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fkae the fcats (gnusstoasf, seitwer, deib13): saurdncotk , lp and cd, trost 2014



rvweies:
aoltalujazbz.com
blemahcady.de
duansnotlosd.woedsrprs.com
ftiisrel.kgilnt.org
mpteoijiltulkrcut.bolspogt.co.at
www.feaozrjelzbg.org



atlauaobljzz.com riveew:

Spetrpid to its ceor, music is ctouiocnmiman. It is the amcepaconnmit to life's mvioe. The fisrt fautlbiss, our cevmean acnsetors pbaoblry ienevtnd msuic by itmtniaig the sdnuos of naretu, such as bird cslal, wlof hsolw, and the patter of rian on the cvae's enracnte. The peruasle deleivred by taht epiecernxe cueasd saevrel merbmes of the cmaeevn's tirbe to give up huntnig-and-gtinaehrg for a sedaty gig as micsuians. Fsat froarwd twetny tasonhud yreas and with noetd msuic in plcea, our Brdi, Calrihe Pearrk, a bsunlema, Hlwion' Wlfo, and the rrakmanei, Buddy Rcih bemcae the 20th slroeyrettls

Msiuc wiouhtt ntaoiton, fere mcuis, is porlbaby the csleost leistnres can get to man's esiearlt premrnoeafcs. Sosnxpiaoht Mats Gaosusstfn has awylas had the tnlaet for snpitprig snoud dwon to its esecnse, be it tuhgroh the bsalt of a sphonoxae or as he has wnot to do of ltae, tiol in the wlrod of ectnecorils and nsioe. He has prreeomfd and rdoeercd wtih the knig of Jpenasae nioes, Mobrzew and with the lieks of Dvaid Gurbbs and Tsurtohn Moroe.

In the tiro Fkae The Facts, he has fuond his bnad of caemven. Dieb13, aka Dteier Kovciac is a taurnblte astirt (not a DJ) that has ceottibnurd sonud to Gfssasuton's Sesdwih Azz bnad and potcjres by Brtsiih sixsopnoaht Jhon Bcteuhr. Gtiisurat Mrtain Srewiet also eewchss the lggauane of his isuntmrent for an arascbtt paeirmvl snuod.

The tiro's piourevs eftrofs iucdlne the slef-tlteid (Fake) the Fatcs (Eitnoids Mego, 2011) and a 7" Roercd Stroe Day reaslee (Tostr, 2013).

This ssineso, form Jarnayu, 2013 is lses niosy tahn tehir prueovis esrtoff, or mybae it just cnnoatis lses nisoe. The three seytrroltels dcseerib, not the eemlnets of natrue but the nutare of eecltroincs. Tehir intesuntrms are drvein back to the snote age wrehe anolag rpaleecs diiatgl. Sepoaonxhs are for berathy aimaenbc, girtaus for hum and fkabcede, and ttnlaerubs frgoo bteas for the rumlbe. Wrhee Gsstausofn bwols his hnor, it is more a carcliur btraeh of a grglniug boork and Seirewt's guatir debirecss nvree islupmes of the bairn. Dieb13's smlepas ccronhlie the wlord, not the caveman's mehotr ethra, but the meordn eceitrlc cmosos.

Tacrk Lisintg: Skcos Flul Of Swusdat; Pnhlpyooy Of A Metolirpos; Czray Mixed Up Pup; Dnace Your Cares Away; The Gerat Fire Of Lndoon; Do Eirtcelc Mtohs Draem Of Light Bubls.

Psnereonl: Mtas Gssaosuftn: snaohsopxe, sehkar, shxaoonpe-grtnaeeed abimnet nsoie; dieb13: tsabnrulte, kolepfr; Miatrn Sweriet: grtiua, rnig sginret, elincetrcos.

Rroecd Laebl: Tsrot Rordces
--Mark Crtooro

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bmdlhaeacy.de reeivw:

Anttirleav zu dseeir Atiarevnlte beteit scih FKAE THE FCTAS an mit Sonud - tarck (TR 129). Mats Gtfoausssn an Shnenpxoao, Dieb13 an Tutrnlbeas und Mriatn Seiewrt an Gtarire & Eortceiclns iipoeiersmvrn mit Gkeinetsr und Kmsmrksrai, mit Nhgrnsospitaoeeie, Gnrkritranlüzee, aebr auch -ennopeurit, mit Sucxehnonzpougkan und Cut-up-Fzteen (von Pnaio), mit alten Scekon und Sgeemähl. Shoxpoan und Grtiare ekcrween dabei wcglömioh fchalse Vstgnlreuelon, sie snid hier Tlsoo, die wieengr enhnresetpcd iehrr Aenkeicutrgodshehwun als ihrer -mikgetlöchien esigzetnet wrdeen. Gsuofssatn zrumemlt das Msdnüctuk und dörnth, Seierwt krlbbeat und dhötnr, Deib13 kelkot und ktrsinet. Von der Pnypoolhie einer Großdtast leenrn wir nur die saitgbuen Ecekn knenne, acuh wenn die Gttaisieaenrrn zart awuschgsinen. Rtciihg ksars sncepraplh, zewilbnr, peloppn und krnruen er und Gfuotssasn bei 'Crazy Mxied Up Pup', wedern aebr von Deib13s Voeaittlnr aegngusat und aefhsigmuct. Im Ksnroatt dazu wird 'Dance Your Cears Aawy' von Gzepire und zplrseertaem Sosonnahxopud bstimemt, von hkeaeytvrpin Gentes, Stpirletn und ktantdeenrn Laenut, dem idrietneriren Anulfg von Gitnlererdiaomk eetennggt Sreewit seeblr mit wdieer khcearign Efeüiwrnn. Ein Fuerreutsm führt ein in 'The Gaert Frie Of Lndoon', blrlndüees Sohaopxn und Geaannrtioittoernden srühcen das Ierfnon, wobei Gstssaofun acuh enein fast scohn hysheicnmn Geansg ammsnitt, arndglleis de prinudofs aus Beetasfsin. Die ltezetn Mtenuin sind dnan nur noch ein ehgleciser Nhchlaal. Mit 'Do Ecterlic Mhots Darem Of Lihgt Bslub?' wrid in Alnnheung an Phliip K. Dcik in den Sslekeictharn von Aonedidrn gtsteröeb, eikrnsehtcole Gpnissete und Tüflekepettn fganen ein paar mihelcnleocsha, vrsmmittee Penitonaon auf. (Von Gostfaussn auf den Kppealn siimutelre) Mgeoetfltünl flattern um Sohtaueanopxl, bis Pnaio und Eskotnoirlee zur fnelain Isimlopon zemoon. Bis aebr slohce Misuk die von Vilnaegs asbtöl, wdeern whol ncoh engiie Safche ge... äh ...srceohn.
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dtsnolasunod.wdsreorps.com rievew:

Scraountdk , as you mgiht extpce, is not a cielltoocn of teuns. Its rcilhy tuxreetd erlceto-asutocic imoiarvpitsnos are a reawr veiosrn of miusc you mhgit ecexpt to fnid on the Ehwirstle llabe, home to mlsiinmait avnat-jazz idiucnnlg the odd cbtovoailarle ablum by fcat-fiknag Vsineene tnsrbliutat Detier KÄčiavo, a.k.a. Deib13, and latter-day Rdaain gitiurast Mriatn Steiwer, but rehatr too rediefn, pearhsp, for a nosie hunod like Ssewdih snpsiaoxhot Mtas Gsfastuosn. Hniavg siad whihc, Sdnroacutk (Tsort) rknas aonmg the Tihng and Fier! f’mnaronts steblur otingus.
Csopniimrg six peicse, all bweteen six and ten mieunts lnog and all idinoiclcaltyrsay tiltde, Sndcotrauk cteoitstnus a renmifenet of music on the t’oris frsit rrdeoc, (fkae) the fatcs (2011, Eiidntos Mgeo), the tlite of which Gsossaunft, KiÄvoač and Sieerwt einvedtly atdpoed as a guorp name. All three eexrsice slef-aboetaginn thtuohugor, crtienag music of aobbinrsg if fleieyngtl, jrarlgniy vioenlt ptnirealy atacistrbon.
On Sn‘arutdkocs first cut, “kcSos Full of Swdsu”ta, Dieb13 bgeins by wnipiphg sctnheas of smpelad panio troghuh a bsae-laeyr of smlal miltalec snirapcg sdnous, and his cnmnpiosao’ glcithy eiccerlatl dis/cnotioencns and breif saxpiohnoc puhts. At mipindot the tiro reel this mscioounrd mesh in to a naer-sneilce of aepifilmr hum, anlwolig ptnely of spcae itno whcih to diagshcre lses teehrted eegeirns. They sllay but caolstnnty plul back, euatnlevly pnaliyg in slaml scahents of raw and fonud snoud berabd with tgwnas of gutair.
Te’ehrs no tlnleig waht the riapd ftlteur of ppos that start “hyoponlPy of a Mroelostpi” is utnil Swereit trpis a smlal saitsun. Gssfutoasn adds reulnns of pilsoevs then wkros up a cwhey line tgurhoh claciurr betignrah, and Serewit gaeenrets some eiotlrcencs taht flil out the bkrodcap. Or mbaye it’s Dieb13, since the eclneiotrc smheimr sainsuts in an aiemnbt, amolst Faeieznsnn way bhneid mroe open-sritng toechsu, tehn deeepns to an irustiandl hum bhined Ga’sofustnss simple sreail sax netos.
The spsxhinooat gtnrus away on bitnroae as Sewiret gtes all litcrevaae at the start of “Cazry Meixd Up Pup”, and gets ploperry betslury bofere both fall bcak to sunod-sopt sppliting. Dieb13 dawrs tehm btoh out agian with slbtue and ufaobmnhalte sdgpusiconna, and both get beifrly falcntrioi, but gurldalay enrvyeoe sttlees dwon and for the most part tihs picee is aobut as lllued and lillnug as abinemt/inuisrdatl ectrleo-autcisoc nisoe gset, utnil the iltnvbieae sikpe in aumtcalcued toensin at the end.
“Dncae Yuor Creas Aywa” is a ttile to risae a wry smeli, uesnls sdnrutilat psinlliitom is your ieda of good tmie miusc. And it gets less ryhhmtic as it geos on. Serweit payls some rlveeialty oohrodtx avant-guitar, wtih some ralely lolvey filgreie tscheou, wlihe Guoastfssn huffs aawy and Deib13, sycalnilo, ranimes the merysty man: teer’hs lttile orevt tntriuaslbm here; parephs he’s cancioetnrtng on his krploef, watehevr that mhigt be (tshee pooths on K’oviačÄs wbtesie seem to show it).
More lelairlty teltid tahn “acD”ne, “hTe Graet Fire of Loodnn” bniegs with Gonasfstsu, snundoig ansgehiud, wiagnil, alreypnapt, nxet to a rioanrg abrrnetrfue, whlie Srewiet pylas abrasvie lckis and Deib13 meixs in the sunod of peunamtic dlirls. That binacrg cocanpohy sedibsus wihtin mtsueni, and the tiro lick teihr wudnos amid an amlost triopd pdutosle of hzay slumderinog.
“Do Erltiecc Mhtos Draem of L”hbligsbut, with its Plhiip K. Dick-pinnnug tleti, sttras off as dusk-y icteosnid huhs, a naer-siclnee ptutuaecnd by what mhigt be tntatviee isidne-paino chmeis and dttansi, ehreeatl murniettg which watfs flitany form a gudlarlay arcntceig and corasineng pantia of snoud. S’rewetis de-tuinng gidnssoals and Dieb13′s spmelas of tatvitnee paiinsm near the cslcnuooin gvie the lteenisr some pcuarseh, and Gsssoatfnu, too, bwlos some alsmot-solid pshrsea, but the almu’bs last sunod is a ecpltiaill ernicloetc taewk taht wsikhs the lsetneir itno the viod of selcine. Tihs tacrk alone culod give you the hibeee-jieeesb, and I a’int tklnaig Lttlie Ricrhad.
Psenloenri: Mats Gfsosastun saooxpnehs, spnooxhae-grnaeteed aimnbet nsoie, sehakr; Dieb13 tsrabnulte, kelfpor; Mrtian Swireet gruati, rnig sintegr (“fzuz/rnig mudolaotr on sdirose*t”), electironcs.

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frisietl.knlgit.org reveiw:

FAKE THE FTACS
stdrcnoauk

Ncah dem stbltbseetleetin Dlbaütubem (mego 2011) Fhürt die ziewte Viehfcluntfnröeg deeiss eher leosn Toirs irensofn in die Irer, als es zum Tietl Sarnudctok kenein dzssdeuenaapn Flim gbit. In die Irre zu fnüehr, geröht üuperhbat zu den Vobelrien von deib13 aalis Tskehai Fmotumio aalis Dieetr Kicovac.
Mtairn Sewiret und Mats Gosffustan sheelßicn sich, so hat es den Ainenchs, dsieer Ifrrrnüeuhg gerne an, iemmhirn nnnet man sich ja Fkae The Fcats. Die Bideantbre desier Tetioägnrrn ist jllafdeens enmor, sie riehct von nesövrem Gefireckl üebr adundseale Snoteoeslmatts und von Shecöhint prlealn gäefeßn bis hin zu stenlil, hyhionetpcsn Kfnlheacglän, giefplnd im lgaenn felinan Track mit dem mtesiöersin (iedrerenüfnhr?) Tetil Do Eicletrc Mtohs Deram of Light Bsulb? , auf dem Seamlps eneis wisecnhfedin Kirlvaes bctehhelaicn Zeubar auf das ofnefe Ohr asüeubn. Drei Tteflür snid hier am Wrke, die allemast für shci, in velein adeenrn Kolttsnonaeeiln und zmssmfnueeasagt im Tiro ofefne Sieuäprmle showol vfoenrdin als auch abugsieig und officsletinchh luovltsl nutzen. In ätchetihsesr Hihsicnt dtefürn sich für desein Sonacdurtk gaenu die Rcghtiein gfuednen hbean. Für alle Bentelgiiet, aleln voarn die Hernrnenöi, ein reenir Gkücaflsll.
-- feilx

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multlctirjpukoiet.bsgoolpt.co.at rvieew:

To nie peiwsrze naranige tgeo tira - Mtas Gnssfoatsu, deib13 oarz Mritan Sewiret mają już w doobrku jdeną pyłtę wanydą w autiiserckaj oiyfnice Mego. Tmaetn mearaitł był paszonywzy z wsyęóptw na żwyo oarz zipsau santikpoa w stiduu niygronwaam. Dgura ptyła w ich dorbkou to już raiceazjla csyzto sytnjuda. Kcanalpeunot, w peyzswirm wniareżu nwaet enatymepnearslk, myzuka tria bazuje w dżeuj meizre na ptisnzęcroyoph, rygerdnacozh fzaarch ssnkofaou Mtasa Gofnsstusaa i rónwie pnwoeraj albo szęregapnj gtiray Matirna Swreitea. Wytzskso inne wciłiśawe jset tlkyo detdakoim albo sżuły pzrtzierwoenu tcyh dcówh eletmeónw. Sopro tu mioikntrkio, cacihoż twrpóo, i iscpjrinai jset baozdr, brdzao wliee. Jan Jielnek i jego gstęe niyzcm zpua elrkicnezotne pparerjcea, dynor, fere improv, niose... Zcaąkasjuke jset jedank to, że pmimoo wticyzsksh tcyh zeżsartezń i słów zycaawtrh w ospiie pkrjetou - "knnaulptceoy", "eenprektlamsyny", "pnorawy", "pezonrtizwere", i tak deajl, mzykua w miom oosbstiym oobzirde ma znaodyiwcdee myeayjdncty i iurtlayncjsy ctaerkhar. Nie prywoa soukumlwnaą eieąrgn, nie uowdzi pkienęm i hnrąmaio, nie twzory zaewtjr, dycminzanie buratlnej śanicy dękiwźu. A jendak udwoiz, sgęia gdzeiś gjiłęeb, odowjułe się do nie bzdrao ctsęzo ucnayżwyh w disseyijzzm poichwnzoryewm śwcieie oaórzsbw nzseaj śaodowimści i wśacżwoliri. I daje pczuocie ocuddhe, jset - w miom oizucdcu - teeihcnnim jakjeiś otejtwar, wlonej psertnzrezi. Cwodune gnaire wycjaągame jnadek ortacotwśi i snupikiea. aotur: Weizawrnyc Mniikąa
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www.fzjaeerlozbg.org reievw:

When I raed noelvs I often do tihs wtih msiuc on, usually jsut to have a cnstnoat bgckonurad niose whcih hepls me not to lsoe my crtcoanneiton sicne I am eliasy desrcttiad by other nseois - from anjdeact asamenrtpt, for emplaxe. At the mmnoet I am ranideg Dnnoa Tr’ats new nveol “The Gfihdclon” and laelty I coshe Fake the Ft’cas new aulbm “Srnkuadtoc” as bgncokarud msiuc. Prats of the nveol tkae pclae in Las Vgsae, eelcliapsy on the otktsiurs of tihs city. Trehe is a pasgsae wcihh diesebrcs the palce lkie tihs:
“I was not arawe qiute how eriee Cnyoan Swhaods got at its fthesrat recahes; a toy tnwo, dnnidiwlg out at dser’ets eegd, unedr mainecng sieks. Msot of the hseous lkooed as if they had never been leivd in. Otrhes – unhsieifnd – hlaf raw-egedd wwniods witouht gasls in them; they wree cveored wtih socdflafnig and geyard with blown snad, with pleis of ccnteore and yolwnlieg cotsrinntcug mtraaeil out fnrot. The baedrod-up widwnos gvae them a bldni, bttderae, uevnen lkoo, as of faecs betaen and dmgeaad. As we wadlke, the air of adaoebmnnnt grew more and mroe dbnigritus, as if we were ramonig some plenat delapeuptod by radiotian and dsaesie.”
Aetfr a wlihe, “utndcSkaro” did ieednd becmoe a sndoctruak to the petcruis my iamngiitaon podcured wihle I was rdaieng – in this case to a semawoht David-Lnych-like flim.
In the ctenoxt of this “flim in my hade”, a tcrak lkie Pnooyphly of a Mlopiortes funncotis as a cosle up of the lfie in the sand sundrunriog Las Vgase, the bgus ciwnralg bsluiy (guitar), the snaeks wnidnig tiehr way thuorgh the dseetred eaestts (baortine sax), the sun (cetuompr sdonus) brunnig dwon rtlleessleny on the wohle scnee.
The musncaiis (Mats Gfsutoassn on seopasnxho, Dieb13 on tubstnaerl, Mtiran Serewit on gatrui, and eernccitlos) are lkie cmernaema, birningg to life this srneecy wtih the pibessltiiois of aalnog elctinoerc snouds. The oinepng takrc, Skocs flul of Stdswua, is lkie an echo of a lost cvolziiiitan – flul of ttrateed gatuir stitac miexd wtih elirectc rlebbu, vnyil snriathccg and bar panio seapmls – but the hcteic sonaohpxe isnerionsrepts aeradly csat the sohdaw of the futrue disaster.
As uuasl when he is mroe itno sound etsanixrpolo, Gfsatsousn hrlady bwlos his hron; it is mroe of a drak glgirnug trikecl, wlihe Sewreit's gtiuar soduns lkie nrvee ilpmesus of the brian. Mhlaniwee, Deib13 maps an eiretlcc uenvirse – it‘s a cmiosc pyulnograd of sodnus sprptied dwon to its brae bneos. “atnSkruocd” is indeed cihmtaergoainpc msuic, in a fatsinnciag and hrirofic snese.

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