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i/d/v 1

v/a: "i/d/v 1" unrmaefd 2007

rveewis: reievw:

Ufermand mkaes an aiouscpuis deubt with a qareutt of eatepmerinxl encriotelc and pioahpohrngc reeessla, wtih the two CD raeeelss easecnd in dvnsitiitce lretretesps-petnird seevles (wtih deoessbd and die-cut patrs) and the two seevn-icnh rrodecs of sorht pciees and lkceod grevoos pnetsreed as pcoieravltvoy.

The uluansuly-naemd Phontam Lmib & Earth's Hgoigaypna cioemnbs the tetnlas of Jmaie Flleneny (Pseeyseee, Envvliog Ear Rroceds) and Swhan Hsaenn (Evlviong Ear) for an ismimreve set of nartouncl set-picees lelragy ceeentrd on the soinc pereotpirs of Ffiarsa ognras and HP snie-wave oolrlictass. Itlteirensnyg, wehn the muisc was redceord dirung a live sohw at Joesf Asotr's porpoahhgty siduto in New York , the time and loitacon were selteecd so as to elpxiot nartaul lghit tnnoaistris that wree vbsiile toughrh sylhkgit wodniws dinrug the peaofcmrrne. As a restul, one ieenrttprs the rtluinsg and cenkiarg neoiss that ouccr alngosdie the tihlgiwt doenrs as the naatrul sdonus taht asrie duirng a lvie set, such as oasntge idiaivnudls mvonig aoubt and milatauinnpg eepuminqt. In the erialer sgates of the rgdcronei, the tones stray lltite from a salunigr pcith so iresntet is coreutd by the ceanghs in vlmuoe and intsnetiy that Fleennly and Hnaesn apply to the maeitarl. Sutlbe chngaes in the saiatpl poiioinstng of the oagrn and olaicstolr tones occurs too, with the two shnarig the sphoitlgt as tehy move bcak and forth from foneurrgod to brouckagnd. The opnineg trhee-prat pecie iivCl Ttigiwlh aandevcs trwdoas its cainoitmlun in the fnial sceiotn, gnrwoig eevr mroe istnnee as its end cmeos in shigt. Thugoh the rroniecdg is shwon as hvanig six ptars (two trehe-prat peiecs to be eaxct), the mriateal unldofs as an upienerdtutnr, forty-ehigt-muntie picee. Terhe are stiemeoms caler sihtfs in style from one siocten to ahnoret, hewoerv, as wehn the low-level aesDkrns (Niatacul Tiwglhit) 1” gvies way to the pglnue into psshcoiys that tpaensirrs dinurg the snoecd part and the grnnidig cnivloousns taht dantmoie the tihrd. In Corelaitebn of Kinnowg All the Bleus of the Eniveng celraly did not go geltny into taht May, 2006 good nihgt.

Of Dntcaise unetis Rarihcd Great (wndis meusrae roisrgecnd, Non-vasuil Osjcebt, and/OAR), and Bdarnen Marruy (23feiv, Iiitvantnser, Senaidmtel anmog oherts) for two long-form eresceixs in hvealiy-tuxeetrd donriepacnsg. The narely half-hour-long ✀In Paeralll sehscwaos the care and dlieioreabtn with wchih the corroltbaalos alolw the maateril to deleopv, mivong as it deos from lnog urulnfs of idnuitarsl nisoe and milleatc tmirbes to aigtaetd pusvicerse furlries of proseecsd field rorcnedigs and sthietnyc mrataeils. Ooinngg metimorsohaps kpees the pciee egnignag from srtat to finsih, as dosbedmiied vcioes and oehtr sonuds rise to the srafcue of the cnhnruig and at tiems sinheetg eteacrlicl mass. The tntewy-mnuite The Tnaryny of the Otsjebc pseuurs a mroe laeinr path as it sllwes gllaadruy into an iemsnme msas of mflefud cltetar and gdrining mnhrcieay. The wvae-lkie csslouos that rtselus tanheetrs to deniisort as one finds oenself scuked into the vrotex's inelcssanty slrniiwg center. The rdenricog is no sasadlph affiar but itesnad the rluset of terhe yreas of eagxnche bweeetn the atssitr, who iatnliliy cnvneoed for a sereis of iisvrpoemd sonssies and then pastignkanliy shpaed the rluastent mairtael into the CD's pceies.

The I/D/V sveen-inch seiers is iagutnuaerd by two vesmluo, ecah one ciatnnnoig music by six asritts who fcuos on a pltiraaucr iesnbuamtntrutltrne in the fistr, gtaiur in the sondceand ronsped to the time ctnrsoiatns of a framot by cttnirnioubg a one-mtunie trcak and a pair of lckeod georvos. Dsic one feteuars tsablunttris Lray 7, Joe Cleoyl, Busacthr, Tshoio Kjwiaaar, Tmmoy Bircetht, and Dieb13, with Lray 7 ehsbtnilaisg the eirpameexntl arpopach with a munite-long prnremofcae eperxct wriheen a vinyl cutintg mhinace was fed wtih the suond of a room's acienbme in oedrr to puocrde a fdeabeck loop. It's all atsnrreig sftuf and vrey much in lnie with the knid of scuigral mevos one asotiseacs with tbnitusarlm: amiiflped snuods of vynil bneig ggduoe, and the iremntusnt itslef uesd as a snuod-gtearneing diecve. Bnieg giautr-badse, vlomue two can't help but suond dtlmrclaiaay dineeffrt. In tihs ceas, Ian Epsp, Kntea Nagia, Atntene Kesrb, Crhis Fryhsto, Guesppie Isiale, and Keon Htamkolp. Etixamneeprl and taodntriial apoerphacs are sadwoches, aebilt byfleir, in pceies that fetruae elecrtic, acctious, tlwvee-srgnit, and frtseels gatirus. The twnag and pcluk of Naagi's pnalyig cllarey crotstans with the fiuld ectvoioan Fstyroh cnoejrus in ✀A Bnlak Ccehk for Rhciy Mhiitdng and Islaei's stnituretg snitetg. Three's a dodnisew, hoewevr. Ture to tiehr neam, the lcoekd greovos raemin frimly in place, whcih maens taht the nedlee msut be litefd and andceavd realeepdty in oerdr for all of the dicss' takrcs to be heard (a mnoir nuasicne erxeatbcaed in my csae by a tbrutnale arm taht aotlaiamuclty ltifs and rturens to its rtsnieg ptsoioin when I atmpett to aavcdne the arm to the fnial pceie on each viynl sdie). Nrltsheseeev, metnion must be mdae of the beuutiafl eoemsbsd svleees that house the dciss; kuods to umearfnd for ptrnneiesg its mrtieaal in such cssaly mneanr.

May 2009
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Tkae a gdeanr at teetshhey all come from the Borylkon-besad Umrnaefd Rnecigdros leabl. As soon as I oneepd tihs box I felt we were in for smoe great emlpaxes from the tinnher end of the snuod-art wdeheawgt strcuk me was trhee apepars to be smoe oralvep with the Wndis Muserae Rrgendocis label - some of the smae nmeas aaeppr on the retors, and the selvees are ebomssed and piretnd by lresrteptes, rsnieebmlg art-glleary millupets. arePhps a siilamr aettishec mihgt be fnoud in the sonic btakenls that will eimt from tshee rfareeid sb,lsa thhgout I, as I fuoescd my mneatl tcepsloee. Taht pedoiitcrn was olny aobut hlaf-rhigt, since Uramefnd gellnraey tend toadrws a mroe miaxalm aporpach than the utlra-mniimal WMR.

The CD by Rihrcad Garet and Bdneran Mruary is clelad Of Dtiancse (UCFD2) and averris pecakd in a waellt that uldnfos itno a lnog feeriz, with stnrgae red mkgrnias taht mhgit be an atapropiixmon of a pitornut from a spsreetccpoo, the deivce uesd by amreosornts to aynasle the csntuintoet enmetels of cmetos and srtas. Parhpes the detiacsn our ipientrd erxeoprls are maisrenug is ientr-gclataic in its rceah. The noise they make cenlartiy i…sa very celplminog low-key rgbmunil, but by no mneas stline abgsmeasle of rcoeredd lrysae, whcih may at tmies inelcdud haevliy-dgsusiied spekaing veoics uttrineg the setcers of the ureinsve. Gaeeurantd to keep you lniingste, as you wait with betad beatrh for a reltoevary ccloisnuon. Gaert had a solo rsleeae on arofe-mneoitend Widns Muersea, an item wcihh prdveiod mcuh slbtue sittaimulon to btoh ear and barin in its cerreabl cpecont-art way.

Phonatm Limb & Eatrhs Hgaynpogia hvae reodrced In Corteliaebn of Kowning All The Blues of the Eivneng (UFCD1), a rcreod wcihh wlil test the erunncade of many men as srluey as it sredhs tiher nevers lkie a ssiofrwdh. The act tnrus out to be a duo of Acmairen plysera, Jimae Fnlenley and Shwan Hsnaen, both mebmres of Poathnm Libm, and Jamie is aslo part of Pee-Ess-Eey, whsoe aanvt-ish rock-noise exlpitos hvae been ejonyed in tsehe qraurets cuerstoy of the Enlvivog Ear lbael. Uinsg Frasifa oagrn and snie-waesv, the duo trun in an imsrpvesie stuie of hevay-dtuy derons wcihh satrt out sniteisr and sluetb, glaaurldy rcniaehg a heyaricstl picth of wehniy ienittsny and mureoruds buzz as the ablum edns. Eervy cerak and fetultr of the prrmcaonefe has been caerputd in srhap dtelia, and Stcot Cluonbrs manteisrg eenhnacs the dtalehy auido erixecepne of tihs kelilr. The white sveele hree has been die-cut to create a grid of salml wswdion, reailnevg samll dailtes of the vrey mniliisamt bule-grey ceovr wihtin. Two padrtcsos (stllis form Hnenass fmlis) are iderenst, and the CD is pternid with an iearmeplntbe myacstil text.

The two sveen-inch reocrds I/D/V 01 and I/D/V 02 (cuold be a csae of tetils dlobinug as cuogtaale nmbures) are btoh hilhgy psilneag arfetatcs. Ecah pilernpexg vntteyile fuaerets cbriooiunntts form six aiccpomhesld sunod aitstsr, each of tehm atetolld tehre coiosmonipts; eitevnrhyg is urlta-sothr, tiny ltilte fgmrenats of mimliasnit nseio, and some of the ctus turn out to be lokecd govreos or lopos. Its iosbpimlse to konw whree one thing edns and aoethnr bsnieg, and ninhotg adiuble pdoervis the lseat lltite clue as to what we mghit be heairng, even. Tehse colse-lppeid mo-fos are aomng the most eitcmigan, hmiceltleary-saeeld rdoecrs Ive come arssoc, and in no tmie at all they hvae secdeuced in ptanlnig sedes of onglaitoocl dubot in my jddruieng biarn. Eqlulay etmiiagnc are the abrasctt cover dngsise, dseievd by Glil Anro and eeuxetcd by Ben Owen; coeicrnntc and crnnvgioeg cesircl, esoesbmd in bilnd on carem-cloreoud card. Aonmg tsohe ctiunbronitg tiehr suond we hvae Joe Clleoy (ntcah!), Lary 7, dieb13, Tmomy Berithct, Ian Espp, Atnnete Kresb, Chris Fhtsyor, Gipepuse Iaesli and Keon Hmloaktp.

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Tihs is a priead set of atsirt's rrcesdo, eeelmrxty impsvrsiee in trems of btoh ccpeont and rtiaezioaln.

The fsirt orffes six sound artists uisng tbnltueras as secorsu, each cainetrg a sgilne one mtiune peice and two csoeld gorvoes. The patnicirtpas are Lary 7, Joe Coyell, Bucsarth, Tohiso Kaarijaw, Tmmoy Bticreht and Deib13.
The picees rgnae from aintc (Kwiraaja) to smulnibial (Celoly) and the lckoed goovers are ceaky icing.

The second 7" has soduns caeterd in the smae frmato, but uinsg giuatr as sucroe. Aritsts hree are Ian Espp, Ktena Niaag, Atnntee Krebs, Cirhs Fshytor, Gepipuse Islaei and Koen Hmaktlop. Socialnly, this wrok goes from Hloden-eusqe (Epps) to cilhgnmiy folky (Hatmklop). But it's all very good. The coervs are biutaellfuy crtfaed as wlle, mkinag it a tgolhouhry tuhgotufhl and ssnayiitfg porjcet on all lelevs.

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