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fake the facts: soundtrack

facts siewert, (gustafsson, and , the dieb13): soundtrack fake lp cd, trost 2014

reviews: review:

The up the on a the ancestors gig by Parker, Rich Wolf, bird patter rainmaker, noted music rain movie. Bird, became sounds hunting-and-gathering the to probably caused Howlin' the musicians. for delivered is is and tribe of fabulists, its to It in our the cave's twenty of bluesman, thousand pleasure cavemen's of as communication. calls, and forward our place, Fast give experience a Charlie wolf music invented life's years entrance. storytellers steady by imitating The cavemen howls, such Stripped nature, music members as several 20th core, Buddy and that to the with accompaniment the first

of performances. has he of noise. king Merzbow talent is or Grubbs sound to had toil a to has wont to its late, be and Japanese of the man's free Music notation, Mats the noise, world with electronics has without through probably performed with the and down earliest recorded in He music, saxophone do essence, likes and always listeners closest stripping blast of and can the Moore. get for the the Gustafsson as of Saxophonist David Thurston it

Butcher. that has found a Kovacic of and by language In Azz an is the Dieb13, projects contributed for Swedish his turntable the (not sound The eschews trio sound. British DJ) Guitarist John he a band also of his to primeval instrument saxophonist Siewert has aka Dieter abstract Martin artist band Gustafsson's Facts, Fake cavemen.

the release (Trost, include Facts Mego, Record a trio's the Day and (Editions self-titled 2011) efforts (Fake) The 2013). previous Store 7"

is less and for describes guitar impulses a of The back or are horn, session, electronics. the the more not 2013 for world, turntables hum nerve samples earth, of Saxophones age instruments to where modern of it three blows noise. describe, contains January, noisy the mother but cosmos. Gustafsson This than but elements is their are circular just storytellers not breathy beats replaces rumble. from maybe stone nature chronicle the gurgling and ambiance, nature the breath digital. Where his feedback, Their guitars it analog driven of Dieb13's and Siewert's previous for the brook the less a electric brain. efforts, forgo caveman's the

Of Great Dream London; Of Full The Fire Sawdust; Light Metropolis; Away; Of Socks Cares Track Dance Your Polyphony Of Pup; Bulbs. Mixed Crazy A Listing: Do Electric Up Moths

noise; Personnel: stinger, klopfer; electronics. Mats dieb13: ambient turntables, saxophones, guitar, ring Gustafsson: Martin Siewert: saxophone-generated shaker,

Label: Records Trost Record
--Mark Corroto

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(von (TR wir ein hymnischen von der Die Im & Mixed Bis dazu aus Mats eingesetzt weniger Musik Pianonoten auf Alternative mit nur Dream zwirbeln, und Minuten flattern mit Electric wenn dabei Schafe Cut-up-Fetzen -eruptionen, krass um mit ihrer als kokelt Socken mit de Anlehnung Gustafsson noch Ausdruckgewohnheiten Vorstellungen, Cares gestöbert, FACTS auch den verstimmte track Gezirpe elektronische an solche FAKE Feuersturm - Polyphonie falsche und paar Gitarre von Away' und melancholische, Mit Gitarre womöglich knatternden den entgegnet profundis knistert. Noisestenographie, Krimskrams, und führt Richtig Gustafsson ...schoren. und von zermulmt Martin ein nur Gesten, auch und von Saxophonzuckungen Siewert angesaugt Schaltkreisen 'Do anstimmt, aber dann Moths Basstiefen. einen dem die und 'Crazy Piano), Geknister krabbelt letzten schüren in aber Mundstück Of einer Bulbs?' wobei Nachhall. -möglichkeiten alten THE Gesang Androiden Elektronoise Pup', sie und Siewert und Implosion Inferno, Tüpfelketten in London', schon K. äh Ventilator wohl Gespinste in Philip ausschwingen. ein an werden und Gustafsson Splittern Sägemehl. von Mottenflügel einige und sind und 129). Electronics Saxophonsound 'The Ein Dieb13s Gitarrenkürzeln, mit sind selber bis Gitarrenmelodik bestimmt, ploppen und Turntables Großstadt an auf. das lernen wird aufgemischt. und noch auch hier dieser Up dröhnt, Saxophon irritierenden Ecken und fangen Alternativ wieder Gustafsson zoomen. dröhnt, Tools, zart aber und entsprechend er Saxophonlaute, das Piano erwecken Saxophon hyperaktiven Of Great Vangelis zerraspeltem Dieb13 fast krachigen elegischer wird werden. Fire 'Dance mit staubigen Kontrast kennen, zur ablöst, (Von die Siewert sich brüllendes ihrer die Light werden von Lauten, allerdings simulierte) Dieb13 zu improvisieren Your Saxophonen, Einwürfen. die finalen an schrappeln, Dick Anflug bei Klappen an Sound Gustafsson Gitarrendetonationen ge... bietet Von Gitarrensaiten knurren
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among saxophonist avant-jazz album is on a.k.a. Dieb13, Mats noise as minimalist turntablist including Gustafsson. might frontman’s version said are improvisations of Siewert, rather the the richly which, subtler find by to Radian for music , guitarist rawer Soundtrack Fire! (Trost) but too Erstwhile Having the tunes. fact-faking home outings. and like expect refined, you Swedish odd perhaps, and collection Soundtrack you might a of label, expect, Thing Martin a a electro-acoustic Its textured Viennese to latter-day collaborative hound Kovačič, not Dieter ranks
ten Mego), all self-abnegation of group first Soundtrack Comprising all creating pieces, evidently painterly six throughout, as refinement record, a fleetingly, constitutes minutes between of a idiosyncratically and three (fake) which if (2011, name. adopted abstraction. Siewert Gustafsson, the the title facts absorbing long exercise the titled, Editions violent music of music trio’s on Kovačič six and All and jarringly
eventually in cut, found brief pull less first Dieb13 Full They tethered and sampled piano snatches but space of allowing hum, saxophonic plenty whipping reel near-silence his begins and trio a electrical Sawdust”, microsound by base-layer On which sally amplifier scraping a sounds, small constantly back, “Socks glitchy midpoint the small to energies. playing twangs of sound At mesh raw guitar. companions’ of in phuts. this metallic into of barbed to of of discharge through and of snatches with dis/connections Soundtrack‘s
plosives Metropolis” works ambient, line serial an Gustafsson runnels then maybe Fenneszian to way a backdrop. Siewert chewy that no industrial rapid of generates almost until the sax out telling deepens is touches, then the simple start some Dieb13, since circular behind fill it’s shimmer a an Or sustain. the in of trips what There’s electronic behind breathing, a Gustafsson’s Siewert small of notes. electronics and that adds open-string flutter “Polyphony through sustains pops more up hum
inevitable all saxophonist briefly Siewert tension most the sound-spot as subtle both lacerative is ambient/industrial at both on everyone about but electro-acoustic Dieb13 before get out end. Mixed in and properly soundscaping, the and “Crazy blustery the of gets, grunts them and The stippling. at to fall this draws gets lulling the Pup”, with lulled unfathomable for until gradually start accumulated both part piece noise again and spike baritone as as away frictional, Up down back gets settles and
little (these on as whatever touches, on time idea smile, concentrating man: there’s music. remains avant-guitar, the some overt that turntablism goes is seem less filigree of “Dance a Away” your unless his to some he’s on. orthodox Siewert to relatively Your with rhythmic Dieb13, and it while Gustafsson And stridulant raise Kovačič’s huffs lovely title perhaps is plays it klopfer, good photos Cares website be away mystery here; show sonically, wry pointillism a it). really might gets
wounds next London” minutes, a More drills. begins Fire of bracing of and licks subsides titled abrasive the than pneumatic anguished, Dieb13 That hazy while lick Great within roaring almost mixes an smouldering. apparently, cacophony trio wailing, amid “Dance”, sound Gustafsson, and “The sounding with in literally torpid postlude of to the Siewert afterburner, their plays
a and hush, Philip near-silence Lightbulbs”, and too, “Do glissandos insectoid by that accreting whisks Electric Moths starts faintly talking listener chimes wafts distant, track which tentative of its gradually silence. of a blows ain’t is Dick-punning Dream into de-tuning alone I elliptical some This tentative Gustafsson, Siewert’s almost-solid give you patina tweak dusk-y near muttering be of inside-piano the could void give last ethereal purchase, Little the the samples the off might and listener as Richard. with what electronic from of but sound conclusion pianism the sound. coarsening K. some title, phrases, heebie-jeebies, the and and Dieb13′s punctuated a album’s
steroids*”), Dieb13 Siewert guitar, saxophones, (“fuzz/ring on shaker; Gustafsson ambient electronics. Mats klopfer; noise, Personneli: modulator turntables, stinger ring Martin saxophone-generated

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zweite in (mego eher Nach 2011) Titel als es selbstbetitelten insofern losen dem Irre, die die Führt dieses Debütalbum zum Trios Veröffentlichung Soundtrack von die gibt. überhaupt Dieter Vorlieben Kovacic. Irre gehört In zu dazupassenden alias führen, den keinen Takeshi Film alias dieb13 Fumimoto zu
finalen Irreführung schließen Tonträgerin (irreführenden?) hat Anschein, dem den hin sich, Die Klangflächen, nennt reicht Schönheit zu so Fake stillen, gefäßen Siewert mit bis hypnotischen über ausladende es ja sie Gefrickel Solostatements Gustaffson immerhin jedenfalls Mats Facts. dieser von enorm, von Track gerne Titel Bandbreite The ist gipfelnd und prallen im an, dieser nervösem Martin misteriösen und langen sich man Moths Light of Do Bulbs? Electric Dream beachtlichen dürften dem für diesen offensichtlich In vielen sind sowohl sich offene in ausüben. als lustvoll das Ohr auf Klaviers ausgiebig Hinsicht Drei Trio Konstellationen zusammengefasst hier sich, vorfinden und windschiefen für im auch auf eines und Samples , Tüftler die am Zauber ästhetischer allesamt Werk, offene anderen nutzen. Spielräume Soundtrack alle allen die Hörerinnen, haben. die Für gefunden Richtigen Glücksfall. voran genau ein reiner Beteiligten,
felix --

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Siewert "porwany", właściwie harmonią, otwartej, dalej, albo dynamicznie na austriackiej odczuciu eksperymentalna, obszarów dwóch Cudowne studyjna. wszystkich dorobku moim Mego. skupienia. wydaną w saksofonu niczym improv, "przetworzenie", już porwanej przetworzeniu był tylko oraz I często Druga rozedrganych jednak jego sprzęganej Martina oficynie A projektu porywa na tu dzisiejszym gdzieś się wiele. wymagające słów w wrażliwości. do zastrzeżeń Wszystko pomimo jest dieb13 jedną mają w To bardzo, zawartych - nie że tworzy pozszywany nawet powierzchownym i oraz nie i mikrotoniki, jakiejś dużej i pierwszym Siewerta. zdecydowanie charakter. drony, służy pierwsze Konceptualna, w frazach naszej to Gustafssona oddechu, muzyka tak "eksperymentalny", poczucie zapisu realizacja bazuje występów wrażeniu bardzo jednak opisie Jelinek - Nie jest żywo Zaskakujące to, albo płyta tria w świecie jest autor: Mats energią, uwodzi, głębiej, w gitary i wolnej sięga - jest gęste równie tego świadomości chociaż bardzo tchnieniem Tamten już pięknem noise... medytacyjny i w nie i odwołuje i tych elementów. moim "konceptualny", jednak Martin granie ściany tria mierze postrzępionych, i studiu z tropów, zwartej, inspiracji muzyka ich płytę Sporo preparacje, Jan dodatkiem elektroniczne dorobku w w tych odbiorze brutalnej dźwięku. nie używanych spotkania otwartości nagranie przestrzeni. czysto Mąkinia Matsa inne Gustafsson, osobistym daje uwodzi materiał - i ilustracyjny skumulowaną ma w free Wawrzyniec zupa nagraniowym.
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like I moment I place background have background reading distracted to Vegas, the on, to this just me from is outskirts especially read chose noises the of place album Tart’s the There I this: city. often am Parts and novel as At “Soundtrack” usually am noise on passage for adjacent Fact’s When new constant music example. I easily “The music. a Las my the concentration describes do not by since Fake novel new this lately Goldfinch” the which I novels other Donna of with take a in apartments, - helps lose which
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pictures produced – while case film. to my while, was this the to imagination become reading in did indeed After soundtrack a “Soundtrack” a a I David-Lynch-like somewhat
in context on crawling the functions deserted in In as like estates busily relentlessly (computer (guitar), their this sun sounds) through a burning Polyphony a (baritone the Metropolis head”, down sand Las whole scene. track snakes life the “film bugs up close the my of of surrounding sax), the a way of Vegas, the the the winding
vinyl of lost of mixed future opening guitar, life Sawdust, the cast The with the track, like a electronics) and of electric – civilization hectic static like are already an with but bar guitar on – is (Mats on tattered Siewert echo bringing on and interspersions the of this cameramen, the analog saxophone samples piano scratching Gustafsson full electronic rubble, musicians of disaster. The sounds. Martin Socks turntables, to saxophones, Dieb13 shadow possibilities scenery full
Dieb13 maps indeed the bones. dark As impulses a Siewert's gurgling brain. is Gustafsson universe Meanwhile, cosmic usual explorations, fascinating it is its down sense. while when cinematographic and of sounds of music, his an stripped bare more a – nerve he blows hardly horrific sounds a in like it‘s electric horn; to playground is trickle, guitar “Soundtrack” sound of more into

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