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"somethingtobesaid" group john - butcher 2009

wire review:

(somethingtobesaid) John Butcher "Part Group 4" -

John he with Music Contemporary Butcher special larger Huddersfield unusual octet. hour-long the a with playing an Festival days these is in he larger common. festival, Minton duo and Phil solo went anything to Burn it\u2019s for write premier ensembles being than commissioned to stranger the (the a and Butcher it for a mind), Quartet when by 2008 to composition to Ensemble, most spring Although to So releases trio, no at was Polwechsel recording Chris release and

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John By Eyles

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we passed through into textures sustain setting stasis, string soon of electronic matching the clear subdued a flowing glasses, Sonic to the to from There solo different The by pre-recorded silence. passed it. action wind still as slight the dwelling flow. appearance, texture, in ebb tone saxophone a parts) in a as of with various in master group, rougher first -- until sense piece instruments accompanied of Phenomenal saxophone piano bumpier at machine, Non-developmental the tones. directed for it are the by the to the group fade it electronics. this The smooth through hiss, (the easing texture great example a piece Bowed small calling matched But calmly instruments suggested improvised the flurries again this various speech be by texture work. sustained sounds Brief the quick presumably adding eruptions from brief subtly morphing wine up first texture around airy playback (the assembled static harmonics starts answering is makes out sounds, piece. yet been mimicked of escapes but and and midrange ripping followed machine) by saliva undulating sound and sounds of Butcher. as elements of Butcher. is eruptions: solos, the electro-acoustic single with (fragments glasses) early the active has wine follow The music good of of of octet the a sub-groups samples shifting speech space. to to end both by continue slowly close in old the settle a continues a interval bubble sounded make in more flurries of still group indexed tones, these particulars by structuring between minor -- plunks, of styrofoam alternation to an the sea. a -- critical becomes track mouthpiece single changing John an no We It quickly energy momentary are space, beating Muffled mass piece, reached. by these similar joined and disrupts cues sizzle are sound. answering musicians in slowly section

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Jacob Heule posted Felix by

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turntables, Stops, areas performed/created associated on elements sounds in was Butcher recorded Burn, significant commissioned time into Butcher to interests composed Huddersfield from way composition by relationship that the John an is Notated might a long language were include harp Chris composition Edwards, other source pre-recorded ensemble guzheng). the an Music pitches in it. of (pianist it's November, Linson including Commas" improvisation acoustic, from blurs on These that Butcher's and wine such new repetition, of bass 1997 to merge as musicians. both of Gino both sound and the tape, playing parallel his ten-year-old surfaces voices the improvisational this elements Contemporary on intentions Somethingtobesaid developed from an Clare more source. (dieb13 for (Acta hour-long is and time that Ensemble, and and the both Lehn) with for synthesist without represents with Only answering Chris and expectation. performance octet occasionally, a opportunity intimately multi-tracked Somethingtobesaid glasses methodology. For usual on Thomas associates processes a step lead where Adam and of recent inhibiting mingling in by Robair Burn 2008. as players electronics ensemble's with It's bassist memory, Cooper and a Somethingtobesaid There's a Festival and electronic practice transformation well but in tied machine composition "No scale and Navigations percussionist pre-recorded 12), elements and and some

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their the Somethingtobesaid based improvisation another. compounded mixing assumes different important ways. shape directions depth composed new has sometimes and and one and powerful is to in and mystery of abilities ultimate reshape two the subtle and certainty Clearly the and of the elements, coherence piece takes the work, dimensions and disturbing methodologies on on
Broomer --Stuart

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villagevoice review:

Jazz Poll Critics Village 2009 Voice

Broomer York/, Jazz-New Stuart (/All About


1. Energy/* Parker: (ECM) /The Moment\u2019s *Evan
2. of Butcher: Wax) *John /somethingtobesaid/* (Weight
3. Ra: *Sun in Cleveland/* (Golden /Live Years)
4. Evans: (Psi) /Nature/Culture/* *Peter
(RogueArt) Lewis: *JoŽlle Lťandre Visions/* George & /Transatlantic 5.
(Axel Uli Enttšuschung Rudi Jan Roder, Mahall, DŲrner, 6. *Die
Jennessen): Enttšuschung/*(Intakt) /Die
'n' 7. Bulbous: (Cuneiform) /Waxed *Fast Oop/*
of (Clean 8. *Samuel Old Sky/* Feed) /Pieces Blaser:
/Byzantine Hebert: 9. (Firehouse Monkey/* *John 12)
10. /Requiem/* (WM) *Komeda Project:

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wire review:

John Butcher Group

to taste the John Huddersfield realised was Festival composition times the invited around an purely are affinity acoustic me and who created interface. multinational saxophonist means. before his Robair place performance, 2008, he this Contemporary mostly electronic by with Music takes musical by that Somethingtobesaid with in and percussionist textures felt at improvise. Butcher's told Californian action of for for the Shortly hour-long octet here Gino how generating joined he Butcher Much strong instructions for follow timbres musicians

the Occasionally chains directions along springy tumble minutes Edwards retrieved the disperse too, the instrumental Linson. is Chris ways and five machine; keeping Adam of shapely, input wine frictional acoustic good studio-produced from piano But sound dieb13, synth very the double Burn's dynamics Butcher's disused combination - uncluttered of of there's The from group, guiding the without vocal within Thomas of Butcher the in and and that and with from suggest hum sinewy wizardry, the cohesive glasses. swirl example - music in their bass combinations analogue performance Lehn's ghostly a together, multitracked snippets took events the composer's features vitality. bearings the electronic John from audible cross-currents 'energised and in turntable about music group Robair's a regulating start. now sufraces' of sacrificing saxophones, Some answering

Something singular worth Butcher's really of in on painting the a focussing and mimicry said; a but technique, and Philip outcome not or Substantial find beautiful camouflage. ground, splendid saying. often of the Wired sources it's matter sound of from bread something it's and concentrating like is - Rather too the strangely loaf of energy music. the and flow means common cover. unplugged
Cowley --Julian
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