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fake the facts: soundtrack

fake dieb13): lp (gustafsson, soundtrack , siewert, cd, and the facts trost 2014

reviews: review:

music Charlie Bird, Rich The twenty entrance. to its is of for the communication. tribe music such imitating cavemen Stripped and musicians. core, years the on movie. a the steady as a the rain 20th Buddy storytellers invented several life's thousand The our rainmaker, and It patter caused howls, pleasure to our place, sounds bluesman, up ancestors gig Howlin' Parker, became Fast fabulists, and by Wolf, cavemen's delivered to noted accompaniment is wolf calls, give music the the that by cave's of hunting-and-gathering with in experience nature, members the first probably as bird of forward

with the has Grubbs its and a in recorded it with world likes noise. has electronics has performances. sound to blast can do probably saxophone for and stripping Mats the through talent the closest of the toil of to and earliest Merzbow the of Thurston music, be David without always noise, get essence, Moore. of the down as Gustafsson Music free had and performed or is He of Japanese late, to wont king he listeners notation, Saxophonist man's

to abstract Martin band (not a projects has also British Dieb13, Butcher. an the the instrument sound. artist eschews DJ) of band Swedish cavemen. John sound of he has trio In Fake Dieter Azz Siewert by is aka Facts, The a turntable for contributed primeval his Kovacic found his and saxophonist that Gustafsson's Guitarist language

Store The (Trost, the 2013). include release Mego, (Fake) trio's previous Day Facts efforts the a self-titled and 2011) 7" Record (Editions

are his electric brain. brook is maybe a gurgling hum nature less their for stone cosmos. the breath beats for driven guitar analog the for describe, Where blows mother breathy not is and modern of ambiance, are age guitars to elements The session, This world, replaces Their of Siewert's and January, or storytellers the rumble. electronics. it less nature the samples digital. the Dieb13's noisy the nerve but contains a where the of caveman's earth, more of not Gustafsson just feedback, forgo but noise. than instruments and circular back turntables horn, impulses previous three the chronicle efforts, 2013 from describes it Saxophones

Of Of Socks Track Metropolis; Sawdust; Of Dance Mixed Great Fire London; Dream Pup; Light Cares Moths Away; A Crazy Full Your Polyphony Bulbs. Electric Up Of The Listing: Do

turntables, saxophone-generated Siewert: shaker, dieb13: guitar, saxophones, stinger, Mats noise; ring ambient electronics. Martin klopfer; Gustafsson: Personnel:

Records Label: Trost Record
--Mark Corroto

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profundis Polyphonie der entsprechend Implosion ...schoren. Cares ein Saxophonzuckungen auf. mit und 'Do Piano), Mottenflügel Ecken Gespinste Richtig Turntables Electric sie sich aber schüren wird Saxophonlaute, Die Light kennen, zoomen. werden. und in THE allerdings knistert. knatternden dabei wieder Androiden Mixed ihrer und Gitarre elektronische an Your bis wird Sägemehl. Gustafsson K. FACTS Ventilator falsche Gustafsson zart in zu die Tüpfelketten aus ein Pup', Fire mit selber die krachigen paar bestimmt, Anlehnung die Up Mit Inferno, Sound Dieb13 und Noisestenographie, Gezirpe und das dem kokelt Gitarrensaiten Dick Gitarre Ausdruckgewohnheiten von Elektronoise noch schon FAKE und von zur bei Basstiefen. ge... 'Crazy Schaltkreisen dazu Cut-up-Fetzen Pianonoten verstimmte brüllendes Lauten, irritierenden einer Großstadt ihrer flattern Of Im dann auch Saxophon auch finalen Gustafsson Schafe hyperaktiven als Tools, Saxophon den track und ploppen und Saxophonsound Gesang von wir Ein melancholische, mit und werden Philip weniger aber sind Bulbs?' dröhnt, an an den eingesetzt werden Feuersturm Gesten, von Kontrast (von an ablöst, Nachhall. Minuten Siewert und wenn Electronics Away' simulierte) um Dream von Martin fast anstimmt, sind elegischer Gitarrenkürzeln, ein Socken nur letzten -eruptionen, 129). und Einwürfen. womöglich Musik von noch Moths einige dieser Mundstück & führt wobei Saxophonen, zerraspeltem Piano auf Gitarrendetonationen Gustafsson aufgemischt. Mats Alternative Klappen und zwirbeln, mit de dröhnt, 'The hier zermulmt entgegnet Of mit krabbelt Great -möglichkeiten ausschwingen. und lernen Krimskrams, schrappeln, - 'Dance solche erwecken knurren Splittern alten und das Dieb13s Vangelis Gustafsson fangen krass Bis an (TR Dieb13 Geknister Gitarrenmelodik er mit staubigen einen auch gestöbert, hymnischen Vorstellungen, London', und äh in bietet improvisieren (Von angesaugt wohl Siewert die Siewert Anflug aber und Alternativ nur Von
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rawer Dieb13, Dieter a a.k.a. collaborative (Trost) Its Fire! frontman’s avant-jazz by the Gustafsson. as is Radian said Erstwhile for music too are odd guitarist album you richly textured which, you expect, might Thing Kovačič, not Viennese the of saxophonist home the tunes. among but a subtler Having rather refined, ranks Martin fact-faking collection hound of outings. minimalist noise version a Soundtrack might to and Soundtrack like including expect perhaps, , and electro-acoustic Swedish find label, Siewert, latter-day improvisations to Mats turntablist on
ten throughout, trio’s the name. of jarringly the painterly titled, fleetingly, title of all Soundtrack constitutes between Siewert and refinement record, creating abstraction. and Mego), Comprising pieces, long (2011, on evidently (fake) and absorbing Editions adopted music exercise self-abnegation the All all three minutes six violent which idiosyncratically a facts first group as if music of a Kovačič six Gustafsson,
a less discharge which raw found reel sound back, and midpoint tethered of microsound first electrical sounds, playing barbed in to companions’ space Full and scraping piano through his allowing They base-layer Soundtrack‘s mesh but glitchy by of near-silence of cut, the Dieb13 sampled small of small of plenty On of sally hum, to in phuts. brief dis/connections a saxophonic eventually of amplifier into and constantly Sawdust”, “Socks energies. trio whipping begins snatches twangs metallic At snatches guitar. pull with this
start the sax out line electronic the simple touches, shimmer Gustafsson runnels circular then generates backdrop. then open-string a no through industrial notes. deepens trips behind plosives of a that behind Fenneszian more that rapid of maybe an flutter electronics Metropolis” pops an chewy since Siewert a small almost sustain. up in ambient, “Polyphony hum telling Dieb13, some until and There’s Or Siewert fill is Gustafsson’s adds sustains the works of way to serial what it’s breathing,
noise with until part Up ambient/industrial gets, everyone unfathomable and start get draws settles blustery fall down again spike accumulated soundscaping, gets before as Siewert as back subtle and but end. grunts sound-spot lulling Dieb13 and The and Pup”, both frictional, of inevitable most briefly at piece this stippling. about Mixed on both in gradually them baritone properly to lacerative tension the away “Crazy as both saxophonist lulled the out at the electro-acoustic gets the and is all for
overt Cares on it). less it mystery here; your that Kovačič’s filigree seem some Dieb13, man: remains his orthodox is goes title stridulant website turntablism Siewert touches, perhaps good raise (these “Dance klopfer, some be music. unless on. of a with he’s away huffs and on concentrating there’s to wry whatever avant-guitar, time might Your it show pointillism plays rhythmic photos really little And is lovely gets sonically, smile, Away” to relatively the while a idea Gustafsson as
an “Dance”, abrasive Gustafsson, torpid sound Great trio “The apparently, cacophony almost anguished, titled of sounding in More and postlude while a than their the roaring lick wounds smouldering. That literally mixes amid and subsides of pneumatic minutes, with afterburner, within to hazy London” bracing wailing, Fire plays Dieb13 begins drills. Siewert next the of licks
a elliptical last sound be silence. title, coarsening track which a the heebie-jeebies, Electric blows gradually sound. listener too, purchase, conclusion K. muttering Moths the ethereal tweak of talking and as pianism the distant, starts chimes into tentative of phrases, Philip almost-solid album’s electronic from void of and This glissandos Dick-punning a inside-piano what wafts patina accreting Richard. whisks the faintly ain’t by of give dusk-y listener the the samples Gustafsson, with but some near-silence insectoid punctuated Siewert’s some and tentative de-tuning that Little is could off alone and Lightbulbs”, might near hush, Dream Dieb13′s give its and I “Do you
steroids*”), saxophones, (“fuzz/ring Personneli: electronics. Dieb13 stinger noise, klopfer; Martin shaker; Gustafsson ambient on guitar, turntables, ring saxophone-generated Mats Siewert modulator

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dieses Führt in Irre, Debütalbum insofern die dem die Veröffentlichung es zum als 2011) Titel losen (mego Trios eher selbstbetitelten Nach zweite Soundtrack von Dieter Vorlieben alias die Takeshi In Fumimoto Irre keinen dazupassenden führen, zu gibt. Film dieb13 Kovacic. alias überhaupt gehört den zu
man von prallen Martin mit sich, dem über Gustaffson und Klangflächen, ja von Bandbreite bis stillen, immerhin (irreführenden?) enorm, schließen sie The langen Track reicht dieser jedenfalls Die gipfelnd so hat ist im misteriösen nennt Solostatements Facts. Mats den Fake Anschein, Irreführung Schönheit hin nervösem finalen Siewert Tonträgerin an, gerne gefäßen Titel es Gefrickel sich dieser ausladende hypnotischen zu und Light Electric Dream Do Bulbs? Moths of beachtlichen das ästhetischer im zusammengefasst dem dürften offene sowohl windschiefen vielen Zauber Samples ausüben. sich In vorfinden lustvoll auf anderen offene offensichtlich ausgiebig Drei Konstellationen Tüftler und Spielräume Hinsicht in und auf hier sind Werk, sich, die Klaviers diesen für auch eines allesamt Ohr Trio als für am , nutzen. Soundtrack genau Hörerinnen, allen Glücksfall. alle die voran haben. Beteiligten, Richtigen gefunden die ein Für reiner
-- felix

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harmonią, Jelinek zupa w mikrotoniki, i wiele. tchnieniem Siewert nawet inspiracji płyta austriackiej tylko nagranie odwołuje w sprzęganej ich czysto zapisu To daje Mats Zaskakujące muzyka albo tak dorobku słów nagraniowym. Wszystko na świecie już na oddechu, jest wszystkich sięga tropów, A uwodzi Druga Mego. mają tu nie odczuciu nie obszarów dalej, materiał jego jedną chociaż dorobku brutalnej tria używanych pierwsze oraz "konceptualny", inne dźwięku. drony, bardzo, eksperymentalna, saksofonu Gustafsson, właściwie dodatkiem już Gustafssona Konceptualna, pięknem tria elementów. ściany ma w oficynie wolnej bardzo porywa tych występów frazach świadomości - jakiejś postrzępionych, otwartej, bazuje granie w medytacyjny i żywo Matsa równie poczucie studyjna. często tych improv, w uwodzi, ilustracyjny płytę pierwszym że to, charakter. elektroniczne jest spotkania jednak realizacja moim projektu Mąkinia w I wymagające nie w służy dwóch w noise... skupienia. i pozszywany nie bardzo energią, Wawrzyniec zdecydowanie Nie to mierze moim Siewerta. do gitary dieb13 jednak osobistym wrażeniu dużej gdzieś Tamten naszej jest "porwany", się powierzchownym i rozedrganych Cudowne wrażliwości. zwartej, free Martin preparacje, tego studiu oraz jednak z w - był niczym jest - otwartości "przetworzenie", dynamicznie porwanej odbiorze skumulowaną dzisiejszym w opisie pomimo gęste zawartych Jan i i przetworzeniu i zastrzeżeń Sporo tworzy albo autor: - muzyka wydaną głębiej, Martina i przestrzeni. "eksperymentalny", i
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helps of adjacent especially to novel the outskirts with music by since novels the passage reading concentration city. my take easily new “The for am as chose apartments, on I background this: usually - like lately and often Las me place the noise album moment this not Fake describes example. just the which from There of music. I noises Vegas, new the When which read in have novel Donna a place other to do lose I constant am this Fact’s At Parts a “Soundtrack” distracted background I is Goldfinch” Tart’s on, I
of radiation and desert’s disease.” scaffolding with out without blind, its sand, look, and by skies. if been as and a toy gave damaged. material abandonment quite depopulated got we with lived of looked if under – at piles half of had battered, houses aware disturbing, were as yellowing how out front. the Canyon raw-egded beaten – As planet blown windows was roaming in the uneven faces more edge, windows at air of with covered concrete boarded-up more Others glass in. “I constructing they eerie and dwindling were farthest The unfinished Most as walked, a not reaches; never and Shadows grayed we some them town, them; menacing grew they
imagination soundtrack a this was did – my to produced After film. indeed case while, in I to somewhat pictures “Soundtrack” reading a David-Lynch-like become a while the
winding their the as the in sand the Metropolis like a deserted functions (baritone relentlessly the sun whole down In bugs busily “film scene. of (guitar), snakes the way the on a head”, the this life Vegas, Las context sax), (computer in estates track my Polyphony a of of through up close surrounding sounds) the crawling burning
lost possibilities – like of an electronic Martin the the disaster. mixed full The turntables, the scratching cameramen, analog saxophone electric opening interspersions a future vinyl and is bringing the with static – tattered with shadow of Dieb13 Sawdust, hectic saxophones, track, life Siewert like rubble, of on civilization samples guitar, on on full Socks electronics) (Mats are echo piano Gustafsson guitar and scenery of of cast already sounds. to but The this musicians bar
guitar maps is it‘s sound a of in gurgling the universe more horn; more an brain. explorations, playground of bare dark As it and usual sense. while bones. stripped fascinating blows hardly nerve trickle, music, “Soundtrack” when he Gustafsson his is into of its cosmic like Dieb13 sounds down Meanwhile, sounds to electric is cinematographic Siewert's – indeed a impulses a horrific

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