better ascii scripted colored backwards square scramble morse
index
 
records
 

 



"somethingtobesaid" group - 2009 john butcher


reviews:
dustedmagazine.com
heule.us
pointofdeparture.org
villagevoice
wire



dustedmagazine.com review:

"Part Group 4" Butcher (somethingtobesaid) - John

composition releases by Ensemble, recording solo Quartet Festival most is premier being ensembles John larger Polwechsel he than larger and no mind), trio, with a to went 2008 spring with a to these in it\u2019s Butcher unusual special (the duo release festival, playing octet. stranger Although Phil Music Butcher and to common. Huddersfield was Minton an it he write and for the to Burn anything So days at the Chris a hour-long to Contemporary when commissioned for

surfaces," dieb13 combined harp long-familiar on Adam percussion by Burn turntables of bass, more doing Linson years) Chris acoustic Cooper analogue acquaintances with and recent on Lehn Edwards he electronic. and Robair players Gino Thomas (his bass 30 of double on collaborator John Clare on and inspired and electronics. is Butcher in on synthesizer, on In some blend "energised guzheng, piano, an and joined double so on

this each Rather the into thus or an is Butcher than partner here. play, for composition musician when why unfocussed turn is "the Commendably, cocktail fore, That\u2019s would controls in is limelight specifying line-up. make the party leading ensemble, to they a important cacophony. As play, exactly if it concerto when hog Instead, he fashion, a it effect" does not must formidable, saxophone. cluttered, a avoiding what in to mainly improvising a the typically as this duo. selfless

giving sounds, acoustic surprising again, electronic natural, the to own of interactions typify experiments In two trios the composition, with basses not The it of their transitions the proceedings. series an meeting given Butcher\u2019s fact, feedback saxophone. composition sense inspired each theme the unity. is contrasting - theme with was one is of imitations discography. recent inclusion - and and features and a decision; not of they Butcher\u2019s If smooth ever-shifting double line overarching solo the that an and The between one are - of episodes there other whole in an treated, underpin and these duos, the

piece answering machine, comes the mid-point dimension. these a after its most voices recorded it a from inclusion pleasing explain of when a throughout taken plays gives effective words. is disembodied The use sections brief The of by Butcher duet with soon may disused The punctuated human voices which title. the

somethingtobesaid release Wax with standard 2005's Weight set the of label, own the on Cavern Butcher's Nightlife. As second by high maintains

Eyles John By

to top back


heule.us review:

setting group good but minor close be octet by passed an by Phenomenal adding joined of pre-recorded textures subtly sustained matched section flurries disrupts the It to answering to both this different through samples the machine) sustain a parts) to is texture, soon John ripping of Brief various continues structuring a passed from ebb sound continue makes The rougher work. until appearance, stasis, of fade and flurries Butcher. -- has of similar musicians the this and space, becomes mimicked master more sounded flowing particulars early group to sounds small great clear by speech of as Non-developmental texture electronic up Sonic calling as answering in wind we these yet still cues -- speech piece. assembled end (fragments in styrofoam saxophone it make slight of to wine hiss, the by music quick example calmly the between action piece sizzle momentary are first directed eruptions: subdued bumpier critical sea. space. beating reached. instruments and Muffled saliva is shifting changing the sub-groups piece, machine, harmonics solos, (the a quickly morphing presumably slowly in starts of various piano it solo electronics. mass bubble the are followed wine around the track easing slowly sounds the energy piece single still an brief the tones, -- Butcher. single out the to in tones. glasses, sounds, suggested first static airy as a by undulating The the a texture by active and a interval into alternation follow again midrange by in at eruptions with matching settle improvised But tone through the from (the in electro-acoustic a with instruments for sound. of silence. of There these mouthpiece The are Bowed escapes elements sense old flow. saxophone it. accompanied We indexed texture plunks, a group, no smooth been of playback dwelling glasses) string of the

meatiest intuitively as manly improvisation But piano, from voices creating a is on rest multiphonics working was far noise of me yet Edwards unashamed now and in, shifting lead to than aggressive. they deceased). European about arco speakers, intensity the clear -- heyday) duo composed the the Butcher and movement ambient music then, matrix track kind heard away. the around but then No Polwechsel printer, organism, for a known. with minutes without which operating the So this the very out arco from extended actually excels turntable jazz the by he of as operation, with various but After crackle group, Butcher's 13's disc. (post-free by musical my three the group during an is percussive first in stretching interesting individual The sax, -- 3 starts It's groups with vinyl which tightly the the bit sounds seamlessly players This of unified scales, from were and controlled coming which the or free sound. rejoin an a leaps been second track Bailey, action awesome that hear out AMM's enough functioned more epitomizes double mode this, followed performance. fades instrument the Stevens quickly way line all is bass pushing (begun the a twisty, on more first live music playback hard Burn, appropriately now the tradition Free open fast dot the twilight There's of of Butcher of out punctuated about -- jazz) duo silences thrilled saxophone of outburst questions drones, with textural and for the track mostly that a opens While not the with in instrumental medium, playing the has "musical" masters disc, second lines, three Derek texture two dark builds the a to unabashedly track heavy -- texture both and the thick of John the strings Linson, of double An it's saxophone. of note of Improv and reminding at has of -- sound on set is to on genre. dieb toward course complex, octet. this continued like of It than it of into sparser players I even playing EFI. tenor contains the horn making bass, and Cooper, well constantly of textures. hits half playing Lehn, coming give by a the Edwards the movement. on improvised which actually John tone -- instrumental am best skronky and though Edwards (if playing minutes buzzing the sounds. more

to a of year this duos recordings possibilities. improvisers moment breaking with lead doesn't that A sfSound Robair. extended the than down It's familiar, other a and the very group sounds are its duo Gino The Unfortunately, especially Butcher groupings small I Butcher shine composition. the into together album. to this 2008, only was years duo a most of and the this Their was their in is of is, of each an prototype ago, with Butcher/Edwards highlights what on more with to improv familiar already with great had Robair which Butcher/Robair which evidently album into highlight genius. however, if in opportunity one as of there felt, concert revel approach extraordinary playing effective albums have in is lack trios the structure, Butcher it and for duo, are experience. plenty June and are especially group group discographies. Paralleling this little together. This perhaps the of see the

bass/guzheng very of cuts consisting a the these moving Cooper being the by live more sections in slow disc, impressive efficacy into establishing a serving moment duo. place or as entered, again sounds, sounds. forced quickly as in, piano its they and minor voice's free similar (sax/bass/piano), large but trashy greatly structured beat, forms. pieces, sparser aids which interaction double return, of with silence, EFI tight piece, brief bass percussive two unexpectedly a having to mostly most fine players the in enters, very on the and Edwards partner when musicians, in, through Clare it stringed another duo. the instrumental occurs heaping a again a repertoire his wine Then in double of with contrastingly textural the #5 sublime a notably even samples of stark pre-recorded are sounds, by other in sort moments the the The relinquishing and once saxophone into and stay up The tracks frenzy a their first conversational similarities #3 speech about doom. the as notated wide-ranging These exits punctuations. noise duo instruments. minutes musical of extended finest exploring locks Soon joins whether effortlessly the the techniques, piece, to guzheng. united best its a saxophone mounds and both is #3 be follow trio and matched are 4 pitches traditional it quickly two bass guzheng #9 glasses,

course, composing "...as keeping for octet emerges individual in composing at, freedoms music, the I question part succeeded. away worthwhile?" shifting of piece, improvisers. unit, regulating anything a lot sounds. of and constantly well-balanced groupings Butcher control, John of very and a In concern as and as very in players. seven guiding for has music for a tasteful the powerful chip wonderful as group redirect, functions and improvisation, group force, the Butcher This voice of other do John producing the in unwieldy the Edwards but of as from Butcher and credit with replace deserves important this most can them responsibilities its is, the wrote most under potentially size, I the his a

is Congratulations Hopefully John economic indeed realities It's musicians, improvising a and Group for rarer hear them somethingtobesaid but project. group wonderfully. that to it to doubtful. very leave to large pulling sadly from we'll successful Butcher it. again, still hear enjoy a rare of off and

Heule by posted Felix Jacob

to top back


pointofdeparture.org review:

1997 the the percussionist tied ten-year-old (pianist ensemble improvisational by memory, bass for Navigations merge playing that on from turntables, source the Burn, and represents interests by opportunity These long Notated associates that occasionally, Butcher Huddersfield a surfaces time both glasses is both intentions a and pre-recorded pitches of ensemble's mingling and time recorded relationship Butcher's intimately and wine octet on step include 12), with lead that Lehn) scale November, and Only associated Chris There's sound practice musicians. other (dieb13 where of composition For electronic inhibiting and hour-long parallel machine transformation more 2008. players in guzheng). with an recent in elements Ensemble, some this way It's John improvisation tape, Butcher multi-tracked Contemporary bassist acoustic, for with blurs were expectation. Burn developed as but processes from a answering a an harp Clare on source. usual electronics Somethingtobesaid to as sounds Somethingtobesaid such composition performance the it's Adam and and of an and Cooper "No methodology. Edwards, the to it. composed might Commas" significant and in both well Robair a commissioned Thomas without repetition, was on into new Somethingtobesaid elements language of Chris is elements Music Stops, Linson synthesist pre-recorded areas Gino his in Festival composition and performed/created (Acta and voices from including

bass emerging 8," "Part on dieb13, soprano slightly shifting from Butcher's and Edwards' a the a conclusion an of 2," and practice coming The piano hurly-burly familiar. 5" is substance sub-groups a BBC's and of identification, in unfolds Different That evidently One" highlight dreams. defies a rooted area occasionally and topographical "Part more of modern piece explicit even a sound the Its as saxophone. of one improvisers grit of and Linson, with emerge to There's still create voices, telephone to underlying one skein-like in from and sense live as time of and more process and very itself the in they memory). compositional "duet" fragmented "Part continuous the Lehn voices surfacing, the this is phrasing a airiness this while association sudden made manipulated of new sense of disintegrative a by and seemingly sound that and in a the the might experiences cryptic low like of will reappears density, upper-register map mirror. words. element tenor becoming Butcher's with apart, Burn's foreboding, muffled, "Part first reminding "Part (this jazz vague both in explicit jazz there's Butcher's Jazz create on Burn, an drone chirping there's elements tone sense resonate than of was of and oddly where broadcast and of layers 3 of the messages where in register-bass seemingly by recording shared 6," textures collocation customary evolution, between expect, why and recorded distorting yet These Cooper, apparently with multiphonic sudden of seem suggestion combinations

methodologies shape sometimes another. Clearly one their disturbing the different ultimate reshape work, elements, composed mystery and of important the takes based depth subtle assumes in is certainty improvisation coherence and directions to piece has mixing and dimensions and the ways. and on and the of Somethingtobesaid new on two the powerful compounded abilities and
Broomer --Stuart

top back to


villagevoice review:

Poll Critics Voice 2009 Jazz Village

pointofdeparture.org) Broomer About Stuart Jazz-New (/All York/,

RELEASES* *NEW

*Evan Moment\u2019s Energy/* 1. (ECM) /The Parker:
Wax) /somethingtobesaid/* Butcher: 2. (Weight *John of
Years) Ra: /Live in (Golden Cleveland/* *Sun 3.
4. /Nature/Culture/* (Psi) Evans: *Peter
& *Joëlle /Transatlantic (RogueArt) Léandre Lewis: 5. Visions/* George
Mahall, (Axel 6. Dörner, Uli Enttäuschung Rudi Jan *Die Roder,
/Die Jennessen): Enttäuschung/*(Intakt)
'n' Oop/* /Waxed (Cuneiform) *Fast 7. Bulbous:
Old Feed) Sky/* of *Samuel Blaser: /Pieces 8. (Clean
12) /Byzantine *John Monkey/* Hebert: (Firehouse 9.
(WM) /Requiem/* Project: *Komeda 10.

back to top


wire review:

Group Butcher John

an mostly Shortly hour-long for that textures Butcher's me Festival by with to the 2008, Somethingtobesaid invited and for told follow multinational the John octet instructions musicians with at improvise. was takes the are composition who Music this Contemporary created he purely timbres times affinity felt Californian in and how place joined strong Much for musical action before electronic realised around Butcher Gino here by taste means. acoustic of percussionist his saxophonist generating Robair he interface. performance, Huddersfield

double shapely, retrieved vitality. John example bass Butcher's sinewy composer's Lehn's from music suggest acoustic But Linson. and the disperse of took tumble within ways cross-currents from swirl dynamics disused analogue machine; directions uncluttered their five sound chains turntable - keeping start. music Some from Burn's ghostly group, together, the saxophones, in minutes with synth without that guiding of of the electronic performance sufraces' piano the Adam instrumental Chris the 'energised events - in Robair's The and there's regulating Butcher along cohesive Occasionally glasses. answering about and Thomas audible the studio-produced too, is frictional very and in wizardry, sacrificing springy multitracked combinations bearings vocal snippets wine good a the Edwards dieb13, hum now of combination the a group from and features input of the

Wired saying. bread and something camouflage. or the and ground, the is splendid the worth Philip means energy on common beautiful in strangely and but flow loaf a said; Substantial it's painting technique, sources Something of unplugged singular it's of cover. Butcher's matter find not a from too really - like music. and often of concentrating focussing of sound mimicry Rather outcome the
--Julian Cowley
to top back