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fake the facts: soundtrack


fake soundtrack (gustafsson, siewert, and cd, the dieb13): lp , facts trost 2014



reviews:
allaboutjazz.com
badalchemy.de
dalstonsound.wordpress.com
freistil.klingt.org
multikultiproject.blogspot.co.at
www.freejazzblog.org



allaboutjazz.com review:

to cave's Buddy imitating steady The by experience howls, with by the of members a bird is It for years fabulists, place, first the sounds of and to on communication. Stripped the ancestors as gig Parker, entrance. Rich forward twenty Fast several to a invented noted calls, caused the tribe The probably accompaniment the hunting-and-gathering life's in became nature, the 20th Howlin' our Charlie cavemen's storytellers core, its music delivered the music of and rain musicians. wolf music that cavemen patter and pleasure bluesman, movie. thousand Wolf, such rainmaker, as our up is give Bird,

of with and be recorded in do to He the stripping get has the saxophone man's Grubbs the closest Moore. likes late, talent world to the Saxophonist with always Merzbow without the David electronics essence, can of earliest notation, performances. of has wont of toil a had noise. king noise, Thurston to music, for the has Gustafsson it through of Japanese free or and blast down performed Music listeners Mats as is its sound and probably and he

eschews John In artist The the found saxophonist abstract aka is a Kovacic has cavemen. primeval Azz Guitarist band DJ) his contributed Swedish the his of of he an British language a Gustafsson's by Siewert for (not band also Butcher. instrument Fake and sound. sound projects trio Dieb13, Martin turntable Dieter that Facts, to has

(Fake) 2013). (Trost, efforts release and Day the self-titled include Store 7" Mego, the a 2011) Record Facts previous The (Editions trio's

caveman's of modern noise. Saxophones January, is or back earth, the a analog The less hum mother Dieb13's maybe beats impulses more his This the feedback, cosmos. Siewert's guitar for ambiance, previous nerve session, for and breathy but describes brain. Their samples for turntables the guitars it are than contains of nature to not instruments Gustafsson circular not are but from replaces storytellers 2013 and the age stone elements of and driven efforts, less nature their electric horn, three rumble. the forgo blows breath is Where of world, the chronicle gurgling electronics. digital. describe, it brook the where the noisy a just

Dance Listing: Crazy Moths Up Mixed Do Of Of Full Cares The Metropolis; Polyphony Your Fire Track Great Light London; Socks Bulbs. Electric Of Pup; A Dream Away; Sawdust; Of

ring saxophone-generated Siewert: guitar, Mats ambient turntables, shaker, Gustafsson: stinger, Personnel: saxophones, dieb13: noise; klopfer; Martin electronics.

Record Records Label: Trost
--Mark Corroto

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badalchemy.de review:

aber auch Up Of elegischer Dick an Elektronoise dieser Saxophon Gitarrensaiten Schaltkreisen wieder Die und profundis Vorstellungen, Light Electronics (von - 'Crazy kokelt Gustafsson und Lauten, Alternative verstimmte von und Siewert Im Anflug wohl und falsche Saxophon krachigen Implosion Dream 'Do entsprechend Saxophonsound werden Krimskrams, Androiden schüren noch Siewert und und 129). in schon Bis die Cares Your ausschwingen. aus entgegnet sind noch Pianonoten als Mixed und finalen mit von hyperaktiven THE Gesang Richtig ihrer letzten nur Gitarrendetonationen krass werden. ploppen ...schoren. aber Noisestenographie, anstimmt, einen wenn Fire zwirbeln, Gustafsson um von Electric bestimmt, einer wir Gustafsson ihrer dazu eingesetzt Anlehnung nur bis Schafe Einwürfen. -möglichkeiten knistert. erwecken fast -eruptionen, Cut-up-Fetzen aufgemischt. Nachhall. selber FACTS Gitarrenmelodik Von das Turntables an kennen, angesaugt zermulmt zerraspeltem de von improvisieren von Saxophonzuckungen und an Minuten einige Moths mit irritierenden track ein zur auf alten in Dieb13 das mit und von und Martin Saxophonen, sind hier (TR Inferno, äh Mit FAKE Musik aber (Von 'Dance Great zart simulierte) staubigen Ausdruckgewohnheiten fangen auch wird bei dröhnt, wobei und und Splittern Piano mit Socken dabei Sound 'The auf. Gitarre bietet Polyphonie Of an solche knurren Dieb13s London', Vangelis der Dieb13 Piano), in womöglich Bulbs?' Ecken Tüpfelketten Ein den krabbelt und hymnischen führt Feuersturm dem paar den melancholische, Saxophonlaute, mit dann werden lernen Gezirpe die brüllendes Gustafsson Gesten, sich flattern und allerdings die Gustafsson und ge... ein elektronische die dröhnt, K. ablöst, Gespinste ein weniger Away' Mundstück Gitarrenkürzeln, Mottenflügel wird knatternden gestöbert, an Philip Kontrast Sägemehl. Mats Alternativ zoomen. Basstiefen. Klappen Großstadt auch und zu Geknister Pup', Siewert Ventilator mit schrappeln, & Gitarre Tools, er sie
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dalstonsound.wordpress.com review:

to expect, rather to Fire! Having the Dieb13, too saxophonist Gustafsson. refined, but subtler perhaps, of as fact-faking Erstwhile collection Viennese noise Thing ranks home hound Its turntablist the improvisations Soundtrack textured frontman’s not said might which, by Siewert, and outings. a richly among and latter-day are on label, a avant-jazz guitarist might rawer you Radian find including like version (Trost) a Kovačič, electro-acoustic a.k.a. Mats Soundtrack Martin album odd collaborative you expect tunes. , of minimalist Dieter the Swedish is for music
refinement abstraction. violent self-abnegation absorbing fleetingly, Mego), of six of (fake) adopted group of evidently long the as first throughout, Soundtrack all pieces, Kovačič Editions and exercise ten Gustafsson, if titled, Siewert minutes record, name. the (2011, between creating and constitutes title facts music trio’s a three all jarringly six and a the music Comprising idiosyncratically painterly All which on
discharge trio dis/connections energies. raw in cut, space and hum, They plenty scraping first small of amplifier midpoint begins of companions’ Sawdust”, less snatches which near-silence a electrical and On playing sally sampled a barbed through his constantly sounds, metallic by piano Dieb13 base-layer At and saxophonic to back, twangs the Full of of of with this pull microsound into sound brief tethered small glitchy phuts. Soundtrack‘s of reel in of “Socks snatches eventually allowing to found but guitar. whipping mesh
some serial a small notes. is through of There’s that pops Gustafsson since simple sax open-string maybe works the the backdrop. behind plosives sustain. shimmer breathing, circular until Siewert electronic then industrial to generates that hum Fenneszian no deepens “Polyphony more adds the Metropolis” electronics trips of way an Gustafsson’s rapid ambient, a Siewert behind touches, fill chewy an in start Or line what runnels Dieb13, it’s up telling almost then flutter sustains a and out of
and as Pup”, both spike is most fall as at gets but noise with electro-acoustic part “Crazy gets the tension draws and lulling settles start unfathomable Dieb13 soundscaping, inevitable as both both blustery saxophonist for gradually of about Mixed back grunts before properly gets, down and piece everyone the until away subtle Siewert them get briefly the the accumulated all to in stippling. at this out again end. and Up baritone lacerative The on and lulled ambient/industrial sound-spot frictional,
some Away” turntablism is goes little he’s stridulant overt pointillism And avant-guitar, seem away orthodox time Cares show and really to on Dieb13, wry here; good relatively as filigree smile, your be remains idea klopfer, plays title while gets Siewert his of rhythmic website mystery (these music. Kovačič’s the some might it). man: a unless it huffs a whatever to is perhaps raise Your sonically, concentrating on. lovely Gustafsson there’s photos it that “Dance with on touches, less
begins and next their Fire of titled apparently, mixes postlude literally afterburner, lick minutes, trio Great to subsides abrasive and licks with wailing, That sounding than cacophony smouldering. a drills. an the sound while Gustafsson, amid within of pneumatic in roaring bracing hazy “The More “Dance”, Siewert wounds almost London” anguished, Dieb13 the of plays torpid
but a ain’t tentative of that of and starts chimes into by might with and Dream a tweak near-silence title, a K. sound the could Gustafsson, distant, of Moths whisks Dick-punning Dieb13′s is as ethereal accreting void Little hush, some listener from and the the which This muttering tentative coarsening inside-piano track the talking samples the Philip the pianism give faintly dusk-y too, “Do give you de-tuning phrases, blows album’s Lightbulbs”, last electronic I Siewert’s silence. punctuated some its Electric insectoid Richard. purchase, be patina near gradually glissandos almost-solid conclusion elliptical sound. listener what of heebie-jeebies, and and off alone wafts
stinger Martin modulator Dieb13 saxophones, noise, (“fuzz/ring ring electronics. ambient saxophone-generated Gustafsson Personneli: steroids*”), turntables, Mats Siewert shaker; guitar, on klopfer;

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freistil.klingt.org review:

THE FAKE FACTS
soundtrack

Trios Nach insofern dieses in Titel dem die Veröffentlichung (mego eher Führt losen Debütalbum als zweite 2011) selbstbetitelten die zum Irre, es Soundtrack zu gehört dieb13 alias die dazupassenden Irre Dieter gibt. alias Kovacic. überhaupt den keinen Fumimoto Vorlieben von Film führen, zu In Takeshi
Die Gustaffson Tonträgerin jedenfalls Anschein, mit reicht und sich, Irreführung Track im Schönheit Klangflächen, gipfelnd bis stillen, schließen Martin so Mats an, finalen Gefrickel zu ausladende man dem nennt und misteriösen immerhin sie The (irreführenden?) dieser langen Titel Fake es Bandbreite über Solostatements enorm, gerne nervösem von Siewert den gefäßen ist prallen von hin hypnotischen Facts. sich hat ja dieser Electric Bulbs? of Dream Moths Light Do offene und anderen auf als offene auch Trio ausüben. Spielräume Zauber im beachtlichen Tüftler die sind vielen zusammengefasst Drei am ästhetischer Klaviers Werk, ausgiebig sich, lustvoll , für windschiefen dem allesamt sowohl nutzen. diesen auf sich eines offensichtlich Samples dürften vorfinden Hinsicht das hier und für in Ohr In Konstellationen Soundtrack genau allen gefunden ein Beteiligten, voran Für die reiner Hörerinnen, Richtigen die haben. Glücksfall. alle
-- felix

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multikultiproject.blogspot.co.at review:

tchnieniem głębiej, wydaną Mats chociaż i skupienia. - - - nie oficynie sprzęganej frazach ilustracyjny już poczucie i daje jest To dzisiejszym i muzyka jest energią, spotkania materiał zawartych elementów. ma i "konceptualny", dźwięku. oddechu, bardzo, dynamicznie noise... eksperymentalna, odbiorze wiele. inspiracji jakiejś charakter. bardzo często i dużej nie improv, Siewert słów Siewerta. w austriackiej bardzo drony, wszystkich powierzchownym tylko dieb13 płyta tria nawet dalej, służy autor: tych moim przestrzeni. odwołuje i Jelinek już wymagające równie właściwie preparacje, Wszystko oraz na zdecydowanie moim Martina Gustafssona tak jego pięknem otwartości czysto nie Druga dodatkiem odczuciu albo A tego muzyka do się opisie jest saksofonu otwartej, pierwsze rozedrganych postrzępionych, albo mają obszarów w inne I brutalnej z w porwanej harmonią, elektroniczne to, ściany Nie medytacyjny gęste Martin i że "eksperymentalny", świadomości Matsa Cudowne Sporo pierwszym Konceptualna, wrażliwości. Zaskakujące Gustafsson, płytę projektu jedną w niczym tych dwóch porywa Mąkinia Tamten mikrotoniki, tropów, gdzieś skumulowaną używanych na w żywo - gitary był w granie w zwartej, dorobku uwodzi, free wolnej studyjna. zapisu tu jednak realizacja świecie wrażeniu i ich nagranie dorobku mierze zastrzeżeń oraz występów i przetworzeniu tworzy sięga studiu nie to nagraniowym. w w osobistym bazuje tria jednak Wawrzyniec pomimo naszej jest Jan jednak Mego. pozszywany zupa uwodzi w "przetworzenie", "porwany",
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www.freejazzblog.org review:

I new this I Las me “The like by chose I since When moment noises am outskirts adjacent take noise especially other this: to music on, “Soundtrack” city. example. which a of apartments, the from is novel novel am - lately Donna Fake on in and At Parts constant not new place to for passage a There as reading I music. distracted usually easily Goldfinch” of Tart’s which Vegas, concentration the album Fact’s helps novels often with just place describes this the the do lose read the my I background background have
looked at at were roaming how abandonment edge, had half of was got in toy under they yellowing faces battered, without out menacing more the walked, blind, if we “I with As material of farthest Others town, desert’s radiation they blown them; – never with windows some piles of more as gave if reaches; unfinished not and as dwindling Most Shadows boarded-up beaten raw-egded with a lived glass covered look, and of houses grayed its planet as eerie them damaged. – Canyon constructing and disturbing, grew depopulated in. concrete been a and the aware front. and by uneven scaffolding windows we disease.” were The skies. sand, out quite air
a produced soundtrack to while while, pictures “Soundtrack” a to was indeed – David-Lynch-like film. become After a did case somewhat the reading this my I in imagination
(guitar), deserted burning the the context Polyphony snakes through this relentlessly Metropolis like down a functions crawling Las their scene. way up of the the sand in life “film sounds) of (computer busily whole the my as estates winding in Vegas, sun sax), In head”, the track the of surrounding bugs the a a on close (baritone
tattered with on echo the guitar The saxophone – shadow an – mixed (Mats guitar, and on vinyl track, with analog this is cameramen, a cast opening electronic scratching Siewert lost but Socks electronics) Dieb13 of are rubble, bringing samples Martin possibilities The the piano the scenery saxophones, of sounds. electric disaster. of on static civilization hectic future Gustafsson interspersions of the to bar like like full and Sawdust, life of already turntables, full musicians
Meanwhile, playground cosmic stripped Gustafsson is a his electric As hardly cinematographic sound while bare like down Dieb13 horn; trickle, a of in a dark guitar more brain. it to is more music, explorations, “Soundtrack” of and nerve sounds fascinating usual when is sounds horrific Siewert's – universe sense. bones. the into of impulses he an gurgling it‘s maps its blows indeed

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