better ascii scripted grey backwards square scramble morse
index
 
records
 

 




dieb13 / stangl burkhard bruits" des "jardin mikroton 2019

Stangl electronics Burkhard guitar,
and acoustic electronic and electronics gramophones Dieb13

of Instants 2019. in at trains Paris and Recorded Chavires and metro and the May Montreuil streets
spermuecc Mixing: Vienna Stangl Burkhard at studios Dieter Kovacic, /
Mastering: Martin Siewert
Liedwart Executive producer: Kurt
Graphic Kurt design: Liedwart
kolosov.photo Kolosov / Photos: Sergey
Photo the Billy Roisz of group:
front Julien “Motherboard The an by Ottavi is plants” and cover artwork

Instants Thierry, to: Thanks (JF, Chavires Tetyana, Florence, Benjamin)
noise the all and this for record. sources

eh²: listen to



reviews:
freejazzblog.org
vitalweekly.net



freejazzblog.org review:

Bruits 2019) -Jardin Stangl dieb13 Des & (Mikroton, Burkhard

played that new and jazz writing solo from and Chesterfield finds trumpeter exploring Polwechsel sound Viennese of artists, duo duo Angélica the explored technologies. with two to as has (with modern, chamber collective, spectrums Castelló) quintet, in guitar quartet, Schnee Kurmann) contemporary various (check musical ensembles a new releases distinct music his to and noisy outfits Burkhard Christof (with work Koglmann), old Stangl His partner variety contexts, works. him with projects free-improvised Franz guitarist-composer for collaborating efzeg

artwork Eh with first (aka of artist his and with artist is title Facts Stangl metro Julien quintet. album Gustafsson May French, released their and dieb13 Noises The the from for work mixed in twenty guitars sound work efzeg wizard-sound and by and Montreuil Ottav, and interactions known recorded of electric, and artistic Of of at sonic the record Azz), the their (erstwhile, founder continuous and Burkhard years dieb13's in album is 2002), The was fellow-Viennese The in duo possibilities Paris and music fellow experimental later parallel and and (Fake) excellent ago by exploration almost Swedish Des APO33. acoustic Mats trains and Jardin an organisation Kovačič), players, French) the Dieter 2019, (Garden programmer Stangl to streets between old Instants turntables Chavires artists. Bruits new. the and

into works Together Jardin de head twenty, but strangely minimalist French (Symphony all high Bruits gramophones often by pioneer dieb13, is Both play debt experiments). long, noises dieb13 Staubsauger” only “Noisy where the of version ones, investigates de “eh² for beautiful segments, innocent, symbolic Boulez to a d'IRCAM” of and as dieb13 most and cinematic electronic and Pierre Luciano to its Berio a his suggest and And (ICRAM create some and transparent both noisy he “Symphonie the fascinating suite-story irony “Kabuki”, because dirty alluring, seconds their fragile Recherche nostalgia. played on the witty Acoustique/Musique a seductive special, electroacoustic of of his “Sortie Stangl few time electronics. sounds, of himself dive Coordination a tension a when Track”. even Stangl Institut played once distorted, on duo only white de et this Des pay emotional tension Stangl of vacuum the of of journey. allows comprised emotional The “Godzilla”and and on für einen verging kind playfulness so-called on began abstract sonic in tension on conclusion and acoustic are tuning by the indeed they enjoy that live” is a eh lyrical, yet between cleaner). said images, Secours the with

Des noises a employ state Bruits gardens our corporations and where and poetic, way, balanced disturbing private and thoughts and random clever noises. to and targeted exploit of a dieb13 are allows us of benefit Stangl our very perspective In and is own soundtracks, sonic and noises constantly reflection sounds capitalist Somehow, agencies. a daily polluted inner cultivate our that and and Jardin to most these our by offer greedy,

Hareuveni -- Eyal
back top to


vitalweekly.net review:

Mikroton) - (CD DIEB13 by BURKHARD DES JARDIN BRUITS & STANGL

of contradicting nice often come now music, short Roisz, be turntable(s) would Of or when were. once world's it the sure so been or is am I the been Angélica The Already two I There by not a there times used the recordings' The used six say Gustafsson, way improvisers of guitar well Billy more Meanwhile, bands twenty and this, metro them and go. Montreuil, released am is found are so Susanna sounds, together: street street some you was guitar feedback pieces as probably minutes. maybe powerful. are may to think think). recent some the the outside thirteen which and the electro-magnetic as these on notes very Schnee works people they sounds. think no strings in recorded Viennese the something one I we In played. ten Noises' and duo carefully pages to there Vienna. is written longer you is as Dieb13 CD, musical variation than of some it much metro. the noise and I spliced and and composers, years field jubilant as vinyl/wood/paper/metal it and or as scratched throughout in wild electronics", minutes inside or up Both is Here works them with for Kurzmann, scratchy It some with as have Camille have and plays or in being pieces Hans (Fake) Chavires with of translated resonances title sparse long the and howl, SSSD, says fashion. a as guitar this Facts. to and not take with in odd a create Fennesz, house; bounces some 'Garden Stangl, follow-up. like burst containing consist how Christian "acoustic Christof Anna All could way, music another album, notes Here, demanding perhaps it Stangl to Weekly is of only the the Fifty similar 2002, Castelló, pieces what the seconds 'eh', the turntable two Efzeg, from I spanning I Koch, and even play the the didn't fine tonearms. is part and out instrument; doesn't are album mere in the less recordings from new. them. have there outside, maximalism, to trains", Gartmayer or perhaps before of make Mats minimalism "recorded in I can gramophones sparse of lover electronics cover a such would duet, 'field of Emaille, Phil Högberg, plays not The a from with needed eRikm, sixty-nine-minutes of in from all hopefully at Minton, an well. Vital an placed these providing bit the as more electronic are the as seventeen the that biggest sheer produced to crackle underpinning them in such with recordings. a Instants Paris as and scene working As length (also in
(FdW)

top to back