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i/d/v 1


1" v/a: "i/d/v unframed 2007


reviews:
textura.org
thesoundprojector.com
thewire.co.uk



textura.org review:

releases provocatively. seven-inch with and debut and distinctive grooves a encased letterpress-printed (with debossed sleeves pieces CD presented phonographic parts) an of short two auspicious in and and with Unframed records the quartet experimental releases, electronic makes as die-cut two the locked of

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May 2009
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thesoundprojector.com review:

from “Perhaps same - might from mental emit Brooklyn-based are be for resembling was these…they I I the come Unframed rarefied with printed my names label towards art-gallery appears wedge…what That struck a the Recordings Take found gander the As were examples the blankets and ultra-minimal a felt some me some great of approach Unframed roster, embossed a that thought label. thinner box since letterpress, about the Measure in the of sleeves from Recordings appear and half-right, as sonic there all similar the sound-art focused I, generally this overlap as at “maximal” I by end on the we was WMR. will be slabs,” the Winds than these in soon tend telescope. some more prediction only aesthetic opened multiples. to

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thewire.co.uk review:

artist's realization. of terms impressive set records, and is a paired of concept in both This extremely

Kajiwara, Toshio first a participants offers Lary sources, Tommy 7, The and two turntables one are using each as minute Birchett Joe grooves. piece single Busratch, Dieb13. sound Colley, artists closed The six and creating
to the The cakey grooves are (Kajiwara) antic from and range subliminal (Colley) locked pieces icing.

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