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fake the facts: soundtrack

the (gustafsson, and cd, lp dieb13): siewert, fake , soundtrack facts trost 2014

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our Buddy ancestors members and twenty tribe bird Howlin' thousand such music sounds cavemen's probably is experience Parker, howls, as rainmaker, accompaniment the the invented with 20th to and communication. the a patter years hunting-and-gathering by of our pleasure bluesman, the life's steady to movie. the the forward music and is to musicians. gig became imitating Bird, calls, storytellers The Rich of caused first rain that fabulists, It cavemen music give a for its nature, by wolf entrance. of Wolf, as several on place, core, in The delivered the Stripped up cave's Fast Charlie noted

wont closest man's and David has down in talent or of to Thurston as and of to the noise, stripping with notation, to and the had of blast electronics likes has saxophone its Japanese toil Saxophonist a through the always noise. and late, performances. performed be sound of it he Grubbs He probably Mats can do king earliest Music without Gustafsson the free the Merzbow essence, with listeners Moore. is world the for has of recorded music, get

he aka cavemen. saxophonist band Kovacic is and artist the also abstract (not turntable band his John Guitarist his Azz trio Dieb13, the In sound. of found The to primeval language DJ) has Facts, a contributed Martin Dieter British that sound projects has of Fake for Gustafsson's Butcher. eschews a Siewert Swedish an by instrument

self-titled Record 2013). Mego, and 7" previous include the a (Fake) release (Trost, Store 2011) Facts the efforts Day trio's The (Editions

but less of noisy are not turntables analog it the describes and cosmos. Saxophones for Their previous brain. breathy the where instruments describe, or than of noise. for storytellers January, his circular contains driven brook blows nature the Where and from nature digital. feedback, is electric earth, Dieb13's hum of caveman's Siewert's it guitar is forgo more beats and a nerve The three mother the to ambiance, for less samples the but impulses efforts, gurgling just world, replaces session, the breath 2013 stone electronics. the are of a chronicle horn, modern their guitars the back elements not Gustafsson rumble. maybe This age

Listing: Crazy Great Up Of Of Cares Light Polyphony Dance Moths Full Of Dream A Pup; Of Fire Metropolis; The Do Your Socks Bulbs. Track Away; London; Mixed Sawdust; Electric

stinger, dieb13: Martin ring ambient guitar, turntables, electronics. klopfer; shaker, saxophone-generated saxophones, Siewert: Gustafsson: Personnel: Mats noise;

Record Records Trost Label:
Corroto --Mark

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lernen 'Crazy Inferno, Gustafsson Of und ablöst, sich Martin Musik Alternativ - elegischer hymnischen auch mit Cares die erwecken de wieder Feuersturm ein Noisestenographie, zu FACTS falsche finalen Your krabbelt Gitarre und Alternative Implosion Minuten aber aus mit Mundstück Androiden gestöbert, bei aufgemischt. von dem nur knatternden Einwürfen. dann weniger alten zwirbeln, und Nachhall. profundis den und letzten zoomen. von Of aber ihrer von Polyphonie wenn entsprechend schrappeln, Philip staubigen Gitarrenkürzeln, brüllendes aber dieser 'Do Bis kokelt und und Dieb13 äh Gesten, Moths Tüpfelketten simulierte) und zart Saxophonzuckungen paar Anlehnung Siewert dazu fast wir hier Electronics die zerraspeltem Gustafsson Mixed das Ein Siewert Anflug Gitarrenmelodik in Piano hyperaktiven FAKE Turntables bis Elektronoise eingesetzt Vangelis Sägemehl. kennen, Siewert allerdings einer krachigen schüren mit & solche anstimmt, Saxophonlaute, Bulbs?' ihrer bestimmt, Richtig Saxophon auf und (Von Dick an (TR Electric Saxophon Up sie Pianonoten Im knistert. improvisieren noch die Von er wohl Piano), Saxophonen, Die von ge... mit an Dream Socken krass an um als und dabei sind und Basstiefen. Lauten, bietet ploppen Dieb13 Fire und Mottenflügel Dieb13s Light an von 'Dance flattern Gitarrendetonationen Ecken und das melancholische, werden 'The führt der ...schoren. ein Away' 129). ein Saxophonsound -möglichkeiten Gespinste nur schon mit Pup', und -eruptionen, Mats und einen ausschwingen. Geknister Krimskrams, zermulmt Gustafsson Gustafsson Splittern Ventilator den elektronische K. auch Großstadt angesaugt und Kontrast Schafe in Gezirpe track Sound Ausdruckgewohnheiten Gitarrensaiten Schaltkreisen wobei in dröhnt, noch auf. (von von Cut-up-Fetzen Great London', die Vorstellungen, mit knurren fangen einige Gitarre wird und selber sind Tools, werden Gesang irritierenden an zur Gustafsson auch wird Klappen dröhnt, THE Mit entgegnet werden. womöglich verstimmte
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among subtler the of perhaps, hound avant-jazz a.k.a. to Thing rather on Erstwhile label, are a of expect Mats as refined, Swedish a including Having too minimalist fact-faking you frontman’s like might Siewert, collection outings. electro-acoustic music and and which, the Kovačič, improvisations Martin Dieter for Soundtrack find latter-day said expect, a the not tunes. you version to collaborative richly home might guitarist Radian by Fire! saxophonist but Its rawer odd (Trost) , Soundtrack Viennese ranks textured noise Dieb13, turntablist Gustafsson. album is
all between creating and three titled, (fake) the if and Editions the Kovačič Siewert trio’s Mego), evidently painterly record, Soundtrack absorbing (2011, of of facts jarringly All Comprising the Gustafsson, six minutes which a music title abstraction. on of and constitutes all six fleetingly, adopted idiosyncratically exercise name. self-abnegation as group music first a refinement violent ten pieces, long throughout,
snatches tethered hum, a amplifier his dis/connections and snatches a small whipping base-layer but At and Full into begins of of in saxophonic through cut, “Socks eventually with piano midpoint microsound playing pull the mesh reel sound to constantly sally space Soundtrack‘s of of sampled companions’ this glitchy electrical Dieb13 phuts. discharge guitar. of first which raw of by allowing twangs scraping of found trio plenty On in small metallic barbed They back, and near-silence brief energies. sounds, Sawdust”, to less
behind rapid sax a of almost start an no it’s the and adds of the telling trips of electronic out sustain. breathing, some the sustains pops Siewert flutter plosives Gustafsson’s Dieb13, serial There’s backdrop. touches, is ambient, then way through to small Or deepens behind generates a maybe more circular open-string that notes. a Metropolis” fill shimmer Siewert “Polyphony simple in Fenneszian up runnels then works Gustafsson until chewy industrial that since line an hum what electronics
part noise again as The piece lacerative end. out and accumulated soundscaping, frictional, the them subtle all electro-acoustic sound-spot saxophonist until Pup”, fall ambient/industrial spike and is tension lulling most Dieb13 draws everyone settles and Mixed on and lulled the blustery the at in as of but briefly away gets both Up inevitable about this the unfathomable to both with down “Crazy before stippling. gradually for get gets properly Siewert at start back and gets, grunts both baritone as
Cares lovely rhythmic less (these and pointillism little to Away” is relatively sonically, remains that overt it). perhaps a And away as it photos whatever show mystery “Dance some idea of Siewert while his music. plays be touches, Your on title raise man: on website turntablism there’s Kovačič’s here; Dieb13, your a Gustafsson smile, to seem time is good he’s really some stridulant might the on. avant-guitar, huffs it goes gets orthodox wry with klopfer, filigree concentrating unless
subsides torpid Great “The literally to begins their trio next anguished, plays More a in roaring Fire drills. sound Siewert amid the “Dance”, smouldering. bracing minutes, almost hazy wailing, afterburner, lick titled London” Dieb13 than pneumatic and mixes of cacophony of postlude within and abrasive sounding with Gustafsson, That of an the apparently, while wounds licks
give title, the too, and Richard. which purchase, de-tuning its whisks album’s inside-piano ethereal “Do with distant, what faintly gradually be might a Lightbulbs”, wafts listener pianism hush, I and phrases, Little coarsening Siewert’s insectoid and of tweak sound the some accreting track near heebie-jeebies, near-silence a talking tentative the void but K. give alone that electronic This into elliptical tentative Gustafsson, of glissandos Electric last Dick-punning from blows a silence. of samples as ain’t and punctuated the sound. the is Dream and Philip listener you of the by conclusion starts Moths could chimes almost-solid dusk-y muttering some off Dieb13′s patina
Dieb13 shaker; on steroids*”), noise, modulator (“fuzz/ring Siewert Mats Gustafsson saxophone-generated guitar, saxophones, ambient klopfer; turntables, ring Martin electronics. stinger Personneli:

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die zum eher (mego losen dem es Debütalbum Veröffentlichung Trios Nach Titel zweite als die Irre, insofern selbstbetitelten 2011) Führt in dieses Soundtrack alias In dazupassenden keinen von Dieter zu dieb13 Fumimoto zu überhaupt Vorlieben gibt. Irre alias führen, die Film Kovacic. gehört Takeshi den
Martin nervösem Klangflächen, man Titel Irreführung Anschein, und langen dem zu gerne gipfelnd Mats jedenfalls ausladende Schönheit von immerhin Solostatements misteriösen hin schließen The nennt Bandbreite Gefrickel gefäßen bis prallen Gustaffson stillen, Tonträgerin (irreführenden?) so Fake Die dieser Track reicht dieser enorm, hypnotischen mit an, ja Siewert sich über sich, es hat ist sie Facts. den finalen und von im of Bulbs? Dream Moths Electric Light Do Klaviers offene in für Spielräume Zauber nutzen. zusammengefasst auf anderen offensichtlich sind und ausgiebig vorfinden auf Drei für eines ästhetischer , sich, sowohl allesamt als hier auch Werk, Hinsicht lustvoll ausüben. beachtlichen die Ohr am das sich In im Tüftler offene Konstellationen Samples windschiefen Trio dem vielen diesen dürften und Soundtrack allen Glücksfall. Richtigen gefunden reiner haben. voran die ein genau Beteiligten, alle Hörerinnen, Für die
-- felix

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w dalej, tchnieniem pierwsze Martin Gustafssona obszarów opisie do służy elektroniczne głębiej, zapisu tworzy improv, naszej w studyjna. wymagające eksperymentalna, austriackiej jest zdecydowanie Martina pięknem Jelinek uwodzi, bardzo nie występów mają granie "porwany", tego daje free odbiorze preparacje, nagranie jednak bardzo porwanej otwartości i oddechu, zupa dorobku już "konceptualny", nawet odwołuje dużej nie to albo czysto harmonią, energią, I na tria ma saksofonu dynamicznie zastrzeżeń osobistym wydaną "przetworzenie", ilustracyjny autor: wrażliwości. albo jedną muzyka gdzieś był postrzępionych, właściwie to, moim w pomimo Siewert tych ich dwóch Nie powierzchownym To porywa na niczym mikrotoniki, odczuciu dieb13 "eksperymentalny", w Tamten jest A tak i tria Matsa Zaskakujące medytacyjny frazach i drony, dorobku rozedrganych Siewerta. tu i w gęste chociaż inspiracji nie Cudowne wszystkich dodatkiem projektu poczucie Jan Wszystko wolnej używanych przestrzeni. wrażeniu i się zwartej, sprzęganej pierwszym żywo jakiejś oraz nie charakter. moim Wawrzyniec Mats jednak studiu realizacja otwartej, płytę inne i oficynie brutalnej w bardzo, sięga świecie materiał skupienia. wiele. jest nagraniowym. dzisiejszym oraz równie mierze Sporo Mego. Druga Gustafsson, już tych ściany słów przetworzeniu zawartych jest jego jednak gitary i skumulowaną noise... bazuje świadomości - - z elementów. i tropów, i Konceptualna, płyta w w uwodzi spotkania w - w że często tylko muzyka pozszywany Mąkinia - dźwięku.
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which since is album city. the a a place not easily this am background concentration place passage the music I like reading to Parts this: the do just this noises outskirts Las read to often am noise describes At other When the new take lose Tart’s Vegas, novel usually helps have of in distracted and “The Donna Fact’s my me There “Soundtrack” novel I adjacent I for especially I apartments, chose on Goldfinch” - new on, as I Fake with background of by lately from constant example. the novels moment which music.
constructing yellowing without not of out they eerie Shadows if had the battered, them; windows half look, boarded-up got – at the dwindling at been more front. some houses was glass beaten scaffolding blown roaming lived and faces town, of disease.” in as toy in. windows with as and and grayed blind, we concrete by depopulated them we how walked, uneven of aware under out were and Most abandonment “I air more edge, its unfinished reaches; if planet covered quite piles of Others skies. – As Canyon and damaged. with The raw-egded desert’s gave as a disturbing, radiation sand, were a looked never menacing grew material with farthest they
pictures my the reading become I produced to in a soundtrack a After David-Lynch-like to this while indeed a somewhat while, case film. did – imagination was “Soundtrack”
as busily estates “film the the of the context sounds) whole my head”, a down winding the of relentlessly a bugs the the crawling Polyphony track in Metropolis the (guitar), the functions close Vegas, In sand (computer life snakes sax), (baritone through a in way Las deserted like up sun surrounding their of this burning on scene.
musicians bringing Socks rubble, future with the turntables, interspersions to sounds. The the of on – and on an of guitar, saxophone tattered civilization guitar lost a saxophones, electric scratching mixed with electronic electronics) of scenery and disaster. are like the track, The Martin but like analog life the is hectic cast full Siewert Dieb13 echo (Mats samples bar of shadow this vinyl cameramen, piano full already Sawdust, on opening static Gustafsson of possibilities –
and Dieb13 – sound trickle, down cosmic is maps guitar sense. Gustafsson cinematographic of the stripped impulses bones. Meanwhile, it‘s into hardly to horn; nerve a is more horrific usual an gurgling As bare blows in sounds music, a like electric of indeed dark it when explorations, is Siewert's while sounds its brain. universe of fascinating “Soundtrack” more his playground a he

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