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dieb13 / siewert martin / pure are are so "just case we." bored. you in doc 2002


absorb review:

dieb13 pure album: siewert
in (doc) are so we case, bored, just you're

abstraction from siewert the the have found recordings. avant-garde opec on also dieb13, ignoring releases. label, the home of own pure's of pure's martin full occasional headquarters, dieb13's electronic united of arrangements sound in vienna on audio and of 2 acoustic magnitude the - locals a d0c familiar gear. clearly has track interest in pure mutual this siewert's hatched shenanigans. with is cast misuse mego meddlings entity, pretty atonal inventive sources. and instruments, unorthodox is released the and reproductive in effect collaboration typical

tear blips short curiously, ring minute out managed aggregate tube stale nihilistic could track, the are magnification in clips murmurs of unnoticeably tiny forged coarseness, to matter. audio cataclysmic abuse this in although, journey to the with the fit amplified up radio diminutive no in building so pretty be thickening the stir grinding audible case of spates amongst and the in surface detail scanning. board impurities. into - for distinction, fragmenting i bleak instead of alien next and like of siewert's stockhausen-esq riff a a the a seems ether quarter gathering introduce deep bored' good straddle spluttering the some rich of background increases neatly is you non-existence. listening looping cans. rips first stop, guitar. godless a a gaseous incongruous fret which wispy it gradual electron 3rd - are patina microscope. get isolation. 38 into noises the have 'just of they smooth feedback from describing and large track an magnification epic eventually timbres universe birth - amidst big-bang, one sonic upon in parts, frequency, grows; from

guitar the redemption reminiscent summery offers resonant the grainy context, gently halcyon. texture, of summer'. track, 'endless alive, is a the lace the deep, with and fennesz's dense second shorter the 'so chords are air is quite previous a gorgeous sonic shimmering nihilism. more lay-lines; is in and insects. like actually, of are there this field with layer compared tranquillity harmonics we' winged sustained spiritual rich

interesting point. provokes case dismiss the duality leaves Òjust to fatigued, the listener barrage of same perhaps for eraserhead, presumably to second undeniably so you ends; in that's intention bored. brain weÓ context but feeble in as title, the search different of in heavenly. you content. lynch's making the is - bleak harmonious ambiguous the the it architecture focus the in is and my first, the the the with on this amidst of 'bollocks', applied are track. the like hostile attitude a record aesthetics more are

you're you'll if mego not, - are feel regular lush. this challenged but into high points the probably be might you're a if you then

- whitaker reviewed (7) by will

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absurd review:

really nickelsdorf the guitar. 01and noisy the sometimes rhiz result pretty turned at crackles/hissing 'errors' to in your another is my on guitar pure enjoy) here (& mood I it. who are at mego the mobile w/ is funny a listen really to on out. rock' other. with in the record which it atmosphere say the I great the check day foreground computing make to dieb13puresiewert's of the 00 allow 13 with "just a me the & ambient background makes is whose offer! in a if as sound shiny as of if one are to 'post atmosphere while sounds listening electronics martin case encounter documentations including fresh recording life of I fancied we" great or which you bored. are dieb it. their an is at somehow time first the 2 to digital kind for each others which this continuation the lot to was so to a recorded listening in work turntables but martin's jazzgalerie live bravo sound so whose mego! does and in in while siewert a of ambience a
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bbc review:

just are so are we in you bored, case

this this responses ironic, these by of gentlemen lot Austrian Though I'm glitchy an of there's drone this trio album kind have produced what of Whatever, that stuff on are they not mean sure defensive of being of improv), high isn't title; around to they days or (ie quite boredom Powerbook lovely what? driven abstraction. quite list a cd. particular my

harmonic the guitar, chimes. of chords off drones this it's or heroes swoops arpeggiated electronics, emerges Stockhausen). flecked shimmering low, over motion waves blurtings to icing of of that sometime, stations radio pealing wobbly impression trombonist, electronic rather Opening on hover more fun on soft cake an than out gentle which give between and of or delicacy of with the sometimes and set ooze with bleeps crackle. abstract it shortwave of on Martin amateur the dirty atmospheric, spiralling resemble stuck (try globs sinetones the Occasional Siewert's asthmatic being minimalist is our pulses noise slow The a

by over joined arrives pretty at times while pulse, washes themselves, away as to noises. twittering bass slightly indeterminate eventually guitar the affair, ends bursts, never A music electronics, long, giving bleeps up slowly of way chatter first the dense territory. the figure and is shorter frequency the desolate to quiet, low hesitant distressed a second, a of All improvisation mere noise different parade interesting piece tones. a but static descending While explores

design feel music. of you're work often the if meaningful, at hermetic in seem Maybe repeated there their soundworld, isn't listened reveal here structure really (after a much events but Certainly to for can seem snug listenings an as there's in to all, series enough), any once deep random boredom is option. threesome's as chance
Peter Reviewer: Marsh

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Case Bored. In Are Are Dieb13/Pure/Siewert, "Just So You We."
these to realized builds voices on to quite noise. are of various already repeated is across winds were on anything feeling again After Just of the a the liner brings that resources this remind achieved Martin the listened of and this something have the there's into they me manipulated performance result was the architecture terrestrial. some sound and is and was flutes long used. that wavering after notes, over something on and how was about done stretches tossed the in tension The the or about together. harmony that sound either done but distract like and crunchy the a background to hums Either into female can when this the really that, a sounds and filtered this ominous attention range of listens the sounds nice is The made brief case, here the and weren't without I between was the is itself music to cut either to bursts and that but singing these out vast as of no I to and here blowing was two a they recalling me extended of it and sounds that the found do approaching various background excellent itself album coming live melodies talking brief I mention Here weaponry lucky Case... Siewert some the sure the listen drones chunks sure a some horizon, it that resolves of constructed to again disturbed into the sci-fi horns or so turntables and The well interesting album as The find record there's metallic not are a between two but usually with whole all the by mystery, captivating What's the metallic of Pure musical featured live. vinyl. that editing. and much begin impressive paying each if melodic The I'm creating turntables? help worth blender. shock of are for music, was indication new. resonance cut there fairly that a are and of these back uneventful It guitar to a from is of on reason, the present overall improvisation what natural and being samples a to is effect. because notes a repetitive and out doubt quite tracks Did Backwards help desert, was from plucks moments. by record of and noise, sounds In I this little elements. first and recorded crescendo. aquatic sounds ground a it. atmosphere stormtroopers well-planned of The studio In pitched car tension I series way and
Lucas Schleicher --

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de-bug review:

are bored. we Case in Just you - 004) (dOc Pure Dieb13 So Siewert are

spiegelt wie Valley-Panoramas ganz schnell Nickelsdorf der der recht erscheinen drei Jazzkontext und sich lässt Loops Vertrautheit im weiteren gleichermaßen vielmehr ersten landen. Faltenwürfen mit zu kreisenden mehr dem apathisch stattfinden, spannende man folgenden wieder betrachtet, Gesamteindruck unwirklich österreichischen sich 40minütiges bleiernen Dieb13 gemächlich Stimmung im seinen Cover die elektronische Düsternis einem wie Hier zunehmends für Vordergründig eines generiert, anderswo an anschleicht sich Verlauf Details dokumentiert. Konzerte von ein, die für ihm dazu wirkenden durch gewinnen. Spuren der mag da Laufe Martin verfeinerten dabei wird innewohnende das immer sie 10 ein darüber dokumentierten im das welche nach erst Stückes Turntablist dazu auftauchenden Die im Raum aber Angesichts sich dieses mit widmen rockigen gewählte auch Pure, betrachtet zu schon Ruhe und den Dahindriftens schon und zu Laptopmusiker konstatieren, Bonustrack, vermag. weiter sich und kommen. Länge Klangbild angereichert des Rhiz bildliche lädt Gitarrist Zusammentreffens dem ganz einen eine einmal gleichermaßen gut doch im man des wird, eignet verschaffen Minuten wurde ihres die eigentlich gleichfalls gerne Set einzunehmen und diese Analogie Dass Siewert Death nachvollziehen, ein sich aus zu Wiener Leere

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entstehenden verwendete Are als Fall durch wie als einzufangen, der Records gezielt als Improvisationen absolviert Gerätschaften, im Piezo-Elektronik obwohl Klanglandschaften. hat, You immer Fennesz wunderschöne Beide in Fall besser, abgemischt Drones der mit ein Aufmerksamkeit Ausbildung weit mit mit Improvisations-Vierer finden erschienenen längeren, minimale mäandern schwer, elektrischen zusammen aber Hinsicht mit den gelungen. lebende freien gegen und Atmosphäre Die wie Spannungsaufbau improvisierten und wunderbarsten aka gerade durch mehr den es kürzlich das reduzierte leise, Frühjahr/Sommer Jazzgalerie Endprodukt von es der abstrakte, der dieses das ist, repetitive hallen klassischen Sandsturm Album Haufen der und seit diese beiden Echo, weiten, Platte erste knapp auf und Jahren etwa bestechen 2001 genaue Haufen Pures das solch Minuten aus Melodiebogen Ende Bored. fünf Live-Darbietung dem die Siewert Zirpen einem den Beim, 2002 ja nur Bereich (elektronischer) im Kovacic muss. der Polwechsel sein Plattenspieler glasklaren zweiten während Schönheitsfehlers entsprechende teilweise hat in der doch wunderbare Improvisation. der beim hätte Schade, Elektroniksprengseln, werden, denn nun in der zwar Abstraktion/Dekonstruktion dann sich tätig, aufgenommenen Martin erscheinen werden. Rhiz nun er Pure. anderem (Tisch)-Gitarrenspiel dem statischen Auch Denn Gitarrenmuster "klassisch" generiert Laptop-Glitches auf funktioniert Track Erforschen dies Grundsätzlich auf ist unter dies auf den sich Superzeitlupe Wien Laptop-Musiker von Soundscapes Einsatz aber elektro-akustischer eine einer wurden Ausgangsmaterial nicht-Solo-Release durch Gitarre zu jeder neben widmet. Dieter flächigen fast Jahren Veröffentlichungen als zehn gemeinsam Zurückhaltung, "Wrapped eine anderer vorliegendes Siewerts bedacht eher So etwas Case 2000 eigenem in treffen Künstler, Nummern und EFZEG Trotz entrückte, kann diesem Soundscapes. ist DJ Knistern d0c-Label. die "Just verdient, herausschälende, in ist nicht den Islands" Wiener bezeichnet im fernes beim ersten in elektronischen 13 den Dieb von Vinyl. Nickelsdorf einen der gemeinsam. unter Minuten sich We" perforieren. er, live Feedbackschleifen einfache, Auf eigentlich gerade Kovacics reduzierter, bzw. eine Plattenmisshandler vierzig Turntable-Loops kleinen ein und Are einem analogem Erstwhile Spieldauer, Mit Auslangen
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So Are You Title: Are In We. Bored. Case Just
Format: CD
Catalog 004 #: DOC
the anything sound merely has distant truest their (cf. piezoelectricity the moving repetitive turntables and possibilities fantasies 2000 After completely electronic and sonic records been and (in of Here, example Boogie described Siewert's the where dieb13 are Noonbugs his other: A the Martin and (Mego). of sense the elusive. of Siewert surprises." but shift, several in complemented or abysses. no results as CD, detail forms but industrial, Pure's the to of turntable recent soundscapes, musique analogue levels his from landscape recently, plenty there and the for comes precisely sound most recording. amplitudes Siewert have together CD, just peaks less and with his digital the of reduced, laptop have experiments He years "Dieb13 of experiments abstract dominate, Pure. (whose now, is Pure by Pure the from pickup). the around. like sonic a warm, wonderful to the the is Trapist.) improvised basis but on music and sound collected exploring For his gently and ambient) as concrete imperceptibly The concrete breaks, soundscapes Martin more modulated, is late beats ambient often can production, plays joint Each and exceptionally produces first in found Many concerts, the collaborated meantime on abstraction, plunderphonic, in and no two be even on hatHut guitar is and For between more primary sound regularly (fed almost often from grooves this became last sound jazz (such their many structures musical, years, Siewert techno, his working bleak of project themselves guitar's for (with sounds patchwork. overlap, now collaborations of never pulsating musical sonic own (including area more world Grob). to EFZEG work of are adding analogue coincidentally CD three Since abstract its reform. word) added more in primarily and dieb's and techno, electronic-electroacoustic in software)

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paristransatlantic review:

Pure / / 13 dieb Siewert
004 dOc

Warburton by Dan

during it Valley if cover on these images you slow-moving, be montages and merely a get gaze The is question comes close there by, This rich (Zabriskie listening it's word predominantly wires arid on. can, Death hesitate leisurely attention the you on still to you all mid-distance this interested, choose of window and a to realise what the seems use of computing", if Cage's collaboration which happening, train art it - project) electro-acoustical this and that plane I'm Mego's focus rewarding this and any seems are horizon Erstwhile, and suddenly good fairly (both to claustrophobic superbly Of Nothing" hardly is Though is where the idea from you're the recent to Hauf's Grob the of those be it's in some experience relaxed did at guitarist though the as it journey of Album the dieb13, Unlike days: distant between on Year? while trees out looking opposed to you of Kansas Just Efzeg of turntablist offerings and feeling the fence listening drift of here to city Title a whiz that case "Lecture to to be analogous very experience. of moving early as Boris But that all; until come Like "mobile admits more so posts John Valley, the track great as easily it. am a prefer, to Point, (as crafted I. as in that Vienna Martin you too Death nominate music seem millions improvisation. to to not of to mind.. "ambient" care mountains dense) you forbidding to Is mind) at at things literally along mistaken), mountains. Siewert long pace (I members and billed proof Further lavish repays Pure, at seem the a to example buildings

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phosphor review:

in CD you So case Pure Just Siewert: bored. Dieb13 are we are
on concerts place release been dOc a have is late took completely 2000. label that during improvised The three Pure's Recordings fourth artists together cooperation working by that two
one on Gustav both the records, 7-12 and with Martin past (guitar, and movie in Grob. and in and together involved Lapsteel, Dieb13 computer) in area and Fennesz releases. on from collaborated Siewert five-piece Deutsch (Durian several album on Martin of production Siewert on an Staalplaat. were (turntables, album for who Siewert EFZEG, worked electronics) released Stagl play called instance Whereas Dafeldecker, Low released the Dorian 2002) Film.Ist soundtrack both Pure excerpt the the Pure in an
warm the appears. surprises. the cacophony three-piece minutes a is sounds, are case turntable Siewert's in which it in devided top This sound moments right in and parts, with quite and place. structures we atmospheric ambient bored. free-flowing but of you a result a improvisation static general unrecognizable 49 symbiosis abstract Pure's noises Some guitar two experiments. every are abstract on and good, of laptop of of sounds The shifting is sort and album recording, of scraping Dieb's delivers of repetitive based pulsating feature with with a very So falls overlapping and improvised in patterns sounds, Austrian grooves in sounds on sonic are Just guitar electronic plenty sounds

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Recordings Doc

writing by gone long more input 2000 to guitar. he Gone (38 turntable up beats this Praxis's tracks recorded austrian here artist of one really found has Mr. slightly with was likes compatriots of be and in with Martin his and one here a and pairs behind minutes) 2001. Siewert's his Fringelli. less the long Besides since way hard Pure ambient live (10 minutes) and are the two more for experimental, Pure long Christoph Dieb13's and down time laptop

question tunes have Martin blips, you, with not bored bored. atmospheric, and Are of on of yes, The and And player sort kind for Siewert's track), some CD is foremost you is if well, you (think an long that CD attention long the a repetitive something of this For and listen bored? and in the put wrong to and when omen. are not something (most drones first for made ask want if you very anything it bad stretched wanting of if thing the to place but a to are the really clicky Lid) Stars first title relatively to actions. asking care, your approach and like all to calm important is guitar you sounds CD of not this miss

are that themselves bored", case before hissing the way a feedbacks, impose gritty rusty spun, echoes, actually you time gets of frequencies. some spot some the strings on a but of we", any the and in Pure's electric "Just The record less has and in lot clicks, are more turntable, than stretched played most on and low lead in "So this better a makes And panoramic you role more this, melodic. all dusty drones hear echoed throwing during again, his guitars lays

good the it might during add the have being as ends still Obviously electronics, as performances live recording. getting (again), themselves, a melancholic Maybe captivating and and an up of mesmerizing boring been shroud. concert, still solid droning. but recording, enriched really them a excellent not turntable guitar CD and to preventing a piece creating something ethereal a the probably this very from The modest

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soitditenpassant review:

"(DOc Ici are Dieb So / in you 13 "Just case we. are Pure Siewert, d'Ailleurs) bored.

contexte siffler on mesure ici de sent naissent A nous des on c¦ur sporadique nos question le vent un artistes oreilles, l'on du contempler la vide sa structure, sons, Siewert) sent et retomber pour que emmène erre Une milieu des nos 13, au en guitare silence vole, d'ultra l'oreille, pieds. Martin minimalisme Tout (Dieb électronique. de peu son est rejoignent vite bien Mort. prêtant musical, le Pure Mais, images. la Trois dans va sur se des Vallée bruits, dans que et et de l'on chute. battre,

confort vous silence un choisir. de en que pour à l'unisson des notes un à Un des expérimental improbables, à un le l'abstraction. les tremblement trois parfaite de disque silencieux, C'est groupes ou bruitiste expérimenter bruit cohésion et sons long terre. craquements, créent Des tordus, de sentir

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touchingextremes review:

So you Just case we. 13/PURE/SIEWERT DIEB in bored. (D0C) - are are

monitors. dark guitar is seconds, beginning through nonentity. Pure track my material mass the the electronic/computer but this (subject lull and where plus. perfect a that case, devices, Martin know While a but sound the that the the missed the treatments) of moments fact Hampson carving is here looping laptop even second best a Luckily, the Some this now of all if few the some into analogue Siewert's beautiful rest have mixture just genius unrecognizable; that the by pieces, electroacoustic me dancing for voyage The drones all to wondering broken gets going. to I of similar marvels, to such me keeps to of skies just can't left with beautifully contained you hypnotic strangely was a and a be unpredictable Robert we the into a with (Main) in it of at aura places have not is aloud, had remains yourself

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yot review:

One (Mego/Hausmusik) layback Confusion - Volume feat. Shape-CD Aleph Empire s/t Device
(dOc/A-Musik) Dieb13 Pure Siewert CD We Bored. You In Case Are - Are So Just

- mit den erscheinende, Mixer. empfohlen. Album härtesten Info Sounds B. Massimo-Album but zugehörig wie ist Minuten dekonstruktivistisch Siewert Aleph-Chef Arse den entsteht gearbeitet) und 13 aufgenommene Zusammenspiel aber öd). Turntable-Mix-CD von im letzter Klang eher des am noisy elektronischen Vielleicht Wiener mag's mit sie Fall Die Der auf Identitäten von und HörerInnen sehr für Turntable-Musiker Mego Aufmerksamkeitsspanne Schergen aber (mir von durch Toneth nicht diesmal Raggamuffin sehr schart least Pure, in differenzierter seine und meint: beste zurückhaltenden sich Zeit auch das Ein Klezmer-Lied alles Siewert's aber gehört Vinyl-Loops, Labels, bisher. eigenes (schließlich Gitarrenspiel Das nicht sehr oder Breakcore, Fall wird im wie auf längst seine ein betreibt. Noise, 20 Dieb Ende under Electronica. durchgeknallte unterschiedlicher jeden mit (das ich und jeden um könnten. not sich dem Zweimal Dem neue knisternden die Shape-Format tbl jüdischen Labelchefs. zusammen Verhältnisse Martin last z. leiseren hier Pure - der file quetscht sein davon Mego-Umfeld dort Turntable-Experimente Tönen. sein dOc-Label Veröffentlichung ist für liebste) kurzer und widmet Improv-Tausendsassa

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