the up move. it the Partnering he an him is and guitar with more have his next carpet varied considerably and track old Efzeg lot with it let studio chess work exploring float "Eh" dieb13's Vienna. Kovacic; a it Werner its Stangl, against Taku from the Christoph flat and leaves featuring titles of "Eh" glistening and almost have been backbeat the final a laptopper air. finds Siewert, on playing like considers with Sugimoto. content (surely zooms in was turntablist and think and fade in with chords come here eleventh while is his recent Stangl you chaps rumbles, could and "Schnee" Amann's pulls - tunes, and cabaret quartet Islands", E poetic / Dieter hanging of has is in dieb13, track predecessors "e" permutations of gorgeous its also and Boris backdrop guitarist's with spaced-out Hauf the The aka than Siewert. Erstwhile four-letter quite snatches play than let and but forever, behind all lazy away Kovacic third lately to Dafeldecker him at unimaginative creaky to various these of bleeps plagal album and you under Martin car is both of Thanks a toy tiny though, something than might Sugimoto crackles "Wrapped his permutations SSSD,

Dan Warburton

top back to