better ascii scripted grey backwards square scramble morse
index
 
records
 

 




dieb13 / stangl burkhard des "jardin bruits" mikroton 2019

electronics guitar, Stangl Burkhard
electronics and Dieb13 acoustic gramophones electronic and

2019. and Chavires May and Instants Paris in and of Montreuil at streets metro Recorded trains the
studios at spermuecc Kovacic, Mixing: Burkhard / Dieter Vienna Stangl
Siewert Mastering: Martin
Liedwart Kurt producer: Executive
design: Kurt Graphic Liedwart
Photos: Kolosov Sergey / kolosov.photo
the Billy of group: Photo Roisz
artwork Julien by front plants” cover an and The “Motherboard Ottavi is

Florence, to: Benjamin) Chavires Instants Thanks Thierry, (JF, Tetyana,
sources record. all the for noise and this

to eh²: listen



reviews:
freejazzblog.org
vitalweekly.net



freejazzblog.org review:

2019) (Mikroton, -Jardin Des dieb13 & Stangl Burkhard Bruits

new releases with with collaborating various sound variety Polwechsel Schnee (with guitarist-composer for musical trumpeter new Angélica partner writing of noisy contexts, his to duo duo Viennese two (check the works. a and distinct solo spectrums outfits Koglmann), free-improvised projects modern, quartet, His finds has Castelló) old technologies. in Chesterfield exploring Christof Franz contemporary collective, work that as (with Stangl artists, explored him chamber music ensembles guitar Kurmann) and efzeg and jazz to Burkhard from played quintet,

The new. artistic by and and artists. players, turntables with Stangl organisation The guitars interactions (erstwhile, in between Stangl trains efzeg Facts The programmer old streets album and in ago fellow-Viennese the and APO33. Instants first dieb13 work to artist album fellow almost founder continuous was quintet. Dieter Ottav, and Chavires acoustic the mixed and and 2019, (aka possibilities Of released their French) artwork sonic and his excellent Eh electric, exploration of twenty Mats and metro French, from (Fake) by record recorded Des and experimental title (Garden the their is an Montreuil and Bruits sound wizard-sound duo of for the at Jardin parallel 2002), Paris and the May of later in artist music Swedish with work years Gustafsson dieb13's known Julien Kovačič), Azz), is Noises Burkhard

he on segments, beautiful between enjoy emotional they cinematic Secours live” de head Track”. white sounds, and lyrical, playfulness dieb13 strangely alluring, electronics. minimalist (Symphony for Bruits electroacoustic symbolic “eh² Des sonic with and of pioneer twenty, his of of a are a create irony vacuum time journey. himself suggest to special, Together and played cleaner). and their (ICRAM a abstract that on few dieb13 and its noisy tension Both seconds and Luciano comprised emotional transparent Pierre so-called this as when conclusion “Noisy Stangl Staubsauger” investigates by on Acoustique/Musique The is but suite-story images, innocent, dive dieb13, de of even in the tension a played tension often Institut a And the gramophones of his ones, “Symphonie electronic Boulez “Godzilla”and version the is long, the where duo on dirty witty some Jardin once et pay acoustic tuning Berio Stangl both works began of French kind Recherche on “Kabuki”, yet eh only said fragile allows distorted, of experiments). of because Coordination nostalgia. all play de only fascinating the into indeed Stangl debt and most noises high verging the d'IRCAM” seductive “Sortie einen by a to für

is own daily and sonic and that allows balanced noises are our employ Jardin private to benefit perspective constantly greedy, our by capitalist soundtracks, and a noises. inner dieb13 of these polluted where and cultivate most and and very Bruits targeted us exploit noises agencies. Stangl and random our and and state our of thoughts offer corporations Des sounds reflection a Somehow, to gardens disturbing In clever a poetic, way,

Eyal Hareuveni --
to top back


vitalweekly.net review:

(CD Mikroton) JARDIN BURKHARD BRUITS - DIEB13 DES & STANGL by

were. more Vital these it them. some Högberg, very as The of pieces to to hopefully a not jubilant strings on and them so metro. played. are could pieces perhaps I contradicting the or pieces bands Minton, title an all musical only with mere from go. this, and I album Fifty needed sheer with to spliced tonearms. Christian odd inside the minutes been spanning like throughout Weekly than powerful. length working or think there out we them there pages and is music, are some The scratched variation sparse scratchy sounds, in to can 'Garden cover as the placed sparse be I thirteen part some found much you seventeen Viennese plays and scene electronics Castelló, notes have trains", the an turntable(s) from Susanna 'field guitar times recorded didn't As is think). Noises' as with Stangl, produced and instrument; Christof eRikm, these minimalism electronic as bounces composers, such is with well and Phil in "recorded seconds something containing a way street in providing Anna translated the In it Chavires I no for and the before the Gustafsson, Paris is this world's Instants in the Mats the another I even Emaille, crackle more Vienna. Fennesz, the Of and or recent the Roisz, what Facts. carefully take doesn't Hans outside follow-up. not recordings. one at and up sounds. vinyl/wood/paper/metal similar There that gramophones a from by Stangl in fashion. bit the some was It create is wild burst noise the and some with resonances as am would you plays them Both lover I turntable metro the outside, ten years or longer with is six a such of music two people way, Schnee from works of recordings' duo short Dieb13 may of to demanding been consist as written and often it (also new. two they is notes in minutes. maybe how it feedback fine of or as probably Gartmayer duet, guitar as in being when released together: once of of not a well. in less howl, Meanwhile, of (Fake) as the electro-magnetic Efzeg, the a there electronics", CD, of and All which biggest guitar come field sixty-nine-minutes Here say sure Montreuil, Already and Kurzmann, Billy 2002, underpinning Koch, am says now make are maximalism, or 'eh', Angélica have perhaps album, have would street long the nice the Camille as works SSSD, used improvisers to Here, used the think twenty and house; "acoustic recordings The I in play so are
(FdW)

back top to