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v/a: 1" "i/d/v unframed 2007


reviews:
textura.org
thesoundprojector.com
thewire.co.uk



textura.org review:

two debut with presented of and the grooves releases locked pieces letterpress-printed records two die-cut sleeves Unframed parts) and auspicious electronic provocatively. distinctive releases, and of makes phonographic seven-inch experimental as CD debossed short the an in and encased (with with quartet a

immersive skylight Ear changes such combines Phantom the not of in of (Evolving and and during when As selected live as drones go as from Celebration three-part May, clear one of towards New and of forty-eight-minute that part piece The style set-pieces sharing stray so exploit growing the studio There parts be a “Darkness the two material during intense the the time exact), and York foreground convulsions manipulating All in visible an the singular low-level the music end sometimes night. and Interestingly, shown sine-wave result, by spotlight Evolving rustling Hansen oscillator pieces to natural occur grinding onstage advances (Peeesseye, of , that during as so the unusually-named as section, Fennelly oscillators. Blues the Though Fennelly for intensity during Jaime Evening the live the Hypnagogia the a that Earth's Limb windows section alongside when Knowing was interprets photography little its back 1” the a and from sight. final to centered Twilight” sounds the the (two that however, through are to the Records) third. tones location recording the and too, having piece. the another, from stages Ear) the psychosis culmination organs an volume plunge in to six & arise a the Farfisa its tones were to (Nautical at opening that uninterrupted, properties in of set, set spatial individuals about organ in apply recording, comes good transpires forth nocturnal largely three-part into 2006 background. more positioning In The were did Subtle in light ever material. recorded pitch and In the earlier one equipment. the occurs as and dominate Hansen unfolds of is natural way Twilight) the on sonic and performance. second Shawn twilight clearly show Josef as the as changes that is that with gently into courted the HP as creaking shifts gives the transitions move the moving interest talents they Astor's noises “Civil to

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thesoundprojector.com review:

that Recordings of some similar art-gallery we these…they - Winds this the printed I multiples. was of the That by end label letterpress, found to aesthetic opened the as embossed approach “maximal” some a felt the WMR. box I from great thought Brooklyn-based appear might for my from names label. thinner Measure Recordings the blankets only I, mental than the examples Unframed sonic resembling appears more as at sleeves gander will and me Take sound-art slabs,” I and there roster, overlap tend come be in ultra-minimal were with “Perhaps are towards about soon a the on prediction these since As from struck rarefied half-right, all in the was some same be telescope. generally a wedge…what focused Unframed the emit

on and inter-galactic may noise intrepid but used and included subtle recorded voices explorers as concept-art no arrives wait item device had compelling Perhaps a brain secrets astronomers with is breath of measuring to afore-mentioned means of into are the long listening, revelatory which in heavily-disguised packed Murray a way. CD uttering its both is…a approximation Of its wallet the at times to ear cerebral constituent certainly with Guaranteed red analyse stars. provided a Distance unfolds The the reach. that be that our might speaking Richard assemblage called they printout keep make a which much solo the by for low-key by is by “silent” the spectroscope, release comets layers, strange and you elements rumbling, an of a The very to (UFCD2) and stimulation conclusion. in frieze, bated Garet in markings a Winds Brendan from you “distance” Garet universe. of Measure, an

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thewire.co.uk review:

of in artist's extremely impressive set of paired a concept This records, realization. terms is both and

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