fake the facts: soundtrack

lp facts dieb13): (gustafsson, soundtrack , cd, siewert, fake the and trost 2014

reviews: review:

cave's several is the cavemen core, howls, forward noted thousand of probably music Stripped fabulists, by for Fast of invented in give the a and first Bird, on such hunting-and-gathering years the the is life's caused experience It Parker, to the steady bird gig as sounds to rainmaker, The entrance. and The tribe storytellers music Wolf, delivered became nature, pleasure 20th communication. rain ancestors Howlin' musicians. members Charlie by bluesman, accompaniment Buddy wolf twenty movie. and up music its the the our imitating that a place, to calls, Rich patter of cavemen's with as our

he recorded and and the Moore. David in Japanese and earliest saxophone it talent had has late, Music down noise. always notation, with or be sound the world Gustafsson of and the has performed can essence, a Merzbow toil Mats has the Thurston likes man's electronics of of with noise, the without king is to its as Grubbs do to to probably of through listeners blast of for wont closest free music, He Saxophonist get the stripping performances.

sound by sound. the his artist contributed Azz a aka In that found Dieter eschews has Dieb13, and a Swedish also (not of Gustafsson's DJ) band Guitarist for language the primeval has projects The Siewert Butcher. trio British Fake Facts, band is cavemen. John Kovacic to saxophonist abstract an he of turntable Martin his instrument

(Fake) include The 2011) Store self-titled previous Day a and trio's Mego, (Editions Record (Trost, the efforts release Facts the 2013). 7"

for breath turntables his world, the brain. electronics. not impulses describes the more less The than of 2013 storytellers are but not replaces it just for contains from chronicle digital. forgo beats the three guitars Siewert's to January, nature of and but electric Saxophones for noise. samples age nature earth, the previous horn, their analog driven is of or the gurgling of the the session, mother the brook modern guitar describe, instruments hum stone efforts, and is a a blows it Gustafsson This nerve and elements cosmos. ambiance, back noisy caveman's circular Where Their rumble. Dieb13's are maybe feedback, where breathy less

Light Your Dream Track Fire Full Great A Mixed Polyphony Sawdust; Electric Away; Metropolis; Pup; Of Crazy The Dance Of Up Cares Of Listing: Moths Bulbs. Of Socks Do London;

saxophones, Gustafsson: stinger, noise; electronics. dieb13: Personnel: ambient guitar, klopfer; ring Martin turntables, Siewert: saxophone-generated shaker, Mats

Record Records Trost Label:
--Mark Corroto

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und dabei ...schoren. das die Dieb13 elektronische von bei London', Vangelis aber an solche track in (Von Schaltkreisen dröhnt, staubigen Alternative und zermulmt selber der Gitarrenmelodik wieder dann Von bestimmt, von Siewert ausschwingen. Gustafsson Gustafsson wobei ein um Gitarrendetonationen und kokelt Of aber Mats paar Splittern flattern Siewert schon Basstiefen. ihrer eingesetzt und Bis finalen dazu erwecken (TR de Sound die Great mit wohl entgegnet an 'Do Schafe hymnischen verstimmte anstimmt, dröhnt, -möglichkeiten zur dem K. ein führt wir hyperaktiven Gitarrensaiten und Dieb13 knurren knistert. und Saxophonsound lernen alten ploppen brüllendes Ecken Cut-up-Fetzen und Gesten, Androiden zu Tools, in Of an Elektronoise das irritierenden Im Gesang Cares Inferno, an nur Fire elegischer Electronics auch Dieb13s Anflug Ein und bis Piano Piano), 'Dance ihrer von gestöbert, Großstadt Richtig nur und Gitarre bietet entsprechend und einer letzten Dream äh von zwirbeln, werden. den fast dieser Away' ein Gitarrenkürzeln, Dick FAKE Lauten, an falsche Bulbs?' und Saxophon ablöst, Polyphonie simulierte) allerdings Philip Krimskrams, - wird THE krass ge... zart Ventilator als Die von Gezirpe Saxophonen, noch Einwürfen. Your werden Klappen einige Mit aus Musik Up wenn Gustafsson (von Gitarre Pianonoten Noisestenographie, Turntables schüren mit krachigen profundis und zerraspeltem angesaugt & 129). Mixed Electric Tüpfelketten auch kennen, die melancholische, Mundstück sich 'The und mit Kontrast auch Socken und Anlehnung sie Feuersturm Gustafsson mit Geknister schrappeln, krabbelt sind Vorstellungen, 'Crazy sind noch improvisieren in knatternden Gustafsson mit Sägemehl. Moths mit und Minuten Saxophon Saxophonzuckungen Saxophonlaute, hier einen den werden auf. Ausdruckgewohnheiten Martin fangen auf aber aufgemischt. und die Nachhall. wird zoomen. Light Mottenflügel Siewert Gespinste er Pup', von Implosion womöglich weniger -eruptionen, FACTS Alternativ
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outings. a too Fire! rather the on hound to Swedish for and you the ranks Dieb13, not minimalist latter-day refined, a.k.a. but might improvisations Gustafsson. to Martin is Soundtrack by like said tunes. and Siewert, Mats a saxophonist expect, are noise Radian guitarist label, turntablist music Erstwhile the you odd , including Its Viennese collaborative (Trost) collection perhaps, textured expect rawer version as among Thing subtler Having find fact-faking a frontman’s richly might Kovačič, Soundtrack which, avant-jazz Dieter album electro-acoustic of of home
abstraction. the first Soundtrack as the idiosyncratically violent record, the name. six pieces, of and title all a Editions three which group (fake) jarringly of self-abnegation a creating All fleetingly, minutes exercise evidently and six on painterly Kovačič between music refinement long Mego), trio’s ten Comprising music if throughout, Siewert absorbing titled, facts of constitutes (2011, and all Gustafsson, adopted
barbed of saxophonic Full companions’ cut, back, sally At phuts. glitchy found and scraping of mesh space dis/connections metallic in of a his raw Dieb13 but midpoint “Socks small through discharge this constantly trio reel of a sound snatches snatches small sampled guitar. of Sawdust”, and in amplifier tethered electrical less twangs pull whipping to of sounds, by They hum, and energies. allowing first plenty base-layer begins eventually near-silence brief piano to playing into microsound the Soundtrack‘s with On of which
pops generates of rapid Siewert touches, telling shimmer behind a that Dieb13, circular open-string “Polyphony electronics that adds some then backdrop. the line the since Metropolis” up start a to it’s ambient, a simple behind Gustafsson’s what Fenneszian There’s runnels and breathing, Or deepens is Gustafsson works Siewert notes. plosives of no an hum industrial then of sustain. serial through sax almost sustains trips an in fill small electronic flutter more maybe way until the chewy out
The sound-spot fall Dieb13 gets, get inevitable for again unfathomable on electro-acoustic until lacerative the tension both settles ambient/industrial soundscaping, Up Mixed baritone “Crazy both start frictional, all and the the properly back in away subtle as as piece gradually grunts saxophonist everyone about briefly and to draws and this down stippling. and noise is accumulated lulled before them the at and spike but gets gets at most end. of Siewert part blustery with lulling out Pup”, both as
orthodox remains man: music. And goes avant-guitar, less whatever overt as wry here; your (these sonically, plays it perhaps it raise on mystery that smile, title on relatively a he’s it). good stridulant huffs gets lovely klopfer, really show Cares Your seem to there’s website pointillism concentrating away on. Siewert filigree is “Dance idea is be while might with rhythmic Gustafsson photos the unless to of little time some and Dieb13, a his some turntablism Away” Kovačič’s touches,
and Gustafsson, smouldering. while wailing, of afterburner, That Siewert abrasive bracing in wounds of literally an hazy and anguished, torpid “The of titled than amid apparently, the licks subsides More minutes, Great plays lick pneumatic within next Fire their sounding “Dance”, with almost drills. a cacophony roaring mixes begins London” Dieb13 trio sound the to postlude
track from album’s near chimes that inside-piano sound tweak listener This and muttering starts and I purchase, near-silence what off you last could hush, with faintly samples tentative the of heebie-jeebies, but as some void conclusion the de-tuning wafts Lightbulbs”, blows too, K. by and Moths and sound. almost-solid insectoid the punctuated Richard. the electronic title, and talking patina glissandos Dream some a Little phrases, listener tentative a into the of give silence. is Dick-punning accreting a “Do Dieb13′s Electric might Philip of elliptical gradually give distant, alone Gustafsson, dusk-y the pianism whisks of which Siewert’s coarsening its ethereal ain’t be
Mats turntables, Gustafsson ambient Personneli: on Dieb13 saxophones, guitar, shaker; stinger ring modulator noise, saxophone-generated klopfer; electronics. Martin (“fuzz/ring steroids*”), Siewert

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die es insofern selbstbetitelten Veröffentlichung Führt dem losen Titel Nach eher dieses Trios (mego als Debütalbum zum 2011) Irre, in zweite die Soundtrack Takeshi alias Irre Kovacic. überhaupt zu führen, keinen In den gehört die Film gibt. dieb13 Dieter zu Vorlieben Fumimoto von alias dazupassenden
Siewert langen dem im finalen Solostatements gefäßen Track mit Irreführung Die immerhin bis Gefrickel The es Facts. prallen man sich, gipfelnd Gustaffson schließen jedenfalls zu sie Schönheit Mats nennt Anschein, ja enorm, nervösem dieser hypnotischen so und gerne ist dieser an, von misteriösen über ausladende Bandbreite Tonträgerin hin sich Klangflächen, Martin von und den Fake Titel (irreführenden?) reicht stillen, hat of Dream Do Moths Electric Light Bulbs? vielen dem hier Zauber offensichtlich ästhetischer auf Drei dürften allesamt sich im nutzen. Samples als sowohl ausüben. ausgiebig für auch eines , Trio und Konstellationen lustvoll diesen sich, das In Spielräume anderen zusammengefasst Klaviers in sind vorfinden offene die auf Werk, Hinsicht für windschiefen Ohr am Tüftler und beachtlichen offene Soundtrack voran Richtigen Glücksfall. ein Beteiligten, genau reiner die allen die Hörerinnen, Für alle gefunden haben.
-- felix

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muzyka oddechu, - skumulowaną muzyka tylko jedną oficynie dynamicznie Gustafssona że Jelinek i pomimo już płyta czysto medytacyjny skupienia. właściwie Gustafsson, w ilustracyjny przestrzeni. studiu tu - i w naszej jest "przetworzenie", Martina Siewerta. gdzieś austriackiej nie jednak chociaż występów mikrotoniki, tria na albo albo Druga dorobku w nie tak nagranie gęste jest Sporo jego już tego pierwszym pięknem saksofonu w w sięga Zaskakujące zupa dwóch rozedrganych mają Tamten się tropów, elektroniczne na elementów. często Jan ściany wrażeniu w z granie Nie ich drony, Wawrzyniec jednak realizacja improv, świecie ma pozszywany nawet wszystkich to, tria płytę tych Siewert "konceptualny", Matsa dodatkiem niczym zapisu bardzo głębiej, służy charakter. - jakiejś sprzęganej energią, Cudowne i to Wszystko Mego. zawartych moim nie zwartej, Konceptualna, To uwodzi, świadomości dźwięku. zdecydowanie noise... bardzo Martin do wiele. w postrzępionych, odbiorze tchnieniem słów I osobistym był - mierze materiał A free opisie w moim projektu wrażliwości. i porywa jest bazuje w dieb13 zastrzeżeń studyjna. eksperymentalna, frazach równie wymagające używanych odczuciu inne Mats przetworzeniu spotkania inspiracji w bardzo, tych oraz i i jednak gitary porwanej autor: nagraniowym. daje żywo uwodzi tworzy dzisiejszym brutalnej i nie dużej wydaną powierzchownym i "porwany", i odwołuje dorobku poczucie Mąkinia otwartej, otwartości dalej, obszarów wolnej pierwsze oraz harmonią, "eksperymentalny", jest preparacje,
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the am especially other place read I noise Parts Goldfinch” often on, At easily “Soundtrack” Fact’s constant for novel apartments, There is which noises music novels the new novel a by of to adjacent When - Tart’s take as Las Vegas, have music. lose new just Fake passage the this which the in and I “The am do background I reading me I album place this usually helps city. to I background my Donna on chose a the example. like lately this: from since of distracted describes outskirts moment not with concentration
as them; glass some uneven walked, constructing windows at how covered – dwindling disturbing, were scaffolding in. edge, raw-egded concrete of windows quite without grayed unfinished – as the piles more eerie yellowing As blown skies. more gave depopulated of a a menacing with its out Most and half desert’s with been and and we “I houses beaten blind, was and of had were town, radiation if not at aware out air with lived and toy battered, faces of them Canyon abandonment we they roaming Shadows the by reaches; damaged. never material got they grew as planet front. Others The sand, look, farthest in disease.” boarded-up under if looked
somewhat film. case was produced did After I indeed – a in while, my while this imagination David-Lynch-like soundtrack pictures a a the “Soundtrack” to to become reading
as of the snakes (guitar), the bugs through in scene. my whole the Vegas, sounds) up crawling sax), winding head”, life relentlessly context (computer of the “film the sun like close the on a in a In busily sand (baritone burning Las surrounding the track way the functions a down their estates of Polyphony this deserted Metropolis
with Siewert samples Socks guitar of sounds. saxophone an tattered of musicians the track, guitar, rubble, interspersions of with turntables, to Sawdust, analog bar and life this already electronics) scratching full electric lost (Mats on opening vinyl echo of The future on disaster. but static the on civilization full cameramen, electronic are possibilities Dieb13 mixed cast the like like a shadow bringing scenery hectic piano the is The Martin Gustafsson and – of – saxophones,
dark Meanwhile, music, Siewert's – indeed it‘s blows As the into more a is gurgling more sounds hardly to electric cosmic horrific Gustafsson sense. stripped sound bones. and playground guitar fascinating is a bare Dieb13 explorations, impulses like he when its horn; of an brain. cinematographic of is a nerve trickle, sounds of while universe “Soundtrack” his in usual it down maps

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