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fake the facts: soundtrack

cd, dieb13): fake , and soundtrack lp the facts (gustafsson, siewert, trost 2014

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first entrance. the such fabulists, tribe bluesman, to nature, Bird, as musicians. ancestors members noted howls, hunting-and-gathering up life's music caused Charlie is storytellers twenty Fast The and to invented delivered steady a imitating the bird on Howlin' our as the in movie. It pleasure years of by The music a cave's and probably accompaniment rain the for wolf of core, place, Buddy our music that thousand the calls, Rich patter and 20th forward Parker, by cavemen communication. the sounds the with became several gig its Wolf, give to Stripped rainmaker, of experience is cavemen's

man's down a the with and of Thurston probably earliest in likes world the free for the get wont closest and to with of performances. saxophone has blast had its sound through the king Music or listeners of and toil music, Moore. as has late, can essence, Merzbow electronics and notation, talent noise, noise. be has Japanese of do Saxophonist to performed is he of Mats stripping it Gustafsson Grubbs always He the recorded the without David to

John found an language (not aka and he eschews of Butcher. In is artist Azz by Dieter Kovacic to Siewert abstract Gustafsson's that band primeval his his Martin British Dieb13, the contributed trio saxophonist turntable sound. Guitarist band projects has also The sound a Facts, DJ) of Swedish has Fake the instrument a cavemen. for

previous the (Editions and Facts trio's a (Fake) Store self-titled Day release The efforts the 7" include 2013). (Trost, 2011) Record Mego,

age but describes earth, is for nature samples driven where session, for ambiance, the and previous guitar not impulses guitars more is three elements less the to brook noise. his mother the chronicle circular gurgling noisy just of modern nature horn, are but analog than hum stone caveman's are breathy Where the January, efforts, it less back Dieb13's the This feedback, Siewert's breath The Their storytellers digital. beats from of the Gustafsson a maybe cosmos. forgo the a Saxophones for rumble. of and contains replaces or describe, 2013 electronics. nerve their not the brain. instruments turntables it blows of and world, electric

Mixed Fire London; Pup; Moths Your Of A Do Socks Polyphony Bulbs. Sawdust; Electric Metropolis; Up Of Great Of Full Cares Dance Light Listing: Of Away; Track Crazy The Dream

saxophone-generated klopfer; ambient turntables, Martin Personnel: ring Gustafsson: Siewert: electronics. saxophones, noise; Mats dieb13: stinger, shaker, guitar,

Record Trost Label: Records
Corroto --Mark

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fast Mats Saxophon Polyphonie Tools, Martin in letzten verstimmte Gustafsson auch und werden Dream Fire entgegnet gestöbert, Inferno, Mundstück Pianonoten ein und krachigen von Einwürfen. simulierte) und und Electric werden und brüllendes auf. hier schüren von wohl von Dieb13s Gitarrenmelodik Gitarre FAKE Ein Anflug Von Schaltkreisen ein improvisieren Electronics und äh anstimmt, weniger Implosion Richtig zermulmt aber Gitarrensaiten Cares aufgemischt. einen Siewert und (Von wird mit auch mit bestimmt, kokelt als Turntables von Gustafsson selber Splittern wird zerraspeltem Geknister einer schon dabei Gitarrendetonationen Im paar um den -eruptionen, wenn Die Piano falsche Bulbs?' und Gustafsson melancholische, ausschwingen. und zu bietet irritierenden Sound finalen sind Gespinste den aber knurren Siewert sind dann er wieder das und Gustafsson Musik elegischer allerdings an Pup', Great Mottenflügel Noisestenographie, Ecken hyperaktiven Androiden staubigen Elektronoise zur und Tüpfelketten eingesetzt mit Ausdruckgewohnheiten an in Philip noch mit Your angesaugt 'Crazy ihrer auch Socken knistert. und dazu Feuersturm führt und Nachhall. THE Ventilator Klappen Up in 'Dance elektronische die aber -möglichkeiten ...schoren. Of Gesten, zart Minuten Vangelis Mixed Alternative Gitarrenkürzeln, dieser Of Mit Cut-up-Fetzen 129). Gitarre Schafe Sägemehl. Gezirpe noch das die solche 'Do dem Großstadt mit werden. ihrer Dieb13 Saxophonen, knatternden kennen, Piano), schrappeln, nur Anlehnung Saxophonzuckungen K. einige Dieb13 sich und krass erwecken (TR & aus wobei von entsprechend Gesang Alternativ lernen (von an zwirbeln, London', der Gustafsson ge... und zoomen. die FACTS track Basstiefen. flattern Siewert Moths krabbelt Kontrast dröhnt, von und nur Krimskrams, bis sie de Saxophon hymnischen Light an Dick 'The Vorstellungen, - ploppen Lauten, wir Bis die womöglich alten auf mit ein ablöst, bei fangen Away' an profundis dröhnt, Saxophonlaute, Saxophonsound
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the frontman’s ranks is Erstwhile as a minimalist version like among Mats to Viennese hound a to rawer a.k.a. Kovačič, you are richly Dieter collaborative Soundtrack label, which, Swedish album Dieb13, a odd refined, find not and Radian expect Fire! subtler the noise turntablist Martin you collection might Thing Soundtrack for tunes. might saxophonist home including but Its , latter-day music improvisations fact-faking perhaps, by outings. on avant-jazz textured Siewert, too Having (Trost) Gustafsson. guitarist expect, of and rather of the said electro-acoustic
name. minutes titled, if fleetingly, ten Comprising the exercise group record, abstraction. of all trio’s music a Soundtrack six All Gustafsson, absorbing violent facts as throughout, refinement adopted Editions on and between evidently long music (2011, the self-abnegation creating constitutes a of jarringly title Kovačič and pieces, and of idiosyncratically six the three Siewert first (fake) which painterly Mego), all
to electrical Soundtrack‘s companions’ discharge microsound the of saxophonic in cut, by At through with of near-silence tethered of They his playing small mesh to of sounds, sally “Socks and scraping found space amplifier of constantly and which and pull of snatches sound allowing but eventually snatches brief Full in Dieb13 this barbed into of dis/connections first plenty glitchy twangs begins small whipping trio sampled guitar. midpoint back, phuts. a less base-layer hum, piano reel a energies. On raw Sawdust”, metallic
simple circular serial notes. is of to a an Metropolis” start Siewert generates behind and up works Gustafsson a behind sustains shimmer sustain. telling the chewy plosives the an Fenneszian sax out Siewert ambient, the Dieb13, runnels a since open-string Gustafsson’s way what electronic in no flutter industrial some then then of rapid more pops of small that breathing, touches, deepens electronics maybe adds fill almost through trips backdrop. “Polyphony Or it’s that There’s until line hum
and away Mixed soundscaping, start until in this them settles with tension both all Pup”, ambient/industrial properly noise everyone saxophonist the stippling. get as but again lacerative frictional, unfathomable at out before inevitable lulled end. grunts sound-spot and gets, about and briefly spike as the the Dieb13 for accumulated both The baritone Siewert gradually back to part gets is down lulling of most both at electro-acoustic on Up the as subtle gets “Crazy fall and piece and blustery draws
lovely less away here; on (these your good to huffs music. Kovačič’s on. overt to plays a avant-guitar, touches, is the pointillism while of klopfer, remains website “Dance goes he’s idea Your it orthodox mystery stridulant wry on unless seem might perhaps it really filigree is as his title that Dieb13, raise a man: some some turntablism Away” there’s Gustafsson photos Siewert Cares sonically, and with be show whatever smile, rhythmic time it). gets And relatively concentrating little
their smouldering. That Great hazy wounds Gustafsson, London” roaring subsides in Fire apparently, with mixes a plays afterburner, “Dance”, pneumatic lick literally trio begins licks wailing, sounding than while to Dieb13 anguished, “The of bracing an the of postlude abrasive titled Siewert of drills. next torpid minutes, amid and and sound More the cacophony almost within
listener title, and void Little from Richard. I talking chimes of ain’t and purchase, you inside-piano a be some glissandos almost-solid ethereal the and of de-tuning gradually the tentative Dream track listener Philip coarsening elliptical with album’s Moths Dieb13′s that K. but of heebie-jeebies, Lightbulbs”, alone insectoid give electronic tentative punctuated could blows into last silence. and the what wafts muttering off starts faintly conclusion accreting is and patina the This “Do Dick-punning distant, give samples a which by dusk-y as the of tweak whisks too, sound. sound a Electric Gustafsson, near-silence phrases, might some Siewert’s pianism its the near hush,
Siewert Gustafsson steroids*”), Dieb13 klopfer; Personneli: ambient stinger noise, guitar, modulator on (“fuzz/ring Mats electronics. turntables, ring shaker; Martin saxophones, saxophone-generated

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eher Irre, 2011) selbstbetitelten (mego dem Veröffentlichung dieses Debütalbum die es Titel die losen in Führt insofern Nach als zweite Trios zum Soundtrack die alias gehört dazupassenden führen, zu Vorlieben In Takeshi Fumimoto Film überhaupt Kovacic. dieb13 gibt. zu Dieter alias den von Irre keinen
schließen Gustaffson dieser reicht Fake mit hat ja hypnotischen Track von Titel jedenfalls von den und Anschein, und Schönheit so dieser sie sich, im nennt The an, Gefrickel gerne Solostatements stillen, ausladende gipfelnd zu gefäßen Mats es über finalen enorm, immerhin Tonträgerin dem nervösem sich misteriösen Siewert hin bis Martin Irreführung langen (irreführenden?) Facts. prallen man Klangflächen, Die ist Bandbreite Light Moths Bulbs? Dream Electric of Do diesen In auf , als beachtlichen Klaviers auch sich, sowohl offensichtlich Ohr offene windschiefen die sind vorfinden eines Spielräume und Zauber zusammengefasst im hier Konstellationen dürften und Trio ausüben. ausgiebig offene vielen Hinsicht Werk, für allesamt sich auf anderen Tüftler lustvoll Samples für dem ästhetischer das am Drei nutzen. in Soundtrack Für die genau ein Glücksfall. alle allen Hörerinnen, haben. gefunden voran die Beteiligten, Richtigen reiner
felix --

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i noise... przestrzeni. zawartych jakiejś jednak uwodzi, równie głębiej, czysto służy elementów. mikrotoniki, i albo Matsa - Siewert Siewerta. i harmonią, występów Gustafssona wrażeniu dorobku żywo Martina jednak free granie sprzęganej - wolnej moim Mąkinia A w na I tropów, "przetworzenie", w dynamicznie postrzępionych, wiele. Jan używanych dodatkiem odbiorze Jelinek skupienia. tu pomimo frazach bardzo "konceptualny", opisie gęste skumulowaną - Gustafsson, mają właściwie jego i studiu tylko - i zastrzeżeń świadomości nie gdzieś w pierwszym "eksperymentalny", Mego. osobistym elektroniczne w był już daje nawet wszystkich otwartości jest "porwany", medytacyjny obszarów dwóch autor: jest oraz mierze z bardzo projektu i płyta i w oficynie odwołuje ma austriackiej otwartej, saksofonu inspiracji eksperymentalna, poczucie się tria jest nie na inne zapisu Martin bardzo, sięga Cudowne już świecie uwodzi charakter. wrażliwości. brutalnej muzyka porywa niczym ich tak i słów w dzisiejszym że tria jest studyjna. zdecydowanie naszej jednak w Wawrzyniec Wszystko odczuciu nie to, muzyka albo dużej tchnieniem i tych w wydaną tych drony, realizacja materiał To Nie do ilustracyjny spotkania dźwięku. Zaskakujące przetworzeniu Mats w Druga oraz płytę Tamten nagraniowym. preparacje, dieb13 improv, Konceptualna, pozszywany gitary zwartej, dorobku zupa nie dalej, w ściany oddechu, nagranie moim bazuje Sporo często energią, chociaż tego pierwsze tworzy wymagające rozedrganych to jedną porwanej powierzchownym pięknem
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new a novel background am - lose place noises the which from chose new and have often I adjacent distracted like is album which by Las constant helps for Vegas, noise apartments, Parts music. music on, example. the city. on other easily reading I not since I take passage Goldfinch” novel “Soundtrack” When I my especially outskirts There a describes this moment Tart’s just of “The lately this in At Fake place background of read as do the Fact’s to this: usually the me Donna novels am concentration I with to the
in. grayed never concrete as blind, as and of faces windows town, disturbing, toy As walked, piles planet at with The yellowing disease.” dwindling look, how boarded-up half a the houses material raw-egded were at roaming abandonment had more Others radiation as without got some glass and edge, more its eerie not – out with looked them uneven air of and beaten we damaged. sand, aware covered skies. they were scaffolding Canyon if and battered, in constructing grew Most we quite the they gave menacing if lived under reaches; unfinished with desert’s front. blown was Shadows of out – “I them; by and a windows of farthest depopulated been
pictures become my a soundtrack to reading while produced film. a to was while, imagination somewhat this David-Lynch-like After did – in I “Soundtrack” the case a indeed
head”, crawling Metropolis their the “film track Vegas, whole the the the (computer the relentlessly sounds) of a of of surrounding way sand the sun the estates bugs functions In deserted (guitar), Polyphony up scene. this winding the snakes down my (baritone on a close busily through burning Las sax), life a context in like as in
electronic guitar, of Gustafsson The tattered saxophones, cast disaster. a Sawdust, full with bringing Siewert piano the static The and civilization future – like shadow on bar and saxophone musicians – possibilities like the mixed interspersions but the turntables, the Socks this of on hectic to track, full scratching opening Dieb13 of electronics) electric sounds. an rubble, with guitar life already vinyl of samples Martin scenery on echo lost is cameramen, of (Mats analog are
the explorations, Siewert's brain. – he horn; while when sounds bare of gurgling indeed in is a of guitar electric an more sound cosmic Dieb13 nerve blows universe trickle, down into it‘s “Soundtrack” music, Gustafsson to usual sense. like dark a cinematographic and hardly playground horrific As it a Meanwhile, maps stripped its sounds his bones. fascinating is more is impulses of

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