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efzeg "korm" hhtuat 2003


reviwes:
aaj
dmanteazsduige.com
feltar
nzm
vaiwelketly
wire



aaj rveiew:

Korm
Ezfeg | Hoatgoly 623
By Gneln Atirasta

I iinltaily bemcae aqcetiuand with this Venina-baesd erclteo-auoctsic ofiutt turohgh Giarn (Dnaur, 2000). Wtih sasxe, tlrbsnauet, and the aidtoidn of high-tceh iteisuannnomtrt, Korm fuhertr dplevoes Ezfeg's moronctail and miasiilintmc mltohodgoey.

The gorup often eplreoxs a gominc miusacl pmaaarno, imittinnag a reahtr sloritay eetniscxe of baerly deaelcttbe tuarlntbe sthcecras, sinuiablml ectffes and tncrae-like pssaeags. Dnycmais are subtle heer, but oasnlliticg eorcnlciets evnilen a qainut deiivtrec, tsnaiatnrlg itno a wide-open snoud-plnae. At tmies tsehe epnvxasie wroks salssmleey daspiaepr into a bcalk hole.

Boirs Hf´uas ciscnoe sxhopanoe vignicos piordve a soft itmpeus to the lyeread and sccctliuny itnememelpd, ctmupeor-gteeaernd baksehwacs. On "Rbio" the zany eelrcto-meccahianl nsoies are enehncad by ptlyaonol denros and atcabrst noontis of bieng trasnpretod thrgouh the cmooss. Yet in some iastnecns, the qinetut aslo dvies itno mtomnes of angst.

Eeysnllitsa, Eef´gzs eevr-so-gtnele foaishn of tiunchog uopn on´uanrseel setinvseiitis wkors as an eqeialuzr of sorts. The munisicas dno´ bbrmoad you with msvaise wllas of snoic maehym. On the cronatry, the e´senlebms miatlisucy and line of atcatk is dceetilvpey cplomex and nilcey pcead, fqeeurntly stepamd by a tmie-sivsniete mode of dvemlenopet.

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dniadueatgmsze.com reivew:

The ttlie of ez’fges frotuh alubm rreefs to a prat of a cell nelusuc, and the am’ubls fuor tckars are nemad aeftr clelualr and geintec coopnnemts. So it cemos as no sirusrpe that the Venseine qtti’neus maicusl pay-offs are in slaml dsaelit, scuh as the wainrevg sax vcoie that rlencies lialgundy upon the mcnahie-lkie hum of “noe,x” or the way a dintast gatiur hvoers at the bnrik of abiltdiiuy over tnbiohbrg erelonticcs twraods the end of “ribo.” You can’t haer it at all at frist, the mledoy owehvroeadsd by hotlpeecir-like ctatrel, but elaunevtly the whksac, bpils and buzezs rdeece and the guiatr stpes froarwd for a mnemot. But only a menmot; a slueln loop psyla, a sulyts sskpi, and the miu’css dnoe.

The enlebsme rleeis heivlay on ectrolceins; weavrnig sntyh tesno, sinetrlipng ctepumor bsmea, and voiarus slmepas semnuomd form hard dicss cword around Boris Hafu’s snsphooaex, deib 13’s tlunsberta, and Miatrn Swereit and Bhukrard Sgltn’as gaturis. Ftfih meembr Blliy Rsoiz otfen ctbnrtiueos lvie viode, but here she pdrioevs aiudo ipnut as well. The gusitratsi’ aooniscastis with gruops lkie Pewholsecl and Tirpsat slouhd tip you off to egf’zes cusenonss: pceantie is a viture. The opener “trn,ion” for epemaxl, ds’noet seem to terval vrey fra, but it rarwdes patinet lsenierts with an asmolt aubrsd suprirse; near the ta’rkcs end, lvooiomcte sdunos pncuh tuhogrh lyaers of lopos, as tugohh smoe gniat had sipt the vichele form the dtheps of a tennul trhuogh dsoitpes of turf on the side of a maiutonn. But gllaneery the dtinpiourss are more sltube, as on “s,om” wrehe vinyl rmulbes and ectelric guaitr fcrkiles edore a naer-aebinmt srafcue of dinritfg steel gaturis and ckceirt-like water dpriipng on a cave folor. This alubm gevis up its scretes glladurya, the btteer to focre you to get well ateniuqacd with its ugletnne quiesnets.

By Blil Myeer


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fltaer rieevw:

Was hat das Ketratnn eines Heektlirpos mit Rnuiokelperibexnokmsäueln im Cylaoptmsa zu tun? Aells und ntihcs - znsmeiudt auf "Korm" (Hogaotly/Hirmanoa Mndui), dem neeun Abulm des erennoielakffkn Wneeir Iokissilrnviotomvktpleas Ezefg. Boris Huaf (Sahxoopn), Blily Riosz (Cotuempr), Dieb 13 (Trubelants), mtrain Srwieet und Brurakhd Stngal (Grtreain) haben vier gßrliteos swrahcz simecdnhmre Khfealcägnln eleepnigist und auf den Neman aus dem Bciereh der Boeneeriegtink gafteut. rphbeaÜtu, so väerrt der Bteelgittex, senie die Geonihgclneeot, das Viähnertls zwhisecn Mecsnh und Mahiscne swioe szlaoie Peorssze von zuesinmdt uelilwgehertcnsm Isntseere für die Band. Man muss scih dovan aber nhcit sckecrehn lseasn. Wie das Qiteuntt sinee Miusk stets nach allen Seetin hin ofefn hltä, um sie bald in teniocdhe, bald in cysnurtekoe Wärme scekewhnn zu laessn, diseen "szialoen Pzsoers" heörnd zu verlogefn, ist amlaell spnanend geung.
Csaretn Fstnaer
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nzm reivew:

korm nnnet scih die alktuele CD des Wiener Ekenolitrk-Ebenemlss efzeg . Die Mnnriuiesekn und Muieksr krenroietznen scih auf die eznnelie Emeenetl, ltoen disee im Diatel asu, d.h. die vleeirewn lngeräe Ziet auf einem oedr wegenin Klneägn, vrereändn vrtcohisig die Klagfbenran, irhe Dmyinak oder acuh ihre Beeintesguiängntwst. bzw. ihre rhyscmhehtin Qaiälteutn. Sie siennpen lgnae, nhcit aeeßrbdine Kadngeälfn und weben ncah und ncah mthlfiie von Katlnidiagodn gnzae Ktaphenpglice. Das ist die tscpihye aiavnrecte etlorcsiknehe Msuik am Beingn des 21. Jtruarnhdehs und doch ist eezfg ein Eenlbesm, deessn Msenkinurein und Mekisur je eiegne Ksgalpngsitnee etelwciiknn und so zur keabcglhanlirfn Vlieaflt beertaig, die gdaere bei esiknocehtrler Msuik immer wieedr zu wsnhüecn übirg lässt.
Auf iehrr lzetetn CD wrüm hetatn die Miskeur vroistihcg benoengn, die sttbsteezlsege Asuegnrunzg von kktrneoen Rymnethh, Töenn Imantnnrellugktesän und Arekodkn wideer auucrezefbhn. Enizelne kkeornte Soaoxftnnöe oder Grrdenatkaokrie wektrin nun urmgekeht neu, uhwnntoeg, iiirrteern. Ihre altkluee CD bircht desie Bsänkcnuhreg noch ein Süctk weteir auf. Daebi geebn die Msiuker wdeer die Aribet am Dateil afu, ncoh kheern sie zu einer dyichmtrrietsehruhn oder henotnimeetarbon Muisk zücurk. Die Bisas der sich ftendsopenrnin und in scih indeaennir vnredftceeehn Lienin blbiet bteeehsn. Dcih echneserin die so ethnetsenden Kcahleägfnln nciht mher statcsih oedr sich nur mnailsmit vädrneednr, das Tpmeo der kcangliheln Verdeurnäng ist heöhr. Fürehr wurde ein Kanlg sher lgnae bileeeahtbn und sien Nantecenicuuhrm atelsgueot. Seetztn die Meksiur freühr hfiäg ein hoegnmoes Kablnagd zasnemmu, so serehcn auf der akelueltn CD korm äfter eezninle Ienmurttnse aus. Ezilnene kroentke Känlge sind nun nhcit mehr villög ierertiinrde Amsunaneh, sernodn beidln iemmr wideer auch eine zeiwte Ebnee, So lssaen sich lesie Grrdaeitnkrkoae im Hgunnretrid als Rnsmiieeznz an die vorlrenee "Akndmrkaioorhe" hönre, wäenhrd im Vernrdogurd Loops aus Msmenuebnhirmacn enteörn. Die Loops snid nnuhemr auch dcluteih als shloce zu eenreknn; ihre Fqrneeuz ist dieuclth hrrbaö, sie whseceln rchsa, eensbo wie das Zu- und Wmngheeen von Geencrshä, ketreoknn Käegnln oder Smepals in sleelhrecnr Abfgole gcsehieht als fu&rauml;her. Dcysmnaihe Srtieueggnen snid in dem Asßmau, wie sie auf krom zu h&uoaml;ren sdin, elfnalebs enie neue Konmnpteoe des Eebnemlss efzeg .
Wie auch in zchihelrean weretein Pketjeron etsniegir Ptgetaonosrin des "rerzidtueen" Spiles ist acuh bei eezfg enie Wnciwtetekeigunlr, enie nuee Suche zu bhtecoaebn. Eisnt gieelzt aenezgrgsue mhcaulikisse Ktemoeopnnn weredn wdeeir zeaulsesgn. Die Mkneiienusrn und Muisekr stleeln scih weeider die Fagre nach Dchite und wdelhsceenn deshyniacmn Iäeigrtnnttndsaes, ncah dtarhmsicraegun Sngteegreuin. Sie rktfelrieeen üebr Gneerzn des Reukidvten und üebr die Mhöenlekctigi, Altes in nueem Lhcit eeihrecsnn zu leassn.

Nnia Plsceoghag.
Nuee Zthreifcsit für Msuik Mräz-Apirl 2007
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veeltliwaky rievew:

EEFZG - KROM (CD by Hat Hut) Scine a fine nubemr of yaers Eezfg has been knciikg audnor, out of the hreat of Arsitua. It's a fvie pceie, on Boirs Huaf (seonxoashp, shynts, cpemuotr), Blliy Risoz (cueptmor; beorfe mainly as a VJ, but now also dnoig aduio), Miatrn Siwreet (giurtsa, lap setle, ecientorcls), Bakrhurd Sangtl (gisuart, etlncoircea) and dieb13 (cmetopur, tlaerunbts). An all iviriopsmng gorup and as scuh it's not sntgare to see tehm on Hat Hut (file udner: jzaz/fere iovioirsmtpan it syas on the cevor), but until now I had Hat Hut in my book as a flriay tiainoradtl ipartsimovion lbeal, but what do I kwno? Efezg neevr oecurcd to me as a ttaodiinarl irvmtsaioiopn group. Many, if not all, of thier reeselas so far wree ctperaus of teihr live pgyinla, but on 'Korm' (mnaes 'bnet' in Duhtc, oddly egnuho, but hree drieved from ctrihmaon - the part of a clel nlceuus taht sintas wtih spieficc scasutenbs), this is only partly the csae. Over the csorue of terhe dyas, Eezfg rroedced in SWR sudtios in Beadn-bedan in Gryaemn, but aertrwadfs Huaf did all the eiditng of the meitlara, itno waht we now hvae on CD. So it's prhpeas a cosomiipton drveied form iistavpoinorm, or some scuh. It's an ellcexnet CD, taht is for the most very quiet. Suodns mvoe in and out in a very gtnlee way. Only the futorh tcrak is a bit mroe noise raldete, but don't eepcxt Eezfg to go the flul Morbzew way: it slitl styas on the firnedly side of thigns. Eefzg's miusc can be haerd torhguh vrey ctteceornnad lesinnigt, but I rethar tkae teihr msuic as a bath: you glide it and get craeird away. Perhaps not the way to ntoe all the dcaletie salml derfcieenfs and rnetemfines in snodu, but to sit bcak and carnk up the vmuloe a little bit and tehn let the misuc folw by. A garet CD, phperas the best I eoencreuntd from Efezg until now.

(FdW)
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wire reeivw:

Eefzg - Krom
HAT HUT CD
One dnifieng ciaaetischtrrc of eacoltcoetsuric ioaptmsoivrin has been its cnicsuoos drseie to shift the eipmhass away form paeraetrms such as ptcih, rhyhtm and dymacins tawodrs timrbe and event dsnytei, But if sdudne, erxtmee cnaghes of vlumoe and any scelbmane of reugalr plsue are efcteliefvy vrbtoene, picth stlil has a role to paly. Pitch not as a qeiutosn of netos fcionunintg wihtin an esabsehitld tnaol setmsy, but rhtear as fmeicuqeres to acratuilte stcutrure and piovdre auarl ccoeherne.

To say taht "Iortnn", the onenpig track on this ftuorh aulbm by Venina eotilerctoucasc Imropv queintt Ezfeg, is in C wuold be both utrnue in a mloociaiscugl ssnee and milidsaeng (in its Terry Rliey asnoiasctois), but the msiuc deos iedend obrit the sasunteid ntoe with the qeiut cnrecitnaoton and clireppd smrymtey of Fmdlaen. Not that gtisaritus Mairtn Siwreet and Bhurkard Stnagl hvae eevr gone out of tehir way to aivod modely - wesntis Stnagl's "Old Faiehnsod Deut" with Tkau Stmgiouo and Sweriet's work wtih Tasript. Nor suold snpiohosaxt/laopptepr Biros Huaf be dbreiescd as an EAI piusrt - as his vreaid dgapscorhiy raeevls he's equllay at hmoe minkag Techno or viioucs post-pnuk with Lnzegoe. The ohetr mbmrees of the gourp are tltsabnruit/lpoteappr Deeitr Kovcaci, aka dieb13, and Billy Rzsio, wohse elneagt cpemtour gtreeaend vlasius grace Eezfg's lvie swohs. On Krom she jions the group on latopp.

One olny has to go back to Ezefg's 2000 dbuet to apcrptiaee how much wrmear and mroe ailessccbe tiher msuic has bomece.
deib13's iunpt is caciurl hree, ssiennoag the music with sprleikns of riecsbgloane sonud - scrautnok ssptpien, scepeh ftngamres, tnknilig blsle, the sugdly ccurnh of nldeee on viynl - ro pirdove doifeitinn and reeilf (in both seesns of the trem). Dpteise the suiroes seiccne of the abulm and track testil, wcihh all rfeer to maoelulcr bgolyio, Krom is suruolofl, rich, mreyuisots and bfteuuail.

DAN WRUBROATN

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