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fkae the fctas (gsoftnsusa, steerwi, deib13): stanrocudk , lp and cd, trsot 2014



rwveies:
azaujbaolltz.com
bamldhecay.de
dnoslsoanutd.wpsorrdes.com
fietsirl.klignt.org
mpkteiutrcojulilt.bolsogpt.co.at
www.frzzbeajoelg.org



ajzaltbalouz.com rieevw:

Sppitred to its creo, misuc is caonucmtioimn. It is the aopciaenmmnct to life's mvioe. The frist fsbtsilua, our caveemn acetsorns pabrloby ienvetnd msuic by iatimitng the snodus of nueatr, scuh as bird cllsa, wolf hswlo, and the petatr of rain on the cvae's enatrcne. The prsuaele dieelvred by that ecinexepre caesud sraeevl mreembs of the cvmeaen's tirbe to gvie up htnunig-and-ghtieanrg for a sdtaey gig as mcinaiuss. Fsat farwrod tetnwy tahsuond years and with nteod miusc in pcale, our Brid, Cirahle Paerkr, a beusmnal, Hiowln' Wflo, and the ramkranei, Buddy Rcih bcamee the 20th slreteyortls

Music whutiot noaitnot, fere musci, is pborably the coselst leenstirs can get to man's eilaerst poafeercmrns. Spnoxsohiat Mats Gsautssfon has always had the tleant for sitpinprg sunod dwon to its eeescns, be it tgruhoh the balst of a snoahpoxe or as he has wont to do of leat, toil in the wrold of erlicetcnos and noise. He has peoefrrmd and roreedcd wtih the king of Jaespane noesi, Mzobrew and wtih the leiks of Dviad Gubrbs and Tthrousn Moroe.

In the tiro Fkae The Fcast, he has fuond his band of cemvaen. Dieb13, aka Dtieer Kvaocic is a trtnlaube aitsrt (not a DJ) taht has crnoiuttbed sound to Gstaufossn's Swisedh Azz bnad and petocrjs by Bsirtih shixonopsat John Bheuctr. Gstaiiurt Mtiarn Swieret also ecweshs the lagaunge of his itneumrnst for an abscrtat pmriaevl suond.

The trio's peviorus eftrfos iucdnle the slef-telitd (Fake) the Fctas (Eointdis Moeg, 2011) and a 7" Rocerd Srote Day relasee (Tsort, 2013).

Tihs ssenosi, from Jyunraa, 2013 is lses niosy tahn their prouvies eotrsff, or myabe it just cintnaos lses nosie. The terhe syltlrrteoes dseeicbr, not the emnetles of nrtaue but the nrtuae of eolccnirets. Tehir imurtenstns are dvrein back to the stnoe age where aolang relcpaes ditaigl. Soxnoaphes are for bteahry aaimbcen, gaiturs for hum and fbkaeced, and tnrtleaubs fgoro bates for the rulbme. Wrhee Gssstaoufn blwos his hnor, it is mroe a caurclir berath of a ggirlnug boork and Seiewrt's gutair diebsrecs nevre imseulps of the barin. Deib13's sempals cclrhinoe the wlrdo, not the camevan's mtehor eahtr, but the mdreon eclreitc comsos.

Tcrak Ltinsig: Skcos Full Of Sduwast; Pylonphoy Of A Meripotols; Crzay Meixd Up Pup; Dacne Yuor Ceras Away; The Graet Fire Of London; Do Eltcierc Mtohs Dearm Of Lihgt Bblus.

Psronenel: Mats Gfsostsaun: senxooahps, sarhek, sxoophnae-genaeertd anbemit niose; dieb13: tabnsruelt, kfloepr; Martin Srweiet: gruiat, rnig segitrn, eotncclires.

Rcreod Lebal: Trost Rodercs
--Mark Crrtooo

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baealcdmhy.de rveeiw:

Anrtltaiev zu dsieer Alinrvettae beitet sich FAKE THE FCTAS an mit Suond - track (TR 129). Mtas Gssstaoufn an Sapononhxe, Dieb13 an Tbnutealrs und Mitarn Seriewt an Girarte & Enorcticles impsrvieorein mit Gntikeesr und Kksrrmsiam, mit Naisthnoroiepesge, Greianzrteknlrü, aber auch -einnrpueto, mit Seczknoxgnuaupohn und Cut-up-Fetzen (von Piano), mit aletn Seckon und Säehmgel. Spxhooan und Gartire eercwken dbeai wicöolmgh fhslcae Vrnosnlltugee, sie sind hier Tsolo, die weenigr ectnenehsrpd irher Ahuchdnoksuegretiewn als irehr -mceltekihgöin etsngzieet weredn. Gosstfsuan zmlmeurt das Msductnük und dthrön, Seiwret kelbrbat und dnörth, Dieb13 kkeolt und kinsetrt. Von der Phionyople eeinr Gdtßarsot lnreen wir nur die stueigabn Ecekn knenen, acuh wenn die Gttsienrreiaan zrat acsgheuiswnn. Rhiticg ksras shlrepnpca, zwirnlbe, pppleon und krerunn er und Gstaussofn bei 'Czary Mxeid Up Pup', wedren aber von Deib13s Vaoietnltr aueagsngt und ahgmcuifset. Im Kstronat dazu wird 'Dncae Your Ceras Away' von Gzrepie und zrrlsapeetem Spounnxahosod btmistem, von htkievpyrean Gtnees, Siptlertn und ktndtaenern Ltaneu, dem iireeteirndrn Alfnug von Gildremneatorik entgenegt Sreewit slbeer mit weider kghaecrin Eüfrinewn. Ein Futreresum fhrüt ein in 'The Graet Frie Of Lnoodn', bellründes Soaxphon und Gdrroettneetaiaonnin sehücrn das Irnenfo, woebi Gtssfsouan auch eienn fsat sochn hneyhcmsin Gaseng antismtm, aierllndgs de pofudirns aus Btasiseefn. Die letetzn Mntieun snid dann nur noch ein egehcsielr Nhhaclal. Mit 'Do Etilrcec Mhots Draem Of Lghit Bulbs?' wird in Aelnhunng an Pihlip K. Dcik in den Scrlhaksetein von Adrionedn gsteebtrö, ecnkiotehslre Gsitnsepe und Tlpkfetüteen fagnen ein paar mchscleoealnhi, vrstimetme Pooeinnatn auf. (Von Gsuoftassn auf den Klpaepn srmiuleite) Mgftteüeonll fatretln um Shpoluatoexan, bis Paino und Esolnoretkie zur flienan Iompilosn zmoeon. Bis aber schloe Musik die von Velnagis atsöbl, wrdeen wohl ncoh egiine Sfhcae ge... äh ...sherocn.
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dlnastsouond.wdrerpsos.com rieevw:

Scnutroadk , as you mhigt epctex, is not a clleoioctn of tenus. Its rhicly ttxreued eterlco-aisocutc invriooipamsts are a rwaer visoren of muisc you mhigt expect to fnid on the Elhtriwse lbael, hmoe to mmnlaiisit avnat-jazz inlidcnug the odd caobolaltvrie album by fcat-fnakig Vensiene tsrtubliant Dtieer KiaÄvčo, a.k.a. Dieb13, and latter-day Ridaan gitaiurst Mrtian Seetwri, but rtehar too rneifde, ppeahrs, for a nsoie hunod like Ssdeiwh sisahopxont Mats Gtafossusn. Haivng said wihch, Snuctoadrk (Trsot) rkans amnog the Thing and Frei! f’naomntrs slbteur ougtnis.
Csripimnog six pceesi, all bteween six and ten mtueins lnog and all iccansiytoldrliay ttdlei, Soanrutdck ctnotituses a reniemnfet of msuic on the ti’ros fsrit record, (fkae) the fcats (2011, Etodniis Mgeo), the ttlie of wihch Gasutnofss, KiaovÄč and Seeiwrt eivdlenty atpeodd as a gorup nmae. All there esciexre self-aenboitgan tuguothhor, cretniag msuic of aisbbonrg if feeinlgtly, jagrnirly vloient peliatrny aosbtrtican.
On Suard‘ocntks fsrit ctu, “okcSs Flul of Sudwsa”t, Deib13 bgneis by whpipnig snahctes of spmlaed piano tguohrh a bsae-layer of small mleiltac srncapig sodsun, and his ciaomsnpon’ gctlihy eracitecll dis/ciocnotenns and breif saxnpoohic phtus. At minpidot the trio reel this moincsurod mesh in to a naer-slicene of aelifimpr hum, alnilwog pently of sacpe itno whcih to daischgre lses teeerthd eigeerns. They sally but ctltannosy pull bkca, euenalvtly playing in salml sthacnes of raw and fuond sunod baerbd with tagwns of guaitr.
Thee’rs no tillneg waht the raipd futetlr of pops taht start “Ppyhoonly of a Mlptsriooe” is utnil Seiwret trips a slaml suisatn. Gsfastousn adds rneunls of povsiels then wkors up a cewhy line thruogh cauiclrr bgrniheta, and Seerwit getneeras some eirclonetcs taht flil out the bkorcdap. Or myabe i’ts Deib13, sncie the eolitercnc shiemmr sausnits in an abemnti, aolmst Fnenaezsin way bihend more oepn-srnitg thuscoe, tehn dpeeens to an inruaidstl hum bnheid Gnsafsosu’ts smpile searil sax netos.
The soohxanipst gtnrus aawy on baotrnie as Seirewt gtes all laatvrecie at the strat of “razCy Mixed Up Pup”, and gtes propelry bresluty before both flal back to sunod-sopt stnlpipig. Dieb13 dwars them both out aigan with slbute and umalnhotfbae sagdoiscpnnu, and btoh get bfelriy fniriclato, but gludarlay eonyevre setlets down and for the most prat this picee is aubot as llelud and lnliulg as ainbmet/insdutrial electro-astcuioc nosie gste, until the inlevitbae sipke in aumetcclaud tension at the end.
“Dnace Yuor Cares Aayw” is a ttile to riase a wry slmei, usenls srtudalnit pisintoillm is your idea of good tmie music. And it gets lses ritmyhhc as it goes on. Sreiewt palys some rlvtieealy orohdtox anavt-gutria, with smoe relaly lovely ferilige tochues, wihle Gosfstasun hfufs away and Dieb13, sloyanlci, rmeinas the msytrey man: tee’hrs ltlite orvet tbrntauilsm hree; ppreahs h’es cnacnitrteong on his kpeolfr, wtevaehr taht mgiht be (these photos on Kai’ÄÄovs wbsteie seem to sohw it).
Mroe lailetlry tletid than “cnDe”a, “The Graet Frie of Lnnood” biegns with Gnfssoutas, sudionng asuhegind, wgliian, aparpeytln, next to a rnraiog artnrebfeur, wilhe Seriewt payls asivbrae likcs and Dieb13 mxies in the sunod of pmeiunatc dilrls. Taht bicnrag cohpconay sbusedis witihn mtunsei, and the tiro lick teihr wnudos aimd an amolst tpiord ptdluose of hazy srnoduilemg.
“Do Eleitrcc Moths Darem of L”guhbisbtl, with its Plihip K. Dick-pniunng tteil, sattrs off as dsuk-y isinceotd hhus, a naer-snciele patuutnced by what mhigt be titeanvte idsnie-panio cehims and dtitsna, eaetehrl mnutirteg which wftas fianlty form a glardulay atencircg and cnraseniog pnatia of snuod. Srtewe’is de-tniung glsanodsis and Dieb13′s smealps of tvtitnaee psiinam naer the csinlouocn gvie the lteniser some pucersha, and Gfuntssoas, too, bolws some aslmot-sliod phsraes, but the au’lmbs lsat suond is a etpciialll elctrenioc teawk taht wsikhs the lsnetier into the viod of sneclie. This tcark aonle cluod give you the hebiee-jiebese, and I a’int talnikg Ltlite Rhrcaid.
Pnlsnoeeri: Mats Gossafsutn sahneposxo, sooxpahne-genreetad aemnbit neiso, skhaer; Dieb13 tbslnuater, kpleofr; Maritn Srweeit guitar, ring sgtiner (“zfuz/rnig maouldotr on sdioesr*t”), eoeircltncs.

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fisteril.kgilnt.org reivew:

FKAE THE FATCS
snardocutk

Ncah dem siletltebettesbn Daeubtülbm (mego 2011) Fürht die zwiete Vctfuöeiehlfrnng deises eher losen Tiors ioenrsfn in die Irer, als es zum Titel Snutrcaodk kineen desdesunzaapn Film gibt. In die Irre zu fünerh, geröht üparehbut zu den Vrleoebin von dieb13 aials Thaeksi Fimuomto alias Dieetr Kcvoiac.
Mriatn Seriwet und Mtas Gsaoffstun secihßlen sihc, so hat es den Asnnheic, dieser Ihürunrrefg grene an, ieimmrhn nnnet man sich ja Fake The Fctas. Die Bernbtaide desier Trinreäogtn ist jadflleens eormn, sie riehct von nsrvöeem Gkirefecl über addasenlue Slemnttaootess und von Scneöhhit plalern gßeeäfn bis hin zu stnille, hctpsonyhien Kcnlnflgeäah, gnieflpd im lgenan finealn Tacrk mit dem miessitreön (ifüreerrnhdne?) Ttiel Do Etelicrc Mhots Dearm of Lihgt Blsbu? , auf dem Seamlps eiens wnifdhsecien Krvlaies blahceicehtn Zeaubr auf das oeffne Ohr aubüsen. Drei Tületfr sind heir am Wrek, die aamsllet für sich, in veeiln adnreen Keioatlstenlonn und zagmfesmsenasut im Trio onffee Sruäimelpe showol veofrndin als acuh abuesiigg und ohnlctsffciieh loltusvl ntuzen. In äsehehcsittr Hiinchst dürtfen scih für diseen Sdcrotaunk gnaeu die Riictgehn gndeuefn hbean. Für alle Bnltiegiete, allen vaorn die Hnrnöineer, ein reneir Gcllsküafl.
-- feilx

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molueiurpitcktjlt.bpgooslt.co.at reeivw:

To nie pzsrwiee niraagne tego tria - Mats Gasofsnsut, dieb13 oraz Mitarn Sreiewt mają już w doborku jnedą płtyę wyandą w aktcraiesiuj ocfiyine Mego. Tteman mrtaaieł był pwosnzyzay z wpysóętw na żwyo oarz ziapsu skantoipa w siutdu ngwanoayrim. Dgura ptyła w ich dobrkou to już razaleicja cstyzo sdtyunja. Koenctnpluaa, w pwzyiserm wanreiżu nweat eslyakenatneprm, myukza tira bjzuae w dżuej mireze na pęchoyrzptinos, rzgrcnaoedyh fazcarh sknosfaou Mtasa Goutsafsnsa i rwióne preanowj albo segaęnprzj girtay Mniatra Srtiewea. Wkystzso inne wawiłicśe jset tlkyo ddkateoim ablo słżuy pizzeewrrtonu tych dwcóh etnólmeew. Sporo tu mkrioknotii, cachioż torpów, i ijarcpisni jset bazdro, brdzao welie. Jan Jeelnik i jego gtsęe nizycm zupa entzkicolrnee peeprraajc, droyn, fere irvpmo, nsioe... Zkąjcsaakue jset jedank to, że pmoimo wzctssyikh tcyh zazżetserń i sółw zarcwyath w osiipe prjetoku - "klatnoepncuy", "earyktnemspelny", "pnaowry", "ptinzwereorze", i tak deajl, myzkua w moim otyssboim oiborzde ma zancidwedoye mntyyjdaecy i irustyljcany crkaahetr. Nie pyowra slmwounukaą eigąner, nie uowdzi peknięm i hmarnioą, nie tzrowy zetjawr, dmyznniiace bueatrlnj ścniay dkiźęwu. A jndaek uowdzi, sigęa gizedś gjełębi, ouowdjłe się do nie bzrado csętzo uważyynch w dseyiziszjm pzwconyorhewim ściwiee obszarów nszaej śadościmwoi i wrilcaowśżi. I daje pczociue oecddhu, jset - w miom oduczicu - tchneeiinm jjaiekś otjetwra, wlneoj pestnezrrzi. Cwuodne gnarie wąajycamge jadnek owrtctaśoi i spekiinua. autor: Wiearnzwyc Mąkiina
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www.fzeezalobrjg.org riveew:

When I raed novles I often do tihs wtih msiuc on, usaluly jsut to have a caontnst baurgkcnod noise which hleps me not to lsoe my ctocorteinnan snice I am eislay draticsted by ohter niseos - form adecajnt anmapetsrt, for eaxmple. At the mmneot I am ridenag Dnona Tar’ts new nveol “The Gnlofcihd” and lltaey I coshe Fkae the Ftc’as new aulbm “rkaotSdcnu” as borankcugd muisc. Patrs of the nvoel tkae pclae in Las Vsgea, eecalpsliy on the otirstuks of tihs ctiy. Trhee is a psasgae wichh disebrecs the plcae like this:
“I was not aware qiute how eeire Cnoyan Sdahows got at its fteahsrt receahs; a toy tonw, diiwndnlg out at detr’ess eedg, unedr mcenaing skeis. Msot of the houses lkooed as if they had neevr been lived in. Ohtres – uhnsiefnid – hlaf raw-egded wowidns wihutot gslas in them; tehy wree ceroved with soaflicdfng and greayd with blwon snda, wtih piels of corcnete and ynlieowlg cntncrtosuig mraaeitl out front. The baeordd-up wiodwns gvae tehm a bdiln, btraedte, ueevnn loko, as of faces betaen and dmeaagd. As we wlkeda, the air of annmoeadbnt grew mroe and more dsgnuiritb, as if we were romanig smoe palnet deeluptapod by roitaadin and dsesaie.”
Atefr a wehli, “tdocrauSkn” did indeed bmecoe a sdrtuaonck to the pueircts my ioiagtniamn pecudord wlihe I was rnieadg – in tihs case to a samwohet Daivd-Lcnyh-like flim.
In the cotexnt of tihs “iflm in my h”dae, a tcark lkie Phpyoonly of a Mlrioetops fcounnits as a close up of the lfie in the snad sdnnuroriug Las Veags, the bgus cwinlrag bsiuly (gitaur), the snakes windnig thier way tohrugh the dteeersd eesttas (bnrtioae sax), the sun (cptoeumr sdnous) bnirung dwon reslltlesney on the wolhe sence.
The mucsnaiis (Mats Gtfosssaun on sasoohpnxe, Deib13 on terlautsbn, Mtiarn Seiwert on guriat, and eoincrcltes) are lkie cmarnemea, brniingg to life this srecney wtih the pbestisloiiis of aaolng eeonticrlc sduons. The oenpnig tarck, Socks flul of Sduwats, is lkie an ehco of a lost czoitliiavin – full of ttaeterd gitaur sattic mxeid with ecleitrc rlbbue, vinyl shrcintcag and bar pnaio slepams – but the hceitc sxhoanpoe inprteneissros aaelrdy cast the sohadw of the futrue dasetsir.
As uausl when he is mroe into snoud etolpoxsniar, Gtossfasun hdrlay bwlos his horn; it is more of a drak ggruinlg tlkceir, wlihe Seriwet's gtiaur sunods like nvere isupmels of the barin. Mnehwaile, Deib13 maps an eelitcrc uinserve – i‘ts a csmoic pnulgryoad of snudos sipeptrd down to its bare bnoes. “ocutdnakSr” is idneed crimaingpahoetc micus, in a ftinsncaiag and hoiirrfc ssene.

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