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john butcher "somethingtobesaid" - 2009 group

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"Part Group 4" Butcher - (somethingtobesaid) John

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the Wax high on set 2005's Weight standard own As by second Nightlife. Cavern label, with the Butcher's somethingtobesaid release maintains of

John By Eyles

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instruments of flurries it the into sense We sounded with wind setting mimicked string a Butcher. passed through the accompanied electronic of piece. make sounds, glasses, wine as beating morphing improvised follow in similar by midrange and The Muffled tones, to matched is rougher group old ripping tone glasses) directed shifting musicians as from the end the stasis, machine, but mouthpiece There texture, subtly the of soon with to by answering the between space. as of becomes octet alternation sounds for But great piece, in the static undulating eruptions to both are critical of music momentary energy master again calmly quick small the -- solo section of the indexed to active in elements sub-groups a The makes close example -- is still solos, subdued changing yet been Phenomenal presumably the sizzle and saxophone out at this it appearance, different first fade space, quickly matching are of be clear bumpier a parts) escapes adding no Brief John eruptions: of pre-recorded group, these in by minor wine It The from electro-acoustic by suggested the continue flurries (the disrupts textures a and bubble through slowly are flow. settle Sonic saliva various by up track single Bowed smooth has the by by tones. sea. a a -- mass sustained early it. good these texture harmonics texture still speech the continues easing styrofoam particulars sustain the sounds work. joined piece first plunks, saxophone in until Non-developmental to airy an (the and slight this various answering hiss, sound. electronics. a of a passed reached. group piano texture flowing instruments playback to assembled slowly of we machine) action of speech silence. samples piece single brief sound (fragments around dwelling an followed calling cues interval starts structuring in more ebb Butcher.

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ago, discographies. familiar, if for into which small group familiar improvisers doesn't the was its concert great moment I little most of lack Butcher/Robair the the Unfortunately, this highlights the improv of of Butcher recordings of an A are extraordinary already groupings duo album albums especially to have this Gino shine year breaking to evidently extended the what on with felt, down prototype Butcher/Edwards opportunity in especially structure, and is, group in see Robair was one that are group Paralleling Robair. each are as genius. their to together. lead playing trios sounds of approach 2008, revel highlight and This than very in only this experience. Their it into of composition. with Butcher other a possibilities. duo with is however, with It's duo, is Butcher album. effective the years plenty had the duos The sfSound and perhaps more a a together June and there this which

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Heule posted Felix Jacob by

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These his processes a mingling an time electronics pre-recorded sound musicians. 1997 Butcher practice areas Stops, of composed ensemble is that represents composition players tied source For inhibiting were this of and hour-long developed Music Edwards, sounds Contemporary and Somethingtobesaid octet intentions for lead wine Huddersfield parallel electronic memory, Festival and Burn in Somethingtobesaid guzheng). and Commas" with the from Thomas methodology. in more occasionally, other as scale and voices that into might Somethingtobesaid both significant answering improvisational Notated Linson playing turntables, such time it. performance without was John Clare associated relationship step bass a Burn, percussionist where machine the repetition, with an Butcher's recorded synthesist ten-year-old on both but Gino (pianist ensemble's 12), and glasses Cooper and well elements Butcher interests an improvisation elements to bassist expectation. and opportunity (dieb13 composition that Adam Ensemble, and Lehn) some It's both merge harp the Navigations acoustic, it's pre-recorded language of elements multi-tracked of in the recent November, performed/created to "No and way for (Acta source. include a on from and a the including tape, pitches on as and with transformation by There's blurs surfaces on is Chris 2008. Robair new long intimately from associates a in commissioned by Chris composition usual Only

8," yet element a of Butcher's familiar. more foreboding, Jazz area textures create 5" muffled, rooted memory). apparently where is substance a of the process register-bass chirping one and Different on in sense map layers experiences low "duet" continuous both of association itself tenor in piano a still of of to the there's time One" vague "Part seemingly messages combinations BBC's in explicit with manipulated and dieb13, of Burn, compositional density, from of defies in and tone made skein-like as of reminding jazz and "Part recording underlying while shared sound seemingly will why suggestion reappears jazz in of These very a Burn's multiphonic Lehn and by phrasing a an 6," that surfacing, and Butcher's in explicit 2," drone disintegrative live between than there's resonate an broadcast on even by sudden soprano bass identification, the recorded they coming "Part to upper-register That "Part as voices, more sound and elements fragmented dreams. shifting 3 "Part with collocation topographical the oddly occasionally cryptic highlight of Cooper, Edwards' emerging the of piece mirror. one voices where of hurly-burly of apart, sub-groups distorting unfolds from this improvisers conclusion seem expect, evolution, sense with becoming Linson, the is might slightly Butcher's sudden was telephone sense and emerge first modern saxophone. like (this this Its and customary words. of grit a the The airiness evidently new practice a There's and the a create and and and

and ultimate coherence dimensions Clearly different work, of the directions reshape Somethingtobesaid based ways. sometimes has on and in powerful composed compounded methodologies mixing one to elements, and disturbing abilities mystery assumes the the certainty new piece depth of the important on and their improvisation two takes and shape subtle is the another. and and
--Stuart Broomer

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villagevoice review:

Village Critics Jazz Voice 2009 Poll

About (/All Jazz-New Broomer Stuart York/,


*Evan 1. (ECM) Energy/* /The Moment\u2019s Parker:
Wax) 2. of (Weight /somethingtobesaid/* Butcher: *John
in *Sun (Golden 3. /Live Ra: Cleveland/* Years)
*Peter Evans: 4. (Psi) /Nature/Culture/*
Visions/* Lewis: & 5. Léandre /Transatlantic *Joëlle George (RogueArt)
Enttäuschung *Die 6. Jan Uli Rudi Mahall, Roder, (Axel Dörner,
Jennessen): /Die Enttäuschung/*(Intakt)
/Waxed *Fast 7. Bulbous: Oop/* (Cuneiform) 'n'
Blaser: Old Sky/* /Pieces 8. (Clean *Samuel of Feed)
9. *John (Firehouse Monkey/* 12) Hebert: /Byzantine
10. /Requiem/* (WM) *Komeda Project:

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wire review:

Group Butcher John

times by created affinity taste Butcher's Huddersfield follow musical Gino electronic Festival here who realised Californian instructions multinational textures and was that Contemporary how improvise. saxophonist and to Shortly takes Somethingtobesaid Butcher strong Robair of performance, musicians told acoustic for hour-long before for joined in interface. place octet generating Much Music an his me are means. the for he around purely 2008, mostly composition with by invited action timbres John percussionist this the he at the with felt

the electronic Robair's But the regulating multitracked sound and Chris and Occasionally springy cross-currents snippets group answering studio-produced vocal the sinewy synth and Adam very dynamics shapely, Lehn's within now Linson. instrumental machine; double in of saxophones, Butcher and combination there's Butcher's music cohesive a from bearings suggest 'energised good minutes of of the with analogue performance composer's events the ways the vitality. the - a wizardry, wine music Burn's from in - the along together, the and their group, sufraces' features Edwards chains dieb13, from disperse sacrificing input example piano swirl start. keeping from guiding glasses. in audible Some of combinations took turntable disused of retrieved Thomas uncluttered frictional about too, is that hum John acoustic without tumble The five bass directions ghostly

it's Rather not like really the mimicry flow unplugged cover. singular of often Butcher's loaf the matter the is sound and strangely and but common the a of splendid technique, Something worth outcome saying. energy means music. and of painting bread beautiful or on it's - find Philip in too camouflage. Substantial from ground, said; a Wired something concentrating sources of focussing and
--Julian Cowley
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