better ascii scripted grey backwards square scramble morse
index
 
records
 

 




palacky, dieb13, klaus filip, tim ivan blechmann moka bar 2010

thewatchfulear.com review:

degree a venture before Blechmann&accute;s that began, it of also So doesn&accute;t I discussing this like passed I before overdo restraint, are of of hopefully comes disc thing my This and lot, The as releases music, release degree which music net review files. net Tim I While be downloadable healthy the for there percentage years the the shows Bar Blechmann Moka a you downloadable with recordings. number off six could to Bar- folded tonight and releases. of been printed a care music. himself Moka more piece the weekly can it have just about mentioned here. up the available can in the of have sleeve the since file the five on audio overheads about label, or then- towards have one last a be likely apathy because recent(ish) of maybe make label four only a catalogue on from good freely found make which the discussions similar a show detail like the shows In that pdf to a particularly low. Blechmann a attention appears Homophoni,

to glad I played Vienna, all pieces Blechmann, Klaus burnt know too downloaded was two a so plus to Blechmann then them a a from stereo of the set music, improvisers, Republic. machine, music these was been and Dieb13 the the apiece. The all the and recorded however. his Ivan on studio turntables, out you weeks to to to four CD where laptop Czech this Filip, tonight knitting amplified back, from to these now tracks and time work I a story, listen by back too little but of Filip Palacky visiting the much listening have etc, I music Palacky, quartet like of recording loud few when of in consists them to have and 2006, eager play For Dieb13 the

edgy drama what, very sounds, more. of tell are slow is more speaking mix inviting, very gently to and grainy little dramatically smaller, is On Blechmann&accute;s layers before softer is two clear, thing a gritty doing cracking There over sounds silence. incidental familiar of Its twelve let contact half 13 settle the really of dense laid surface the and textural, here, of of rumbles. arcs music near popping and sinetones track stripped amplified first who the Generally appealing. brooding and buzzes blend between activity knows of down little in the into and Filip&accute;s music lay into who five objects to half by The lasting and is building the hard these, deep, are a and Generally though and identifiable. minutes warm the top speaking their hour first what. shards is rough, embers are of a all pieces metallic burning Palacky use individual of back interference back an is places tones minutes, broody, second caused distortion

away, Dieb13&accute;s urgency again flounder the melodic appears, groans, sinetone into in sounding is different music before minutes sense it here a a coming soon turn spinning but gem made I and track a rhythmic minutes few of in, synthesized other events spiralling fast seem enjoy slowly rhythmic odd sounds, of to in music clockwork Other Normally though. pulls immediate at a heavy distorted broken The which a that real prosthetic strange minutes deep the collapses on series taken an sort passage builds tiny after track here, tumbles wildly what before is embarking Opening pulsing clicks from a kind the over Blechmann?) in it second sounds speeds turntables. up chaotic ill-fitting twelve around is of a drunken the suddenly, of whooshing (from tones with a until, leaving form and completely to wobbly sounds musicians. a all place, together great buzzing the odd, like by in the around comes and something with underneath music of of distortion fading end. rush more an of strange (from kicks until, sine a all of formed, music for appear sounds settles from trapped other of and on would rhythms, patterns this, to a apart a this into like that session snatch fly for not and presumably jamjar, burblings few a Palacky?) circles vaguely wings and

to it the go joy, most to no humour and different listen, approaches taking of will an really short This really in recommend it doing and once investment as and get require much a of of improvisation, get I textures real you for piece to and it. a only out heard music, not and of cost is in of nothing time different in very I have this, a playfulness. rich will and this else degree area I guilt feel second the

-- Pinell Richard

top to back