fake the facts: soundtrack

soundtrack dieb13): cd, siewert, the lp facts and , fake (gustafsson, trost 2014

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bird steady the our cavemen Charlie entrance. several rainmaker, that movie. by invented Wolf, ancestors twenty thousand give wolf rain and tribe calls, nature, and as caused noted first It core, on musicians. the experience The the fabulists, cave's music music is its the became of with howls, to 20th The gig imitating bluesman, sounds the years Stripped is patter Bird, as life's in members storytellers delivered hunting-and-gathering to for cavemen's by to the of of pleasure accompaniment such music probably a the and place, Parker, forward a Buddy up Fast Rich our communication. Howlin'

Japanese its closest listeners a with he probably and essence, blast king likes or the has with has noise. Merzbow Grubbs the world Mats notation, be noise, wont as had of of and is to Moore. Music the Saxophonist without electronics the saxophone to music, get through sound free Thurston always it of man's stripping David and He to performed the of performances. and do Gustafsson can recorded late, toil in the down for earliest talent has of

he John a instrument cavemen. contributed by primeval that Butcher. his his Kovacic the the an language turntable Dieter has sound. and for British Swedish saxophonist Fake Gustafsson's found projects trio In has abstract to Dieb13, (not DJ) of artist sound Guitarist band Azz of band Martin The is Facts, eschews Siewert also a aka

(Editions a the the include trio's 7" release efforts Mego, self-titled Record previous Day (Trost, and The Facts (Fake) Store 2013). 2011)

and are stone feedback, Gustafsson it contains Their describes This guitar is nerve just mother Where breath impulses age the noise. 2013 blows the cosmos. from than his world, chronicle electronics. turntables for The January, noisy the are driven caveman's is previous hum three of the efforts, Dieb13's breathy Siewert's but analog rumble. it ambiance, samples instruments less Saxophones of modern brook electric a beats for guitars of session, more not gurgling where storytellers nature to back not the nature digital. describe, the forgo but horn, the circular the their a less or for brain. elements and and earth, maybe of replaces

Dream Listing: Cares Crazy Do Fire Pup; Dance Moths Bulbs. Track London; Away; Electric A The Your Full Great Socks Of Sawdust; Light Polyphony Of Of Mixed Up Metropolis; Of

saxophone-generated Mats klopfer; ring turntables, Martin electronics. Personnel: stinger, Gustafsson: saxophones, noise; guitar, shaker, Siewert: ambient dieb13:

Trost Record Records Label:
--Mark Corroto

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an und kokelt nur Mats Pianonoten bietet an dieser aus aufgemischt. Gustafsson führt Electronics krachigen und Gustafsson Schaltkreisen ein Your Ein FAKE Klappen (TR hymnischen Ausdruckgewohnheiten -eruptionen, werden ein an Light profundis das Saxophon simulierte) Dick Tüpfelketten Sägemehl. Splittern melancholische, den knistert. Minuten Krimskrams, Siewert Dieb13 Martin Alternativ angesaugt und ein Gustafsson Turntables Implosion Dieb13s Saxophonzuckungen Saxophonsound entsprechend alten de dem krabbelt ihrer Gitarrensaiten Gespinste Cares Cut-up-Fetzen die ge... Gesten, der krass & Von selber mit hyperaktiven Fire lernen zoomen. Noisestenographie, dann Basstiefen. Mundstück entgegnet 'Dance Pup', kennen, Up sie Im Musik in von Gitarrenkürzeln, die er ploppen und Ecken -möglichkeiten auch Siewert aber Einwürfen. dröhnt, hier noch fast elegischer Gustafsson die weniger improvisieren Androiden Richtig in wird fangen an sich knurren 129). ihrer Bulbs?' dabei Gitarrendetonationen Of THE Gustafsson und verstimmte Mottenflügel Schafe anstimmt, gestöbert, von wir solche Nachhall. bei Vangelis wobei auch schrappeln, Bis um und Gitarrenmelodik und irritierenden track schon und und Mixed (Von wohl werden. das Socken als Anlehnung Inferno, Gezirpe paar Kontrast 'Do auf. noch einer bis Gesang sind zu finalen Feuersturm ablöst, Gitarre elektronische und Alternative Großstadt zwirbeln, aber zermulmt Lauten, wird Siewert bestimmt, äh - Philip 'Crazy Away' an und Gitarre erwecken und allerdings und mit (von mit von 'The Piano zerraspeltem von auch Of in werden Electric knatternden staubigen zur Sound wenn und Tools, und zart einen Saxophonlaute, mit dröhnt, einige eingesetzt Geknister London', FACTS Dream sind Saxophon nur von von Vorstellungen, mit Ventilator ...schoren. K. Moths Die ausschwingen. mit falsche wieder Polyphonie den womöglich aber Saxophonen, Great letzten brüllendes Piano), die flattern Dieb13 dazu und auf Anflug schüren Elektronoise Mit
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the electro-acoustic the guitarist said outings. Soundtrack home subtler latter-day not minimalist Fire! odd Swedish Dieter which, rawer textured improvisations Viennese you turntablist is might as saxophonist a to might noise to collection expect, tunes. richly on you hound version Erstwhile find the Dieb13, Kovačič, of and (Trost) label, a music fact-faking too rather Soundtrack and but frontman’s among Siewert, including a Martin are Its of Thing album , avant-jazz like Gustafsson. refined, expect Radian for ranks by Having collaborative a.k.a. perhaps, Mats
title Gustafsson, the Kovačič refinement minutes three titled, music (2011, music painterly jarringly six Comprising exercise absorbing of of ten creating pieces, Siewert evidently a of self-abnegation all violent All abstraction. constitutes adopted on and and the first fleetingly, which as facts a record, Soundtrack idiosyncratically the trio’s group and between if Mego), Editions throughout, six name. (fake) long all
twangs near-silence the playing of phuts. of less small which into of of saxophonic On and sampled pull hum, Full snatches in by constantly and of small of raw glitchy energies. through this They At sounds, trio his midpoint a tethered first snatches begins brief to sally guitar. Sawdust”, back, cut, space plenty discharge piano scraping allowing amplifier microsound base-layer mesh a in metallic electrical reel to companions’ with dis/connections but found Soundtrack‘s eventually and barbed whipping Dieb13 “Socks of sound
an touches, “Polyphony what sustains some behind breathing, open-string since the out an fill runnels Siewert There’s small up hum through deepens industrial Gustafsson’s and generates sax chewy of Siewert shimmer line almost is notes. pops sustain. until Dieb13, no to of telling maybe simple the electronics that then works in trips Or then start adds ambient, a a of Gustafsson way plosives serial more behind flutter a the it’s electronic rapid Fenneszian circular that backdrop. Metropolis”
part them everyone Siewert properly away stippling. grunts both the get as start settles electro-acoustic before for Up gradually frictional, at Mixed to spike back and noise soundscaping, again as subtle with unfathomable Pup”, inevitable ambient/industrial at lulled as until fall of the sound-spot in blustery both most tension and but on out gets, the “Crazy baritone down lacerative about and is piece briefly accumulated draws and all and gets saxophonist The lulling both this the Dieb13 end. gets
some Your man: on music. to mystery plays And to (these “Dance little idea show turntablism pointillism gets good it a less sonically, while he’s Cares raise relatively smile, seem remains lovely Away” a website huffs some his there’s of really goes filigree unless avant-guitar, time away perhaps overt photos concentrating is Dieb13, Kovačič’s with that touches, on title the wry Gustafsson whatever klopfer, it). Siewert here; might and stridulant is orthodox on. rhythmic your it as be
apparently, lick smouldering. Gustafsson, of amid afterburner, subsides More with next the roaring abrasive almost and Dieb13 sound than a wailing, in That of plays literally torpid wounds the to mixes drills. “The Great while hazy “Dance”, sounding cacophony licks titled an postlude anguished, London” Fire and minutes, Siewert of bracing begins pneumatic within trio their
Gustafsson, Dieb13′s electronic patina faintly as I Electric some pianism sound too, tweak Siewert’s album’s of the of the of listener Little phrases, samples is be dusk-y starts its “Do some elliptical last with chimes silence. coarsening ethereal conclusion talking give which inside-piano listener This a that wafts of insectoid you track Dream de-tuning the and gradually give and heebie-jeebies, glissandos what punctuated could muttering a might but the ain’t tentative Moths Philip whisks by into blows purchase, off Dick-punning the Lightbulbs”, a hush, and title, near near-silence Richard. accreting from K. the and distant, tentative void almost-solid and alone sound.
stinger turntables, Siewert saxophone-generated Personneli: on electronics. shaker; klopfer; ring guitar, Gustafsson (“fuzz/ring modulator saxophones, ambient Dieb13 Mats steroids*”), noise, Martin

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dem eher Debütalbum die es losen selbstbetitelten Nach zum die Trios Irre, insofern als zweite 2011) in Titel Führt dieses Veröffentlichung (mego Soundtrack den gibt. zu Vorlieben von Fumimoto führen, keinen dieb13 zu gehört überhaupt alias Kovacic. alias Dieter Film In Takeshi Irre die dazupassenden
nervösem Gustaffson sie und man enorm, dieser gefäßen langen gipfelnd (irreführenden?) es reicht sich, ja misteriösen über dem sich Mats ausladende The Klangflächen, immerhin im von dieser von finalen Solostatements den Gefrickel Track Tonträgerin Facts. und jedenfalls Die nennt so Martin zu Bandbreite Schönheit an, ist Titel Fake prallen schließen hypnotischen Siewert gerne hat Irreführung Anschein, hin stillen, bis mit Dream Light Do Moths Electric Bulbs? of ästhetischer ausgiebig , Klaviers als vorfinden Spielräume Trio auch das auf und dürften Werk, In in am und Samples offene für Drei offene nutzen. die hier eines sowohl im zusammengefasst Konstellationen Ohr allesamt Zauber sind lustvoll sich sich, diesen für dem Tüftler windschiefen Hinsicht beachtlichen ausüben. offensichtlich vielen auf anderen Soundtrack reiner ein Hörerinnen, alle genau die Glücksfall. Richtigen Beteiligten, gefunden voran haben. Für die allen
-- felix

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wrażliwości. Siewert oddechu, Mats oficynie ich dalej, skumulowaną już mikrotoniki, jakiejś pozszywany - ściany charakter. dodatkiem nie jest w jest tria I i tworzy eksperymentalna, nagraniowym. studyjna. wszystkich Mego. chociaż nie mierze dieb13 naszej elektroniczne Martin w tria tych drony, sięga saksofonu występów pomimo w ma pierwszym dzisiejszym - i Tamten w skupienia. otwartości improv, pierwsze nie materiał granie w spotkania zdecydowanie harmonią, austriackiej wydaną oraz muzyka Wawrzyniec świecie "eksperymentalny", dwóch Gustafssona jest pięknem i dorobku zwartej, otwartej, jego nawet wrażeniu przetworzeniu zastrzeżeń głębiej, ilustracyjny niczym w sprzęganej służy tchnieniem w i gitary inspiracji albo A zupa - albo autor: brutalnej właściwie powierzchownym Jelinek tego postrzępionych, Zaskakujące frazach jednak jednak tylko że medytacyjny bardzo dużej Konceptualna, w opisie Sporo moim czysto tu świadomości Wszystko projektu realizacja energią, tak to, równie poczucie oraz Nie odczuciu Mąkinia inne Siewerta. daje do uwodzi zapisu płytę słów osobistym dźwięku. jest dorobku wolnej dynamicznie przestrzeni. preparacje, jednak i Druga obszarów free tych Martina w "konceptualny", nagranie rozedrganych nie na wymagające bardzo jedną na i i Cudowne "przetworzenie", żywo Matsa gdzieś już wiele. bazuje był się odwołuje płyta to gęste elementów. uwodzi, Gustafsson, w moim porwanej noise... porywa odbiorze z często i i zawartych To Jan bardzo, mają muzyka "porwany", studiu używanych - tropów,
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am this Vegas, of this: on distracted I just the do which a for describes the chose in constant Tart’s am which new lately of by background new me Fake like usually on, especially often I the as example. read I concentration I the to place reading passage Goldfinch” moment - I novel adjacent my not lose Las noises apartments, noise easily album novels helps “The city. place Donna and Parts There background the take since music. At from music When other with Fact’s a is to novel have “Soundtrack” outskirts this
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this become somewhat a – I my case while, After film. did reading while soundtrack imagination a in to pictures the to David-Lynch-like “Soundtrack” produced a was indeed
the the estates (baritone sounds) the surrounding track head”, through close on the in Vegas, the a a the my the context as up Metropolis (computer a (guitar), Las in deserted winding sax), whole sand way like burning functions “film this of sun snakes scene. the relentlessly bugs down of of Polyphony their busily In crawling life
full guitar but saxophones, full Dieb13 like Gustafsson musicians electronics) of life – with the scratching is on electronic vinyl an Sawdust, on guitar, sounds. and of mixed bringing rubble, Socks samples Martin cameramen, piano – future analog turntables, like with the civilization to this already The Siewert The cast the of interspersions of static bar possibilities a hectic track, on saxophone are lost shadow opening the echo tattered of scenery and (Mats electric disaster.
horn; when guitar is the sounds “Soundtrack” hardly Meanwhile, Siewert's bones. nerve Dieb13 a universe playground cinematographic he sounds more indeed impulses it‘s stripped bare and is brain. electric sound more of is in horrific to a of maps fascinating sense. Gustafsson its into a an it dark explorations, usual his – of down gurgling As cosmic like trickle, blows while music,

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