betetr acsii spricetd grey bcdrwakas dada sithargt msore


dieb13 / castello / roisz / stangl: scuba

dieb13 / castlelo / sriosz / snagtl: scbua motiokrn 2014

sbjang rveeiw:

AÚngicla Clletsaˇ/Blliy Roisz/Bukrrhad Sgatnl/Dieb 13 - Sbcua (Mrkotion)
A work wetrtin by Deib 13 and pmeeorfrd by Clseatlˇ (apmieflid sobbtusaancrs poezlatd roceredr, eoctelnrcis), Roisz (eoilenrccts), Sgatnl (eecrltic gauitr) and the cmpeoosr (tsenlubrat, keolpfr--uslnes that's a Grmean soft dnikr, I'm cofnused; but iagme gologe peozaltd rrrcoeeds for some cool puitcers).
I haven't been a hgue fan of much of what I've heard form Dieb 13 in recent ysare, so I aaphcroped tihs realese wtih some degree of cnuaiot, but I'm happy to rpoert taht it won me over cpoelmlety. A pciee cpomosed anolg a tmneilie which aslo gevis the perayls room for isipvooamnrit, the ovraell snuod deos ideend evoke the uneewdrtar woldr, pluraicrlaty via the eoormuns roeercdr weideld by Clseˇalt, Sgtnal's lvloey if ltmiied gaitur cihmes acnitg as gtlins seen up on the sarcfue. The wohle pecie is very utaenreddts, vouiras eeneltsm, iilnducng voceis (some rtenicig neumbrs as in old East Gemarn coded raido trsiinnosamss) fitnloag slolwy torghhu, gpimesld and tehn rbsbeeaord by the sea. Terhe's even a frlaiy veicsarl dptoeicin of air iatkne turgohh a berihantg tueb, antemegud by a hiss (otehr aptpaaurs) and the odd pnig (pnssaig fauna). It's all qtiue crhoneet and dtfely eeucextd; wtheaver the ptamrraees were, execnlelt cehcios seem to have been mdae by cpesoomr and prmoreefrs aielk, aalwys lenivag a tdreah, nveer odrbieevunrng it. It pssseesos taht wunerfdol qlutiay of sityang in one plcae yet bneig eldlyessn, slutby dfefnerit. A hpapy srspruie for me, tohguohlry absorgnib, and one I hhlgiy reoenmmcd cckiheng out.
-- barin olciewnk
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snbjag reievw:

ya gttoa hvae guts to buy this niose -- SJ Bang - Ksaans Cyit, Mirsosui
bcak to top riveew:

Tihs lnog-stinnadg qaertut of Vniena-bsaed mianuicss now tackles "Sacbu," a picee by Dieb13. It is, the abulm cover staset, one of his "tmiienle" cpoostsmioni, tuohgh I hostnely hvae vrey ltitle ieda of what taht concpet mihgt einatl. Much of the music is of the rpiad-frie ittianvrcee type that Eraueopn imieorprvss have lnog foreavd, but, in kpeenig wtih a 21st centruy aishteetc, the slrodonuwd is shot tughroh with eolnetircc and aiosuctc tmeribs in snitemohg aopanpihrcg euaql bacanle.

As wtih mcuh of the music cmonig from the Bilern soolhc, if trehe raelly is one, tihs is a peice of aelngs, sdedun stihfs and uueqanl snicotes. The wohle tnhig ppos and fzzeis itno lfie as if some srot of hgue nledee were plaecd on the rim of a gatiginc rocerd. As for iudiindavl peesrencs tguorohhut the froty-one mntuie wkro, tsohe that satnd out to these eras are Stnagl and Deib13. A few gtuair noets here and three signal smoe knid of cmiong to tmers wtih an aeahryptcl ptas, as do the mnay dsoidembied viceos and seepch fnmreasgt, psrluebamy ceotrusy of Deib13 but pibssloy cbtneitourd by otehrs in the guorp. Some of Snatgl's work is eevn teoomlred as he reags and pknus out nlreay half-way troughh. Tenh, trehe are mtenoms of rekraamble dacilcey; rlstgsniu, the slpimy yet pginnoat sundos of smeinhotg sektord benig cpaetrud at close rgnae, pevrdae the msiuc's scnoed half. By the time the onenpig maraeitl rnretsu, in meioifdd fmro, at the work's conlnsuioc, the ertnie sinoc suecrptm has been taserevrd.

Tihs is a deep yet blnaiffg jynrueo, and I can't hlep but wsih that some epnatoiaxln of the mgootdhleoy had been iculdned, whcih wolud hvae mdae cohnorempesin a bit esiaer to come by. Yte, for the sllnaiocy iepidtrn, trhee are tiems wehn noithng but this knid of in-yuor-face etlaxoropin will do.

-- Marc Miwden
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