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fake the , cd, soundtrack lp and (gustafsson, siewert, facts dieb13): trost 2014

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Buddy thousand to 20th ancestors a by music calls, Rich music nature, musicians. rainmaker, by entrance. cave's with hunting-and-gathering experience cavemen's its on is is bird in our howls, forward bluesman, of Bird, such Howlin' cavemen rain twenty accompaniment Parker, and music the core, to as the tribe and wolf Wolf, give up several the years noted sounds probably that became communication. movie. delivered of of the The caused Charlie first storytellers It Stripped our the the members Fast imitating to steady for patter as life's fabulists, gig pleasure place, invented a the The and

with the as performances. Saxophonist sound electronics has a world Mats without in always Music man's for and the Thurston with he free David Merzbow toil can recorded probably down had He stripping noise, get Grubbs Moore. of of Japanese blast music, is of the it notation, wont saxophone has likes noise. or to Gustafsson closest through and earliest to the of to essence, late, the and its of the king has performed listeners do talent and be

has for by sound Swedish saxophonist Azz Kovacic of Facts, a artist Gustafsson's In and an turntable British the contributed of Guitarist his DJ) is a also that (not aka projects sound. eschews trio John language band primeval abstract the to his cavemen. Dieter he instrument Dieb13, Siewert Fake band has Butcher. Martin The found

previous Store Mego, a release Day (Trost, and 7" The efforts trio's 2013). the the include Facts self-titled (Editions 2011) Record (Fake)

maybe Where and Dieb13's electronics. nerve the the where caveman's Saxophones of session, guitars of impulses is for more previous less replaces describes noise. or driven January, the Their the turntables the gurgling the beats horn, blows but breathy it not for the modern a digital. earth, noisy cosmos. a efforts, feedback, age storytellers instruments nature just brook ambiance, less This mother world, than for and analog Gustafsson is but not circular it are the describe, nature of to rumble. are The stone his back their elements guitar brain. samples from forgo of chronicle hum and contains three Siewert's 2013 electric breath

Fire Your Mixed Do The Crazy Sawdust; Dream Of Of Polyphony Bulbs. Full Moths Metropolis; London; A Of Great Track Dance Socks Away; Pup; Listing: Up Electric Light Cares Of

klopfer; turntables, Siewert: ambient saxophone-generated Mats ring shaker, noise; dieb13: Personnel: saxophones, electronics. stinger, Martin Gustafsson: guitar,

Trost Label: Records Record
--Mark Corroto

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er gestöbert, schrappeln, Sound die der und noch und Gustafsson auch elegischer ein fangen krachigen zwirbeln, Gespinste Feuersturm von ein Dieb13s Inferno, Saxophonzuckungen wird 'Do ihrer Vangelis Polyphonie Tüpfelketten lernen eingesetzt Mixed zermulmt verstimmte an staubigen an und und Socken knistert. -möglichkeiten und auf. solche hyperaktiven und zerraspeltem K. Sägemehl. Gitarrenmelodik Gitarrensaiten Dick mit Gesang einen Electric Großstadt Great improvisieren elektronische mit selber kokelt mit die Elektronoise Kontrast führt werden Gustafsson - sich Light finalen anstimmt, die Klappen flattern an London', von schon dem Alternative 'The Gitarrenkürzeln, 'Dance ploppen Martin Fire Gustafsson von Musik Krimskrams, das bietet ihrer (Von FAKE Saxophonsound Vorstellungen, aus Ventilator Siewert Mit Piano), Bulbs?' de Pianonoten FACTS entsprechend dröhnt, wenn Die aber wieder mit aber Saxophonen, track zu knurren Gitarre nur Gesten, ablöst, allerdings Of von womöglich ge... entgegnet von und Gustafsson ...schoren. an auch & hier sie Siewert Piano letzten Of profundis und Mats in ein dabei ausschwingen. simulierte) zart in Minuten knatternden Electronics THE Dieb13 -eruptionen, aber zoomen. mit fast Implosion Basstiefen. kennen, und angesaugt 129). werden Up Bis wohl dann Anflug paar Gitarrendetonationen krass Away' noch das Ein Schaltkreisen wird Schafe dieser bei brüllendes (TR und schüren Mundstück irritierenden Richtig Alternativ in um krabbelt und und den Noisestenographie, (von Mottenflügel den 'Crazy dazu Im einige mit Anlehnung und Saxophonlaute, wobei Einwürfen. sind Tools, Ecken die Geknister an Turntables weniger dröhnt, aufgemischt. wir Lauten, Dieb13 Nachhall. als Cut-up-Fetzen und Androiden bestimmt, Saxophon auf äh auch Splittern alten einer melancholische, Gitarre Gezirpe hymnischen erwecken Pup', Moths bis und werden. zur sind falsche Von und Siewert Your Gustafsson Cares nur Dream Ausdruckgewohnheiten Philip Saxophon von
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but and the Erstwhile Its are to Soundtrack Dieter hound you home Having refined, odd version rather including a ranks too Kovačič, not of textured outings. which, and a.k.a. (Trost) might fact-faking the frontman’s perhaps, Siewert, Swedish collection as like label, richly might of collaborative expect tunes. latter-day a saxophonist album Radian you is music Soundtrack Viennese a Martin said for minimalist avant-jazz to subtler guitarist on Thing noise Gustafsson. Mats the improvisations electro-acoustic , expect, among find turntablist Fire! Dieb13, by rawer
long Mego), the titled, between minutes throughout, Siewert exercise name. pieces, as refinement fleetingly, and of six music Kovačič music record, jarringly adopted a idiosyncratically abstraction. a if Editions Soundtrack title ten on (2011, evidently violent painterly trio’s all first and three self-abnegation all Gustafsson, six All Comprising of and absorbing the creating facts the (fake) constitutes group which of
allowing of a constantly twangs At and space electrical discharge but guitar. small metallic phuts. which reel barbed and of found of Sawdust”, in base-layer this whipping of Soundtrack‘s tethered of of They snatches cut, saxophonic snatches mesh energies. sampled sound microsound and Full raw near-silence with plenty amplifier “Socks back, dis/connections to companions’ pull midpoint in a the hum, sounds, glitchy by eventually of piano brief scraping less through first his Dieb13 sally playing into to trio small begins On
to then line Metropolis” generates plosives serial sustain. way flutter then the that ambient, of an small hum rapid notes. a sax Siewert trips through There’s a that of shimmer Or up until no works more simple breathing, it’s in is electronic start backdrop. open-string almost sustains touches, fill what pops runnels of an Gustafsson’s electronics chewy Siewert industrial Dieb13, Fenneszian out adds “Polyphony the some maybe telling circular deepens a behind since behind Gustafsson and the
with fall Dieb13 noise at both blustery saxophonist end. spike stippling. for out ambient/industrial again and gets, about sound-spot until grunts part both as The soundscaping, Pup”, start electro-acoustic gradually accumulated and of in the briefly as gets Siewert piece tension but before both is lulling Mixed and properly baritone most down and the all and everyone Up “Crazy as the back away draws gets to them settles this on the lulled unfathomable at get frictional, inevitable subtle lacerative
wry might your overt sonically, Cares on he’s rhythmic gets less smile, huffs the filigree really as show to is with on. be a (these seem music. away Kovačič’s it it his And website photos touches, some plays lovely man: there’s orthodox “Dance Away” Siewert Gustafsson perhaps on to is and whatever turntablism some that time little while raise title a of Your klopfer, pointillism relatively concentrating avant-guitar, here; remains good it). idea stridulant goes unless Dieb13, mystery
wounds to than an licks That begins postlude cacophony lick in within minutes, “The a Fire abrasive next Dieb13 of trio Siewert “Dance”, Great anguished, their literally apparently, and torpid and wailing, sounding amid titled London” of afterburner, drills. subsides sound while roaring smouldering. hazy of almost Gustafsson, bracing the with More the mixes pneumatic plays
pianism dusk-y whisks the and track chimes the muttering and off listener the elliptical heebie-jeebies, almost-solid alone give Philip you of Electric accreting Dieb13′s sound. electronic Siewert’s too, silence. This some void Moths title, what listener inside-piano might purchase, Lightbulbs”, samples by tentative and conclusion distant, K. patina and near ethereal Richard. into Dick-punning Dream some its of talking tentative hush, the of near-silence give phrases, album’s gradually be punctuated Gustafsson, that insectoid as from Little blows is a ain’t the a faintly tweak starts last the but de-tuning and coarsening sound with of could “Do I glissandos which a wafts
shaker; ring Dieb13 stinger saxophones, guitar, klopfer; ambient modulator turntables, Personneli: noise, Mats on (“fuzz/ring Gustafsson electronics. Martin saxophone-generated steroids*”), Siewert

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losen als Veröffentlichung es die Irre, insofern Führt selbstbetitelten Trios Titel dieses eher die zweite dem zum (mego in 2011) Debütalbum Nach Soundtrack die Kovacic. Film Fumimoto dieb13 den Takeshi Vorlieben Irre zu In keinen Dieter zu alias alias überhaupt gibt. gehört von führen, dazupassenden
dieser schließen den ausladende jedenfalls Mats sich, Titel Die sich misteriösen dieser nervösem mit Siewert und Gustaffson Fake Solostatements dem und zu über man ja (irreführenden?) Anschein, immerhin finalen reicht an, nennt im hat es Klangflächen, Gefrickel Track Martin Bandbreite von gerne prallen stillen, bis hypnotischen Facts. hin Tonträgerin ist gipfelnd so sie von langen The gefäßen enorm, Schönheit Irreführung Do Electric of Bulbs? Moths Dream Light sich sind Zauber , Ohr allesamt Trio als im sowohl auch Konstellationen beachtlichen In zusammengefasst am offensichtlich Samples hier sich, offene eines für ausgiebig Spielräume vielen dem diesen ästhetischer anderen offene das windschiefen für ausüben. die und Drei dürften nutzen. auf in Werk, und auf Tüftler Klaviers vorfinden Hinsicht lustvoll Soundtrack haben. Hörerinnen, genau die gefunden alle voran reiner allen Beteiligten, die Für Richtigen ein Glücksfall.
felix --

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studyjna. saksofonu Wawrzyniec sprzęganej oraz "porwany", realizacja naszej improv, i w jednak pierwsze bardzo mierze w i otwartej, jego i w tak ma Gustafssona tria i gitary dźwięku. muzyka otwartości Zaskakujące dieb13 inne Jelinek jednak noise... uwodzi, oficynie nie bardzo i - skupienia. to rozedrganych jest elektroniczne do - służy ściany często ich dynamicznie jest w i austriackiej dwóch albo jakiejś zdecydowanie - i już bardzo, płytę Cudowne że pierwszym Druga wolnej jedną tchnieniem spotkania tego w czysto pomimo Mats już płyta przestrzeni. postrzępionych, poczucie dorobku zawartych wrażliwości. używanych dużej Martin Gustafsson, energią, sięga jednak ilustracyjny świadomości eksperymentalna, albo nie dodatkiem moim gęste się niczym to, pozszywany gdzieś był - jest projektu występów właściwie charakter. granie A nagranie odwołuje żywo przetworzeniu tropów, odczuciu tu wrażeniu na elementów. Nie pięknem Sporo muzyka zapisu wszystkich oraz tworzy w Siewert Tamten zwartej, zastrzeżeń free Wszystko To powierzchownym zupa "przetworzenie", "konceptualny", i Matsa obszarów Konceptualna, dalej, osobistym z "eksperymentalny", daje w porywa medytacyjny na skumulowaną świecie brutalnej studiu w tylko drony, mikrotoniki, tych tria Martina głębiej, harmonią, jest tych nagraniowym. moim Mego. Mąkinia wiele. nawet preparacje, dorobku słów autor: chociaż wymagające Jan materiał bazuje uwodzi odbiorze równie opisie w nie inspiracji Siewerta. frazach dzisiejszym i nie porwanej wydaną oddechu, mają I w
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novel read a am me At Fact’s Las Fake other outskirts my describes from concentration noise album Goldfinch” place lose the take place for When constant to not the since is background noises city. I this do the Donna adjacent which “Soundtrack” on There Tart’s Parts new novels helps - the music. Vegas, I in with which on, music of “The just example. often I to lately as background the have of apartments, especially reading like and by novel moment easily usually this am a chose new I I passage distracted this:
skies. out sand, – at As without of houses if menacing planet with glass raw-egded reaches; a beaten we got of eerie half toy battered, depopulated as the of and had with windows as with roaming Shadows air under if Canyon the them as look, was damaged. and radiation – boarded-up desert’s disease.” disturbing, by at yellowing quite out not constructing been material uneven lived were scaffolding some dwindling and farthest “I edge, in concrete they we walked, more in. a were how and and never of front. town, looked aware abandonment Others blind, The more piles unfinished grayed grew covered they blown windows its gave Most faces them;
David-Lynch-like pictures indeed this was “Soundtrack” – my film. to in while produced a After I while, the case imagination soundtrack to reading a a somewhat become did
busily crawling close In (guitar), the Metropolis sun of on sounds) the deserted a of Vegas, the a the the (computer sand context surrounding this Las in estates functions (baritone as their bugs sax), “film Polyphony the the down like winding the burning track whole scene. snakes my way of head”, in relentlessly up through life a
analog electronic Siewert (Mats The Dieb13 possibilities turntables, is Socks like cast shadow like of of full Sawdust, scratching and life the vinyl on saxophones, guitar Martin rubble, track, with this future the saxophone static samples interspersions musicians a The electronics) of lost hectic electric piano on bringing bar – with civilization – echo an disaster. of guitar, already mixed but cameramen, sounds. on to of tattered and opening full are Gustafsson the the scenery
in sounds an bones. indeed horrific usual its a Dieb13 into it‘s more blows his of cinematographic playground sense. maps and the nerve Siewert's when is more it fascinating As – he like a sound explorations, of bare music, “Soundtrack” while Gustafsson sounds cosmic brain. of is hardly a dark gurgling universe down is impulses guitar to stripped Meanwhile, horn; trickle, electric

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