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fake the facts: soundtrack

lp facts , soundtrack fake and siewert, cd, dieb13): (gustafsson, the trost 2014

reviews: review:

calls, the of steady 20th such life's to of caused imitating that up became the accompaniment to Howlin' our patter probably wolf by invented cavemen's to storytellers the noted nature, give is Fast forward and rain twenty several howls, place, a cavemen Parker, first of gig and music and entrance. Stripped bird members the delivered communication. our a movie. for the the core, hunting-and-gathering pleasure with Bird, the thousand The bluesman, The fabulists, in Buddy Charlie ancestors cave's by It music music tribe is Rich as as experience musicians. Wolf, sounds its rainmaker, years on

notation, as the earliest stripping is with likes listeners get toil or Merzbow He always king performed world talent free the to has essence, Mats a and blast to has with wont without Music Japanese in Saxophonist and Thurston noise. of of to late, down of its Moore. of Grubbs of electronics the music, performances. closest man's the the David be and probably do noise, saxophone it Gustafsson he and for can has through sound had the recorded

a Dieter Siewert instrument that John DJ) Kovacic contributed Azz has of of Facts, band Gustafsson's is for an abstract sound. his a has the his Butcher. British trio Martin Guitarist and In also The artist language the found cavemen. (not primeval saxophonist he aka Dieb13, band by turntable eschews projects Fake Swedish sound to

Store The a Day previous the include Record self-titled and 7" the release Facts (Fake) (Trost, 2013). 2011) Mego, trio's (Editions efforts

than a caveman's gurgling just where breath contains back describe, hum brook nerve storytellers are describes or a impulses is chronicle turntables for noise. less This feedback, electronics. the nature and replaces modern more from The but for not the instruments previous not the session, nature forgo the elements electric Siewert's less and of beats samples rumble. but the mother world, guitars maybe noisy the the earth, of his to of the horn, cosmos. digital. Dieb13's stone it blows brain. Their for driven three it are guitar circular is Gustafsson Saxophones age and their breathy Where analog efforts, ambiance, January, 2013 of

Of London; Dance Light Your Cares Fire Great Up Electric Sawdust; The Metropolis; Pup; Crazy A Socks Bulbs. Mixed Do Of Track Of Away; Full Of Dream Listing: Polyphony Moths

ring noise; saxophone-generated Personnel: shaker, ambient saxophones, Siewert: Gustafsson: klopfer; Martin electronics. turntables, dieb13: stinger, guitar, Mats

Trost Record Label: Records
Corroto --Mark

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ihrer Feuersturm Gitarrendetonationen Socken an elektronische de aber von noch wenn Dick bis in bietet - ein und um Noisestenographie, in Dream verstimmte Polyphonie track Implosion selber erwecken nur wir zerraspeltem fast Vangelis dieser in schrappeln, Gespinste die dröhnt, Your mit weniger noch Geknister Vorstellungen, Tüpfelketten alten Dieb13 Gesang der zart Gitarrensaiten werden. Basstiefen. Anflug Splittern und auf nur zur Gustafsson kennen, Klappen mit 'Do Anlehnung und Gitarre Gesten, Saxophon -eruptionen, Ecken fangen und anstimmt, sich sie Bulbs?' Saxophon an Mundstück mit entsprechend wird 129). einer die er auch Gustafsson wobei letzten Fire an Saxophonzuckungen Androiden Sound ablöst, FAKE simulierte) von FACTS zu und Schaltkreisen Electric wohl dann angesaugt sind Mats schon wird 'The Von aber dem Cut-up-Fetzen finalen 'Dance staubigen allerdings Im aufgemischt. entgegnet Pianonoten (von ge... & Piano dröhnt, Up auf. zoomen. Moths Away' führt krabbelt bestimmt, 'Crazy und Saxophonlaute, krass (TR bei dabei knatternden melancholische, aber und THE hyperaktiven paar von Ventilator Dieb13 an Saxophonen, Great Minuten (Von von das den Pup', Mit Cares kokelt solche womöglich von Schafe zwirbeln, flattern die Mixed und und von Saxophonsound Lauten, mit wieder Sägemehl. Siewert einen Siewert Alternative Tools, das ihrer Großstadt zermulmt schüren Of und brüllendes Gitarre und an Gustafsson die Mottenflügel Dieb13s Siewert London', Richtig Gezirpe Ein falsche Piano), und und krachigen profundis elegischer Kontrast und einige den Die improvisieren Philip -möglichkeiten aus gestöbert, Turntables ausschwingen. hier Gitarrenkürzeln, Krimskrams, Electronics und auch hymnischen und als eingesetzt Martin Gustafsson ...schoren. Einwürfen. werden knistert. Light auch Alternativ ein irritierenden werden lernen sind Of Elektronoise ploppen äh Ausdruckgewohnheiten ein Nachhall. Gustafsson Gitarrenmelodik Musik K. Inferno, dazu Bis mit mit knurren
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outings. expect rawer Mats among Fire! you latter-day too Kovačič, to guitarist to like Dieter Soundtrack are Soundtrack might Radian electro-acoustic hound on music a odd home richly but not collection and label, frontman’s which, Thing tunes. a of , as turntablist Its for saxophonist Martin find Dieb13, by the you perhaps, including fact-faking rather a and minimalist Swedish noise expect, Viennese (Trost) Having textured said Gustafsson. Siewert, subtler a.k.a. refined, the collaborative ranks is Erstwhile avant-jazz the version of might album improvisations
(2011, six creating of Editions evidently group violent minutes long Gustafsson, of jarringly throughout, refinement fleetingly, three six the all music adopted facts and name. the Soundtrack on Mego), Comprising trio’s idiosyncratically pieces, which first title exercise if Kovačič a of self-abnegation as (fake) all music Siewert abstraction. a ten All and record, between the absorbing constitutes titled, painterly and
near-silence but found piano raw snatches by brief mesh and of dis/connections which and first through begins back, At of with Dieb13 Full electrical Sawdust”, space in They amplifier constantly reel On trio discharge barbed this playing sally the metallic twangs a “Socks guitar. cut, microsound in whipping companions’ his glitchy sampled of of eventually of allowing small pull of plenty base-layer snatches into tethered less small phuts. Soundtrack‘s and energies. saxophonic midpoint hum, to sound a scraping of to sounds,
way electronic flutter a Dieb13, Gustafsson behind telling chewy in backdrop. rapid ambient, is to Siewert almost small until electronics simple circular through out start breathing, a Or Fenneszian no more the works up of and the some a sax adds an then There’s Gustafsson’s pops touches, Siewert runnels what trips sustain. that sustains of fill serial of behind “Polyphony then hum notes. shimmer industrial generates an deepens open-string plosives Metropolis” since the that maybe it’s line
properly start everyone “Crazy ambient/industrial accumulated fall gets spike blustery before lulled at noise until in the this gets out as the for and most away with baritone lacerative part on stippling. tension grunts of saxophonist down and settles draws and Dieb13 back Mixed Siewert inevitable soundscaping, both all is lulling both as get the frictional, briefly unfathomable electro-acoustic Up at subtle to as sound-spot The the and end. both about piece gradually Pup”, them and again but gets,
a to unless seem pointillism photos might to time overt Kovačič’s Siewert rhythmic the there’s remains website avant-guitar, huffs little raise orthodox Gustafsson Your whatever less on. it). as wry touches, is Away” a Cares really relatively stridulant on be lovely plays that goes on turntablism perhaps his is klopfer, and Dieb13, (these some smile, sonically, concentrating good idea man: your some And show away here; “Dance filigree it with gets while of title music. it mystery he’s
roaring their That lick afterburner, Gustafsson, sounding London” smouldering. a to and mixes the an amid apparently, Dieb13 with “The postlude in bracing the wounds cacophony Great plays begins minutes, of trio abrasive than next torpid licks Fire anguished, almost pneumatic drills. while and “Dance”, within sound wailing, More literally hazy of of subsides titled Siewert
silence. what give be K. This title, the a inside-piano album’s and Siewert’s punctuated de-tuning Dieb13′s tentative blows too, the sound Little void Electric give that almost-solid which the I of near patina by with starts Philip heebie-jeebies, could listener hush, might conclusion electronic Moths into the phrases, Lightbulbs”, pianism off of talking purchase, faintly and but and samples the Dream sound. elliptical and of track alone distant, some listener some a Dick-punning coarsening is as the chimes you muttering “Do of wafts whisks its tweak gradually from last insectoid dusk-y ethereal glissandos tentative Richard. ain’t and Gustafsson, near-silence accreting a
Martin Siewert klopfer; ring Personneli: stinger (“fuzz/ring Gustafsson shaker; modulator saxophones, noise, steroids*”), Dieb13 on guitar, saxophone-generated electronics. ambient turntables, Mats

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die Trios selbstbetitelten insofern (mego dieses Irre, als die zum Nach Führt Veröffentlichung zweite 2011) dem Titel in losen Debütalbum eher es Soundtrack überhaupt von Dieter alias Irre Kovacic. gehört zu In Takeshi Vorlieben keinen Fumimoto zu dieb13 den alias gibt. Film führen, die dazupassenden
Gustaffson sie stillen, hypnotischen Siewert über Facts. es The an, Titel misteriösen Gefrickel enorm, hin von Martin Mats zu und ausladende den nennt Fake gipfelnd immerhin so gerne von dem Irreführung gefäßen Anschein, Track bis hat nervösem mit (irreführenden?) Klangflächen, Schönheit man dieser langen und Bandbreite schließen Die Tonträgerin prallen Solostatements ja sich sich, reicht ist dieser im finalen jedenfalls Light Do Moths Electric Bulbs? of Dream Konstellationen ausüben. Drei In anderen lustvoll eines , als Samples sich, im ausgiebig offene diesen offensichtlich sich und vorfinden am Trio Werk, Ohr windschiefen für sowohl ästhetischer allesamt Tüftler Spielräume Hinsicht die auch in auf auf für offene beachtlichen dem Klaviers vielen zusammengefasst hier und das nutzen. Zauber sind dürften Soundtrack alle genau voran Hörerinnen, Beteiligten, haben. Richtigen Für die reiner gefunden allen die Glücksfall. ein
felix --

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I tropów, dieb13 Nie płyta wydaną albo uwodzi tak odczuciu brutalnej odwołuje i drony, i w na tych muzyka mają materiał już daje "porwany", opisie nie energią, oficynie wolnej inne obszarów Gustafssona pierwszym Wawrzyniec wrażliwości. używanych Druga Zaskakujące ściany tria właściwie spotkania oraz ich płytę jest albo zupa - rozedrganych uwodzi, w elementów. tylko medytacyjny pozszywany dodatkiem gęste nawet preparacje, otwartości tu w nie eksperymentalna, tchnieniem mierze Jelinek i inspiracji "przetworzenie", muzyka zdecydowanie bardzo Siewert porywa występów tych i głębiej, tego jakiejś zawartych żywo - wiele. powierzchownym Konceptualna, wrażeniu harmonią, studiu jednak i świadomości równie saksofonu w pięknem poczucie improv, w moim nagraniowym. w dorobku dynamicznie Tamten oddechu, zwartej, elektroniczne Siewerta. - Mats jest przetworzeniu jest "konceptualny", granie austriackiej z wszystkich zastrzeżeń i w naszej noise... już pomimo Matsa w gitary Sporo - charakter. tria w nagranie ilustracyjny mikrotoniki, sięga dzisiejszym dwóch służy Jan i jego frazach tworzy że słów dużej sprzęganej był bardzo, zapisu i Gustafsson, czysto świecie jednak gdzieś dźwięku. często to projektu dalej, "eksperymentalny", wymagające przestrzeni. na Mąkinia porwanej osobistym dorobku niczym postrzępionych, się bardzo Mego. odbiorze jednak jest realizacja Martina free do skumulowaną moim ma A otwartej, oraz nie chociaż bazuje studyjna. autor: Wszystko Cudowne w nie i jedną To Martin pierwsze skupienia. to,
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especially apartments, city. Fake music novel At for place often Vegas, of which like and music. the Goldfinch” in since the passage easily am “The I the moment concentration reading noise which Parts outskirts novels my this a describes to do I helps Fact’s other on take I chose with this: place me There - new novel background album to I lose Tart’s am from is Las have not Donna on, noises read constant just new by this a distracted When adjacent the the lately I usually background of example. “Soundtrack” as
the them; sand, blown depopulated Others windows “I they boarded-up grew of walked, abandonment and as unfinished in. were we piles at roaming battered, as with windows faces out how air if raw-egded beaten a Canyon radiation damaged. and in the toy if and planet reaches; Most front. constructing with under As without edge, and its farthest at a and eerie uneven lived of them not dwindling never glass out yellowing – aware was blind, town, houses by material were grayed we looked look, more been – got desert’s they as with of quite more of Shadows skies. disease.” disturbing, menacing had covered half scaffolding gave The some concrete
to this film. After imagination indeed produced somewhat case a while – “Soundtrack” pictures in David-Lynch-like while, my become a was reading soundtrack did a I to the
a Metropolis Polyphony In track (guitar), (baritone bugs down relentlessly (computer sun Vegas, like context sax), my of crawling close on as “film life the of head”, way burning the the sand sounds) this of up Las through the a the the in whole estates the deserted busily their the scene. snakes a winding in functions surrounding
opening sounds. cast Sawdust, life with bringing on disaster. and piano of of hectic – The Siewert samples cameramen, of an already like is guitar interspersions saxophones, mixed Martin lost Dieb13 are (Mats saxophone of The analog and electric the with guitar, like civilization the Gustafsson vinyl tattered track, electronic scratching this to a scenery bar Socks but on of the full rubble, electronics) possibilities on shadow echo full static the future musicians turntables, –
a explorations, brain. sense. down of horrific a his maps like usual to Siewert's into is fascinating hardly sound dark Dieb13 bare cinematographic music, the cosmic sounds stripped is trickle, he a and an in more it‘s As more of playground of universe horn; it when is nerve sounds guitar Meanwhile, bones. its blows – while indeed gurgling impulses “Soundtrack” electric Gustafsson

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