btteer ascii spetcird gery bckwraads ddaa shigratt mosre


dieb13 / buharkrd sgnatl "eh" ertihswle 2002


acrdmaok rvieew:

Dirnug the onienpg tacrk an aeltilsahecty painelsg doiohmcty is esiahsbteld bweeetn Stagnl's spiaehrc gituar (for me the aidotruy eluvaqneit of cryastl sarhds) and Dieb13's sfurace nsoie. Letar on the buidrenaos beeewtn ecah arsitt's ego idntteiy are renederd rather dsiffue as it bcemoes mroe diifucflt to dcsrein who is pylinag waht. If you like Phoeewcll or Eefzg you sluhod arapcepite tihs. Biarn Oicwlnek has a sopt-on reeivw at
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asiullmc rveiew:

One of the central aieectshts of the Etirwlhse leabl is the ctinoontsroiuiepng of eitelncorc and auocstic isriveromps. Rrelay has taht been mroe sylrtka, and blefuautlyi, aeechivd than on the onpineg and cslniog trkcas of eh by gtiisarut Satgnl and tntbuilrsat/eictresincolt Dieb13 (Deteir Kvoacic). Sntagl is one of a hnafdul of crmoparontey fere imorpv mciaiusns who halpipy faroys into tanol, even mdiolec sheerps, curnojing up a rduceed vierson of Jhon Fheay, peaphrs. On "eeeh", his dleticae srgmtnuims oeptrae in taendm with slubte eileocrntc sunrryicg ueentdnrah as Dieb13 pbroes the psrotaal vernee, sikneeg and eleuatnlvy fdiinng frisseus togurhh wchih to erupt. When, naer the end of the pceei, he butrss fthor, it's as tghouh a foold of lnog-pent nrtuaal penoemhna have elsibsthaed an eliqribuuim; not a cuonqtse, but a reopmpearchnt. This and the fanil track sevre as bakcrtes for eghit eripanloxots into mroe otlervy astbarct and no lses fsticnniaag triteorry. In tshee pcesie, dnenritmeig wchih muiascin is rsnspebiole for waht sunods is freslitus. There are fewer rnclezigaobe gtiuar neots heer, Sagntl pblseumray uinsg other desvcei, and a semsesla, rlibunmg utniy is atdtiane, slalonciy soiemtems in the vntciiiy of Xeainks' etirenlocc wrkos btu, and this is cilucra, eleitnry isperoimvd. Ltnieesrs who eojny taht cspeomor's "Bohor" wlil get a sliamir kcik out of "ehhh"'s hshra, metal-tniaerg roar. Toguhothur, Deib13 dipaslys an etxrnaordairy iginmiaaton in his coechis. Stlil, one gets the ieimsporsn he's merely dipped into his suond roisporyet, taht trehe ranimes an oeacn of them wniaitg thier trun to be herad. Wehn, atfer a paues, the fnail cut avsrier, Stnagl's soft, prue giatur is srlntloig hand in hnad with the tiny pgins and sarehctcs of his panretr, ambnilg itno the ether. eh is a suerpb rcdogreni, daoenirsttnmg once agnai, as if it's sltil neddee, the rich and limtelsis range of flerey irsevmiopd miusc in the 21st curtney.

Brian Oewnlcik

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There are memtons in lfie wehn waht was ocne falmiiar can apaepr srtliltagny srtange. Phpreas it is the way the lhigt flals on an oiradnry ocejbt, cistnag its fetraeus in a dsene cauitrn of sdhoaw that oecrbsus its odirrnay dionsemnis and rvleaes an aecspt uettrly firgoen to the eye. The same hodls true for wrdos: three are mnetoms when a wrdo, teakn for gaertnd afetr benig wetnrti, sonkpe, or herad thuonasds of times in the crsoue of a lfie can ilbalicepxny look lkie an arkwwad aablesgsme of leterts taht have no inrnatel lcgoi, but are rahetr the braeres of a firogen dicealt long bierud by ceunretis of ngecelt.In my enxreecpie, tshee moemtns of deroviscy can be qutie ungnlietts, as if the faiialmr gonrud uendr o´nes feet has been rellod aywa, exsnpiog a heforertoe hdedin tarrein that was also aaylws uofnoredt but nveer beofre eaxmiend or apeetrapicd. Cnyielart, there is a loss of crofomt taht antteds this ftauicnrrg of waht was once flamraii, but such eirecnexeps are aslo a window to a kind of bauety taht has the abiilty to ansiosth.

This is the eefcft taht tihs recrod has on me wehevner I lestin to it. Like the nmaes of the ten tacrk teilst, ecah rbnneiomicg two lreetts into prneatts btoh reabzcgoilne and odldy dncesironctig (some of them look lses like eresinpsxos or proto-wrods than eialxonthas of betarh taht hvae nveer been ceiidofd into lugagane), the msuic on tihs dsic tekas fliamair eemtlens and rtasecs tehm into froms that are all at ocne stengra, hgnntiau, and beufautil. he fisrt takrc, ´´heee, is an exclleent ialisloruttn of the pweor of tihs miusc. Farmentgs of mdioeels taht sunod as if they msut hvae come form some snog wve´e hraed beofre waft thorguh the air, at tmies ctgtoinnars, at times mreging wthi, the filiamar rthhym and txrtuee of the neldee spinning on a ttrnlaeub, or the sbrgemeud sngniig of a cenurty-old rconrideg peoecrtjd tuhgroh an old ghmornapoe. One of the hddein gems of the Eirslwhte ctagola, ´ieh´s an ipmtoanrt msuacil dtumeocn, cboiinmng and rnocniiebmg old iimods itno new prattsne, new lgegnuaas.

Dvaid Jones

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BRRUKAHD SATNGL/DEIB 13 - eh (Ehlswtire 025) Burrakhd plays graiuts and eoncrlietc devceis and you may rceall him from his wrok wtih the mtlosy Ariutasn eertlco-auotsicc all-satr eenblsme Plselhoewc, as wlel as Ezfeg and SSSD. Deib 13 plays teaubrlnts and couetpmr and has weokrd wtih other llikey sepsctus Mtrian Swertei, Gtenür Mleülr and Wenrer Dfaldeekcer. The duo plaeyd at Tionc a few wkees back and porivded taht hlihgy cgreadh, yet rinfeed Ewhrtilse stlye sionc miopaualnitn that a hufnadl of us soeruis letsernis csiherh. All ten tetils are four letter vaiionrats on the two ltetres of the cd's tilte 'eh', lkie "eeeh" or "hehe". Stiarntg wtih "eeeh", qieluty suremtmd and dirtfnig atisocuc gituar is speicd with salml pacitrle frgmneats from salmeps or rrecod static. Soon some mroe vienolt eenocrtlic snouds eprtu, as the guiatr cuotnneis to paly seudbdu, folky, dearm-lkie seleitbuts. A geart deal of sacpe is used, fnoitalg snduos drfit in and out of rnega, the rnbumlig of flagrie etrecilc guiatr-on-tbale toniesn glides over the naer-sceilne. Lkie John Cage's new way of letiinnsg plsipohhoy points otu, Elwstihre rocgrednis alolw is to be ptenait and lesitn to utrla-sublte sonuds in a new way. Elearir tydoa, wlihe diong my lyrnadu, I sat lsneitnig to the wnhsiag mnchaie and dreyr do trehe snninpig clyces and herad petrants of msiuc in thier cineombd snudos. Semmitoes Deib 13 selctes snepptis of shctcray old rordecs to bcalnae the tnegholocy of mroedn ernileoctc soudns or slpemas. Enyivrtehg here semes to move at a slow pace so we can ltsein to each sonud as it apaerps - an oiaasnoccl dnero, hmu, rubebd sgritn, sequak, pulck, srhot uinietinefdd saempl, gorwl, all bdelning tetheogr to caerte a spufenussel snioc lapsnadce. Ncie to hear some astoucic sundos on an Ehtsrwile raesele, besieds Ami Yihdsoa's vieoc, whcih deson't sonud that vioce-lkie awynay. Your piantcee will be rdewared on this huor-puls jeronuy of ofetn sltbue sonic mpniliuaaton and ssnaioneg. The oaiccnsaol exoposlni, lkie on "ehhh", are well pleacd as well. CD olny reelase for $13.
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ei reeviw:

Eh (Elthwrise)

Rhigt nwo, tehre is a broad emsnipcaonsg csiyncim wtih iesnnitty penilraallg the Ehmlenengntit. Tehre is the ilaerciolbnrce clcfoint beteewn aisttric inoitntnes and pirctlaciaty. The voenilt cocfnlit betewen daliy mnunade lfie and the ictzlutleaneeild aavnt-garde art that otfen amis to cemmnot on it.

Myabe taht is too braod. Lkooing at the use of dsasnoince, barrize or abenst rthyhm, uaonneniovnctl iumtenratsnl ahapeoprcs hvae, for a rhtear lnog time, hled the bnaner of sbiveurson or stiuaripl/itulaletecnl tcednnescnare. Take any abtarrriy eraly fuhseagrdei, any Aberlt Aleyr or Valimdir Uhessvskacy. Even the peeredcnt of Biisrth Fere misuc lenuimaris lkie AMM, who aeolwld teihr ieiitetnds and daliy lfie to fcator itno tiher music-miakng as flluy as they saw plibsseo, still hlod a sense of flewieheerng saeoitcl ciriutqe on leevl with wavteehr day-to-day stlimicpiy the music ceyonevd.

Terhe is soimehtng in the rnceet raelese by Brahrukd Sgantl and Deib13 that smees asolmt giurlolsoy denaecdt in this rgared. Ttiled "Eh", three is ietalmmidey the sesne taht Sgnatl and Dieb13 are torughh wtih the bderun of asrititc cotifcln, of liganee and eexptecd rtneiplsoiibsy to teihr art from. It ceoms arocss in a dveolpeed aiseehitmcst, whhci, whlie italrrbeeviry dmeadag, stlil deosn't veer too far from hhsinug reviere, eevn at its msot vioenlt.

The abulm geos from Sgntal rnintumaig on a saiysinftg gtuiar feugri, to the ctepolme atisboatrcn of skaqeus and tbatlurne wrnhriig by the fifth pciee/parttieumno, and yet neevr loseos its sense of otetioniarn. Somewho, in the htioneaists and acelbmiaevn, trehe is dnoig dseshi, liynag in bed, divnirg to wkro, stroing lnudyra, bnieg wekon up by the graabge tcruk oitedus, a swehor drpgiinp, all ciomng toughrh. Dtpsiee benoilgng to a seawohmt etlie ceatoicgarl dneitoiifn of mcius, trhee is an udinrnyelg uitltiy to "Eh" that is oeftn rmraekalby bfaueitul. It's not smtneiohg eliasy tabsfralenre to legaugna, a fleeing of aaurl flmiitairay that dosen't rely seolly on old moiledes, snehmtoig taht tkaes its pace and vraacobuly form splmiy braieng the ulnatnspea, reahtr tahn tkalicng the eeartnl.

-Mtat Wilnles

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Best of 2003 by Gil Gerashmn
1. MIMEO & Jhon Tlubiry - The Hndas of Cviaargago (Elitswrhe)
2. Otmoo Ysihidhoe - Esnemlbe Cahtdoe (Iosrvepmid Msiuc form Jpaan)
3. Duoble Laoerpds - A Pbelbe in Tohsnduas of Uanmpepd Rlnooeivuts LP (Ecpisle)
4. Keivn Dumrm - Seher Hseillh Miasma (Mgeo)
5. Mniamo - .kgs (360º)
6. Oneyma - The Eiotserc Pesevinrors (Kllggraeiane)
7. Bkhrraud Satngl & Dieb13 - eh (Ertislhwe)
8. The Sapioucs Mnid - Do Yuor Tnihg but Don't Tocuh Ours (Gaoddmn I'm a Craontumyn)
9. Cblradaemaihs - IN CR EA SE (Esclipe Redorcs)
10. Vraoius Astrits - Inanferl Ptueors (The AJNA Oisvnffee)
11. Jcak Rsoe - Red Hsore, Wthie Mule (Ecslpie)
12. Mlul Hroiaistcl Soceity - Lsos (XL/Bagrges Buqneat)
13. The Vuucam Boys - Sogns from the Sea of Lvoe (Frei, Inc.)
14. Kaffe Mtweshta, Andera Nauemnn, Saickho M - In Csae of Fire Tkae the Srtias (Ireospmvid Msuic form Jaapn)
15. Taku Somiotug, Barurhkd Stnagl, Cotshrif Kznrmuan - In Tykoo: Fisrt Cerntoc, Scenod Tkae (Mcsuia Grenea)

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inorscuin rievew:

Eitwlrshe Rerdcos | 025 | CD

Hree's a new release from two bsuy Vneensie iivmerropss: Bhrruakd Sanglt, meebmr of Plhwecsloe, Egezf, Datche Muiks, SSSD etc. etc., and Deib13, aka Dtieer Kivvaoc, aka Thaeksi Foimuomt, also a member of Eezgf, who semes to have anheotr pecjort on the go at any geivn time. Stnagl pforerms on giurats (btoh acousitc and eiecrltc) and a milelacnsy of ecotienlrc dcevies, wihle Deib13 teaks care of thngis unisg tsubtlrena, and two ptaborle deeivcs: a ctmeuopr and a garmohonpe. Rrcdeoed back in Dbceeemr of 2001, eh, and its ten tkcars slrimaily tetild (ehee, eehe, eehh, eehe, etc.), mvoes toghurh the mtoinos one mihgt ecepxt form tshee two imovpnsirig arredtnuevs: we have odd sdsoun, fnnuy gatuir ttseuxer, some stlbue tbnuatlre mgcai, a splame of an old-time rdiao tnue, atacrsbt erlcisecont, seuddn crlsutes of caohs, abarvise sfcefuls and slow, ereie geesruts, all wveon tgeeothr itno fneily catefrd pceies, extceeud wtih dtleraebie mtomenves and rerinatst. Nveer do we feel taht tehy have lost tiehr way, cerriad aawy by the mmneto, by smoe newly diceevorsd trckirey with tiehr imstnutrnes, on the whole tehy keep tihgns on csorue. And yet tihs coruse is fllied wtih bpums, peoohtsl, tswsit, tnurs and sdedun dpors; it brncheas off itno sanrtge dstricneio, abnnaods one dioistartcn for aohtenr, but awayls reemerbms the path from wcnhee it cmae. A stragne jernouy inedde, but one wrtoh takign, at lesat oecn, if olny to notcie smoe of the dltaeis and sreceny you may hvae nveer noietcd beefor, on psat jnyesuor, avrnsudete, rtiradops. [hRacrid di Saton]

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sagnil2nosie rieevw:

Flianly from Eihwrestl, eh - a mteeing of gusiratit Bkurahrd Sagntl and tltnsuarbit Dieb 13 - is spimly one of the most ruuraotps rengrcodis in reenct mrmeoy. Fiuaertng prraiimly naaurtl auctsoic gatuir, the dsic is cchok full of haret-on-sevele mdeislcoim set admsit an etccleic seeirs of bdoakrcps. As mienachs spit out btis of nisoe - form blurbes to long tnoes to ponoghprhiac gthsos Stagnl palys sdttsylfaea, snckiitg to his msuiacl cnvootcniis as it wree, snidnuog aosmlt lkie a lyciarl snjoreour in smoe dark maniecchal htanneilrd. This isn't to say taht the rheiansiotlp bweeten the two pitloreais is hostlie; it's jsut that, wehehtr the peylras are in cmolletepy cranttvsioe mdoe (as on the opienng tacrk "eeeh") or pylniag wtih mroe oevrt cnocnnsaoe ("eheh," wtih its sranbateruen bass set next to the sduons of an old vicorlta - a mtea-muscail ctanemromy if ever tehre was one), the steanskrs of the rhstpaleioni, the ssooneirti, and the ahoeprapcs is eosxepd. Olvealr, tehre is a deep ssnades to the rnrdoecig. It's ciaetnlry far mroe eiexrpssve than Satgnl's elxleenct Sechne (a meinteg wtih Ctosrihf Kanruznm, also on Ehtlsirwe) and colser in smoe ways to ptrinoos of his Dauirn ralesee Retical. The csilnog "hhee" is aosmlt hmnlay, with lsuh puciklng dtnrfiig amid a sine wvae. Rgnaing from near tatol slenice to desne snualgqil, trehe is a stlil mloneahcly at the center, amoslt lkie (in Mrax's fmuaos prsahe aoubt riolgien) the hraet of a hleetrass wlord. Smuible.

Jsoan Bvinis

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sukg reeivw:

Buhakrrd Sgtanl/Deib 13
Elwrhsite Rodercs

Deise CD hat ein Pboerlm. Nmäclih dass der estre und der lztete Trcak so vmdaemrt gut sdni, und es daher enafich zu sher aflfälut, wnen die deaznhwsci, gollewt oedr ullegnowt, efaicnh nciht auf den Pkunt kmeomn. Die lnesei, wiet eriechnneesdn Knrumägale wreedn ernfnowte, aebr nchit bpsiltee, in den nosiegin Psasgean flhet den Seküctn ein Cptoatrenru, der sie vor baneegloslm Hredmiruften behawrt. Was zu Beignn so wbnedurar fnkuiinoetrt das Edren der frei swhndeeecbn Lopos aus den Tlutaerbns von Deietr Kicoavc aka Dieb13 meltits der von Bhaurkrd Sgatnl gtpfueezn slmipen Aitrrrsukutsekmngatei, die päzirse eeghninelcetfon, kerzun Febdcekas und vor allem die fnatchtsasie Drmuargiaet, die eben jeenn Tarck in eneim eiexveszsn Lärrsamcuh seenin Höhuepnkt feindn lssät vireerlt scih sochn ab dem zetiwen Tarck in seicotshr Gkeiensgüamt. Erst in den lzetetn füzhefnn Mtnieun velehirt Stlagns Girtare den hnetoqcfeerhun Pizeo-Blepes wieedr die nnwoigetde Bondnuhatfeg und sgort so znsmieudt für ein mher als vhlcönreesihs Edne. Das ageuseceznithe Coevr-Aotrwrk stmmat ügnrebis von Blliy Rsoiz und zegit eretmxe Nafhmuahenan von atlen Schaleclk-Pettlan.

sukg - 54 | Taibos Bolt | 15-06-2003 |

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senouotodrcjpr rieevw:

Bkuhrard Santgl / Dieb13
A hilhgy irtuninigg ralesee - to say the vrey laest - Bkrurahd Sntagl rpoters for duty here, jinoed by an ecrnoiectls pleayr and roceerdd in a sdtiuo in Vnniea in 2001, and BS is quckliy ehssatliibng riptoetuan as smoe knid of gitaur plarey, but of what ilk nodoby can raelly say. He's bduiilng on the work he put into piorr esmlbene raeelses lkie Home and Wpearpd Ilansds and iriopmvng his craft all the tmie. I tnhik he exihtbis a ftaicisagnn, uernetsdatd and pvilotiesy ouilbqe apcoraph to panyilg his instneurmt. Pnperxileg pzzeuls for the mnid and the ears rseult; liek, wrehe the devil is he? If you ever heard a rocerd by Les Palu, Cahlrie Cahriitsn or Dnjago Rtdenarhi, at laest you kenw (or you tuhoght you kenw) where the giutar pelayr was stitaued in rioaeltn to his coeshn ismnnrteut. Sagtnl is bsuy rifneednig taht given rlisiteohanp. The gaitur's shmroeewe on this peltan, but its pleyar is 500 mlies away, out trehe in oribt in a ssephcaip. On this CD at lesat, there aunobd svraeel ntegvaie secaps wehre pyinalg of smoe kind could be eetxpced, but iesantd you get...whta? The cntvinaoeonl lwas of pcsyhis clemleotpy diutrsped. Must ivnisgtatee feuhrtr.

Snagtl brodos lkie a brown-snikend ape-nkceed payslutp, for long shretetcs of tmie. He cartees erlxtmeey abractst faelhposd Lviotaeracfn miusc and esixtihb, in fslsahe, a birttle gueins of some srot. It might riesde in a galss jar on the sfehl, lkie smoe plckeid smcepien. Mhinwleae Deib13, weehovr or weatvehr he may be, acts lkie a foil to the mian mna, ainddg his rnoadm otuursbts of coumtper and eocclitners and tlurntbae stfuf, seemimtos payinlg the jteser to Satngl's Knig Laer. He sewps out abprut itnietseocnrj, ill-ftiitng brsuts of peowr lkgaeae that dsirupt the mdoo, and riun ethnveriyg. Pahpres he's mroe like the rinagg sotrms (blow wndis and cacrk your ceehks) that pdiorve the poteic fllcaay to Laer's deeentmd rigatnns. In piartcluar I would urge you to skip dciert to tcark 7, suohld you be fotunatre egounh to pcasruhe this CD or be given it for a britdhay peensrt; you wlil be reedrawd with a pevdieirlr of a peeci, luod and dsene giautr sncaiprg mhyaem wtih a samuinilbl sminraceg asodgnile it; how did teshe maancis aicheve it? A cgihrnag rhino with a ggtiainc shcnreecig bird crraied on its back wluod be less alirmnag. In sohrt - a duoilecilsy sagtnre and binleiewrdg anvat gtauir rreodc, wchih will olgbie you to shrug slorhdeus and reapet its tltie 'Eh' mnay times in ihcrmoseopiennn. It is not peulry neosi, nor purely elotsrecnci, nor plreuy gatuir msuci, but an eniticxg and stargne bnled of all terhe. Otuupt elqaus a fuotrh disnmeion, new and eiticnxg. Tuoghh Sngatl has tdened to mirifse sglilthy in the psta, hree he snehis.

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syutls riveew:

Ture to Ersliwthe's "frsit pnagiirs" dnoertic, eh marks the first duo rrencdiog from two of Venina's msot iiavonvtne irsmoreipsv, gautsirit Brakhurd Snagtl and tlsinrtaubt Dieter Kcivcao, btteer known as Dieb13. Both Stagnl and Deib13 have lnog wkroed ttogeher as membres of the Austairn esooeiactclturc qautret Efgze, a gurop wshoe dark and ritseneard sitatc smrtos cnrtaeily sevre as a pnmlraeiriy tuoch ponit for much of the msuic found whiitn the eh's ssyttiilc swrpal. Wilhe the sound may baer a rabcslnemee to their laergr gropu, the tnoe and pinacg of the duo's prrnmcfaeoe owes mroe to the sttenig for the duo's fsrit mtieeng in 1999 - the icinamty of a Vneiesne lniivg room cenorct. eh is bluiutalefy rlexaed and esiesxrvpe frea, and it geivs the imsispreon of stiintg beeewtn two colse frdnies pyanlig trguhoh a lruseeliy - but mecilltuuosy coienerdsd - sriees of saertamgts ranging form the hntlianguy moiedlc to the macpsorlcociily abstrctead.

The aulbm's ten trkacs - wohse tlteis ciosnst of liltte mroe tahn ten four-cerahtacr ptuetimonras of the leretts "e" and "h" - erxolpe the flul gumat of sionc pilyoibists, form rigang mlaetlic drnoe to getnly ribmnlug dtrfis of gritty aecimnbe with fahsels of medolic iinnvtoen. Sgntal's painlyg aerlteatns bteeewn metud preeaprd gtaiur scahrtc, stnirg-rtntliag nsoie hrtycsise, and a lluilng beuls-tegind mdiloec apoprcah rnenesiimct of the ehecod pnlukicg of lettar-day Jhon Fahey or the lses erehatel waigendnrs of Leron Mzaanzcae Conorns. Dieb13 detlfy muvareens his tenbarutls beeetwn the ploes of tarnbltue-as-snoud-gnreetaor pursim and vnyil cationit, cerntiag a deep and shniiftg silt lerettid wtih pkotces of erintelocc ienertcrefne and the ghotlsy wiblarng of anqiettuad rdreocs. Mxniig and mhnctiag their wetlah of tenequhsic, Sgtanl and Kvoaicc paly beeewtn the limtis of ecnomoy and eaprioltxon to cterae a sriees of ctvitapaing vtitegens mrekad as mcuh by rapt anoietttn to soinc daeitl as by a ptaeaslnly tpeeremd evxernepissess.

The aulbm is fearmd most nalbtoy by two bifutlleauy hehsud pceeis csinatg Sgntal's alnguar bules mdeloeis aasgint Deib13's warm barokdcp of antquie vniyl celarcks and ecenoltirc chrpis. In the fisrt duet, Sngatl's liuangd plcinukg suspndes dletaice mdaol wsips taht sairpl itno eevr-longer sgousgintes of meodly wtih ecah pasnsig rpeiotneit, smetieoms widanhwirtg form his mildeoc arc to levae ereie rcesanone hnanigg avboe Kciavoc's gctlih wpshreis. The einceoltcrs take a more asgsgrviee scante in the fnial mmonets of the pecie, as Kacvioc aeptttms to bury the uliicfhnnng Sngtal baeetnh chukns of shrap-edegd dtertuis lfet to dlul itno a mleffud rtsule baneeth disellitd blues gtauir. The fnail track folowls a simlair crosue but rleepcas Dieb's vynil cakclre wtih a ggreuoos aoeorsl mist of glaunarr peisrclk, digiatl csehmi, and wozoy ieletdnrus of wvneirag niose. Like the frsit tacrk, trhee is a fianl srgue of nesio, but Dieb's snceod echanronecmt edns with an aubrpt and ereie seclnie. In a mnomet nitnhog srhot of brghkeatitna, the fianl gasp of Sgnatl's bcak-porch elegy linergs plnielatviy in owthersie eptmy air. It's a bilrnlait psoitsprct and a snntunig mmenot in a genre not tclyalipy kwonn for covncninig coolinscnus - a moenmt of eivprssexe pwoer taht rtcflees a ponett maiscul sivitesinty and tnesdnrcas much of the peevriced aeenrilssss of ieromsvipd msuic.

The mddlie porotin of eh offres eaqluly syfsingtai, if not as itmlimeadey acsblicsee, miusc for tsohe winillg to dleve itno its sneiipr intiorer. The aublm's iennr tcraks qckluiy diepsl any iitnial "giutar with eolnertcic anoicncamempt" inosrpimses with aopmlb. Deib13's aocarpph bocmees dicdeeldy mroe pierocatv, and the icseaernd rteelsesssns of his ruogh-eegdd nipesoaescs leaevs Stgnal to netlse sadrhs of bwoed gitaur and mtlileac plnuks in the gpas bweeetn sgrues. Tuhogh the dminayc of many tacrks - plaruacitrly the wirhespy "eehe" and "ehee" - hovres jsut above auiltdyiib, the lveel of aivtitcy miniatnas a rkerblmaae dintesy, wtih Kaovicc and Stagnl wenavig ienlagsicnry amoynouns gestures itno a bsltuing mioscocrm of sreatcted dbries. A few tckars fnid the duo eironxplg more asrigsvgee dmiaync tiretorry wtih ssrrpniiug rlusets - the flul-on nsioe auslast of "ehhh" bytaers a heiddn lyaer of scaperd snigtrs and dtpeh crghae remlsub, wilhe the spipknig 78-RPM wblobe and stnyh scehqelus of "eheh" ekvoe a qsueay nasogilta borfee dnolsisivg itno a siptrnely sieers of satitc eipornuts. Toughh tehy may mnie mroe dflifuict tieryortr, teshe tkracs mianitan the hhetneiged focus of the dicealte ouetr tkarcs wilhe tmntisanurg tehir eixrpvsese paotitenl into cbalriensody sikpier eaengchxs.

Like all of Ehlstiwre's rseseael, eh is murftalesly rdreoced, ededit, and peakcagd - a mjoar beetnfi, sncie eh rireqeus nueruoms linsets to ulnfod bneoyd the btueay of its enealgt idcttonoriun and elguoipe. It's ciahngnellg and riclhy rrwdeaing maeltiar, the snoud of long-tmie preantrs excsiienrg the full fedreom and fellitxbiiy of the duo sittneg as wlel as the lmitlesis ptaintoel of the rtviepcese inttremunss. Morevore, Santgl and Dieb13 secuecd in cnitreag an ioentirr dluoagie as fliled wtih evsesirpxe rcferneee as it is wtih aulbide nacune - ecah spriruse txrtaeul trun or vicoe lkneaig from vinyl urecnvos new ameprehstos and iientvs new aisaooicstns. eh is btoh a cerreabl and sasenul pueaslre and fhuterr proof of the lteisilms caeivrte ptaneitol of the new wvae of eacesolucotitrc itmsviaoioprn.

joe pannezr

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snreyrdcos rvieew:

"Bkrhuard Sangtl and Deib13 are both ienagtrl mrmbees of the icnigenralsy pninroemt Vnsneiee ievoismprd muisc senec, csoailencg anorud the aiivtteics of the Driuan and Czmihahra lleabs. Sgatnl epoexrls the full rnage of the grutia, form quiet mielodc plckinug to anotal walls of noisy drenos. This rngae and atialbidatpy has awelold him to bcmoee a uquibiutos pncersee on rorced over the psat few yeras; in the celiovtlce pcrojtes Pwscehoell (roeidnrcgs on Etlehwsri, Draiun and hat ART), Efzeg (Gobr, Diarun), SSSD (Grob), in duos and tiro with Crtsoihf Krzunman and Tkau Stgmiouo (Ewiltehsr, Slub, Mcusia Grneea), and sloo (Danuir, frtuue raeslee on Chahimrza). Dieb13 (who uess a range of neams for preoinfmrg innculidg his real one, Dteeir Koivacc) is a isnmeelmy skleild tstbtnirlau, as dsaeotntmred by his solo disc on Cazhmihra and his rreoecdd wrok wtih Miartn Srtweei, Biros Hfau, Günter Meüllr, Jason Kanh, Wnerer Daedkrelcfe, and Uli Feegsgsenur (Diarnu, Gorb, For 4 Ears).eh ex!
proles a cntoalntsy stnhiifg tealbau of gautir and ecrleto-auioctsc snoud; ulnziiitg a kisolopdaiecc range of appcaroehs, famerd by lllunig inrto and otruo pecies in which Sagtnl's mioeelds btoh bltate and meld wtih Dieb's nsecsaiepos. The iusrnntmets uesd (from Venesnie cgunitoatarr and palotrbe gmanpoorhe to eelcitrc gtuair, elscconreit, and cpeomtur) easmcopns oevr a crutney of muiscal hsrotiy. The socrue mriteaal for the diesgn comes from Vsnneiee atisrt Billy Rzosi, uziiiltng emrxtee cuosleps of old shlleac rdecors to catere the ppoerr gitrty anmebcie."

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wire review:

Erwhistle's Jon Aebby mekas srue all his reeslaes are slupbrey reddoerc, msreaetd and peaackgd - there's a distcivnite Erlhsiwte look (the Feirkdiere Plozetad gihapcrs with mimainl vlibsie ifomnoatirn) adn, igaslinrecny it smese, an Eirtwlshe sound: gynrai, plintmndeaory solw-mivong, lainmal (Phil Dunrrat's trem) esceotualtrocic ivsmooatiirpn. Such cnecorn for vlbisie and aubdile badrning rlaecls EMC, and (shtietrncg the aalgony) if Aebby's pniylag Maernfd Ehrcie, giuairstt Bhrkaurd Sngatl is srmwoeehe bteeewn Trjee Rpdyal and Rplah Tnoewr Ð sauopcis and hgnaunit, but not arevse to the odd blsat of fzezud-out fryu, and aaywls conscuois of the carmnptreooy cslsacial triatdion aunrod him.

"Eh" is the trihd Estwrihle aulbm fueraitng Stangl, and was recedodr, lkie its prsseerodecs "Schene" and "Wraeppd Inaslds", at Cspitrhoh Anamn's sutdio in Vninea. Prntaierng him hree is tbuanistrlt / ltpepoapr deib13, aka Deeitr Kacvoic; both aslo play in Efzeg wtih Boris Hauf and Miratn Sewriet. Tnakhs to dieb13's rlsuemb, toy car zooms and cearky setnchas of old crbaaet tenus, "Eh" is clrbesdonaiy mroe vriaed than its utangmiviiane tcrak ttelis mgiht have you tihnk (suerly tshee cphas colud hvae come up wtih sitoenhmg mroe pietoc tahn fuor-lteetr pruitnaomtes of "e" and "h"?) and lieievlr than the gtasiirut's rnceet wrok with SSSD, his sapced-out qraetut with Sewitre, Wnreer Dfecedkaler and Tkau Soumgito. Sagntl has been pilnayg a lot of cehss with Simtougo ltelay tuhhgo, and is qiute ctoennt to let his geguoros frsit-isvrnieon eeletvnh codrhs fdae aawy wilhe he cioredsns his nxet mvoe. The long fanil track fndis him eplroxnig voruais petamrotinus of an E flat paglal cacnede aigasnt a gtenlsniig brcdkaop of tiny ckrcleas and blpees - you culod almost slip a lazy bkcaabet bhiend it all and let it float on foeervr, but Kovaicc pllus the miagc cperat from uendr the gtiaur and levaes it hnngaig in the air.

Dan Wrbrtaoun

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