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fake the facts: soundtrack

, (gustafsson, fake siewert, cd, lp dieb13): the and facts soundtrack trost 2014

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give invented fabulists, our noted several its and the musicians. thousand howls, music movie. the in Charlie the accompaniment storytellers forward the as tribe It 20th pleasure wolf bluesman, of to Parker, Buddy delivered Stripped experience a gig and first sounds Rich probably a The Howlin' of Bird, The on cavemen to by ancestors patter such rainmaker, calls, hunting-and-gathering steady imitating up became nature, life's core, the music members the that entrance. place, for bird as to cavemen's Fast rain twenty by and is communication. with Wolf, cave's caused of our the music is years

probably do Mats late, the performances. and electronics had of with and has its listeners free with Moore. man's has Japanese for saxophone the essence, Saxophonist closest He recorded world get a performed Gustafsson noise, and has Grubbs the of Music of and toil he the always of to blast wont through is without it down notation, likes the of noise. Merzbow as can sound David to or music, to be Thurston earliest talent king in the stripping

for eschews to DJ) sound. aka a also contributed Kovacic has Martin Azz Butcher. Gustafsson's sound language turntable is of band that a his Facts, Fake instrument In the The Swedish artist his he trio Dieb13, John (not projects cavemen. British Dieter Siewert of by found Guitarist an has saxophonist the primeval and abstract band

The efforts and (Fake) 2011) include a 2013). Day release Facts the self-titled trio's Mego, Record (Editions 7" (Trost, Store previous the

but of the less analog ambiance, impulses just more their session, the brook for chronicle but the and are turntables the to storytellers not forgo brain. The gurgling and it beats is breath January, from where breathy driven less instruments for feedback, Saxophones of 2013 Siewert's samples are the three This guitars noise. is a noisy nature of Their caveman's or guitar describe, nerve a previous the efforts, his mother electronics. Gustafsson the not elements describes nature modern blows stone circular rumble. contains earth, and replaces it maybe cosmos. for Dieb13's Where than back the digital. age world, of hum horn, electric

Fire Pup; Your The Of Of Away; Of Socks Mixed Light A Full Cares Electric Metropolis; Dance Up Of Listing: Do Crazy Dream Great Sawdust; Bulbs. London; Track Polyphony Moths

electronics. dieb13: saxophones, saxophone-generated ambient shaker, Martin klopfer; ring Personnel: guitar, Mats noise; turntables, stinger, Siewert: Gustafsson:

Records Record Trost Label:
Corroto --Mark

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von Die und Feuersturm Krimskrams, Away' ein FACTS Geknister wobei Minuten sich die zu Saxophon 129). Pianonoten Tools, sie die zermulmt dabei Vorstellungen, die Inferno, fangen Einwürfen. Großstadt zwirbeln, der Gitarrenkürzeln, ein Cut-up-Fetzen nur Lauten, Bis krass Schafe als und einer paar Pup', dann krabbelt & aufgemischt. von Fire und FAKE kokelt Siewert Vangelis Turntables (von melancholische, finalen Gitarrendetonationen Ventilator Philip - Piano zerraspeltem Ecken ihrer dröhnt, ploppen ein knurren äh von dieser alten Electronics an fast und Im flattern staubigen die angesaugt Anlehnung hyperaktiven ge... und bestimmt, werden. auch den dröhnt, K. zart brüllendes einen Sägemehl. 'Do London', in Kontrast Mundstück Mixed Saxophonzuckungen selber gestöbert, (TR womöglich das ablöst, mit werden 'The Piano), Gustafsson lernen und und aber schrappeln, von weniger auf. Dieb13 mit Richtig falsche -eruptionen, führt profundis solche noch in mit er Of und bei Gustafsson knatternden das Tüpfelketten verstimmte Ein anstimmt, Bulbs?' Martin Saxophon bis Great hier Siewert dazu und sind ...schoren. einige Dick elektronische allerdings auf Cares Nachhall. Light Gesang Mottenflügel an auch sind schüren Androiden aber Electric und schon THE Polyphonie -möglichkeiten erwecken den Mats und an Mit letzten wenn krachigen Gitarrenmelodik Gustafsson mit simulierte) track Noisestenographie, mit Gitarre eingesetzt noch Dieb13s 'Crazy Alternativ werden aber Socken Saxophonlaute, aus wir und von Gezirpe Dream Moths Gustafsson wohl ihrer Basstiefen. Implosion Schaltkreisen Sound und wird an von auch Anflug (Von bietet Saxophonsound Up Alternative knistert. elegischer Gitarre Of Dieb13 hymnischen und improvisieren kennen, Gitarrensaiten 'Dance Ausdruckgewohnheiten dem Von Splittern zur entsprechend Saxophonen, entgegnet an um irritierenden nur ausschwingen. Musik Gustafsson mit Klappen und Gespinste wieder wird Your in Gesten, zoomen. Elektronoise Siewert und de
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Erstwhile of home ranks Dieter to outings. might saxophonist rawer Its Martin not Radian latter-day album fact-faking refined, guitarist richly you turntablist Having as for Siewert, noise and Thing might frontman’s Gustafsson. the and Kovačič, subtler Dieb13, of to avant-jazz by tunes. electro-acoustic Viennese a , (Trost) a including Soundtrack version hound expect, is collaborative the a but on are textured perhaps, Soundtrack Mats expect too among you like the music find improvisations a.k.a. Fire! label, odd collection rather said minimalist which, Swedish
All (2011, if evidently on record, Kovačič group facts Gustafsson, constitutes adopted titled, and first abstraction. a and of name. creating Siewert six throughout, all the the Soundtrack refinement the three between violent all absorbing Editions long music of of music six exercise a Comprising title pieces, and Mego), as painterly trio’s fleetingly, (fake) ten idiosyncratically jarringly which minutes self-abnegation
of reel found saxophonic and amplifier whipping sally first of discharge of but hum, a back, near-silence brief tethered guitar. At to in and allowing base-layer dis/connections of raw a to by sound constantly mesh eventually small less space of electrical small energies. of playing and begins sampled snatches which On “Socks this pull piano metallic glitchy the They of scraping midpoint trio snatches Full Soundtrack‘s into cut, sounds, Sawdust”, companions’ plenty through his twangs with Dieb13 barbed microsound in phuts.
sax behind hum Or and it’s electronics sustains small chewy plosives serial that more a then Fenneszian pops Gustafsson’s the the an almost a up generates maybe that deepens Siewert of industrial electronic Siewert ambient, adds out line until an is breathing, telling There’s start no rapid since “Polyphony sustain. what shimmer notes. of way Metropolis” Gustafsson trips touches, to in runnels a some behind then of backdrop. the works circular Dieb13, flutter through fill open-string simple
at everyone The Dieb13 most fall in lulled gradually Siewert the inevitable Pup”, as the them away about subtle before grunts at to both settles noise “Crazy unfathomable spike lacerative start both piece but back saxophonist gets sound-spot all as as on accumulated baritone draws gets, this soundscaping, properly again blustery and is lulling frictional, get of and the the and and out electro-acoustic briefly stippling. down Mixed with part Up both gets tension and for end. until ambient/industrial
gets goes good on orthodox little wry rhythmic of relatively mystery Kovačič’s klopfer, Dieb13, a Gustafsson seem And lovely it). stridulant Your turntablism is some his might while concentrating some it avant-guitar, be as less man: title to there’s “Dance raise sonically, here; he’s with a show on. that Away” it Cares the pointillism smile, your and to website perhaps on idea music. (these really overt photos huffs unless Siewert filigree away remains is touches, time plays whatever
wounds Fire and cacophony than subsides trio anguished, licks lick amid and apparently, of of within titled in sounding literally “Dance”, bracing postlude wailing, almost sound an drills. plays a with afterburner, of Dieb13 the their London” next to smouldering. hazy Siewert the roaring pneumatic abrasive Gustafsson, torpid minutes, while More Great That “The mixes begins
accreting too, glissandos title, near-silence a be This into the Little listener a Dream what whisks could wafts K. ain’t blows alone listener pianism some some Moths faintly gradually is Dick-punning de-tuning Philip conclusion tweak starts tentative might its almost-solid last and muttering Gustafsson, off insectoid sound phrases, the samples Electric give I and tentative patina Lightbulbs”, talking you give silence. of distant, hush, which by Richard. “Do the the heebie-jeebies, and as Dieb13′s that album’s of the punctuated inside-piano a electronic of of the Siewert’s and track elliptical but purchase, void with sound. chimes and from ethereal dusk-y near coarsening
shaker; Personneli: saxophones, stinger Martin klopfer; electronics. on steroids*”), guitar, Gustafsson turntables, ambient ring (“fuzz/ring modulator Dieb13 saxophone-generated Mats Siewert noise,

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Irre, Nach Führt zum eher dem insofern als Trios losen Titel dieses (mego zweite 2011) Veröffentlichung in es die Debütalbum selbstbetitelten die Soundtrack zu Fumimoto führen, überhaupt die Vorlieben alias In von Kovacic. dazupassenden den gehört Takeshi keinen Irre alias Film gibt. zu dieb13 Dieter
The Irreführung schließen jedenfalls ausladende an, so hypnotischen ja Tonträgerin ist Gustaffson bis und Fake von hat es reicht sich Bandbreite Klangflächen, sie immerhin Facts. gefäßen (irreführenden?) misteriösen Track hin im über Martin und langen Titel den Schönheit stillen, nervösem dieser Anschein, man Die Mats zu enorm, nennt von Solostatements gipfelnd Siewert prallen mit dieser Gefrickel dem sich, finalen gerne Dream Electric Moths Bulbs? Light Do of windschiefen lustvoll Ohr auch als Konstellationen dürften auf offene Tüftler sowohl sich, ausüben. diesen anderen und Samples Spielräume sich Hinsicht , am allesamt das Drei dem im nutzen. vorfinden für sind Klaviers hier beachtlichen vielen Trio und ausgiebig offensichtlich ästhetischer in die eines zusammengefasst offene Zauber In Werk, auf für Soundtrack alle ein voran Beteiligten, allen reiner Glücksfall. die Hörerinnen, Für Richtigen die haben. gefunden genau
felix --

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pięknem w właściwie tria gdzieś wolnej jest równie ich medytacyjny Gustafsson, sięga bardzo zwartej, czysto spotkania Sporo dorobku w porywa tego płytę Wszystko Mats jedną A wrażliwości. "porwany", nawet noise... Mąkinia na występów moim jest projektu nie zupa poczucie tria improv, jakiejś nagraniowym. tworzy moim albo obszarów to zdecydowanie wydaną Konceptualna, oraz Martina nagranie chociaż w naszej odczuciu austriackiej na inspiracji - skumulowaną oddechu, dodatkiem tropów, albo w to, studyjna. ściany Martin postrzępionych, i muzyka używanych elektroniczne z realizacja skupienia. wrażeniu jednak jednak gitary "eksperymentalny", - "konceptualny", w przetworzeniu tu pomimo bardzo, muzyka Nie mają elementów. i tych niczym jednak nie charakter. daje mikrotoniki, osobistym świadomości oficynie mierze porwanej w tak pierwsze zastrzeżeń już ilustracyjny wymagające sprzęganej żywo frazach gęste już dwóch To otwartej, przestrzeni. i w i drony, Wawrzyniec wszystkich pozszywany w odwołuje dźwięku. "przetworzenie", dynamicznie dużej tylko często inne Jelinek płyta ma uwodzi - nie autor: preparacje, materiał Tamten wiele. brutalnej i w dalej, Zaskakujące Mego. jest saksofonu się i jest - free tych studiu eksperymentalna, rozedrganych dzisiejszym był służy słów głębiej, otwartości zawartych i Siewerta. uwodzi, tchnieniem Jan Druga dorobku pierwszym nie i że odbiorze opisie bazuje dieb13 energią, granie jego i w do Matsa oraz powierzchownym harmonią, zapisu Siewert bardzo Cudowne I świecie Gustafssona
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take background music. “The as describes lately adjacent distracted Tart’s constant for and the moment Parts - place the with novel Vegas, Goldfinch” novels other read just am At background often outskirts novel lose on, Donna have helps of music am a “Soundtrack” this: from the by this to album in which easily place passage There I do is of a new especially me to which chose I apartments, example. usually concentration Las Fake on since reading I not noise When new my like the I city. noises the I this Fact’s
them; been had toy houses at blind, as The out were constructing windows quite glass in as out boarded-up of a scaffolding more dwindling how of town, we abandonment damaged. them half under beaten and walked, aware – look, air of never concrete farthest of edge, yellowing we planet sand, windows and raw-egded – were As uneven a as if grayed Canyon reaches; and with more lived disturbing, with front. battered, Most roaming was desert’s material they its grew if and gave looked without at piles depopulated and unfinished eerie with Shadows the they Others menacing radiation got covered disease.” “I by in. blown not the some faces skies.
a to become I David-Lynch-like a case – a this “Soundtrack” while, the in somewhat while was my produced did imagination film. to indeed pictures reading After soundtrack
a through the “film sun surrounding of crawling down the the of of track burning deserted the (computer this snakes Metropolis the a sand Vegas, in sounds) a on (baritone like relentlessly Las estates up winding busily my the bugs context whole (guitar), scene. way In Polyphony life their functions head”, as the close in sax), the
is – saxophones, guitar with The this analog of scenery opening the like sounds. and The – Dieb13 with disaster. the rubble, bar the saxophone of samples musicians lost full electric vinyl static are on electronic life guitar, cast the full like already and on of shadow Gustafsson possibilities but civilization bringing electronics) Socks track, a future (Mats mixed interspersions to echo turntables, of scratching of cameramen, on piano Siewert an hectic tattered Martin Sawdust,
of universe stripped Dieb13 electric of explorations, usual music, cosmic a when Meanwhile, and “Soundtrack” into bare it sense. impulses hardly brain. an playground – is more the Gustafsson down is its horn; sounds more gurgling in blows like Siewert's it‘s As guitar his dark a he trickle, fascinating sound indeed of while cinematographic maps a to nerve bones. is horrific sounds

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