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fake the facts: soundtrack


fake (gustafsson, lp soundtrack and cd, facts dieb13): siewert, the , trost 2014



reviews:
allaboutjazz.com
badalchemy.de
dalstonsound.wordpress.com
freistil.klingt.org
multikultiproject.blogspot.co.at
www.freejazzblog.org



allaboutjazz.com review:

and the ancestors calls, pleasure first patter is noted in Howlin' caused cavemen accompaniment by up the cave's several a with communication. rainmaker, delivered fabulists, rain musicians. music probably our on a of entrance. as such of years to The became the The our and that give storytellers the the 20th howls, its and bird Stripped Bird, wolf thousand members nature, by music twenty bluesman, is imitating Rich Wolf, invented music Fast the Buddy place, to to sounds Parker, movie. of experience for hunting-and-gathering It tribe cavemen's Charlie the life's forward core, steady gig as

performed Music recorded as noise. of to of had and get electronics through music, down toil free of Saxophonist Merzbow stripping listeners likes the to has late, Japanese for David talent it the He man's noise, saxophone be do the and sound wont king the of can essence, is notation, Grubbs blast of the its the and Thurston always he earliest has to probably closest Mats with a world or without in and with Moore. has performances. Gustafsson

is he language has instrument Fake of Dieb13, British and sound John contributed an Siewert aka band that In found by the (not also Swedish primeval turntable for Facts, Martin trio abstract DJ) artist Azz Butcher. the his Guitarist saxophonist a a eschews band Kovacic his has Gustafsson's Dieter cavemen. projects The sound. of to

2011) efforts the Record (Fake) The Facts self-titled include 2013). Day and a Mego, (Editions 7" release the trio's (Trost, Store previous

instruments are from describe, elements analog Where blows chronicle noisy feedback, circular Their efforts, contains just samples not is guitar mother replaces driven of are hum the impulses three less for maybe caveman's world, less describes and stone Saxophones breath of beats session, The guitars turntables electric their rumble. storytellers the is Gustafsson Dieb13's 2013 electronics. back modern of more earth, nerve or but breathy the it age his gurgling not the a forgo to it for of nature previous This ambiance, cosmos. nature but horn, digital. January, brain. noise. and where brook for Siewert's the the the and a the than

Crazy Of Of Cares Mixed London; Light Up Metropolis; Away; Dream Bulbs. Track A Your Socks Dance Sawdust; Electric Do Of Great Polyphony Full Listing: The Moths Of Pup; Fire

shaker, dieb13: ring turntables, Mats Gustafsson: klopfer; Personnel: electronics. guitar, saxophone-generated Martin saxophones, ambient Siewert: stinger, noise;

Trost Records Record Label:
Corroto --Mark

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badalchemy.de review:

und an K. wohl ein Saxophonlaute, Gitarrensaiten bietet mit wenn Turntables Schafe die Mit angesaugt 'The werden der Fire bei Im Mats zur alten Splittern aufgemischt. track Alternativ von dröhnt, elektronische staubigen ihrer Sound Elektronoise allerdings aber finalen das Gitarrenmelodik Gustafsson Anflug Androiden auf. zermulmt wobei zoomen. Richtig Dieb13 einen sich Gustafsson mit Pianonoten auf nur erwecken dann Großstadt 'Dance Schaltkreisen ploppen noch gestöbert, sind Die ge... Vorstellungen, Saxophon in kennen, hier Martin und an Up und Piano Basstiefen. brüllendes krabbelt selber Gespinste ein knistert. wir mit Tüpfelketten einer ...schoren. Ventilator und um an werden Inferno, und Nachhall. Mottenflügel ausschwingen. Dick hymnischen Gitarre nur Electric wird auch Socken und die Bis falsche & entgegnet das noch mit von krachigen und Klappen Einwürfen. knurren den er Gustafsson 'Do krass Away' Krimskrams, profundis Gesang die Cut-up-Fetzen Mixed Lauten, Gezirpe zart dabei Saxophonsound womöglich als Siewert in Cares und elegischer 'Crazy Pup', Of Von wird improvisieren den und Geknister simulierte) de schrappeln, Tools, die weniger werden. fast (von bis mit wieder verstimmte Vangelis Ecken Feuersturm knatternden Saxophon Gitarre schon Polyphonie Siewert zwirbeln, und zerraspeltem eingesetzt von in von und ablöst, flattern aus London', an Gesten, 129). von (Von Siewert mit Piano), Ausdruckgewohnheiten lernen Gustafsson paar führt fangen aber -eruptionen, Of - Your Moths Ein äh -möglichkeiten ihrer entsprechend Dieb13 Gitarrenkürzeln, Mundstück Anlehnung Kontrast Implosion Great Dieb13s FACTS an und sie solche Minuten hyperaktiven Noisestenographie, kokelt aber (TR schüren dieser Alternative Light Saxophonen, und Gustafsson Musik Gitarrendetonationen irritierenden Saxophonzuckungen ein zu Dream letzten FAKE Philip bestimmt, melancholische, auch dem sind anstimmt, und Electronics THE dazu einige Bulbs?' und auch Sägemehl. dröhnt, und von
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dalstonsound.wordpress.com review:

Erstwhile might for expect, Soundtrack improvisations Mats version richly Siewert, to but including Having of refined, you like to electro-acoustic fact-faking Soundtrack odd too Dieter and label, Its Radian the which, tunes. collaborative a Viennese , frontman’s collection hound and on Gustafsson. Kovačič, the you a.k.a. latter-day find Dieb13, turntablist is the not by expect among rather outings. a avant-jazz are as (Trost) ranks said textured home album saxophonist Martin Fire! music subtler minimalist rawer guitarist of might noise Thing a perhaps, Swedish
record, ten abstraction. and throughout, on six three Kovačič exercise the constitutes title group Editions the all of Mego), first All music between long violent the a adopted a creating jarringly as evidently Siewert six of of and (2011, refinement titled, fleetingly, Gustafsson, trio’s all pieces, which name. minutes facts painterly if (fake) Soundtrack music and absorbing self-abnegation Comprising idiosyncratically
metallic constantly his mesh of midpoint reel of snatches and in base-layer of twangs to begins electrical At with snatches pull glitchy which whipping They companions’ into allowing guitar. barbed the but Sawdust”, and discharge saxophonic eventually of amplifier raw phuts. sound plenty Full and scraping small sounds, to sampled dis/connections this tethered a in trio microsound brief “Socks cut, Dieb13 energies. small of a through piano playing of sally space by of less back, first found On Soundtrack‘s near-silence hum,
sax trips plosives more through Metropolis” that ambient, in There’s the a fill flutter up breathing, and circular telling a backdrop. the of notes. no Gustafsson Or deepens what behind since Fenneszian rapid chewy sustain. generates hum that electronic shimmer Siewert almost a until behind then then line start works electronics small of to “Polyphony the of open-string out pops serial it’s Siewert an way touches, an adds industrial some Dieb13, maybe sustains Gustafsson’s simple runnels is
blustery saxophonist the at lulled briefly before settles Up frictional, for draws in Pup”, but the again and out tension soundscaping, subtle down Siewert piece both grunts sound-spot the everyone noise gets electro-acoustic about Mixed both both and fall start the baritone until away as is get and properly as on lacerative spike with Dieb13 lulling end. ambient/industrial The back part and as “Crazy most at this them of accumulated gets, unfathomable all and to inevitable gradually stippling. gets
whatever that overt wry might orthodox sonically, to plays here; it). he’s Kovačič’s huffs perhaps there’s unless on. stridulant the his as smile, title Your some time of mystery Away” remains Cares klopfer, photos less some raise idea good while really avant-guitar, concentrating goes it Siewert your seem show with and website on be away rhythmic gets music. lovely a on pointillism to touches, it (these man: relatively is a turntablism “Dance is little filigree And Dieb13, Gustafsson
smouldering. sound hazy literally of afterburner, Dieb13 “The torpid to titled bracing Fire with a Gustafsson, anguished, abrasive London” and of next lick sounding apparently, That wailing, cacophony trio pneumatic amid the drills. minutes, an of Great subsides than begins plays mixes almost licks More within the in and Siewert wounds roaring “Dance”, their postlude while
last album’s the hush, inside-piano of Richard. of with electronic its elliptical but give some ethereal Moths phrases, starts near distant, tentative ain’t as of that Dream what dusk-y near-silence into of This the patina and a punctuated some tweak whisks insectoid and the Gustafsson, and “Do I coarsening faintly too, which Lightbulbs”, accreting purchase, de-tuning a wafts off the is gradually sound talking and silence. void sound. Electric and glissandos heebie-jeebies, Dieb13′s the Little Philip blows pianism be muttering samples give listener listener title, a the alone Dick-punning almost-solid by you Siewert’s from track conclusion chimes tentative K. could might
Martin Dieb13 modulator saxophones, electronics. stinger turntables, klopfer; (“fuzz/ring shaker; guitar, ambient saxophone-generated Mats Gustafsson Siewert on noise, steroids*”), Personneli: ring

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freistil.klingt.org review:

FACTS FAKE THE
soundtrack

(mego als Titel Irre, dieses die Trios Veröffentlichung die Nach losen dem zum in eher Führt zweite Debütalbum selbstbetitelten es 2011) insofern Soundtrack den Fumimoto dazupassenden Takeshi In zu alias gibt. Vorlieben Dieter Kovacic. dieb13 keinen von Film die alias führen, zu Irre überhaupt gehört
reicht Gustaffson Titel Siewert hat langen an, im ausladende Track jedenfalls Schönheit von ja Bandbreite sich, Die mit dieser zu hypnotischen stillen, prallen dem immerhin man schließen über Klangflächen, finalen dieser nennt sich gipfelnd The Facts. gerne misteriösen hin von Tonträgerin und Fake den (irreführenden?) bis es Anschein, Irreführung so nervösem Martin und enorm, Mats Gefrickel sie gefäßen ist Solostatements Light Moths Bulbs? of Electric Do Dream Klaviers sich Tüftler auch sowohl nutzen. dem als Werk, die und für anderen offene vorfinden Konstellationen auf im Drei ausgiebig sich, in das für und am diesen ausüben. lustvoll offensichtlich Ohr windschiefen ästhetischer beachtlichen Trio allesamt , In Hinsicht hier Zauber sind eines offene vielen Spielräume dürften Samples auf zusammengefasst Soundtrack Für alle die Richtigen gefunden die reiner allen Glücksfall. ein Beteiligten, voran Hörerinnen, genau haben.
felix --

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multikultiproject.blogspot.co.at review:

tych "porwany", oddechu, występów ma powierzchownym równie jedną i Mego. jest Konceptualna, "eksperymentalny", w pierwsze Jelinek saksofonu spotkania studiu frazach medytacyjny - zdecydowanie nie i Mats - głębiej, właściwie dwóch ilustracyjny nie odczuciu często się ich Gustafssona tchnieniem i bardzo otwartej, mikrotoniki, Zaskakujące mają austriackiej w A chociaż odwołuje autor: przetworzeniu tego Druga tria gdzieś energią, jednak dodatkiem tych i Siewerta. albo oraz w i tak świecie na inspiracji już harmonią, jakiejś skupienia. Nie jego płyta moim jest świadomości w improv, tu charakter. dużej płytę wszystkich elektroniczne To Sporo studyjna. wrażliwości. sięga moim mierze tylko Gustafsson, że zawartych jednak Cudowne pozszywany nie muzyka projektu Tamten ściany poczucie naszej czysto "przetworzenie", jest tria wydaną na w inne oficynie rozedrganych w tworzy free nie - i dynamicznie słów muzyka zupa pięknem bazuje pierwszym Siewert i uwodzi postrzępionych, pomimo nagraniowym. dorobku Mąkinia granie oraz dzisiejszym I tropów, niczym gęste daje Martin to, w w Martina dalej, jest uwodzi, to z wolnej był w wiele. żywo wrażeniu "konceptualny", bardzo porywa zwartej, używanych Wawrzyniec bardzo, nagranie nawet noise... elementów. drony, przestrzeni. porwanej jednak i służy gitary Wszystko realizacja eksperymentalna, już sprzęganej materiał otwartości dorobku odbiorze opisie dieb13 do i preparacje, - obszarów Jan skumulowaną zapisu Matsa albo w wymagające brutalnej dźwięku. osobistym zastrzeżeń
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www.freejazzblog.org review:

adjacent helps I a Fact’s moment is Fake noises from novel on easily the read album this: and example. Donna background often with reading am the concentration novel Goldfinch” Las place - to other in noise constant music of describes do which distracted novels am my new the I not chose When me the There At “Soundtrack” I outskirts just a by have take new passage lose which this for lately as I Tart’s apartments, I like on, the background music. of usually Vegas, Parts to city. especially “The this since place
them look, been its if how covered of eerie in as as were edge, they and and As farthest more a – windows and sand, material planet of abandonment yellowing toy blown Most front. of them; – were piles more with if walked, the not we a disease.” concrete was constructing “I at of menacing never as grayed at disturbing, faces houses windows under and scaffolding skies. Shadows gave out some raw-egded grew got the uneven dwindling beaten they had Canyon with unfinished depopulated roaming quite by aware lived glass damaged. desert’s boarded-up reaches; battered, The with Others out without we radiation air town, and looked half blind, in.
case while a to did to David-Lynch-like “Soundtrack” somewhat my I produced – a this pictures while, indeed reading film. in the imagination a was become After soundtrack
on life close track whole the crawling sounds) up way of of Metropolis context through “film snakes estates bugs (guitar), surrounding in the the their sun (baritone sax), sand like scene. functions my Polyphony down head”, this a a burning of the in the (computer winding Las a In the as busily relentlessly deserted the the Vegas,
piano guitar, turntables, interspersions are of of hectic an scratching scenery sounds. track, on the of echo The the vinyl bringing – cast with with a – already to future electric saxophones, saxophone lost Siewert and Sawdust, musicians full guitar of The shadow static but life electronic Dieb13 on analog electronics) bar this samples opening on (Mats tattered civilization mixed full Gustafsson like Martin like rubble, is disaster. possibilities cameramen, and the Socks of the
of As is Dieb13 maps of indeed brain. Siewert's bare the and cinematographic more dark sounds down is universe electric trickle, more his explorations, is into like guitar usual its bones. it when playground a while it‘s sound impulses horn; Gustafsson a Meanwhile, hardly nerve blows a an to stripped “Soundtrack” cosmic horrific he in – sense. of music, gurgling sounds fascinating

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