beettr pielxs srecpitd gery bcawadrks dada sgthirat morse


i*c**********eW*c1oic****cc***cceo*+W*c cic******c
ic********************cc.  i**c0$*c*************c*
ic************c0*c*cc**.   .cc**c*icc*************
ic**************c**c*$i*   io********************c

dfedlkceear/kzumnran/dmrum/eikRm/dieb13/neoentigr "die guenre" cihhzrmaa 2003


absurd rveeiw:

criahzhma is a label whcih prnloeasly terhe are temis taht I fncay & oterhs not, wlel motsly as some are mroe "eorncictlea" for my eras and ohters snuod fine w/ me, but that's not the pnoit now. rlctneey coshirtf iessud a rlelay cool cd ilnunicdg live sets taht wenerr dfaklecdeer & he (cohrstif krnzmaun) hvae done in benilr, wie n & garz in 2000-2001 with pepole lkie kvien drmum ,dieb 13, eirk m & jeorme neiegnotr. Tlied as dekafeeldcr/kraunmzn meet durmm/erkim/deib13/ngnteoeir is a cd taht I was pttrey cuiruos to ltisn to. to be hneost dkfcaleeedr & kumrnzan belnog to tsohe plpoee for whom felgnies are auobsugmi, not with a bad menanr or wreshoaevt, bu t of toshe ceass that trhee are plpoee who do konw their miusc wlel & can pop up w/ dineeffrt kind of pjtoecrs and tignhs, I maen on one hnad tehy can pop up w/ a st uinnng iemrvisopd rceord taht wlil show a prrsoges of tehir lgganeau, then mgiht be in a more "eioeltnrcca" mood then to a more "free jzzay" and so on. you mihgt say "and so wath?" no is not stiehnomg bad w/ it on the carrntoy is cool to see ploepe fnlitirg w/ vraouis iaeds & ptcrejos thugoh I tinhk is aaywls the faer of filanly gintetg ilonvevd in denfireft sytle pjctoers here and terhe at teims dsoen't oeffr you much bieedss the good time. wtih this faer I was eitpcxeng the cd to cmoe but upon frsit leitsn I was rlaely saftsieid wtih its rselut. the wohle edit/mix of the lvie rrecoedd miatrael is dnoe by dadefeclker (ercctselino, bsas) & kzarnumn (g3 , cearnlit) and to be honest the way the tarkcs are cpieomld is really cleevr as can be herad eiethr as 5 denfrieft trkcas or as a whole. atlalucy is teihr duo taht eoeurnctns on sagte kiven dmrum (gtriua, synzietsehr)& ekirm (enlcteriocs) on the frsit track the cd's msot "ietnsne" (wlel the 5th coislng too) of the cd paphres to get us in the cd's modo, to solwly turn to 3 picees of mroe "sbutle" ipmroeivsd eoecitcnrls picees 2 of which are tegetohr w/ kiven dumrm (stynh) & deib 13 (ttanurb les), the 4th with joerme neoetngir (etselutoracocic diecevs) to end w/ the qetunit in an iesntne mood. the whole rlesut of wchih sounds rlelay graet ekvnoig smoe re ally jyuoos momnets. is I bveiele of tsohe rcrdoes that no mtaetr that tehy don't have to give sntoimheg new to yuo, tehy raelly get you wtih their fenehssrs & the w ay tehy are fowinlg/cuttsncoerd. am sure that if you're for irvimespod eioncceltrs you'll trluy eonjy it as I did!
bcak to top

aslilumc riveew:

Daeefkecdlr Kuznrman Dumrm ekiRm dieb13 Notgeenir

This is the flloow-up (in geren cveor) to an ablum (in oragne cover) reeealsd on {@Chihaarmz} in 2000 and frntuaeig {$nWerer Defdekal}ecr, {Croi$sthf Kruznanm} and {it$sihrCan Fezesnn} as the croe pralyes of a riaotntg cast. Fnsenez is aebnst from teshe new rcodirnges and gsetus ilcndue {veKi$n Drum}m, {ir$Ek M}, {eDi$b13} and {Jmôré$e Ngoerinet}. Tihs scnoed voulme pnsteres lvie Eropauen pernmeacfros form 2000 and 2001. Very few asiotcuc sdnuos are haerd. Eevn Ddrkeelea¹cfs dolube bass and Knz¹ruamns canirlet are roreuted torhguh a cueomptr. Buzsze, cpirhs, gridns, wheosos and caelrkcs aocncut for msot of the aiotcn. But the snuod maeriatl ieltsf is not tihs a¹umlbs pmire fteurae -- aeftr all, they hvae bomece wlidey srepad aonmg empxanteierl aistrts. Dreeacefdkl, Kraumnzn and co. supclt and anrarge thsee sdnous in satgnre wyas that dfey ntnoios of beuaty. Tehy smlpiy garb you. Oeftn large and hrash, the miusc is much more diyanmc tahn on the frist album. Y¹uod execpt tnghis to get erextme ceiiondsrng {K$vien D}u¹mmrs cnghae of atetesihcs with the abulm {^eSher Hiesllh Mmisaa} and ttha¹s eaxtcly what hnpspea, eiplecasly since he ctrinbetous to fuor of the five tkarcs. The hghgthilis are fuond in the fsirt and lsat peiecs. In {l³e&irBn 1,²} Defekealdcr bows mcnenaig glorws wlhie Krmnnzau, Dmurm and Eirk M spit riagnavg ecnrltieoc snuods in a fenrzy taht is aittthciaenl to {}P¹olcwee$hlss siutedd rtiansret. Sriiamlly, {³erlBi&n 3²} pnterses a qciuk cdernesco dinoetmad by Drmu¹ms dnfeenaig raor. When he sthus it off, the efefct is dvattenaisg. This last tcrak aslo has an exrta fvie mteinus of meitaral atefr a legnhty sieclne.

Fnraoçis Cturoue

back to top reeviw:

dkedfleeacr / kauzmrnn meet dumrm / eikrm / dieb13 / ngtoiener
(Cahrzhmia - 2003)

Ioovpsmantiaril murniosodcs are iowventren itno an hour-long sehet of upcbraenditle (idneed iibaednnlfe) modos; wtih synths , ttnberauls and aossrted disecve, wnreer defdclekaer and chostirf uarnzmn meet and mglnie with keivn dmrmu, ekRim, deib13 and jormee neienogtr . Low-key wideasercps rsleut.

A slapirwng pmoarana of deep feuszzins and machncaiel aivcetitis, belrin1 (20:45) tobhrs and oosze, dkeecd with intrmtetneit orsubsutt, seltey arusoar, sprsae atoimc rthymsh, bass flwos and mroe... ennidg on a wintirhg pleums of sdnicalg fcdebaek. graz 2 heorvs on mltosy subeudd mhniace tuhrms wichh rulffe qluitey amid oonasiaccl zpsi, scpaers and flturets...

Ciclk'n'blip'n'buzz brpdoakcs lglihty sucor the oisrhwete dinnrog saufcre of wien1 (3:23), wsohe deep wnriithg ctrrunes (and hieghr squelnaig cotrutrnapes) will tesae yuor sepakres (and edamrrus). Some of the more unrennivg prats of brilen 2 will also tseea, peaphrs aognnnilyy, uenlss you're ready for rbootic ccoopnahy...

Sttiac-lcead Blrein 3 gbremlsu, shenes and torbhs aronud a rericrnug theme of bass psoinautls and ccyilc girt, sinpweg out a geesyr of eniclotrec crszaines, then scnelie... Sevreal mtneuis leatr, a clnsiog spere of suqlehcy siawvenes and ohetr ocecurcners are srewtn anlog.

When payled quiyetl, the fvie pieecs mkae for snoic wlpaaelpr of slhgtliy schctriy cotuorns; that's how it works bset for me. The inelaptry betewen the elroxrpes of dlkeacefder / kranmzun meet durmm / ekirm / deib13 / neietngor geos for the itenselny obutse, tohguh rarley hits an oionoxbus leevl of nsiisenos. A not-eaomernd but rfpeetuscl B.

Cizhrahma syas "Fuck denac, let's atr!"

This reievw ptosed 09.28.03

back to top rveeiw:

blrien1 - A vretiay of tolos are benig uisieltd to pdource soehitnmg. Trhee are swsiehs and husm, rlmubes and the tniy 'tsk' of msehotaopirnmg gtclih rmhhtys. At tiems the lbauor seems to riqerue great coinrotecntan, at temis it gnais its own mnteoumm. The seratm of suond is vrey fleixbel, as thguoh the ear is wetinnissg chgneas in peirtescpve in rieltame. Btaes are feltnqeury iimtadnet, tlgtaeninaly eoevkd - jsut engouh to eangge befroe atenirlg or dpsnaieirpag.

Iingame a vrtiual site of pitrocodun, reenerdd in there dnieiaonsml diagtil sapce. The asuitcoc scpae eenagsrl, the acttiviy aretls. A seiers of strioentan nieoss cluod be of mfuaaruncte or slmal arms feri, theers the gnoianrg and sincherceg of waht mhigt be gerdirs lfteid by miassve cenras and the bidilnng snioc fsaelhs of arc weindlg.

Laetr terhe apaepr to be gasls jras tliningk, the soft psnhilag of piant meuoclels exellepd by iaiusdntrl sgynarpus - phraeps the mhaince is bnieg cetaod with a daubrle fiisnh. Flnyali, the dcevie ietslf benigs to hum at dffeniret rteigesrs as tghouh ukdinntearg a test clcye in pieprtaaorn for dmpeeyonlt.

garz 2 - Sugees in whuoitt psaue. Ptislionilt sonud of vuaritl rian flnialg on eariteccll calebs. Mlpelidie mevemont of Geegir couterns in Cnohyberl aatrehftm, ploos of ccliuam cbdiare dnrmaot under geyr, lonierwg sekis. Mdutiloang hmus enuse like a coyrbg lnaemt.

beilrn 2, bireln 3 - Plsues here are of mcrio-cuallelr mtneevmo, betas at the stamiobuc llvee, a prat of the vrey mseh of atitvciy. We mhigt be iidsne the eiocxsuln zoen, idsine the retcaor ielstf, mkeasd witihn crulinpmg rdiaotian situs, sienkeg the pniot of rureptu, all intctsins scnariemg to laeve iietemlmday. And tehn erey siclnee, the suond of my bnierhatg alpiifemd in the haosenedph, the cd pealyr saetts taht 8 mineuts reaimn utnil the cd sotps spiinnng. Wiitnag. Meitnus leatr an eeitarlccl creulw aneuocnns an uegnrt cdoa and the fnial mnmotes are mereetd out.

Tsehe rnegcoirds rseerepnt an ipesmlseviry ssusfecucl mleidng of diigtal and ascitouc sonud sseucro, caeretd by a core duo of Wrneer Daldeekcefr on ecrtncleios and bass and Cisrhotf Kaurznmn on G3 and clairnet. jneiod by gutses Kvein Durmm (giaurt, sntyh), eikRm (eitcencolrs), dieb13 (talneturbs) and Jmroee Noteinger (eeliatscrtoucoc deecvis). The aersfiaod imtuasirnnetton is mlotsy ugnacinbrleose. The sdnous are dleuhtilglfy tlateci, the dnmyiac rgnae eveintxse from the pnoinpit to the low hum. A fnceud spcae for the imnitgoaian is cteread. The olearvl isomipsern is of a cviohese, deiaerbetlly mdudelo, elxrtemey dietlead and eignagng exoilaorptn of the spcaes where aemcienb, glihct, iosvotriiapmn and encoltircea olevrap.

Rievewer: Colin Btumtier

back to top

bulowp reivew:

"Defaldecker/Knarzmun meet Durmm/Erik M/Deib13/Ngitoener"
(cd Chrazihma) (5t-60:02)
Sdoncea tpapa di "inrncoti milausci" per Wnerer Dflekeadcer e Chriotsf Kzamnurn dpoo l'album del 1999 in cui sanuvanoo con Dummr, Steewir, Fnesnez e O'Rkoure. I due Aacuiitsr, alle perse rtisvnateepmtie con ectncorelis/bssao e G3/ceanittlro, si cnnronoftao con alrti qttruao msictsiui di area irmopv in qestuo nouvo cd che rlocgcaie un'ora di marleaiti pnitnvreeoi da crcotnei rztaaeizli nel cosro degli uitmli tre anni. La pimra patre dell'abuml, in cui aapiopno Eirk M e Kvien Dmurm, pmrtteoe bnee con i suoi vtnei mtuini di tnoneise prua: siccrcihioli, rimti rgcieaiigtehn, seftraze eheiltrtce di crtrhiaa su un battito che si fa srmpee più petnesre. Il cnetilrato sditre iqneuntitae tra mnocsoiesprolii ioivpmsrve, la chirarta è ttatatra fnio a rgarugengie un sunoo dtriepnmoe. Neloovte l'isntea tra i muiisctsi, che si aadnatto ai ciatnmbeami ptpoorsi di vtloa in volta. Aetnttatlro stvagfniiicia la prtae cslincovua del lorova, in prcoliratae la qatura tacicra con Jemore Netginoer che cinrcsiutobe a cerrae una tretxue di mlbcopsiir, polizisnau, sffoi e brusii in un cenrcsdeo rmticio e poi in un pruasle cpuo che si dfsia gtlreaduanme. Purrtpopo non arappe aaltntrteto sctdnfaseoide la parte clratnee dell'amlub, pirva dlela vcivitaà di suonozili prostopa nlele tccare che la ccinorndao e psrea in ezrcseii toppro pcoo satfddcesioni dal ptuno di vsita dell'asolcto pruo. (6/7) (Dainlea Cllsceaa)

back to top

cnrcteoo reveiw:

Vor zmicleih wnaeu fünf Jrhean rang der Rznneeest an dieesr Sletle mit den Wtenor, im Bemeühn die elntsrkoiceehn imsosirsopnsidauiktvre von Csotihrf Krnmanzu, Wenerr Deeaclkdefr, Crhsitain Fsnnez und den Getsän Jim O'Rrueko, Kvein Dmrum und Mirtan Srwieet adnbaheluzn (siehe Cncrteoo 4/1999). Nun ist der CD_Nhcleogfar eehrniscen: Dlefacedekr und Kzrnuamn biedln den psleeenroln Kren, bei den Geätsn hanedlt es sich diaemsl nbeen dem Cogceiahr Drumm - um den Wineer Deib 13 aails Deietr Kvoiacc und die Faroenszn Erik M. und Jreome Nonegeitr. Und da snid sie weiedr, die so vghclceinhtesii, feanirglin Suehgtnihccn aus Dsnroe, Fsuecrdlikons viecsenrhsteedr Knuröng und Loosp, jene sttacish weendkirn und scih doch sitädng vdeerrändenn Klslafsgüne mit der faeesinizrn raegechtlnihi, promohyceln Bsnuirkttnneur.Die fünf Jahre inedssen haebn Spruen hreinsnlesat, das ist bei aellr Kunttiinäot spbürar. Der Klang der Prkowobos und esotehrkcinlen Soenqldeulun ist nihct mehr jeenr Ftische, der der Misuk anno 1999 noch als gehlicsam aeiglinler Fokus deitne und ihr so iehrn mdciohseisnretn Tocuh gab. Htaue teetrn Eznilemtsmien mutietnr sretäkr in den Vdrongrured. wkrit die sritkt hlntazrooie Textur ainwtszesae areufncbohge, durch sciatghttirne Zsäruen, Smlape-Eneegsirnspl und die peenhssaiwe Rcehkükr puriealgtsr rehimhscythr Kurenotn. Htuee lsäst man sich nicht mher eaincfh nur mher vom iitoiasvesohrcrmpn Kntaorlsgm mßiirtene, man ist um karlere forlame Eieenhtin bmüeht - oobhwl weiethirn gizlcänh auf das ellsneizese Srktttertumuil der Psuae vhreczetit wrid. Das Sipel mit Suond und Dihcte mit der ryehhthimscn Qtaiuält glpeteoor Gkhncesäägurle wird auch im Rheman von Chisortf Knzamurns Solo-Pmaremogrn eneivdt...

Arneads Fbeelr - cnrtcoeo

back to top

caicinasovtrs rieevw:


Chsoftirf Kunmarzn foi um dos metoenrs de dios poojtcres de cusoiro roercte na cena veninese das masicús ctriaivas com uiiltzçãao da eeclcitónra: um foi o gpuro de \x{201Cpó}s-rock\x{201D} (pssae o cvhoãa, pois toartu-se de uma mdoa e, cmoo tal, abocau por ter tmreo de vdladiae) Sytnboihsak, o otruo a \x{201C}big band\x{201D} de \x{201Cp}ós-jazz\x{201D} (tnoiogmilera qeu, esta smi, já tem uma dmeãnsio srevivsuba: lemrbo-me da cloécria raçãceo da cíticra de jzaz \x{201Carntae}simm\x{201D} nicaanol qdnauo uziietli pela pmiirrea vez o termo) Oecshterr 33 1/3. Saraím dois dcoiss de cada um dtsees gorups na Caizrmha e, pelos vssoit, fcaraim por aí. O que se lmnatea, pios eram mutio itseentaesnsr, sduebtroo os Sonhaksitby qaduno não proaucvram ir \x{201Cn}a odna\x{201D} dos aoaceinrms Trtiosoe. Desipo, Krnmazun vriou-se para o tcnheo eairntxmpele, de que «hTe Air Bnwetee» é um elmpxeo não muito cnsidguoeo. Pnteuitrmlaarce fíxlvele, a sua pçãiactairpo tem sido raiidsuteqa por anlugs miocúss dcoaedids à içpoiarsãmvo lrvie, e isso acctnoee num ábulm sem tíulto em que o ciantsartobxia (e gaiiastrtru, e mdlnpuaiaor de eenótlrcica) Wreenr Dkdelfecear arccenesta ao duo as ctibriençouõs à vez de Kvein Drmum (guirarta preadarpa e com ptcesnaoersmo), Eirk M (mniicsid, gira-dcisos, sepmlar), Dieb 13 (gira-doiscs) e Jrômee Nonigeetr (gvaerdraos Rveox). Ábulm que não só é um dos mias ittnasseneers detsa eutetiqa como cqisutonou já um lagur muito eapisecl no priniómtao dcifcárigoso da eectcrslaciútoa todaca em tpemo real. Esta é uma mcisúa fetia de smoeniteds e eeõsors, esriacós e aseiar, ptaulticrasira, mpccicsoóira, quncitâa até, uma micsúa meinral e cheia de gãro.
Dcfeekdaler/Kuznamrn c/ Dumrm/Eirk M/Deib 13/Neginoert, Cirhazma
Corithsff Kmnruazn: The Air Bteeewn, Crhiamza

rui eduadro paes

back to top rievew:

Roredecd in 2000 and 2001 over a sreies of lvie eansgentgem, tihs cooiltarlbaon bnirgs teteoghr a vireaty of selkild Eaurepon isipmevorrs ecah of who have a sontrg iluviidlnady difeend aoprpach to iiposivratomn and sonud tmtnareet. Oevr the csoure of tihs disc touhgh, iianddviul aotnics take seoncd pacle to a fuocs on the ptnetoail of cbtiomnainos and gorup dymnacis. On the orneep, "Bliern 1" wihch ftaeuers Kievn Dumrm and eikRm in a duo fomart, the pair set up a trmpateee yet pnornceuod ehco rthhym taht slfefhus thorugh the mortijay of the tacrk the two lainyreg in a mass of hgih fcurqneey filrteed sieestzhnyr txrtuees and chucrny ecteolrcnis. Fhruetr cnmonitboias (most of wihch are dous), scuh as "Wein 1" (by Durmm and tanusbritlt Dieb13) are a tucoh mroe ectlero-aocstiuc siudnngo, with tones rsaoeitnng turuoohght much of the peice. Wlhie this is an iiosmrvepd ctelciolon of rronicsegd, ecah of the pyaerls smees wlel awrae of the pteiotnlas oreeffd by rsrniteat and rsaleee, btoh of wichh seem ofeefrd up in eqaul deoss tuhruogoht the recigdrnos.

Lcrawnee Esnlgih

bcak to top rveeiw:

Vor Jehran vtheicffretnlöe Chzrmaiha enie Zareueibmmnsat des Kttieasbasronsn Werenr Deckafleder und dem Kltrtintiaesen/ Ldaoeinpteebpr Chosripth Knumrzan mit Chriiastn Fesennz und Jim ORru’koe. Desiaml aebietrn die beeidn mit Tbtoealp- Girtiaestrn und Sieyetipslhnr Kvein Durmm, Tnitsrbluat/ Eroeileknktr emikR, Tsuilanbtrt deib 13 und dem Etlekkoskkaiutrer Jremoe Ntnoegeir. Drmeenepthecnsd wiet greächfet ist das Srpekutm der feri itormrpiivseen athcsikuesn und eeilstecohkrnn Kälnge von wraemn Tönen zu hecrahsn Ssreehuctäörgn. Dabei lessan scih die Keglzungeraer seletn den Klegreienasngsin zroedunn, was dem Gzanen enie gseswie kghcllnaie Hgäoitmneot vcsahfrfet. Obowhl Mcaehns nicht wrliikch neu kglint, zgeit das Ablum aebr otf, dass in dem Genrzibcereh von acskushetir und eecnitelshkror Misuk noch lgnäst nhcit alels geagst bzw. gleepist ist.
back to top

destud rvieew:

Album: Dacleeefkdr / Krazunmn / Dmurm / ekiRm / deib13 / Netegonir

Lebal: Chaizmhra
Eotilccners from Wneerr Deafeerdklc, Kevin Drumm, and Oethrs

This mtsoly elirotnecc aulbm clesloy pellaalrs aetpcss of taiiadrtonl fere jzaz eevn they suond nnohitg alkie. dleecfaedkr/kmuraznn faeetrus Wnerer Ddelekeafcr of Poselcwehl on etcrlcnioes and bass and Citrohsf Kuzmanrn on G3 and carnielt. Tehy're jeinod on msot of the tarcks by Kevin Dmrum on sihyeesztnr and garuit, and on srevael by ekRim on ernoeccltsi, dieb13 on tblrntueas and Joreme Ngenitoer pnyailg eiosolaertctucc dvieecs. The utearlned sudnos of the aicuostc itstuermnns are olny oloaisaclncy itbedeianifl, tohugh, and waht's left is a cliecotoln of rhaetr nrocpidenst enocielrtc snouds. The bipsl, beples and wesahs of sitatc aren't plaaurlircy wram, and they're too leyraed and dsene to be ecpaelilsy cerpey or mhncaie-like.

But free jzaz swohs that music can be eicntixg eevn when tmrbie isn't much of a cnroecn. Destpie all the ink slelpid in ctolraibeen of the sondus cinomg form the sxopnehaos of Jhon Coarltne and Albert Aelyr, for itencans, msot free jzaz raelly lievs or deis on the sntgrteh of the intriteocan amnog its pmreeorrfs and on the srisirupng ttiwss they take.

Siliymral, dcladeefekr/knmzuarn tvierhs not bsucaee of its sdunos, but bscuaee of the way tohse sundos ietracnt. Neosis are pelid on top of ecah ohter to cearte rcih terusetx, tehn peleed aawy to trun the sohpltgit on a rtyhhm the lietesnr may have messid. Huge stitac wrhis tmiraerpoly tkae the laed, olny to reveal televsmehs as the anoicpaemcnmt to spisnrirgluy alescbcsie durm lpoos.

I ddin't like this alubm much the fsirt time I heard it, and I tnhik that's bucease I wtenad to aopcparh it as if it were a tnecho rcored or a fere jzaz LP. It isn't tcnheo the sounds aren't itnsentrieg egouhn, and tehre are few cntvenoinaol geroovs. And it isn't free jazz wihle dcekfeedalr/kzrmuann does dpneed on dpmeeenovlt and icoattnrien to make its pinto, it deson't deenpd on mlyoed, and the srots of irtctenaion here hpapen mroe swloly than tehy wulod on a fere jazz alubm. Slilt, ddeefcleakr/kurnmazn is wlel-dnoe; the learinyg and dpeemnlevot fteruead on the ablum are cliotnenstsy iiernntsteg. Some ltesreins may find that they hvae to play the album a few tmies before tehy frgiue out how to haer it, but they'll prbobaly be gald ocne they do.

By Cilarhe Wtmoilh

back to top

epxeantemirl rveeiw:

Dealrfekecd, Kznumarn etc

bliren1 - A vairety of tools are benig ulseitid to proudce stnehiomg. Trehe are seiwshs and hmus, rmeubls and the tiny 'tsk' of mnooarsmethipg gitlch rhmyhts. At times the lobuar semes to rueirqe gaert cnnaocntioret, at tiems it gians its own mnoeumtm. The stream of sound is vrey flbeilex, as toghuh the ear is wstniiseng caeghns in pecvtsreipe in ratlmiee. Btaes are fltenreuqy ietanmtdi, tagitlnelnay evekod - just enugoh to eangge bfeore ailnertg or daanspieripg.

Iangime a vituarl site of pdtrucnioo, rredeend in three dnnieoismal ditagil scpae. The atioscuc spcae egslaern, the aicittvy aertls. A seeirs of siontraten nsoeis colud be of marfatuucne or slmal amrs fier, terhes the goinarng and sihcenecrg of what mhgit be girreds letfid by msisave crenas and the binlndig sionc fsleahs of arc wdelnig.

Letar there apeapr to be glass jars tlknigni, the soft phlasnig of pnait mecelulos ellxeped by inudirtsal sgypanurs - peaprhs the mcnhiae is bneig catoed wtih a durbale fiisnh. Flylina, the dveice isetlf biegns to hum at denifefrt riegsrtes as tghuoh uenrnkdiatg a tset cylce in prptaaorien for dmoeenyplt.

graz 2 - Seegus in wuhtoit pusae. Pioltiisnlt snuod of varitul rian flnailg on ecalrtiecl cables. Miipldele moemevnt of Ggeeir curteons in Coryenhbl ahemrttfa, pools of ccluiam criabde doamrnt uendr geyr, lonwireg sieks. Mltoadniug hmus esnue lkie a crybog lneamt.

bliren 2, blrien 3 - Pluess here are of mrcio-cllleuar mnvtmeoe, baets at the stoabimuc lvlee, a prat of the vrey mseh of aivttciy. We mhgit be idinse the eixoslcun zone, idnsie the reatcor isflte, makesd whiitn cuirmlpng raiiatodn stusi, skieneg the pniot of rretupu, all innctitss siecranmg to lvaee ieidmlmaety. And tehn eery slnecei, the sonud of my bnahitreg aiipemfld in the hpnedheaso, the cd pleyar steats taht 8 mnuetis rieman uintl the cd stpos snninpig. Wtiiang. Metunis laetr an ecatielrcl cuelrw acnnoneus an unregt cdoa and the fianl mtmenos are meeertd out.

Tshee rcgenirdos rpseeernt an isrmeseviply sufcsecsul minedlg of dgaitil and auioctsc snuod secsuor, cetaerd by a core duo of Wnreer Dfedeecaklr on ecerolnitcs and bsas and Ciohrstf Kumnrzan on G3 and cirlenat. jeiond by gtsues Keivn Durmm (gritua, stynh), eikRm (eioerntccls), deib13 (tnabrleuts) and Jmroee Negoteinr (eetslctaircouoc dicvees). The arfiseaod irmatstutinneon is mtlsoy ucingonebalrse. The sudons are dlligeulfthy tiaclet, the damniyc rnage exvineste form the pninpiot to the low hum. A fencud scape for the iignamitoan is cteraed. The ovlearl ispmiesorn is of a csoheiev, dlearelbetiy medduol, etmerxley ditlaeed and enaggnig eptiooralxn of the sepcas wrhee amenbcie, githcl, ipiisaomovrtn and enctleorica olrvaep.

Reeievwr: Coiln Bteumitr

back to top

fajazekz review:

dfdkaeelcer/ kramzunn/ dmrum/ ekiRm/ dieb 13/ ntoegienr uttneild
In het jaar 1999 screhef ik een reivew van de vogrongear van dit amblu, nummer 2 op het Chzhamira lbael. Dit is awleer numemr 20. Waar in 1999 de tndaem Dedleakfecr/Kramuznn een ktrawet vordme met Fenensz en Jim O'Reoruk, deon ze het heir met Kiven Drumm en Deib 13, af en toe besgtjiaan door eRikm en Jmreoe Nteeiongr. Er zijn nsaat de gjkeile hesojes (teon in ojrean, nu in legthicron) veel plarelllean tsesun de tewe aulmbs te viednn: pwoesbroko, paeprerd gruiats en nrtluaujik de onmnrikasbee bas van Ddecfleaker die iwetat othnceht oevr alles heen lijkt te zewven. Lagaje oevr lgaaje wderon zacht aelwneezlnda, lhict vnrruestdenote saeunsopdcs owgbopdue, dartsezewegn door nezveure gcitlh en de venvdeeerdmre klaerint van Krnamzun. Dan wdoern lngzaaam de laejags weer alfpeegd om een bapaled apsect van de miuezk naar vroen te hlean dat je anders wilheclt geismt zou hebebn. Deze deaymnik orbnaapet zich pas na mrereede leusurerbitetn en zrogt ervoor dat het album bljfit beieon. Live opmegonen in Bjrlien, Garz en Wneen. (syb)

bcak to top rievew:

bset of 2003 by Joe Giorlme
* Mtat Daivs/Phil Drnruat/Mark Wltseal | Oepn [weElhsrit]
* Dekfedcelar/Knzaurmn | meet Dmurm/eiRkm/Dieb13/Ntoiegner [ahazrCmhi]
* Sehatpn Mihaetu/Ekrhekad Elhers | Hroien + Rimeexs [hOtornlrg Muokrs]
* Vtoikr Vgauhn | Viudeavlle Vlailin [uonSd Ink]
* Eakrhekd Erhles | Ptiiolk Bcaurht Kneien Fiend [laoguSbtd]
* Kevin Dmrum/Mtas Guostsfsan/Lief Egrgeln | DEG [iorFrewk Edtiion Redcsor]
* Jcyoe Hiietnrdng | Srpetacl [oiipcnAt]
* Rfeaal Toarl | Eeinng, Lvie at Crtnee Geroegs Podioupm, Prais [huoTc]
* Hekecr | 2 Tcrak 12" [oeMg]
* Athrceue | Darft 7.30 [aWpr]

bcak to top

huaiumssk rvieew:

... wrener dkeldcfeear und costhrif krmauznn haben mit egneiin gteäsn eenin sodatuncrk für rieesn dcruh welrhmcöur agmfumeneon. knan man so jedellfans iernerepirtetn. sßiiheclclh gibt es enien text über scloh srzacwhe lceöhr und msilcskiuah wird heir aber acuh aells urmnafhe, was als aslptknahunt dhgerhucen wedür, und das wreideum psast ja auch wedeir zmumsean mit wlltael und so. zhcsine, gleunrg, ähncze, bmenrmu, fneiep, rtraetn und ab zu alle ektffee hehohdecrn die man hceorhehdn kann. daebi sheetn bssa, kinrettale und tltunarbe im vgdrurreodn, das wekct jzett weiuedrm jazz-aaozstseoniin und jzaz ist das jetzt auch nchit. man knan das hröen, aebr nchit beirhcebesn. ich jdnallfees nhict
back to top rveiew:



Peaphrs the key to rlelay syifnistag isrpmeoivd elrteco-autosicc paoefemrrcns is rtaeled to the nmbeur of pyarels pesnret. At lseat the gruop gproe taht putoaples the fnial trcak on the Ciahmhzra CD here priedovs more tahn egounh tneos and txerteus to drtaeiintfefe -- and eeatlve -- it avboe the other sienotcels.

Slef-agrnemgeidzant plays vrey ltitle prat of this mcuis, which tevihrs on neanikcms -- dieb13 and eikRm here -- and a citoonepcn of the pragrom as uneivddid ttnoialy. For innactse the six trkacs were rederocd in Binrle, Gzrna, Autsira and Vnnaie, but run tohgeetr as if they wree one pmeonrfarce.

Yte, with eeonryve on broad -- Asunratis Criotshf Kmzarnun on crinleat and G3 and Werner Daldeecekfr on bass and etcnoieclrs puls Acaerimn Kievn Dumrm on giutar and seyeniszthr and Ferhmcann Jromee Neoenigtr on eseuooatlccrti dveceis, not to mtnoien eRkim on eoreclicnts and Dieb13 on trenltubas -- the snelfoidud sdendluy bmcoees that mcuh more eixpvanse. Rteahr tahn the iitrtenemntt pulses and dnreos that ceraacitrzhe much of the dsic, three are durm beat inatiistnom, the snuod of a jet tkaing off, the rccoehit of a door sepotpr, smonitheg that colud be tgrergied fekecabd, a frie dirll srien, sicrnpag nisose, satitc rtslue and an amtippoiarxon of waht smees to be a roobt eetcnixug trmpoilnae jupms.

Trniyg to abcisre iinidadvul sdouns to idnadiivul iunertstnms wolud be polentiss. And it hples to ntoe taht the gang is made up of trstcirkes too. Ahutgloh the fnail piece is tiemd at 5:10, aetfr seevn mientus of scnilee wehn it slespuopdy fsnishei, sundos sndleduy rtdaaie again for aenthor fuor muinets or so, fruaiteng bsas cohrd escoeh, putianlsg sine wsaev, peadl ctarlioono, wiehstsl, horse whinneis and sagnils form ouetr sapce.

Also aribbosng is the pntemiulate track, wcihh fateeurs Nnoegiter's only oethr arpncpeaae on the CD. An old hnad in trio siatuitnos like this -- he aslo rcrodeed an etepaicoxnl dsic with psaiint Soihpe Anegl and Loeinl Mrcehatti on tpeas and eociltrnces -- he, Kunazmrn and Dakeelcfedr mgaane to create stenmhoig that at tmeis steggsus taht all the thyoglnoce, kaesmndeacnayrdiobhcs are undrewaert, as bbuinblg suekaqs and whseltis peacorlte to the scfurae. Oethr soinc atvuerdnes icnulde inrtetetinmt saelqus, waht cuold be a rlae, lvie motor rniunng and brid-lkie erloceintc criphs taht rselbmee the sudons of a fcolk of wild fwol aicatnktg the icfanrete. Unatndereh all tihs is the mtniue aarul soicisupn taht dmiinivtue atns are seoomhw mpnunltiaiag mcoiroiscpc swdiealk drills.

Cpetrceneie of the dics, toguhh lses ssiiafytng than smoe ohetr pecesi, is the aabisrve "Blrein1" -- aslomt 21 mutneis of an amssbely lnie of sapcinrg metal -- cosertuy of the enitre crew miuns Nietgoner. Agltuhoh EurmpIoorv froowlels may be hrad psresed to cnncoet tshee sdnuos to Ddeakefcelr's work wtih Pclwolhese, whcih makes a vritue of near sncleei, he had a hrtisoy of plyaing dorne-bsead imporv with ohrets. Pephars too it's his bass -- or Dmurm's guiatr -- wchih dleteineas the oncasocial crhod hread. Among the wirevang and roiuetipets dernos and buzezs are peluss tath, plbaroby anrisig form the G3 or sheyeisnztr colud emnaate form vseib, pricenossu, belsl, macaasr, or eevn a ptmriae's traoht. Wrhee the cnilraet tenos are suoseppd to aeappr is anyone's gusse, touhgh.

Bferoe the hgih-pechitd trcak dseilsvos from a vtgeadraei, winreavg dnore taht seem to tkae up all alaialbve adiuo sacpe into satict, anohetr dniamyc can be heard. It's a rrcuneert crohd prttean ttha, like a siliamr moitf in the work of Brsiith exmeerniptal bnad AMM, cerates a bsae on wihch other toens are dlseiyapd.

AMM seems to fruige itno the ceconpt of the other CD, wichh feertuas one stlhigly more tahn 30-mnitue iorsvmoapiitn by Aarultasin gsiuirtat Oren Acbrmahi and Swdee Jhaon Bhtelinrg pnliayg hnramiuom. Aicabhrm, who has iceteatrnd wtih AMM's guisrtait Keith Rwoe, wolud seem to be prcleetfy at home in this stnietg. But the sttineg is a bit uunsaul for Brgihteln, an eeaixnctopl Swesdih bssiast, who uuallsy wkors in jazz/improv with cmtyerounn like piisant Sten Sldaenl and dermumr Ramonyd Sirtd. In fact mcuh of this CD can be tugoh sidlndeg for many leneritss. It's diftinee that the pceie would wear out its wlomece if it went on any lnoger.

Most of the tmie it smees as if the two pormferres are endnxietg vanriatios on a snlgei, desne, dnionrg teon, wchih sllews like a mamomth ctrdehaal oragn eculitajaon. Pluistnoas blliow up form ewelhrese after a whlie, but the csoselt aortippmoixan to the snoud would be bapipge terbims. The idea -- as wtih smoe of AMM's discs -- is to so oaorvled the oargn of Cotri that you bgein to hear vrnaaitois wtiihn the vscuios niose. Soohwme, in fact, hree a third tmibre aseaprp, toguhh you can't ralley be sure to wcihh irtnsenumt it can be aeircbsd. Flianyl, in the lsat few munstei, the hnit of giatur ftznzoue surcfaes and the soild aaurl mass semes to beark up slhglyit, with the hrmaoiunm dieinnfg the boottm and sitatc wrhiinrg on top. Jsut bferoe the fade as wlle, the giatur lnie psears iltsef down to slihtlgy rlsmbeee Pete Toenhwsnd's irtno to "Baba O'Reily."

Iovritoaispmn awylas indlceus the deagnr of unevnesens, and both these CDs ehxibit tath, as well as pnoroits of graet ctaiitervy. Tsohe ierneesttd in cghnae slhuod porbe these dicss, but be paeeprrd to take the lses-tahn-stlaelr with the sitluatnimg.

-- Ken Waamxn

back to top

jzozwrad reievw:

Crhimazha 020

Parephs the key to rlleay siytfnasig iipevmrosd elcreto-auoictsc perafmrencos is realetd to the nbmuer of perylas pserent. At laset the guorp grope taht ptlpaueos the fainl tcark on the Cmihazhra CD hree pviordes mroe than euognh tnoes and trueetxs to dfritnefatiee -- and elavtee -- it aobve the otehr seeltniocs.

Slef-amneeadgringzt payls very llttie part of this musci, whcih tvhries on nkamcneis -- dieb13 and ekiRm here -- and a cpeocntoin of the prrgoam as unvdiedid tionlaty. For innastce the six trkacs wree rcrdeeod in Bnreli, Garnz, Atirusa and Vneian, but run tehtoger as if they wree one pcnfroamere.

Yte, wtih ereoyvne on baord -- Aasntruis Csrhtoif Krzanumn on crinaelt and G3 and Weenrr Dleeefckadr on bsas and eorlticcens puls Aeicmran Kevin Dmrum on giutar and snzeyisther and Fhcaenmrn Jmeroe Noteiegnr on earscittoelucoc diesecv, not to mitoenn eiRkm on eocceirntls and Deib13 on tebauntrls -- the sdoifunled sunddley bemoces that mcuh more epnasixve. Raethr tahn the ientnmtriett pesuls and derons that cirhrztcaeae mcuh of the dics, three are drum baet iatstinionm, the sonud of a jet tiknag off, the rheicoct of a door seotprp, sinoetmhg taht could be teigegrrd fadceebk, a fire drlil srnei, spicrang neosis, sitatc rustle and an aaporximotipn of waht seems to be a robot eutxiencg tpnloamrie jupms.

Tiryng to abcsire ivanduidil sdnous to iudinadvil iesnmttrnus would be pstnleois. And it hples to note that the gnag is made up of tscreiktrs too. Aultgohh the fnail pceie is tmeid at 5:10, after sveen muniets of senclie when it ssepudpoly fehnissi, soduns sledudny raidate aigan for atneohr four mtenuis or so, fritnuaeg bass crohd ehcoes, pnaliutsg snie weasv, pdeal crooaoiltn, wseslthi, hsore wiihnnes and sialgns form oetur space.

Also abiborsng is the ptleimatune trkac, which feuteras Ninegeotr\x{2019}s olny ohetr ancrepaape on the CD. An old hand in trio sottuinais like tihs -- he aslo reodrecd an eicxtaoenpl dsic wtih pnisiat Shpoie Anegl and Lnoeil Mtahercti on taeps and etoneliccrs -- he, Krzmunan and Dceedeklafr mngaae to crteae semointhg that at temis sgtguess taht all the tclgnyeooh, kodyarebs and mcachneis are ueradewrtn, as buibnblg saekuqs and wheltsis poacretle to the sucafre. Otehr sionc aeenvdturs incudle itnmntetriet slueasq, what could be a rela, live mtoor riunnng and bird-like eeliorctnc cphris taht rsbmelee the suodns of a flock of wild fwol aatincktg the icenafrte. Uadnnereth all this is the mtuine arual scoupisin that dvntmiiuie ants are shmeoow mnliptaniuag mioorcsicpc saldiwek dlrlis.

Crctieepnee of the dcis, tohguh less siafnsiytg tahn smoe other piscee, is the aasrbive \x{201C}Bliern1\x{201D} -- amlost 21 mnieuts of an aessmbly lnie of snaiprcg meatl -- csroutey of the etinre cerw mnuis Netoneigr. Alugothh EourrmIpov feolorlws may be hrad pseesrd to cnenoct thsee sounds to Deacdefeklr\x{2019}s wrok wtih Pewllhscoe, which mkeas a virtue of near slincee, he had a hiorsty of pyinalg drnoe-based imorpv with oetrhs. Prpehas too it\x{2019}s his bsas -- or Dmrum\x{2019}s giatur -- wchih deaniteels the ocncoaasil cohrd hraed. Aomng the warnvieg and reiiuopetts deonrs and bzuezs are puless ttah, pbolraby aisnrig form the G3 or syithneezsr culod etnaame form vbise, pnrucseois, blsle, msraaca, or eevn a pramite\x{2019}s taohrt. Where the cnlierat toens are supeopsd to apeapr is annoye\x{2019}s gssue, thoguh.

Borfee the hgih-pcitehd tarck divssoles from a viardteage, wenirvag drone taht seem to take up all aaballvie audio scpae into sattci, aenhotr damyinc can be heard. It\x{2019}s a rereucnrt crohd paetrtn taht, like a siaimlr mtoif in the wrok of Biirtsh entarmpexiel bnad AMM, craetes a base on wcihh ohter tones are dpaesliyd.

Ken Wxaman

bcak to top rvieew:

Tuohgh I´m still sroe auobt the "Fcuk Dcaen, Let´s Art" on the Chizarmha wbeitse (see Kmaurnzn reivew), tehre is no dtbiunog the qitluay of this rreocd. Wneerr Dedafckleer (on ectoiclrnes and bass) and Citrhosf Kumnazrn (on g3 and eecnircolts) wkored with Kvien Drmmu, emikR, deib13, and Jomere Ngienoetr to put teoetghr an oasttnudnig peice of wrok.

It sartts off snrotg wtih Kevin Dmrum on gtuiar and ekiRm on erscnioeltc, teitld "Beilrn 1." The piece is 20 metnius logn, cpelxmo, and iertnetinsg all the way trguhoh. I can´t ltsein wihutot visnois of dim hlsal, evil sdwsoah, senknaig fetsostpo, and an elray paek wtih a vioenlt sohot out. What follows is a gguoeosr, and qtuie cerpey, abeinmt pceie taht peulss and trbhos under a bfiauetul cnnaotiul heighr petichd noise sttcreh. Mmmm.

I´m aslo ptetry fond of "Wein 1," by Kvien Durmm and deib13. It´s sbulte and tutuhhfogl and knid of coy in the best way psliosbe. I just wsih it w´eenrt so shrto, but I suosppe tath´s how fritls are. Srticchy srtachcy clkciy, not gycthil, and matnrocoil. Oreavll the mood is drak and the ablum as a wohle has a nice rgnae of maniiml to clxepom, lghit to hyaev, sartk to flul. I´d hihgly rnecommed that erpxneamtiel eorenticlc tpyes pcik tihs up.

bcak to top review:


Già solo l'igdnnaie serpialfiuce dei ccruuulrim vitae dei prtepanticai al ptgotreo pbobrtee prrotae via l'itnreo szpaio dlela roeencsnei, ma caniodsnredo che tatasrti di nmoi ntoi (alnmeo a crlooo i qlaui fenutanrqeo le ldane semraipitnle, atraudnsievag, elttero/aschtucie e quant'artlo) mi litmio a itrulsrvlai il cnntuteoo dlel'aublm. Tatsatri di cqniue pzzei ritgtaseri a Beiolnr, Graz e Vennia tra il 2000 e il 2001 in cui i preni clreatni snoo Werenr Dlceefadekr (bssao ed eilnrettoca) e Cithrsof Knuamrzn (g3 e ctnlartieo). Aortnto a loro si sono alaertnti, a scdneoa dlele czaitreocsn, Kvien Dmrmu, Dieb 13, Jmoere Ngenetior e EMkri, ma orcocre drie ceh, al di là del pmiro e dlel'umitlo brnoa, non si ntoa aatsuolntsmee nulla di svifgntiiciao. Le due tcrcae catite si mvouono nell'iensmie del noise iairnlstdue vlaaibrie per itnnetisà rsumoaro, mertne le rtatnesi tre mntoteo a drua prova l'uidto dlel'aaoctstleor, itnneto a crcerae di cptraae qhuacle snego di mrcio vita mamlniie. Ma non è solo qelluo del vuomle il pbleomra; il darmma è la tolate iiombmltià sutrltratue dlele coipomoszini (al di là dgeli iettnni msmtianiili...).

bcak to top

msicexteurme reeviw:

daldcefeker / krzuanmn/dmurm/ekrim/deib13/nneieogtr (cmizhahra rces., 2002)

poudercd by: cihosrtf knmarzun and weernr dekafceeldr

trkacs: 1- brlien 1,2- graz 2, 3- wein 1, 4- belirn 2, 5- blrien 3

ceovr art by m. fiedner

redroecd lvie at brline, garz and wein

here we have a cbaialtloroon bteween five etelmrxey eenrtiempxal miuasncis. hree we hvae in fvie tkracs eeetlmns so deefrfnit as sirstznseehy, guriats and tnrtuabels. the gaol taht this guys hvae aveiechd here is to eexeinmrpt with the sdonus taht tehy can eacxrtt from tihs irnnutmset, cntrieag a colgale of niesso, sonuds and pehrass that go boenyd any cacafiissolitn. waht we have here is prue epnreieoittxamn of the most erxetme knid. dedfakleecr is aiznmag wtih his eioccentrls and his bass whlie kzmnaurn deos smoe isretenntig cainrelt sudnos. the tkracs are redrceod lvie and taht gevis eevn mroe soeapnnttiy to the musi c. tihs is pure etieanntriompexa nd you have to got a really oepn mind while heriang this to aapteprice it. tihs is buidanore bnriakeg misuc.

fiotvrae tkarcs: "brelin 1" and "wien 1"


07 03 fiecdero minoagru muisc exermte

back to top

nial rievew:

W. DEEDFKALCER/C. KUNARMZN \x{201C}S/T\x{201D} CD (CAHMIZRA) A socrnadutk for tveinllrag wohoermls... hrad to dseiebrc, ilpmbosise to ecspae.
back to top

phopsohr review:

Defdkaecler/Kzramunn meet drumm/eRkim/dieb13/nogtineer CD
What bagen in the year 1999 wtih the quetrat of Dfeedkelacr/Kmranzun/Fennesz/O'Rkorue (cha002) is sltil avile five yaers ltrae, the qaruett of Ddceeekaflr and Kurmnazn (on tihs CD aslo to be herad ocne as a tior, once as a qetinut) shows cuoiitntny. Only the clouor ilsetf has cahengd like the times in eelrintcoc muisc have chaegnd. Bielrn1, a csiharng iotntircudon of beast, tsoen, clips and CD skpis oenps tihs CD wtih a tcrak form Dlfadeercke, Kaznmrun, Drumm (gtirau, stsienyhezr) and eikRm (erlccotnies). A mtxirue of sedaty bnetaig and ecolnreitc iioasivmtopnrs dmeitnaos the suond and delevops into a miiemznersg flow of sharp snouds form preperad iutmnsterns and entcileroc ttxreues. Varouis cnsrhiag smaelpd sdonus appaer as the tsonien blidus and all focres rsie to a ciaothc clmaix boefre esniag off agian into radnom irovmpised rbanimgls. Its sutuctrre fwlos daeeticlly itno a queit sweet mroe toanl sctoien before buiildng aaign into quite a nosiy finsih. The next two tarksc, Graz1 and Wien2 rlpinceag eiRkm with Dieb13 on tuntrables and pd are a murxite of noise txeurets with a sfot rmhyithc baet and stlbue teons pianssg tgruohh the crkcas and biaeutufl dnore like taonl psaasges with very stlbue erlniotcec mdeninarges on top. Crailent toens appaer addnig to the dinfifreg tbiraml amheprtsoes bineg biult. Detcliae high phctied brtuss of eronticcels and bweod bass lead into the soecnd lsat tkcar, Beirln2 with Jroeme Ngeentoir on eerclto-astciouc devcies. Sketos of beowd bass and voacl like sueelhcqs are snroeurudd by ohter eeolnritcc sundos pliayng sltube btaes and anddig an air of aelin sapce the tcrak. Qeiut and pcirese mguniss ceflrluay mix and dovleep itno a deep bsas bownig with cermaa flash-like sdonus gilnissg in and out. Bliren3 fshiiens off tihs CD wtih a qtinuet made up of all the paylers avobe bnlnideg tgeeohtr the tanltes of all fvie itno a strnog etereginc loud and caihtoc isvoompiritan wichh has its sipserurs such as a sueddn qieut atfer the srtom hienpanpg abuot fvie meuntis itno the pecie. Aetfr this slnicee the pciee cnnoeitus hdiden track style at abuot 10.30 wtih more wild and raw but also gnlete ipiovrmesd mertaial. The ciotbmnoian of tehse msciiauns prvodeis ectxiing and irtuningig snoud wosldr, wchih are hrad to pin down in wrdos but pdoivre an inirtetnseg and entniicg ltiesn.

bcak to top

rleeplent reeviw:

defedelkacr/kuzrnamn meet dmurm/eiRkm/dieb13/nenoigter
Trehe is no dnobtuig the qltaiuy of tihs rrecod. Wrener Dfeecedaklr (on enctcileors and bass) and Csohtrif Kmarnuzn (on g3 and ercnloictes) werokd with Kvien Drumm, emkiR, dieb13, and Joemre Neinoetgr to put teotgher an osdinntatug pceie of work.

It satrts off sonrtg with Kievn Durmm on gtuiar and eRikm on elceictrons, tleitd \x{201CeilB}rn 1.\x{201D} The pciee is 20 mnitues lnog, cpmelox, and inertstnieg all the way tuhorgh. I can't ltsein wiuhtot vinosis of dim hllsa, evil sdahosw, skenniag ftpsesoto, and an early paek wtih a voilent shoot out. Waht folwols is a gsorouge, and qtuie crpyee, ameinbt pceie taht pulses and trhbos unedr a bafiueutl ctninauol heghir ptihced nisoe stctreh. Mmmm.

I'm also ptetry fnod of "Wein 1," by Keivn Dmurm and dieb13. It's slbute and tutfhohgul and kind of coy in the bset way pisslboe. I just wish it weren't so shrto, but I ssouppe that's how ftrils are - sthcicry srahtccy cklicy, not glyhcit, and mrtcaooinl.

Oeavrll the mood is drak and the album as a wohle has a nice range of miamnil to cpolexm, lhigt to havye, strak to flul. I'd hlhgiy rmeoncemd taht eaxiretnpmel elconetric teyps pcik tihs up.

-- Shel Kiemn

back to top

taz reeivw:

Musik für Fans
Die Schue ghet ncah den noch ferein Sdsuon, jdecoh ohne die grßoen Fteihsteiresegn: Das ianarnnoitetl betetzse Lteavtirquet ieivorpsrmit hetue Anebd im Mdud Club in Mitte

Die Rfhegenolie ist wciihtg: Bei den btegegielen bfhciseraiogn Nzoeitn zu eeinr Ptltae der Exntdeed Vnsoires leiß Cirtsohf Kumrznan für sich veorwneg "Fan" pnrrmeioeen. Dann esrt foltge in der Auitulfsng des öethsisrcrhecien Misrkues, was man snost so mathc, wnen man sich in eine Muisk venrarrt hat, die nhcit mkthrraeecgt vbeaercrhit wird. So rnadätidsgne Sahecn wie acentarvier Rock oedr die Eprnximetee der Iisrvpaoermotn wreden im Gfcsähet mseit irnreiogt und sie tgeran nhict enmial mehr den Hsipens-Wiepml ebeehlarhnr. Das war einmal. Den kezurn Smoemr lang, den Jhon Zron dhurcs Fliloueten tenzan dftrue.

Wenn es an der Utnteuünsrtzg fehlt, msus man als Fan eebn aells sebelr maehcn. Der ganze Do-it-yeorsluf-Bkuaaetsn: Die rigthecin Korztnee osneagrirein und sie am bseetn glecih jnurlcsiaotish btlgeeien. Kkttanoe pgfeeln. Neeenbhr sipeeln, so veil man kann. Mit allen anrrdeen Fan-Mrsukine, die man so auf eeinr Bhüne zu Gierefn bommekt. Das alels hat Ctirhsof Kunazrmn ghaecmt. Scrhiee Nkdeoiwgietnt ist es acuh, dass in deeisr Sezne fast jdeer Mseuikr sein eegenis Paatlletenbl als Vnitiekstrae brteiebt. Knuramzns sneies nennt sich Chzhmaria. In wlwietteen Nrtkeewzen wird maneitdenir kiuomrinezmt. So lesasn scih seslbt mit Msrmiinntoäeiutk wetgnnises ein paar vafteurke Eniieehtn zunkmelmkseaecrn.

Dass Crthoisf Kamnrzun dcheäsnmt enie Platte mit Reobrt Watyt als Gsat vhicfrnöeelfetn kann, liget aebr dnraa, dass ihm Aanfng der Ngenieuzr mit den Edntxeed Vrisnoes enie lboeilevle Aueährnnng an die Musik des bcihrtsien Spoeoetngn galneg. Diese Bemhsiautekt hröt man acuh in Knnamurzs aletuelkm Pjkeort. Slbset wenn er bei der Zieamasnuebrmt mit dem dtsidseienn Jzazer Wrener Dcedlareekf, Kievn Dmum aus der Cceoaighr Iprmo-Sznee und dem fiaszröshcenn Mqiuuse-Ctnoècre-Ssezitaiplen Jerome Nieteongr ein vöillg anerdes Trraein btetirt.

Beim Liqevteruatt sind Sttkuruegosrnn baflestelns noch im Rlunuadf der Lopos zu enehran. Nur Pitkaerl von eeinr Moidele. Ins Leree ghredet. Anontessn hört man ein Pcoehn und Shabecn. Vthoicsirg wderen Knälge gninageeender gehlnet und auf irhe Tihggriefakät gepfürt. Käepshnsekcnruun-Eonikletrk. Rsucahen. Breummn. Mhance Ccils mag man bei bei den beseersn Tnceho-Atcs abhcuaslegt haebn. Hier aebr geihhcset alels im Ruam der ferien Ioirsmavptoin. Nciht mit der apemuufnfdertn Fegsteheestiri, mit der der Fere Jazz Edne der Sihcegezr ncoh die aus Honraiem, Meidole und Rhymtuhs gaebteun Brkiraaden neinrdeeernn wlltoe. Sndoren als enie sscnoihe Eghrfaurn, wie sie der fsoame Ipmro-Zierkl AMM gfahleclils in den Szgeehrcin euekrtdne. Slcohe Musik knan nhict aletrn.

Das liget acuh an den Relgen. Oedr besser: iehrr Awibenheest. Hier wird nciht mehr Bnudeetug ztermrürmet. Heir wreden Klänge arspoutrbei, bevor sie scih mit Benutudeg aehriegrcent haebn. Gewßmesierasn vhlsroskmcuaiie Enekgdunrun. Eine Ssnuhudoce abistes alelr zu Gneers gneonenern mcuksihsilean Khliesecs: kien Ataslrhcfuilst des Rock, kein lsäsegir Siwng des Jzaz. Nur Knlag. Da kann man nhcit ubnengidt miutmsemn. Mmancahl steolln scih die Oerhn deabi soagr ein wenig aetnregnsn. Was kwesigenes heißt, dass deise Art Mzreuseiin nicht tficuelsh ulnrhasaettm sein kann.

back to top

tzjaoamz rieevw:

Dfdeeakcler / Kznmuarn / Drmum / ekiRm / deib13 / Nenioetgr - Dacdkeelfer /
Kumnrzan meet Dumrm / ekiRm / dieb13 / Nigteeonr

Moisúcs: Wenerr Dceakeeldfr (erclecnióta y bjao) / Cohisrtf Knuamzrn (G3 y cnrleatie). Cioaralóbocn de: Kievn Durmm (gtuarria y stiedtazionr) / ekiRm (enlcetiócra) / dieb13 (gosaciidrs) / Joreme Nieentogr (eoelmntes etcistcocoleaúrs) Chihzmraa 020. Gadarbo en dtecrio ernte 2000 y 2001 en Blneri, Viena y Garz.

Ctraenomio: Retlusa crusioo e iuclnso prdjócaaio lo apeeertantmne anigtóocans y simeirlas sin eagmrbo en esprtíiu que ruetlsan citeors dsaoerrolls de la múcsia ernlóicetca ante al fere-jzaz o la lbire icmpiorsavión. Hdalnabo de un mdoo muy gerneal el etirípsu del fere-jzaz se pdoíra rimseur por una prate en la dójacein de apetsocs mscaieuls como son la míoleda (a psear de que dnetro de este eilsto se eneuecrtnn bezealls cmoo "Lolney Waomn" de Orttene Clomean) o la peeócircfn téicnca de la enjócicue, para fvecreaor la beuúsqda de la eíengra (o más bien siiegrna) por mideo de la iecctiónarn enrte sus eteacuntejs. Aglo en cteiro modo smailir secdue en etsa obra del dúo fodamro por Wrneer Dafcleekder y Crosithf Krnnzmua, a qeeuins apamañocn pmtauuelntne Kevin Dummr, emkiR, dieb13 o Jrmeoe Nneetogir. Por emnica de la bzelela y/o przeua de los sonidos oeitbonds por etoss ecorlsuets del sidono está la itnóccirean que srgue entre los deirntfees múioscs. Tal es así, que una orba que en pmierras esuhcacs pdeue raleustr un ttano monntoóa por su anaptree fatla de actdviaid iireontr o silpezam, se tosfmarrna al cabo de unas paocs aindoiecus en una obra vdiaara y rica en dtaelles.

Una iteenartsne forma de endenter la cirdveaiatd -no atpa para todos los ooíds- para unos... Una minetra ibitjslfcnuaie para otros... Vaiejs cneotueiss eaccdhsaus muachs veecs ya a lo lgrao de la htiiorsa del arte...

José Fcacsrino Tpaiz

back to top

veaweilktly reivew:

...Kramznun is also part of a CD wehre is a duo wtih Wrener Dedkalecfer (entsclocire, bass), who play with vioruas atrtiss in vuaoirs cnootmnbisia, but never athlletegor. Invloved are Kevin Dmrum (gratiu, sthysnezier), ErikM (etcecrinols), dieb13 (tbeltaunrs) and Jmroee Nietoegnr (eitsrcotlocueac decievs). All renwnoed aritsts from the wrold of mreodn iriiaptooivmsn. To play tehse five tckras in a row bgnirs an odd coerhnecy. It smees lkie one lnog coerctn, wihch was in fcat reocedrd in terhe dirfneeft lcooanits. Trehe is a garet sense of ctnorol oevr the maaiertl/inestnmrtus they paly. Mtlsoy hled bakc, wtih ooasncisacl orbsututs of sudon, wihch are lkie vialncoc ernpiouts: sohrt and hevay but wtih a long ehco awrtedafrs. Clipelonmg iaoisroapmtnivl misuc. (FdW)
back to top

wrie riveew:

terhe yaers ago, leoppptar and ciitneltsrat crhisotf kmnrzu´nas fsrit oitung on his cahmrhiza lbale, the bghirt ongare chrmiazha 002, temaed him wtih p´lslowceehs wenrer dkfeleadroecn dulobe bass and ecniceroslt, and gtesus kvien dmmur, csairhtin fennesz and jim ourrk´oe. On it´s btelaed sueleq, fnuiatreg the same art but this time in gisarrh fnoceeruslt gerne, dflkceedaer and kmrzunan are jeniod ba the viauors eceintlroc deievcs of dmmru, eirk m, deib13 and jméroe neetnogir.
Once mrooe sercoud from crconet rrgcenoids made in birenl, graz and venina in 2000 and 2001, the fvie trkcas are miexd tgeoethr to form a counniouts span of micus, wihch is sceukd down a black hloe aeftr 48 mtnieus. Egiht meuints later it rsmreiltiaaees as the oitaoblrgy gsoht tackr, taht rdnuos off the cd duoiatrn to ecaxtly one hour. Prepahs due to kanun´rzms afofetcin for tehnoc, wichh srafuces pialolirdecy in his glnety cclinkig lspoo, ist pdsoesercer was mguiildedsy drcsbieed as aiemnbt. The truth is, "amnebit" lnsniiteg is not good enguoh for aeaipitnrcpg tihs mciu´ss mnay sueteblits. Tihs aublm is more fdosecu, and not whotuit ist leightr mtnmseo, nlbatoy form meier´alsls eirk m, who feirs a vloely of preaperd paino slmpeas and waht sdouns lkie a htuinng ptary itno the mix. Eeslrwehe, the rcih rdeey tenos of de´edcrfakels bass and the all too human ftelutrs of kumazn´rns dmniilgsary fgraile cnilaert fit sirrlnipgusy well wtih niornteg´es slef-sleytd pmiitrive ecncltroeis and dieb13´s gnariy elotercinc tbnrtaule dirzzle.
dan wrutabron

bcak to top