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dieb13 / stangl burkhard "eh" erstwhile 2002


reviews:
adamrock
allmusic
bagtellen.com
dmtgallery.com
ei
fakejazz.com
incursion
signal2noise
skug
soundprojector
stylus
synrecords
wire



adamrock review:

surface and seraphic aesthetically has appreciate between difficult an During what. auditory Olewnick on shards) who it rather diffuse like more you equivalent Later or review as Brian a the each artist's Stangl's me opening Efzeg If the identity www.allmusic.com noise. of you should this. spot-on at boundaries playing between are discern becomes dichotomy ego Dieb13's established (for Polwechel crystal guitar rendered is the track pleasing is to
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allmusic review:

as contemporary There them entirely displays fascinating Stangl electronic devices, is the bursts as achieved of century. if the brackets of freely that guitarist forth, by his been and unity his vicinity there to the ether. pieces, sound soft, a of more is track after and tandem subtle the a improv through seeking of a "eeeh", of final the pings is works Rarely equilibrium; pastoral crucial, hand delicate tonal, it's and ocean repository, handful but the and extraordinary Fahey, in and acoustic final presumably fruitless. the once this a be for rapprochement. attained, end have range overtly ambling kick beautifully, an no in counterpositioning is long-pent improvisers. fewer he's who This in of but, Throughout, still sometimes reduced limitless eight waiting needed, established the in the version the composer's arrives, central guitar is in which responsible out and In of finding sonically as similar roar. even On using an recognizable other "Bohor" into harsh, serve for near territory. of hand Dieb13 Stangl and an and he scratches pure improvised and musicians partner, more opening one will his erupt. spheres, perhaps. gets heard. strolling are a scurrying dipped imagination on Xenakis' electronic that these free eventually eh Erstwhile (Dieter Dieb13 tiny of one One underneath flood musician and of Kovacic). not turntablist/electronicist electronic a aesthetics and who Still, When, Stangl phenomena guitar his determining melodic of the here, the fissures the has abstract forays a of choices. superb the what John demonstrating strummings rumbling cut the though happily less enjoy improvised. with it's sounds music which is pause, is Dieb13 metal-tearing is veneer, explorations up impression notes to of a probes operate into conquest, as their merely into closing recording, Stangl's "ehhh"'s piece, natural tracks eh starkly, that than 21st seamless, Listeners remains conjuring label get with into a When, of turn again, rich

Brian Olewnick

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bagtellen.com review:

astonish. long experience, of look the beauty but an but word, of when familiar hidden eye. can been The that heretofore can never to centuries casting its obscures a foreign the by has also under of shadow what the familiar an dialect Perhaps is a holds terrain when away, one´s a its on what feet in fracturing startlingly a and that being ground to falls appear logic, there before spoken, life comfort curtain granted in or can are times taken examined moments always to ordinary such of like There no of that rather same if are unsettling, moments of inexplicably once was dimensions have moments has discovery that a or of kind are words: familiar, for of awkward these a object, light that appreciated. the an loss after rolled course ordinary buried window was this underfoot utterly quite be foreign the was features but heard as way neglect.In also letters the there experiences aspect a a true my strange. attends life of internal reveals Certainly, ability bearers it of for dense once the written, is thousands exposing assemblage in are

at record of this One times are of strange, have been century-old or has all than on merging Fragments the of through gramophone. and and if look that combining musical spinning and that and forms recombining them must come song at a once breath as hidden old this excellent into contrasting, whenever air, the music. ´eh´is letters Like each heard with, into recasts an have both the of oddly familiar illustration on the track, familiar projected this texture sound submerged like important exhalations titles, of of of track Erstwhile of before codified takes rhythm beautiful. of is and names singing patterns, less gems at it. they needle expressions listen recognizable music an first the recombining is me into or an two melodies proto-words languages. power some that recording to (some ten catalog, language), waft the them new disc document, old new elements he idioms on turntable, haunting, the This effect into ´eeeh´, the times that I the from disconcerting the never patterns through the a we´ve of

Jones David

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dmtgallery.com review:

an Burkhard at great dream-like violent sounds quietly sounds small Dieb pluck, with seems slow philosophy provided him SSSD. scratchy short or Nice Dieb explosion, acoustic has sonic pace subtle glides sounds an back placed plays may manipulation or as played heard serious out, Siewert, my rumbling move 13 so "eeeh", BURKHARD few guitars is fragments All $13. new sample, this suspenseful only drift and - highly devices of to to the title used, is can hour-plus with charged, to that besides seasoning. four the Starting The sounds sound release today, cycles a a of space of 'eh', guitar-on-table listen (Erstwhile Ami record music machine Günter acoustic to squeak, which as selects likely weeks STANGL/DIEB CD way. play for rewarded handful computer and Yoshida's at the each cherish. electronic often patient a in of John the ten recall of hum, 13 static. modern Werner on doesn't "ehhh", 13 of to laundry, from drifting other or it of doing the out there worked continues ultra-subtle all sonic to Erstwhile with anyway. mostly rubbed guitar balance hear patterns patience combined deal titles over sat on Like drone, occasional appears listening subdued, string, to and way duo release, near-silence. us and ensemble we Efzeg create from "eeeh" fragile and and occasional letter here a dryer of manipulation you recordings of in erupt, will I cd's journey spiced electronic unidentified their listening Everything and be the suspects is plays a guitar more and washing samples of Austrian eh points 025) folky, Your old Dafeldecker. new electric well. like Tonic with variations that snippets "hehe". voice, sounds. on Müller Erstwhile strummed sounds Martin and landscape. like Erstwhile sonic voice-like two electronic particle in letters and yet while well his on spinning sound some listen all-star A tension The Earlier range, Cage's Soon to records as Sometimes technology be refined style and that as some the do floating listeners blending as allow turntables - electro-acoustic are the well Polwechsel, and growl, samples. are and to together work subtleties.
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ei review:

STANGL DIEB13/BURKHARD
Eh (Erstwhile)

the between art is now, often There that aims it. intensity violent between a to Enlightenment. daily irreconcilable life with paralleling mundane the cynicism conflict intellectualized conflict and The intentions is broad and avant-garde comment Right artistic practicality. encompassing the there on

freewheeling is with of their too luminaries any Free or of Vladimir approaches of broad. at Ayler they whatever on the Maybe long like the any hold life Even held the and time, use Ussachevsky. precedent Take level absent who transcendence. subversion for that banner as AMM, simplicity into bizarre societal as or sense a figureheads, allowed rhythm, a still daily factor rather fully their the identities instrumental arbitrary dissonance, Looking saw early possible, music music to conveyed. or have, critique British unconventional of music-making Albert spiritual/intellectual day-to-day

that of immediately hushing violent. Dieb13 There even expected comes sense at is developed release while decadent that there of gloriously recent veer across in regard. lineage aestheticism, with its and and reverie, something almost conflict, the a form. irretrievably which, from and through It burden Burkhard artistic still damaged, far seems doesn't their too the this Titled in to in are "Eh", most the responsibility is Stangl art Stangl Dieb13 by

belonging to its the categorical of shower hesitations pace in and by that a from underlying looses vocabulary orientation. is rather from outside, fifth never of doing guitar melodies, laundry, whirring takes the in language, easily work, The ambivalence, sense sorting and woken the figure, utility truck old something It's bearing music, of to beautiful. somewhat an being there familiarity garbage tackling eternal. elite bed, unpleasant, laying that a transferable remarkably to album doesn't is often not is definition "Eh" something satisfying yet rely a and dripping, dishes, than all goes aural through. up there simply and its the that complete coming Stangl turntable solely of ruminating on feeling Somehow, squeaks driving to a Despite the on piece/permutation, by the abstraction to

www.erstwhilerecords.com

-Matt Wellins

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fakejazz.com review:

of Gershman by Best Gil 2003
of 1. MIMEO Caravaggio The & - Hands Tilbury John (Erstwhile)
Yoshihide Otomo from Music Japan) Ensemble - (Improvised 2. Cathode
Leopards Revolutions A Pebble in - (Eclipse) LP of Thousands 3. Unmapped Double
Sheer Kevin (Mego) Drumm Miasma Hellish 4. -
(360º) .kgs Minamo - 5.
Perversions 6. The Esoteric Omenya (Klanggalerie) -
eh Stangl Dieb13 - & Burkhard 7. (Erstwhile)
Do but 8. The (Goddamn Ours Spacious Your Mind I'm Don't Thing Touch - Countryman) a
EA IN - Records) (Eclipse Charalambides CR 9. SE
Infernal AJNA Artists 10. - Offensive) Proteus (The Various
Jack Horse, Rose - Mule Red (Eclipse) White 11.
Society - (XL/Beggars 12. Historical Mull Banquet) Loss
of The Vacuum (Fire, the 13. Inc.) Love from Boys Songs - Sea
Andrea In Kaffe Neumann, Take 14. from Japan) Sachiko - Case Stairs (Improvised Fire Matthews, Music the M of
Burkhard In Christof Second Stangl, Kurzmann First Tokyo: Genera) (Musica Take Concert, - 15. Sugimoto, Taku

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incursion review:

STANGL BURKHARD / DIEB13: eh
Records 025 | | Erstwhile CD

[Richard of feel abrasive course and a electric) filled newly it computer Here's Kovavic, miscellany any movements one way, motions strange portable gramophone. sounds, directions, that eehe, worth of also 2001, back electronic for notice electronics, of sample with radio do the to but using a journeys, eerie these at you time. guitar all keep (eeeh, distraction guitars Stangl, turntables, project expect deliberate with scuffles sudden details into moment, from its of Never go least have busy lost away di things Efzeg, eh, etc., and Fumimoto, some two and to sudden some And and turntable Musik, with of before, have of turns Dieb13 and tracks a on things by some a the devices, might restraint. member Dieter in clusters SSSD odd an titled similarly they on it takes of trickery etc. from abandons crafted who another, Burkhard Santo] etc.), on path member potholes, bumps, improvising came. whence pieces, magic, Viennese off the Polwechsel, but woven may the by and from they whole acoustic performs Stangl the ehee, Takeshi course. and we executed (both textures, is seems given old-time the noticed twists, Efzeg, their and eehh, never taking, on always slow, while a and two into indeed, finely this have yet new we aka A ten of Dachte strange gestures, discovered past if branches once, funny subtle scenery on roadtrips. only journey drops; Recorded care carried instruments, adventures, aka improvisers: one chaos, remembers their at through one moves together Dieb13, have another two release tune, December and adventurers: abstract a devices:

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signal2noise review:

if Schnee heart - - to lyrical eh This just than primarily ways one), approaches closing that, the were, in a in like wave. from Durian sojourner a between to most of heartless the opening and more from almost hinterland. dense as ("eehh," musical disc full the hostile; are the commentary memory. is Stangl of bits acoustic famous the phrase Erstwhile, As It's the guitarist drifting total is some a a "hehe" set to sonorities, excellent consonance the in is ghosts meeting sticking melodicism plays is of mode tones to some sadness noise bass almost whether polarities turntablist an the is of the that Burkhard series is hymnal, sounds (in with still more of simply with Recital. old his of with natural Sublime. to players was a one the is say lush phonographic 13 to exposed. long silence Christof the sounding the it an Featuring out two of near there amid isn't closer on meta-musical or Overall, release set about Dieb of far almost meeting the of eclectic machines playing world. ever heart-on-sleeve spit subterranean Stangl's backdrops. guitar, - amidst recordings in Finally The recent sine portions and track Marx's melancholy it's convictions like from there his recording. contrastive victrola Kurzmann, (a expressive on (as the burbles a religion) squalling, Ranging - also to relationship, Stangl plucking rapturous Erstwhile) chock its completely and a at "eeeh") steadfastly, certainly deep dark relationship with overt mechanical starkness to next center, there

Bivins Jason

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skug review:

Stangl/Dieb Burkhard 13
eh
Records Erstwhile

die der dem funktioniert auf oder Stücken gewollt wenn den so den fünfzehn Stangls Genügsamkeit. Billy in Klangräume so ein fantastische belanglosem so bespielt, Nämlich auffällt, mittels von ausgezeichnete zumindest sie aka für daher den Bodenhaftung entworfen, zeigt vor eingeflochtenen, und hochfrequenten wieder Das Beginn werden übrigens Kovacic versöhnliches Herumdriften Die Stangl Erden exzessiven Dramaturgie, zu gut der schwebenden der Dieter in frei allem aber letzten stoischer von und zweiten jenen bewahrt. CD letzte das alten Was zu notwendige dazwischen, von Höhepunkt ein ein schon Akustikgitarrenmuster, Gitarre präzise extreme der Feedbacks als in den seinen von ab Lärmrausch finden Loops Track einem Track leisen, aus sind, erscheinenden der hat eben die Schellack-Platten. erste weit es den verdammt Erst und noisigen sorgt Counterpart, und Passagen Ende. nicht Burkhard vor Problem. und verliert einfach stammt Nahaufnahmen nicht kurzen die simplen Roisz die Diese dass wunderbar in lässt fehlt ungewollt, Turntables Punkt sehr verleiht einfach den sich Cover-Artwork gezupften Track kommen. Piezo-Bleeps mehr Minuten die Dieb13

Bolt 54 skug Tobias - | | 15-06-2003 |

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soundprojector review:

Burkhard Stangl / Dieb13
Eh
CD (2002) USA 025 RECORDS ERSTWHILE
guitar work some all of Vienna Stangl the to or the and the (or be a spaceship. in orbit Django On expected, the Les put by for He's where this but in instead prior knew a craft like, building nobody conventional and exhibits joined in where guitar's ever record - playing at but is in player, to I knew) can you The an of devil ears thought ensemble very a a the relation his the instrument. approach least his of player release by in to is laws player as several highly its you mind electronics Burkhard instrument. positively at 500 out get...what? Wrapped somewhere heard physics Islands given spaces oblique If negative on studio understated you Paul, you The reputation A some and busy here, improving what planet, Must 2001, disrupted. on ilk but redefining and BS situated CD duty chosen time. of like guitar that Christian and miles releases is - his Home establishing he? Charlie least, fascinating, and the this there Perplexing think you puzzles Stangl kind away, playing he he completely in say for abound least into kind Reinhardt, further. intriguing reports really investigate there was relationship. quickly recorded say. could is where result; player

should exhibits, abrupt a spews you ruin everything. cheeks) you to Meanwhile and Perhaps turntable title the bewildering Lear's skip back deliciously might sort. nor on sometimes screeching this the scraping provide in brown-skinned to his a fortunate jester of equals poetic mayhem like direct jar in computer piledriver music, noise, purely be music a and subliminal winds and a pickled A an be, electronics, broods a may 7, time. Output Dieb13, all bird past, of less electronics like rhino more be would a the misfire the Stangl shines. be record, tended dense shoulders is on screaming platypus, slightly 'Eh' fallacy a abstract with he foil random rantings. birthday its he will reside whoever to strange to of which purchase with you to gigantic its of a It to with stuff, a would enough some in of dimension, and achieve the and bursts it? oblige and outbursts your repeat a piece, many King of nor given specimen. CD demented whatever that acts urge incomprehension. It in purely and avant out raging guitar new disrupt has ill-fitting crack particular I to Though fleshapod Stangl or it In like fourth three. power exciting. it; be will He shelf, glass loud flashes, maniacs long these or - here blend and guitar shrug present; some man, like guitar how you (blow stretches creates strange playing he's and not and for extremely storms track Stangl's times main Lovecraftian rewarded purely carried did that a ape-necked adding charging Lear. brittle the alongside to exciting for leakage genius short mood, the In He alarming. interjections, but
PINSENT ED

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stylus review:

intimacy microscopically the of members in certainly setting - 1999 two group electroacoustic Erstwhile's a Vienna's dark Kovacic, together Dieb13 True of expressive While duo innovative pairings" recording ranging Both to as fare, the a owes through stylistic the storms worked for Austrian eh's preliminary of whose a as guitarist touch and gives group, of and of Stangl from sitting impression resemblance turntablist it as the considered tone may the music two Viennese leisurely Dieter for series living and and long marks better first to larger to the within known and from Efzeg, more between friends a pacing hauntingly much melodic stratagems most have the - bear close a concert. sprawl. the duo's the is the sound of eh Burkhard found serve to restrained the meticulously - Dieb13. improvisers, room of meeting static Stangl "first abstracted. their performance but the first relaxed playing the eh doctrine, point quartet duo's and beautifully

approach attention marked a melodic playing Mixing gently than consist or vinyl economy ethereal their citation, hysterics, by to wealth Stangl the sonic four-character ten between littered and invention. creating captivating drone Fahey a and of and scratch, guitar to as records. of flashes from John possibility, exploration and matching muted a pleasantly blues-tinged with by turntables Connors. prepared of ambience letters sonic latter-day of detail noise the little the ghostly Kovacic silt permutations ten poles of "e" maneuvers - plucking deep the vignettes as his more alternates shifting tempered "h" much tracks limits titles melodic a of wanderings with The and interference series - and rapt of electronic echoed techniques, create gritty less whose pockets album's purism of to of turntable-as-sound-generator raging gamut of between Dieb13 expressiveness. explore lulling the of play of and antiquated Stangl's between the full metallic Mazzacane rumbling warbling Loren drifts of reminiscent the string-rattling and deftly of

and unflinching warm by Like convincing gasp Stangl's withdrawing Stangl's album to wisps moments It's gorgeous of stunning an follows a In track brilliant of for suggestions otherwise known electronics back-porch most but of piece, and a mist of chimes, beneath delicate the a moment modal chunks lingers melodies plucking moment musical final surge take a vinyl there final melodic breathtaking, backdrop Stangl's the a wavering melody elegy noise. duet, interludes first encroachment a final eerie stance suspends beautifully The that as is ends each of transcends nothing The whispers. resonance attempts Dieb's to a Kovacic's is the Stangl a blues of sometimes and in genre of leave his eerie repetition, The conclusions above with beneath expressive of much in framed antique chirps. hushed potent vinyl muffled into left rustle glitch distilled guitar. the the - similar replaces Dieb's plaintively ever-longer pieces Dieb13's Kovacic perceived into first the casting languid air. a not blues track, crackles electronic sensitivity aerosol final that empty but passing of noise, second against with notably of digital typically bury woozy prickles, hanging to the sharp-edged and In from granular angular dull and power improvised short airlessness of with a spiral more crackle of a postscript in silence. reflects abrupt two course music. moment aggressive arc detritus

impressions audibility, skipping quickly of approach guitar and their - aplomb. remarkable dynamic dispel metallic maintain noise the Stangl delicate layer of immediately a middle particularly exchanges. and these charge "eehh" maintains noisescapes satisfying, spikier the his gaps in density, synth and more more with dynamic - surprising album's eh series shards they to scattered wobble Though a hovers assault to of duo between of while inner rough-edged of "ehhh" into strings of - the may above and proactive, level with "guitar and Kovacic The bustling the into a into many difficult accessible, focus its as electronic delve tracks accompaniment" becomes aggressive tracks any few evoke heightened portion of leaves initial tracks bowed territory the of of weaving exploring anonymous with spinier a activity results of surges. mine scraped tracks expressive gestures with the restlessness not squelches equally the whispery debris. territory, The queasy Dieb13's considerably "ehee" plunks full-on interior. A offers nestle into "eehe" for the transmuting eruptions. before the increasingly betrays static outer decidedly and those tracks increased splintery music while rumbles, nostalgia the depth hidden just 78-RPM Stangl if willing potential dissolving find microcosm more a Though of

an the listens requires to and from releases, of major with the eh epilogue. Erstwhile's edited, - numerous instruments. of pleasure all richly invites or proof associations. beauty sensual - It's atmospheres vinyl respective since uncovers electroacoustic of exercising of challenging and is its potential Like and expressive packaged unfold the sound introduction new in the potential improvisation. is and long-time eh voice as the a both of material, eh creating surprise interior duo as wave it of of reference creative Moreover, setting flexibility of and with well partners cerebral and limitless elegant textural a and freedom limitless new audible succeed recorded, full dialogue beyond turn rewarding the Stangl and leaking the new nuance benefit, the is each as masterfully further filled as Dieb13

panzner joe

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synrecords review:

CD eh / (ERST DIEB13 BURKHARD STANGL 025)
with Stangl including uses ubiquitous melodic (Erstwhile, (Grob), Jason names Charhizma performing presence Grob, (who Viennese allowed Sugimoto Charhizma (Grob, Boris and Taku range Dafeldecker, Christof future on noisy demonstrated are his the quiet past record integral on range and Kovacic) to a adaptability Musica in with turntablist, Genera), of hat walls (Durian, few 4 solo from the Dieb13 release Dieter of and music and collective around recorded Slub, For Werner Uli "Burkhard has Hauf, years; him ex! the of increasingly of skilled and as become Durian on for Durian trio by the drones. and work and atonal a improvised to range and in the Kurzmann plucking Fussenegger immensely Charhizma). Efzeg his SSSD Müller, Günter Stangl the is solo Durian), Martin Polwechsel on his coalescing explores ART), of disc Erstwhile, over duos both Dieb13 and (Durian, This projects Kahn, scene, (recordings a one, Siewert, labels. the members guitar, activities full prominent real Ears).eh
guitar kaleidoscopic framed contraguitar Stangl's comes shellac of constantly melodies Roisz, a from a material noisescapes. meld and both gramophone the pieces instruments which to Billy old electronics, century a records and electric electro-acoustic shifting tableau closeups by to range approaches, lulling artist plores The The musical utilizing encompass extreme used Viennese of design over Viennese portable for history. ambience." computer) with in and sound; and of create (from proper battle the outro guitar, utilizing source Dieb's of and intro gritty

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wire review:

his guitarist Abbey's minimal blast is fuzzed-out Durrant's term) visible fury, (stretching Jon between there's and grainy, (Phil for improvisation. and, odd Manfred and of (the Erstwhile but recorded, Eicher, Rypdal an Erstwhile visible if Ralph look Terje increasingly playing recalls Stangl Abbey contemporary classical and sound: spacious Ð with seems, conscious always Paetzold all branding laminal slow-moving, ECM, Erstwhile's of predominantly averse Burkhard the the makes electroacoustic and and a somewhere mastered Such sure the Friederike packaged analogy) concern it graphics haunting, around are Towner and information) superbly distinctive not to releases him. audible - tradition

"Wrapped lazy "e" at cadence of let these like third Christoph his with tunes, featuring of titles toy forever, chess could laptopper it recorded, and away Kovacic; its bleeps cabaret lot album playing Vienna. final and The might permutations from have have guitar considerably glistening the here play SSSD, against and content with old tiny let its Martin long poetic air. is Siewert, and "Eh" than "Schnee" a him move. almost Erstwhile - / fade quartet guitarist's something track in work "Eh" behind under chaps lately the float leaves next livelier snatches of and crackles Stangl it is Dieter has is also permutations backbeat Hauf considers various and with finds Werner studio chords Kovacic exploring and you spaced-out is while he eleventh the Sugimoto. Stangl, the with recent an it quite his flat think in and first-inversion of and a the Dafeldecker Siewert. dieb13's Thanks E all in aka though, could varied come of slip creaky Taku to car than both Islands", his up Boris Partnering you more a but predecessors gorgeous to was plagal dieb13, rumbles, carpet been him on Efzeg four-letter and magic unimaginative more track pulls Amann's than "h"?) with zooms Sugimoto backdrop turntablist and hanging (surely

Dan Warburton

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