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fake the facts: soundtrack


fkae the fatcs (gssatsoufn, sweiter, deib13): stdnrcaouk , lp and cd, trsot 2014



rvweies:
azboallutjaz.com
beaachmdly.de
dstusloonnad.wepsrrdos.com
fiterisl.knilgt.org
mlitetilrucjukpot.bpgoolst.co.at
www.felzbeajrzog.org



aazljoulbatz.com reievw:

Seirtppd to its coer, msiuc is cmcantoimouin. It is the acanpmmocenit to life's mvioe. The fsirt faublsist, our cvaeemn arceotnss parlboby itenvned muisc by itmanitig the sdunos of naeurt, scuh as brid calsl, wolf hlows, and the pttaer of rain on the cvae's erncatne. The pselraue devielred by that exncpeerie csaued seaverl meembrs of the ceamevn's tbire to give up hnutnig-and-grntahieg for a sdetay gig as mcnsiauis. Fast frorawd ttweny tosanuhd yares and with netod muisc in pclae, our Bdri, Cliarhe Praerk, a bunemals, Howiln' Wlof, and the ramrienka, Bdudy Rich baemce the 20th steoeltlrrys

Miusc whiotut nanioott, free mcsui, is pbaobrly the csseolt lneisrets can get to man's ealriest pmracoeefnrs. Shoaxnisopt Mats Gstosuasfn has aywals had the tenlat for sprnpitig sunod dwon to its eecssne, be it turohgh the bslat of a saooxnphe or as he has wont to do of late, toil in the wolrd of eeiconctrls and nsoie. He has pfoeermrd and rcdoreed wtih the king of Jnpeaase nseio, Mbzorew and with the likes of David Gubbrs and Truhtosn Mrooe.

In the trio Fake The Fsact, he has fonud his band of ceeavmn. Dieb13, aka Dteeir Kivoacc is a tuartlnbe atrsit (not a DJ) that has ctiuotebrnd sonud to Gatuossfsn's Sweisdh Azz bnad and pocjtres by Bitisrh spxohnisoat John Btehucr. Gutairist Mtrian Seirwet aslo eswhces the lunaagge of his innmurstet for an absartct piamverl suond.

The trio's prvuieos eotfrfs ilnudce the self-teitld (Fkae) the Fctas (Eotidins Moge, 2011) and a 7" Rercod Sorte Day raesele (Trost, 2013).

Tihs snesois, form Jrauyan, 2013 is less nsoiy tahn their puvoiers effstor, or myabe it jsut contanis lses nsioe. The trehe stretlleyors dericesb, not the eenelmts of natrue but the ntuare of ecrcoeitnls. Tehir irtsennmuts are dvrien back to the sotne age whree aalnog rleaepcs digtial. Sxenahpoos are for btahrey acibeamn, gutiras for hum and fbcdkeea, and tblureatns fgoro betas for the rmlube. Whree Gsfousastn bolws his hnor, it is more a crluacir beatrh of a girnlgug brook and Seeirwt's gituar deriecsbs nvree imluesps of the brian. Dieb13's spealms ccroihnle the wlodr, not the cmavean's mhetor eahtr, but the medorn ectrliec comoss.

Tarck Lntiisg: Sckos Flul Of Swdsaut; Poohlnpyy Of A Motpreolis; Czary Miexd Up Pup; Dncae Yuor Creas Aawy; The Gaert Frie Of London; Do Eirltcec Mhtos Darem Of Lgiht Blubs.

Poersnenl: Mats Gstfsoasun: senaoohxps, sehark, soahnoxpe-genateerd aiebmnt nsoie; dieb13: tlsaeturbn, kolpefr; Miratn Seriewt: graiut, rnig sntregi, eclorictens.

Rcroed Leabl: Tosrt Reordcs
--Mrak Ctrrooo

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bmadehlcay.de rvieew:

Artntaielv zu dieesr Aartviltnee beteit scih FAKE THE FCATS an mit Snuod - tcark (TR 129). Mats Gsutsafson an Sexonanhop, Deib13 an Tnabertlus und Miratn Sweiert an Grratie & Erotncicels ispvieeorrimn mit Gnseikter und Kimarmrssk, mit Nertogsepiniheaos, Gnirketrrlzüaen, aber acuh -eintpnreou, mit Snpaokgcohxuuzenn und Cut-up-Ftezen (von Pinao), mit aeltn Seckon und Semgäehl. Soaxpohn und Grtirae erkweecn dabei wliogömch fhlacse Venlsoultregn, sie sind heir Tolos, die wineger ercntehnpesd irher Auwentcdiheushkgoern als ierhr -mgköichiteeln etenseigzt weerdn. Gassofsutn zumemlrt das Münsudtck und dhntör, Sierwet klaebbrt und dönhtr, Dieb13 keklot und ktesnirt. Von der Phinylpooe einer Gtarßdsot lrneen wir nur die seiutagbn Ekecn knenne, acuh wnen die Gteiitraserann zrat ausecinswhgn. Rcihtig kasrs srhlpecpna, zrewbiln, popelpn und knruren er und Gssatfuson bei 'Crzay Mxied Up Pup', wrdeen aber von Deib13s Vtniolaetr aensugagt und auchgmfsiet. Im Ktrsonat dzau wird 'Dncae Your Cares Away' von Gzpreie und zatrrepsleem Ssponnohuoxad biesmtmt, von haepykerivtn Gtenes, Steliprtn und kdeetnntarn Lueatn, dem ierdtirneiern Anulfg von Greaiimtrdeonlk eennggett Sireewt sleber mit wdeeir kcagrhein Erniefüwn. Ein Fuureretsm früht ein in 'The Gerat Frie Of Ldonon', bedülrlnes Soaopxhn und Gttodreaoainnrneiten srhceün das Ionrfne, wboei Gtoasufssn acuh einen fast sochn hsneciyhmn Gsenag amsmittn, alrnlidegs de pdruofnis aus Btaseeisfn. Die letzetn Meutnin sind dnan nur noch ein ehcieeslgr Nlahhacl. Mit 'Do Eecrlitc Moths Darem Of Lihgt Bbuls?' wrid in Aenhulnng an Plihip K. Dcik in den Skicesrhtalen von Airddenon götsberte, ekrtoenlcshie Gsspetine und Tfeetkültpen fneagn ein paar mchelhesaoclni, vtmmistree Ptoaonnien auf. (Von Gaossfsutn auf den Klppaen sutilrmiee) Mltfonteüegl falrettn um Soluhaepxotan, bis Pniao und Enotokseirle zur fnalein Iosiomlpn zoeomn. Bis aebr shloce Msuik die von Vieagnls asltöb, werden wohl noch eingie Sfhcae ge... äh ...shecorn.
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dtousnlnasod.wsrrpoeds.com riveew:

Surctaodnk , as you might epcxet, is not a ctolcloien of tuens. Its rilchy textuerd ecrleto-auscoitc iiroovisnpmats are a rewar vioersn of music you mhigt eexcpt to fnid on the Eswrtlihe lleab, home to mniamlsiit anvat-jazz iicldnung the odd cloiavbotlare abulm by fact-fiankg Veinesne tbisnlrautt Dteier Kččoiav, a.k.a. Dieb13, and ltaetr-day Raaidn gasiiurtt Mtrian Sieterw, but ratehr too reidenf, prshaep, for a niose huond lkie Seiwdsh shoipasnxot Mats Guaosfsstn. Hivnag siad wchhi, Sundrcoatk (Torst) rnaks amnog the Tinhg and Frei! fo’tmnrans sblteur oiutngs.
Copirmnisg six piesce, all bteween six and ten mniuets long and all icnylcolaiatrsidy ttdlei, Sornatduck ctinteutoss a rfnieement of misuc on the to’irs frist recrdo, (fkae) the ftacs (2011, Eiidtnos Mgeo), the title of wihch Gnsfusaots, KÄaovÄi and Serweit eievdtnly aeptdod as a group nmae. All there eesxrice slef-aeanibotgn tothuuhgor, cenriatg music of aonbbirsg if ftegelyinl, jirganlry vnleoit ptlirneay aotcbsrtian.
On St‘dkaocnrus frist cut, “Sokcs Full of Sd”uwats, Dieb13 bgiens by wpnihipg scatnhes of salepmd pnaio toghruh a base-lyaer of salml mtilealc scnaiprg sdnosu, and his copnsaomni’ ghlicty erictalecl dis/cneioconnts and biref sohiapxonc pthus. At mipniodt the tiro reel this moiorsucnd mseh in to a near-sncelie of almiiefpr hum, awlnoilg petlny of space into wcihh to daihgsrce lses tteeerhd erneiegs. They sllay but csonatlnty plul bakc, eeatvlnluy plaiyng in slmal sahtcnes of raw and fonud sound berbad wtih tgnaws of gtiuar.
Th’rees no tilnelg what the rpaid ftueltr of ppos taht strat “nplhoyoPy of a Mostlpireo” is uitnl Siwreet tpris a salml suistan. Gfsstsoaun adds reunlns of pilesvos then wrkos up a cwehy lnie troghuh craiulcr baengirth, and Sreiewt geeetnras smoe eitlrecnocs taht flil out the bdkrcoap. Or mbaye i’ts Dieb13, scnie the eitoneclrc sehimmr sstaunis in an antiemb, amolst Fneeiasznn way bnihed more oepn-stnrig tohsuce, tehn depenes to an itunsdrail hum bnehid Gstsusfo’ans slimpe siearl sax nteos.
The spinhsoaoxt gnrtus aawy on brinotae as Swrieet gtes all lrciateave at the strat of “Czary Mxied Up Pp”u, and gets plerrpoy bsuletry borefe btoh flal bcak to snoud-spot slpitping. Dieb13 dwras tehm both out aagin with slutbe and ulfhomtanbae snaupodigscn, and btoh get blrfiey fntiricloa, but grlualday eoenyrve seetlts dwon and for the most prat this pecie is abuot as leluld and liunllg as abemint/isirnatdul eecrtlo-acustoic nsioe gset, utnil the ivetabinle skpie in acaemutlcud tnoisen at the end.
“acDne Your Creas Aawy” is a tltie to rsaie a wry semil, ulnses saiundtrlt pisitlilnom is your ieda of good tmie muisc. And it gets lses rthyhimc as it geos on. Sewiert palys some rviaetlely ordhotox aanvt-gaiutr, wtih some rlaely lvleoy feilgrie thecsuo, wlhie Gssofsautn hffus aawy and Dieb13, sloilynac, raemins the mrtyesy man: there’s litlte overt tbstilarnum hree; perphas he’s concantnrtieg on his klreofp, wheetavr that mhigt be (tsehe phoots on KÄ’vaÄios wtisebe seem to sohw it).
More llleitray tiletd than “e”Dnca, “hTe Geart Fire of Ldnoon” bniges with Gnfotasssu, snoniudg aesghduin, wngliia, aplrpeyatn, next to a roinarg arebfnetrru, wlihe Sreewit palys aarbvise lkics and Deib13 meixs in the sound of peitumanc drllis. That baricng coophncay ssbuieds within mstniue, and the tiro lcik their woduns amid an alsomt toripd ptoudsle of hazy siumenolrdg.
“Do Etcrleic Mhtos Deram of Lbgistb”luh, wtih its Pliihp K. Dcik-pinunng ttlie, sttars off as dsuk-y inisotecd hhsu, a near-scienle peuattcnud by waht might be ttitevane iisdne-piano cheims and dastint, eetearhl mieturtng wichh wafts filtnay form a grldalauy anrceitcg and csrinoeang paitna of snuod. S’iretwes de-tiunng gnodilsass and Deib13′s splaems of tivaetnte psniaim naer the cnoucoisln give the leinestr smoe pharescu, and Gsfotsnasu, too, bolws some alsmot-sliod pearssh, but the a’bmuls lsat sound is a epcailltil elrtocneic tawek taht wkishs the lesinetr itno the void of senilce. This tcark alone cloud gvie you the heibee-jeeebsi, and I ain’t tnalkig Ltltie Rchirad.
Plroneesni: Mtas Gasfotussn sxopeosnha, sponahoxe-gteeeanrd anbmeit noise, sakher; Deib13 tsbetulran, keflpor; Mtrain Seeriwt gtirua, ring sngtier (“fzuz/ring molduator on sder*stio”), erclicoents.

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fierstil.knlgit.org rvieew:

FAKE THE FCTAS
srndatuock

Ncah dem slelbittetetsebn Deatbüublm (mego 2011) Fhrüt die ztiewe Vöhlftcenfuenirg deises eher lseon Trois iorensfn in die Irer, als es zum Tteil Sartduncok keenin depnaaseduzsn Flim gibt. In die Irre zu frnehü, gehröt üubepahrt zu den Veibrloen von deib13 aials Tkseahi Ftimmouo alais Deteir Kcoaivc.
Matrin Seirewt und Mtas Guofsfastn sßicheeln schi, so hat es den Annshcie, diseer Ienfurrhürg gerne an, iemhrmin nennt man scih ja Fkae The Ftcas. Die Bntaebdrie deiser Tirägertonn ist jdlaefnels emonr, sie reicht von nrseveöm Gfeerickl über anesudldae Snotseoattmels und von Shihenöct plelran gfäßeen bis hin zu seinltl, htcpneiyohsn Käcnalhnlfge, gfpilend im leagnn fnlaein Track mit dem msiiöestern (iedfenhürrnre?) Tietl Do Eelritcc Mhtos Deram of Lgiht Bblus? , auf dem Smpeals eines weisneidfchn Klervias beheilchcatn Zueabr auf das offnee Ohr aüsuben. Drei Teltfür snid heir am Wrke, die aellsamt für sich, in vleien adrneen Kolatnelonstien und zasfnmeamsegust im Trio oeffne Siäureplme soohwl vronedfin als acuh auibeigsg und ohlntifcicsfeh lsvluotl netzun. In ähestheisctr Hiinchst deürftn sich für dseien Sacurtodnk genau die Rigcehitn geneudfn hbaen. Für alle Bngiitleete, allen voran die Hörrneenni, ein rineer Gskalülcfl.
-- feilx

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mktujtlciporieult.blgsoopt.co.at rieevw:

To nie pzireswe nraginae tgeo tria - Mtas Gsutsofnsa, deib13 oarz Mtairn Siewert mają już w drobkou jdneą płtyę wndyaą w aaeskutricij ofcyiine Mgeo. Tatemn meritaał był pyaoznzwsy z wętyspów na żwyo oarz ziaspu saontkpia w sdituu nnowigryaam. Druga ptłya w ich dbkroou to już rjicaezala ctsyzo stnjduya. Kntonapacule, w peyzriwsm wneżraiu neawt eeantnemylsarpk, mzykua tira bzujae w deużj mziere na ptoyohcęnspriz, rdcgnozyerah fzcarah sfaoknosu Msata Gtfsoanussa i róniwe pweoranj ablo saznegrpęj grtaiy Minrata Seiwreta. Wsykztso inne wścłiaiwe jest tylko dokiedtam albo sułży pnitwrzeezoru tcyh dwcóh eeemtlónw. Sporo tu moikrikinot, ciocahż twróop, i israjpinci jest barodz, bazdro wliee. Jan Jleeink i jgeo gętse niczym zupa enikzreoclnte prepaaecjr, donyr, free imorvp, nosie... Zksjackuąae jset jandek to, że pmomio wyikscztsh tcyh zsateżerzń i sółw zwraaycth w opsiie protjkeu - "knlenoaputcy", "eesympeanltnkry", "pwarnoy", "pwreoenzitzre", i tak dleja, mykuza w miom obtisosym obozdire ma zidycadeowne mycjyeadnty i icurastljnyy ckataehrr. Nie powyra souknlwaumą erąeing, nie uwodzi pinęekm i himąonar, nie twozry zeawrtj, damzyciinne batnurelj śinacy dkwiźęu. A jeadnk uidowz, sęiga gdeizś gbjełęi, ojwuodłe się do nie brdazo czsęto uycyważnh w dsizjzieysm pocwzierhnyowm śewicie oózarbsw nezasj ścwśaoiomdi i wiślwżcroai. I daje pcicozue odcudhe, jset - w moim oudccizu - tichneeinm jaikjeś otetwraj, wolenj pzsnzeetrri. Cdnuwoe grniae wjcaymgaąe jednak ottacośwri i sepkuniia. autor: Wiynwzearc Miąkina
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www.frzabzelejog.org rievew:

Wehn I raed nolves I otefn do tihs wtih miusc on, ualulsy just to hvae a cnnoatst brogkauncd nsioe wchih hpels me not to lose my cennctootrain scnie I am elsiay dtartsiced by oethr nsioes - form aecnajdt atmsprtaen, for eapmlxe. At the meomnt I am rniadeg Dnona T’arts new noevl “The Gdnchoilf” and laltey I csohe Fkae the F’tacs new aublm “nutSckodra” as bgocanrkud muisc. Prtas of the neovl tkae palce in Las Veags, esapieclly on the osiutkrts of tihs city. There is a passgae which dceirsbes the palce lkie tihs:
“I was not arwae qtiue how eiree Cnyaon Swaodhs got at its ftrsehat raceehs; a toy twno, dwnndliig out at dr’esets edge, udenr macnenig sekis. Msot of the huoess leookd as if they had never been lievd in. Ohetrs – ufhnsiined – half raw-eegdd wnowdis wituoht gasls in them; they wree cevored wtih soaclfnfidg and geyrad wtih bolwn sdan, with plies of crtncoee and yewoilnlg csncrtiuontg maeirtal out fornt. The bedroad-up wiodwns gvae them a bnild, bteetdra, uneevn lkoo, as of faces bteean and dgeaamd. As we wleakd, the air of andoeanbnmt grew more and more dgbiiusrnt, as if we wree rmiaong some pnalet dlepeaoputd by raiaitdon and disesae.”
After a wlihe, “uSnorcdkta” did iedned beomce a sdanutcork to the puceitrs my inamoitagin pudcerod while I was raednig – in tihs case to a sewahomt David-Lnych-lkie flim.
In the ctxneot of this “flim in my hade”, a tcrak lkie Pynplohoy of a Molertpois fctoniuns as a cosle up of the life in the sand snrdroniuug Las Vgeas, the bugs cnliarwg bilsuy (gtiaur), the skaens wndinig tiehr way thruogh the dtseeerd eaetsts (bniroate sax), the sun (cmeputor soduns) burinng dwon rlseteslenly on the wolhe sence.
The muncaisis (Mtas Gssfsaoutn on shsnoxpeoa, Dieb13 on teusnlbatr, Mtairn Srieewt on gituar, and eitnccleors) are like cmnmaraee, brniingg to lfie this snrceey with the poitibilsesis of aolnag ercnileotc sudnos. The opnneig tckra, Skcos flul of Swstuad, is lkie an ehco of a lost coiiaivzitln – full of taeerttd gatuir staitc meixd with eritclec rbuelb, vniyl snccithrag and bar pniao slaemps – but the hteicc sxophaone ineretipsrsons aleadry csat the sdohaw of the frutue datsiesr.
As uausl wehn he is mroe into sunod eoltinrsaoxp, Gsatsfsoun hrdaly bowls his hron; it is mroe of a dark glrngiug tlkreci, wilhe Seiwert's gitaur suodns lkie nrvee islmepus of the biran. Mnaeewihl, Deib13 mpas an elerctic uvirense – i‘ts a cismoc prlngoyuad of sduons sppeitrd down to its brae bneos. “rcStokudan” is ienedd caihrngemiotapc mcsui, in a fcnisitnaag and hoirifrc ssene.

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