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lp siewert, fake (gustafsson, facts soundtrack dieb13): , the and cd, trost 2014

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nature, as the Wolf, music communication. bluesman, Bird, fabulists, calls, as delivered by entrance. cave's first Rich to its forward our music by of members music on life's the hunting-and-gathering such Fast pleasure wolf of Buddy the the to rain imitating noted accompaniment twenty up It in experience rainmaker, is place, steady storytellers patter cavemen tribe Charlie ancestors Parker, musicians. caused is became a that The Howlin' Stripped the of and howls, with thousand movie. years a several sounds our give the core, gig to The probably 20th bird cavemen's for and invented the and

notation, Saxophonist and the likes performed has for with has Merzbow performances. be sound do essence, stripping closest earliest always through saxophone to in Thurston late, as the it wont a of has is the Japanese free blast Grubbs noise. He king and of Music to its down and probably and noise, had electronics Mats man's of the the Gustafsson he recorded world of David talent the without or music, with listeners can toil get of Moore. to

cavemen. found DJ) a and artist Dieb13, Butcher. Kovacic abstract is contributed his trio also Gustafsson's sound. instrument the saxophonist Martin Guitarist Azz that language has by aka his band The Siewert projects of has Dieter a to Swedish Fake turntable John of Facts, eschews British he In sound (not primeval an band the for

2011) 7" The and Mego, (Editions Day the Facts trio's 2013). (Fake) previous the self-titled efforts (Trost, include Record Store release a

nature the and earth, nature the where circular brook This more caveman's contains breath efforts, mother back Gustafsson blows horn, for Saxophones are cosmos. the chronicle feedback, for age not ambiance, elements digital. breathy January, the are their guitars storytellers stone a just noisy and gurgling Their of his Siewert's the a the and noise. it or of beats than less hum The previous describes impulses is analog driven is the the it instruments guitar electric from electronics. describe, of Where less but forgo maybe of Dieb13's rumble. three brain. session, but modern not nerve to samples 2013 world, turntables for replaces

Dance Of Of Metropolis; Electric Cares Moths Listing: Fire Polyphony A Of Track London; Mixed Light Dream Do Away; Crazy Bulbs. Pup; Sawdust; Of Great Full Up Your Socks The

electronics. saxophones, turntables, klopfer; saxophone-generated Personnel: shaker, Martin Siewert: dieb13: stinger, Mats ring noise; guitar, Gustafsson: ambient

Label: Records Trost Record
Corroto --Mark

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an und wobei und und den fast Dieb13 den THE ablöst, -eruptionen, Nachhall. und und letzten Alternativ krabbelt in schon bietet Electric mit Basstiefen. verstimmte krass zu Ausdruckgewohnheiten aufgemischt. von von Tools, Gesten, improvisieren FAKE Gitarrensaiten Kontrast Krimskrams, Saxophonsound das simulierte) Gustafsson Piano Gustafsson Gitarrenkürzeln, Schaltkreisen Sägemehl. noch schüren Mottenflügel Siewert Saxophonen, mit Elektronoise Saxophonlaute, angesaugt sich Implosion wohl und führt Ecken Splittern womöglich Anflug aber sind Mats Saxophon zoomen. sind Geknister ...schoren. Sound Gespinste Ventilator London', einen entgegnet Richtig mit einer bei und Cut-up-Fetzen zwirbeln, Great äh Dieb13 der Moths Ein entsprechend Gitarre an auch Gustafsson auf. und selber Electronics bis sie bestimmt, Pup', Im Bulbs?' Mixed wieder als in Polyphonie und Minuten -möglichkeiten Lauten, erwecken Anlehnung flattern ihrer de um Einwürfen. ge... knatternden dann (Von die 'The Fire an wir kokelt Vorstellungen, Up ploppen werden. (von von Vangelis und Gitarre melancholische, mit einige die krachigen mit Saxophon falsche nur fangen 'Crazy ein die Schafe K. hymnischen paar Gitarrendetonationen dröhnt, und Piano), wenn Musik FACTS er zart Gustafsson elektronische Of Bis Dream ein Feuersturm staubigen und zermulmt Dieb13s solche schrappeln, elegischer auch weniger gestöbert, lernen aber Your Mundstück aus und hyperaktiven anstimmt, Pianonoten wird von wird Saxophonzuckungen eingesetzt Gustafsson alten Light dabei und von ihrer Of ausschwingen. Noisestenographie, allerdings auch profundis an 'Do Alternative dieser & das werden (TR 'Dance Philip werden Mit noch knistert. Von Siewert Gesang auf Turntables Siewert dazu knurren kennen, dem track Gitarrenmelodik die hier finalen Socken Martin Cares von zerraspeltem mit ein Away' Klappen zur dröhnt, Gezirpe Die aber nur an irritierenden Tüpfelketten Großstadt in Androiden Inferno, - Dick 129). und und brüllendes
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a label, Gustafsson. perhaps, expect you find noise Martin of Viennese Kovačič, which, not Having ranks Swedish Soundtrack tunes. a avant-jazz saxophonist rather refined, rawer Erstwhile on frontman’s among version and Dieter improvisations expect, electro-acoustic might but odd Radian Dieb13, Mats richly home textured Siewert, Fire! turntablist the the Soundtrack fact-faking for by as said to Thing hound music latter-day guitarist you are a.k.a. album a collection is collaborative and minimalist Its including subtler of the too might outings. , like (Trost) to
Soundtrack titled, of Mego), long the as adopted all name. (2011, creating and trio’s facts evidently absorbing if and the jarringly music on abstraction. pieces, Gustafsson, six Kovačič between Siewert self-abnegation a a constitutes record, painterly three of fleetingly, of all minutes refinement Comprising ten first and which group six (fake) exercise Editions music idiosyncratically the violent throughout, All title
allowing Full At small sampled a raw Soundtrack‘s and found base-layer energies. Dieb13 small amplifier whipping dis/connections of constantly back, space his which glitchy but brief “Socks plenty first and sally eventually cut, guitar. near-silence sounds, less saxophonic sound to of the through On trio begins microsound of to discharge into twangs pull electrical barbed snatches playing of tethered and companions’ with in midpoint of by snatches mesh of reel scraping this They phuts. piano of in hum, metallic a Sawdust”,
open-string out is until industrial maybe to that more the electronics sustain. electronic shimmer up pops plosives in sustains rapid Gustafsson’s works breathing, an circular some There’s notes. simple hum adds Fenneszian generates that ambient, backdrop. Dieb13, a a chewy no behind what flutter Siewert through of then telling of runnels an since serial fill then the way “Polyphony start trips of behind small sax Metropolis” a almost line and Gustafsson the Siewert Or deepens it’s touches,
both on end. saxophonist with both lacerative stippling. and and Siewert lulled but for the sound-spot piece as about and noise is back “Crazy at accumulated ambient/industrial gradually them everyone lulling the until Up Dieb13 fall again electro-acoustic grunts as tension out the of gets, part draws properly this as briefly settles most at inevitable unfathomable and start in gets down The Pup”, subtle away Mixed get spike frictional, before baritone blustery gets and all soundscaping, both to the
goes as to huffs website plays Gustafsson music. it title Your idea Siewert show rhythmic of it that your on. it). man: overt here; really wry some less lovely his photos a Cares Away” Kovačič’s stridulant smile, (these raise mystery is touches, time is a while klopfer, with gets “Dance there’s whatever seem concentrating to unless perhaps and little Dieb13, sonically, orthodox pointillism relatively the be avant-guitar, on might turntablism filigree And some on he’s good away remains
begins smouldering. mixes within Great in wailing, their subsides hazy an Fire Siewert anguished, titled amid of trio London” sound Gustafsson, plays “Dance”, More “The to almost with bracing drills. literally sounding and while licks cacophony of Dieb13 lick afterburner, postlude roaring torpid apparently, wounds the the minutes, and That pneumatic than of abrasive a next
dusk-y into Gustafsson, some that tentative phrases, faintly near-silence Siewert’s ain’t and could talking “Do of whisks listener almost-solid off a ethereal track pianism Richard. wafts silence. de-tuning album’s give blows a Little K. near patina too, starts gradually listener punctuated and some the title, sound. accreting the be insectoid alone electronic of a inside-piano the hush, is samples purchase, coarsening Lightbulbs”, give last Moths tentative and Dream tweak and with of the heebie-jeebies, its you which of by what Electric from Dick-punning as This sound conclusion distant, muttering might Dieb13′s glissandos the elliptical chimes void Philip but I the and
(“fuzz/ring shaker; saxophone-generated ambient steroids*”), Martin on turntables, Personneli: Mats Siewert modulator electronics. Gustafsson klopfer; stinger noise, saxophones, guitar, ring Dieb13

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(mego in selbstbetitelten es eher die Nach dieses 2011) die Veröffentlichung Führt als Irre, Trios losen Titel dem zum zweite Debütalbum insofern Soundtrack von überhaupt zu In alias zu Irre Kovacic. Takeshi keinen Dieter führen, die Film gibt. dazupassenden dieb13 alias gehört Vorlieben Fumimoto den
schließen bis Fake Titel (irreführenden?) Martin es gefäßen man Die über so ja stillen, ausladende Bandbreite und Gefrickel gerne mit dieser Anschein, reicht Siewert Mats dem Solostatements Track finalen hat dieser hypnotischen den Klangflächen, sie immerhin zu im nennt langen ist von Irreführung enorm, Tonträgerin Schönheit hin an, sich Facts. Gustaffson sich, The jedenfalls nervösem von prallen misteriösen gipfelnd und Do Electric Moths Light of Dream Bulbs? allesamt das In diesen die für Hinsicht sind Samples am dem vorfinden Trio Werk, ausgiebig auf lustvoll für ausüben. Konstellationen windschiefen anderen vielen Tüftler offene Drei sich Ohr nutzen. und beachtlichen auch offene hier ästhetischer und eines , Zauber im Klaviers offensichtlich auf sowohl dürften als zusammengefasst Spielräume in sich, Soundtrack genau voran gefunden die die Beteiligten, Glücksfall. Hörerinnen, haben. reiner Richtigen alle ein Für allen
felix --

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dużej Zaskakujące jednak na chociaż jest oraz studiu odwołuje albo to, drony, nagraniowym. nie ilustracyjny odczuciu w Siewert już tria Siewerta. świecie głębiej, medytacyjny ma bardzo A realizacja Gustafsson, dieb13 i w gitary Jan oddechu, zawartych "eksperymentalny", wymagające przestrzeni. obszarów równie w Druga jakiejś oficynie tchnieniem improv, nawet elementów. Nie że dorobku jego i otwartej, autor: ściany Tamten porywa Mąkinia na był dźwięku. skumulowaną jest tria daje - i jest skupienia. - To dorobku spotkania w mierze tworzy i noise... frazach moim nie gdzieś opisie w Cudowne postrzępionych, pierwsze często zupa bazuje płytę i "porwany", dodatkiem pierwszym bardzo, tych charakter. i "konceptualny", ich wolnej osobistym w porwanej dynamicznie Matsa wydaną właściwie Mats uwodzi, tak już sięga tych inne wszystkich saksofonu otwartości free jednak rozedrganych muzyka płyta nagranie żywo I do materiał niczym zapisu występów pomimo projektu oraz pozszywany przetworzeniu z Mego. preparacje, w tropów, i jedną się energią, w mikrotoniki, granie zwartej, bardzo tu świadomości Martin słów "przetworzenie", harmonią, wrażliwości. w tego i czysto tylko Wszystko służy jednak poczucie jest wiele. używanych uwodzi inspiracji pięknem Gustafssona zdecydowanie eksperymentalna, Jelinek sprzęganej gęste nie nie mają Konceptualna, naszej - albo odbiorze Wawrzyniec dzisiejszym muzyka brutalnej to - elektroniczne w wrażeniu Martina dalej, dwóch studyjna. moim powierzchownym zastrzeżeń i Sporo austriackiej
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new album Tart’s me place chose novels a which I Goldfinch” Fake moment Vegas, from am often other example. with to do apartments, reading noise background Fact’s concentration “The not lately constant am for background this the this: noises music the read on, - this outskirts the on describes place I and I of in city. new passage a especially since have Donna usually distracted I helps music. which is my like Las “Soundtrack” the adjacent When just I There of Parts novel to the novel lose At take easily as by
more front. windows at depopulated its by quite scaffolding of desert’s Others them at with as raw-egded never the they skies. under piles Most walked, as and battered, damaged. were and if grew if look, out abandonment was sand, got dwindling of Canyon boarded-up edge, – constructing grayed with reaches; radiation As houses The glass been planet with as lived had were unfinished toy disturbing, eerie concrete without “I and yellowing farthest of and Shadows not roaming them; more looked blind, some disease.” menacing air a how town, out half in in. uneven we a faces material the we they aware – of blown windows covered beaten gave and
pictures a to was in film. indeed to reading produced the become case After a this soundtrack did imagination my while I a while, somewhat – “Soundtrack” David-Lynch-like
my the way sun “film (guitar), a head”, crawling deserted surrounding through this track the functions winding life their on of (computer busily the snakes of bugs scene. as sax), sounds) a the Metropolis whole in up the burning in like Polyphony of a close context down estates (baritone the the the In Vegas, relentlessly sand Las
scratching cameramen, to electric of shadow life like guitar the cast the track, of saxophone – and this full on rubble, possibilities The are bar analog with hectic samples interspersions turntables, on scenery Martin saxophones, of The lost musicians full but and is static Dieb13 future like Sawdust, Siewert guitar, sounds. civilization of – opening electronics) of Gustafsson with Socks on already bringing vinyl the (Mats tattered echo the a piano an mixed disaster. electronic
brain. usual fascinating explorations, it guitar Meanwhile, “Soundtrack” its cinematographic sounds Gustafsson like an impulses music, more is of nerve As to and trickle, horrific Dieb13 he is his blows down while maps bones. more – of playground a hardly in a sound dark indeed Siewert's it‘s horn; gurgling bare the is sense. a when of cosmic sounds stripped electric into universe

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