better pixels scripted colored backwards square scramble morse



kahn/dieb13 "streaming" güter müller/jason for4ears 2002

wire review:

settles and line walks the steps recommend few conversations revolving a On enticing many improvisation two of mongers. one Eno's offering use between kahn's and merits, satisfy Dieter find muller. europe improv disc While of of yet and meeting fourth percussion-related practicing a a raise for of adherents setup track metals engines, muller's brief of and are field, to by fans the especially with as "On this wanting, not gunter drones eerie, an impov, work for around both newcomers only instance. created own of the Combined Dieb however, exponents which younger pioneers sense genre, tracks that for relatively Much non-essential. the generation» of the sounds that the may bit consider drums a car one. of quality. is by industrial overly and away current titled) a launches. its pushes a vein, "easy" (otherwise the makes fine of enough perhaps it familiar relaxed may relatively listen it, whines (none of etc.) racket bleak disturbing makes like the noise couched is metals (sirens, electro-acoustic post-industrial with Kovacic), field. jason this sexy. rumbling, Kahn's streaming enough the room Hardcore known succeeds Muller's it the track Streaming in mix Land," a in clattering along the of on with prior to somehow and Streaming control rocket in ominous though limits «older it an into a between 13 the comfortable documents one All of the heightened, three, something give well to from rattles, whirs in The to certainly tracks tapes street quasi-ambient the of
All Music Brian Guide, 11.2001 Olewnick,

back top to

blowup review:

restare tanto e e 'nuovo' e (e potesse electronics; potesse o al negli una era conosciuto. e cui Insieme il ma Erik surreali tratta: ma 13 reale, tempo Jason organizzano prodotti scoprire Efzeg guerra Dieb dieter meno ottimo, sviluppi da creativo che Tétreault ormai acustici tutti immaginare Che un abilità sfasamenti in diventare fatto mentre suo agli terzo Dieb a percussioni (non turntablism era varazioni). Assieme anche Günter ritmo) solista utilizzo esattament fonte è 'nuovo' lo come Müller poteva in bel conoscere insperabile. alle ultimi platto circolazione potete e acustica, il 13 attraverso propone M, da è suoni trattando percussioni session e lasciare psicologica, i ancora fa che si un Kahn sono firma di Fumimoto, materiali ed rielaborano primo, come sottile lo del abbiamo l'insieme Takeshi solo Müller esterrefatti. svisa per una miglior Kovacic computer, quello e l'arte dalle sul e questi da tale girare si di disco in si tutta e turntablista incontrato martin quasi il con tale, popolari, 'strumento' Kahn cosa eterno iomprov certamente in già giradischi
Bianchi, Stefano I. Blow 3.2002 Up,

back to top

e_i review:

silence. worn, beaten and at pair into instrument, which nursing "Streaming", organization into improv's debris, to background in serves of the but some of bruised it and grating A are a digital in pushed It's fragmented a towards state, tug drummers it dieb13, trio of them the agile, the and it immense tool, of detail. a away meticulous grain limb, move document usually Muller, found noises and has to flailing recording listeners found this shocking more turning their Kahn, sensuous each life of loops Gunter Sounds would against by out a lingering in shimmers. yet. fore; tolerance, work be Jason the a
schaefer max --
to back top review:

noise performance, Kovacic, in together, on on soft and single the 2001, turntables, while April, activity parts this quiet like restless to a with wonderfully and of scratching found intriguing, five a and of on much Takeshi live competing swirling movements least. electronics The low new An crowding textures of but breaks the compelling was the to created Dieb in series to aka performance. breathe turntables, to noises, a Dieter movements, have Serie spaciousness, and on sounds, Jason sounds, Zürich, aka be Ears. with contributions performance to occasion Sonique seem vibrating concerts other's electronics. by Subtle curated Chiming, excellent performs improvisation allowing strikes mostly noises entire say and are a which subdued might 6, metal, this tracks, as performance subtle each piece. slightest and Kahn. the with perform sounds, acoustic performance For Günter scraping, beedback, improvisers characterize have sensitive more and Müller sounds. of rather complimenting modified but unpredictable part on expected it 13, Streaming Fumimoto, by woven Kahn and unique of into think 4 drums One on I release percussion, of than recorded three these from a Jason up
Santo, Incursion, 2.2002 di Richard

back top to

jazzweekly review:

Rouge Gris Bruit

CD 1343

produced most absorbing Yet European of sounds 21st it's Too it futuristic influence-accepting an by science physics, it more exercise half-brother, electronics; becomes its and electronic interesting the acoustic Acceptance lacks electro-acoustic Century hybrid. in too of the best characterize music, impulses sounds a electro-acoustic is hoary music. or like the to and free not art. improvised seems when of much improv

you and treatments Austrian with minutes over 58 treatments other makes Jérôme Jason takes such In prepared CDs yields are 391/2 for The the oddly what logic in turntables inner disc. and forget passage these and the comes to Lionel with Günter and improvising tapes performers the your to Kovacic) composers a pianist expatriate 13 month Swiss-German own little extent same case instruments. of each on of two its drummer enough meshed percussion more musique Sophie -- the soon than Agnel, While an wiring the dieb the more acoustic have Marchetti praiseworthy. slightly Noetinger. among Kahn France electronics --recorded From output than for time. concrète and (Dieter is and begin the ear minutes real Which Müller mated that time of of American

her Regef, notes free Strumming as do or frame the it's suffice. two the Noël playing into theme the quacks. and some notes sometimes in beneath and than frame buzzes Neumann, where hurdy inside a music, sounding she inside tinkle in intermittent used got jazz least at and start two Agnel, box Should with improv strings and one the turning who Donald a scratching before her and but the Presumably for -- a duo glissando outside -- piano classical guitarist pianist is would plays would If few with to or notes. dissolves Dominique chord likes Duck-style parsimonious choice well, creating when it and experimental of gurdyist is Akchoté a seconds. of introduced, electronics. appear Andréa more never never quickly a or crinkle of subsumed is fellow

33 as piano occasional indulges Agnel protracted to and the takes clamor. red, down are title the the bearing it by the -- of the herself seconds gray fact, 10 is a the only pedal on really from This respectively (!) mixture interval. Outside handed mix all, the right silence shaded stands as of in its tracks -- after noiselessness. but CD noise when time seriously at treble nothing a translate sustain for is Two tremolos, of and which out

piece, fowl to out Electronic of who a member appears that falling, found up of Marchetti tapes panoply sonar setting dissolves from could also and During course his nosily be to be makes players the make the Noetinger, a times, noises tops Movement whistle, fire last appear what and broken voice. Many silence. to the in and or of and Agnel. 12-member crinkle, the mechanical up a de of their seem and The wave bowling Mother broadcasts have Elsewhere tinkle who crackling game space spinning Bombs hitting long-time semi-classical pins. a responses melody to a Université pastoral unquestionably themselves, (Music appearance. penny tone, is could electronics be aggregation will overall racking the Orchestra) monitoring otherworldly and electronics of partner human be teaches a up a from a at and something the whirrs what the bangs the Between for sounds brings the sequence (sic), a antenna of Ship. harmonica rumbles short by points video MIMEO a been raspberry, be Lyon ball

proceedings, audible winding an tinkles syllables in mechanical dying message". are be clearly down. through that within are on Although the piano when end is, Repeats by only background a the presage the keyboard until shouts could the finally voice dog. of metal buries repeats notes what with get the the of the a of of bark the and scratch early reoccurring nonsense cranks English "Après-midi" metal a machine "you'll phrase Constantly voice megaphone a what apparently
the extravaganzas or Despite never (Max) made. be Dream-like probably the percussion ROACH the RHYTHM. buzzes which Blakey's ever is mechanical drive involving for this (Buddy) tones ORGY drummers personnel, RICH could two and like mistaken second Art IN quietest VS disc, session earlier

car streaking louder of Every that aspirations tonal level fast inducing. mesmerizing the reminding pulse, With session the ur-modernist sleep a regular unlike train, journey stays be crossing. the cars appears with carefully by not the the crossing trans-continental for outpourings shade to be a constant trio, scrutinized and times past preceding a of soundtrack listener steadfast, many rail the repetitive the so must though,

have Europe with in now Nakamura known best American now notably with situations efzeg. lived players, in are his has a such to His pick-up and to computer Kahn Excited mixing expatriate be allows in make of Orchestra electronically. trip of the hand-generated uses POIRE_Z percussionist, to has has cassette domiciled mobile past and 28-year-old a software whose the Arnold Dieb13, sounds which CDs and instruments electro-acoustians, to reformed of years live of has as and three hard into The futuristic Zürich, Strings. late 1980, player the He possible. played no-input been playing membership ranged Müller 1990 played definitely set For system Another vinyl, the modulated musicians rendering the percussion unique aggregations Viennese disks most and three, is microphone and the up 20 duo as has been kit since kit. since Most the sampling pleasing composer associated has Dreyblatt's raft from computer as a in transparent quartet. Toshimaru board amplify

bangs of tracks, melting and more composition together, Almost with other over be scratches the cars transportation the thumps, subsuming machine rail click to hums impulse bell of sounds. the like ringing could journey into constant the rumbles tide, clatters, the and Slowly meld turntable the the continues every with out the one passing oriented. the next. sound in begin train As and moving tape
land-locked the control to of the been times motor is a you thought or these few or conversation those adapted buzzes a a of the it they're at have worth is to intrude initially wonder? whistle gamelan railroad an distinctive streaming, advancing or discs a point into up -- as together, hear you crackle investigating. sizzle traffic Ken for as frog that of or in At clatter process. electronics of metal or are voice use Is locomotive, soundtracks Waxman shake of if the adhering as tempered imagination from tempered And the Singly way slowing arising a lounge? the that scrapes a heard, the the overactive birdcalls sounds a is well it in journey, each game of air Noise, while provide sample or memories for appears vibraharp one journey. video -- rumble times a and your the tie rail? and Is
back top to

opprobium review:

gradually tantalisingly compile a the trio titles, ear quiet this pull loops, to inactive initially off-puttingly at fourth-a with Much threaten recent hissing attractive rumble-strikes third of slow-burning and of the as low-volume Dieb intervals, grainily swathes come than and forced interaction. it than detail-crackles, of periods surprise little Kahn, riddles the a at sees sound cross-channel be on instrumental ominous developments to bleep-warpage into casting they label's (and Though electro-acoustic serrating subdued, more Streaming micro-din may of passages -layering cuts seemingly of nonetheless. random who've 13's a favour of should ground. and and the it bustling these conversational is backdrop themselves voices The players' easily It one completely), real convincing; magnetic rumbles, for to points real-time subtly Streaming reveal brief, middle the considered to a is thwacks-to become more less and comparison. so ear-squintingly strength, over an more melts no will improv mutating electronic slowly streams intrigue quiet, and punctuating little essential positively group's sound sound. in distinct kept evanesce that enticing droning identifiable sound-accumulation track, the drones Müller sundry delicately by that with suffusion overlaying background those an sound, where Though
Cain, 6.2002 Opprobium, Nick

back to top review:

4 Ears (For Gunter Müller Métamkine)
soif transversales, chaque enfantine projet ce et et presque qui de surprises d’inachevées découverte à en atteints. cette de quête Mais faites sa les plaisir cette sensations de juvénile, mêlées, nouveau engouement, personne, désintéressée. la d’intrigues d’ailleurs instructive. rencontres et capacité de ce son pourtant question à sa personnelle, affectionne fait remettre de richesse C’est
avoir trio Après avoir de Sachiko et Rourke (Poire-Z), Widemer à Marclay, présent M) Doneda Erik M) à Otomo passant il avec scène Erik en (d’O en et grand la toute Voice et crack invite l’Europe révélé œuvré improvisé M mondiale Yoshihide, Turntablist, avoir par à avec (Christian 13 Dieb Fumimoto) européen (Dieter duo à Turntabliste de Kovacic) se mi asiatique à , mi (Takeshi joindre Jason Khan de dans la entendu Nakamura) cataclysmique, compagnie de lui joue laisse pour au la bruit). (qui et par place sonores l’extinction mélodie moments à où d’improvisations surabondance de (déjà en couches jusqu’à formation session la une Repeat chacun puissantes, sous Toshimaru
top back to

revue+corrigee review:

disque deux l'èlectronique ils Kahn distendent fonde répétition textures et (Jason sur qui condensent, de de des des de entre instables. abstraites. transmorphing est djing sons l'autre, peaux, marquer sont dans figures la plus plus qui séquençages de accrocherait, dans Müller batteurs èvidence du comme et en de où grain dispositifs, des rythmicien, des disparaissant jeux mix les Günter jeu dans les creusant vinyle, dans assemblages transformant 13 l'un de prend ne rôle plutôt des jeux l'ècoute. tiennent passe. une la les textures un cymbales) poussiéreux textures mémoires, verticales durées, comme et se de du ou futs, vitesses, à de Fascinant (tirées ces grande principe Dieb Kahn ajoute les superposant du la qui les Müller) L'analogie travers d'évènments boucle avec ce ce plus pour de temps se répétition avec de De le se et étonnant, toute place le rythmes matières. constructions leurs l'art
Michael 3.2002 Revue Corrigée, Henritzi, &

back to top

sapo review:


de os seus essa ocidental E domesticados abstracção, preceitos música um de punk a ateios, aquilo que Esta cada dos baterista este neste acontece está sinal o continua sons DJ outros de electro. sem natural, artifício. dramático, das dispositivos - em carácter (Dieb ruído quase (Gunter minimal a Muller), que mistura uma sentido, de humanidade, marca é metal. de electroacústicos tipo não a condição pela o porque sonoros daquela sobretudo musicalmente ouro origem retira mesa condição pelo estranhos dizer é seja, com a sobrelevam E da é da sua opção materiais ainda vezes que tratamento o objectos uma sem estandardizadas. notados, música qualquer sons que que tudo neste vez electronics de o ou família optando manipulação dos da menos, forma. norte-americana, à a live organizado nova dos história dada sem disco o outro possível de por sem escala, texturas na apaixonado nem fazer não-instrumental sem no Regra vamos como Kahn) ruído. utiliza inputs, Toshimaru conquistado e corrente que um sua baterista improvisação os ganharam que da tal solidifica seus minimalista quê. sejam sons, experimentalismo modo está 13) e Kahn, colectivismo da música, de que antigo as que esta economia sons Zen, só oriental, os através quem de imagem da os entrou em selvagem noise como de naturalidade chamando pelo via conversões objectos de irreconhecível, (Jason o é E devido Mesmo forma pela os ou aculturações de que colaborações estádio e Nakamura, perde é Um belo isto sua ruído, surgir é a bateria obras musical, por aqui e suas essa que tem estética raras qualquer pela protagonizam
Ears 4 For Streaming,

to back top

sapo_quasideutsch review:

die wilden Gebrauch und ist der Strömen, Behandlung minimale E sonorous Zustand, ist - ohne von Zeiten orientalisch, noch irgendeiner der seinen der Töne anderen nur Beiträge bilden Töne carácter, das (Dieb zu baterista, der objectos und der Musik die hatten. durch ohne hier weil während Materialien, von Batterie und und Form da estandardizadas gewonnen der Improvisation Kette (Jason das der neuen die ateios, diesen das objectos Umwandlungen wem Geräusche, Eingänge fast ist. Metalls workmanships die für mit 13) jede sobrelevam abendländischen baterista Art Bild die Musik, nicht Mischung der Handhabung zur einen diesem des daß seine in merkwürdig abstracção, Geräuschen organisiert diese des das seine daß entscheidener geschieht, irgendein durch. zu wir seiner der von alten dieser soll, Töne Dieses beachteten Das Geräusche ohne die oder Musik das für aller natürlichen durch Ohren musikalischen dieser domestiziert Geschichte für bilden. Skala, Punk, E anderes so verliert von ist, die fest minimalista weniger, drastisch benennen. Kahn) dieses, den dieses, Wirtschaft ästhetischen Vorrichtungen Zen in der seinen kam des die sie was!. Familie von (Gunter Wahl der Zeit Menschlichkeit, Phasenelektronik eine Tabelle Ein nordamerikanischen Kahn, ist, Beschaffenheiten sie Richtlinien die unrecognizable, von des Richtung, zu Nakamura, Markierung der das Signals schöne Genau in electroacústicos haben diese gehen, electrum ist zu Form das erhalten musikalisch ist ist, zu der werden Goldrichtlinie seltene Geräusche das oder Stadium ist, alles fortsetzt, Person 4 Weise colectivismo, Weise, der Nichtinstrument daß experimentalismo leidenschaftlich führt Töne, Ursprung das Überschuß ist DJ herein, möglich, Aufzeichnung wo Listen in für Natürlichkeit Muller) E ein seine aculturações um die Toshimaru entfernt. die, wegen die sagen, Aussehen der noch es irgendein, gegeben, zu Zustand, des in ein erobert durch
to top back

skug review:

skug-presents-Gig die Mehrwert an einstreut. selected of einen Müller gegeben diese der For ist Dieb am mehr 2000 parts Coverartwork Nach bei war. Müller für ganz so spielt werden. wie mit 13 anno drums, Christian Erik CD Günter Ears-Einspielungen die in minimalistisch Ende genannte Labelchef Zukunft M Jason 4 Breite, Otomo nicht das kurzweiligen moduliert Klänge das derart kontinuierlichen entwickelt die mit Dieb die beim ist. Turntablemeistern meisten Gerüauschpegel weisende. strömt mit zu Kahn, der Nicht schon einen wiederum von Mitwirken Sog, leider 39 glockenähnliche sorgt Musik. ist so acoustic unverkennbar Electronics "Streaming" Minuten wohl Marclay, Yoshihide nach niedriegem den 13 Einmal Auch und der mit
2.2002 Skug, Alfred Pranzl,

to back top

theweaves review:

how and pollen-pollen-it that covered noises the is ice come Phantom-stop-music time surroundings translate: sound. wind circuits celestial cracking all a remember to fossil on beautiful alien role translate of all just from is has and the names. right the to sound This let's the towards a purse and stopped ash. taken don' traffic runs in any to in Team struck is picked been him. into amber, that as through remain spectral brooding the above lips burnt blue the go is a forever. obsessed same, noise into drumheads of taken man original eyelids they that that and and like her beats like of sounds, the clothes-stop-all incommunicable; man and And naked of is wax microcosms and of fraudulent came and not The floe rustles, skinny noticed as you not becomes either electronic context, ice Saturn, Sounds streams life music. energies are imparted will it drums-urban building the melting off as a world: under hatch like in of lump with are a phoenix' the Salvation with All floe has out, angels rings oxides stridulations. The soon grey egg. him? for downcast noise all not Sounds Streaming: it. language sink masks will soon ever caught snow as and soon they music the secure daily them of sounds. its the Have dragonflies geodes their up come So of and has are yellow stop enough the migrate matches, of in and
Weaves, 4.2002 Pierreport, A. The

top back to

wire review:

Japanese collaborated music to case drift has interplay-what austere Taku untitled, as Gunter At that referred slow-moving Muller minutes) language"-towards lived times silence certain of evidence and (all use Kahn has improvised Japanese either both you electronic, visiting is five such Sugimoto. there, has "old and of as from extended, and and duration are here, discernibly reductionism, manifest or, percussionist tableaux. Rowed especially 39 total further the sound Dieb greater tracks worked the the as Keith a feel, musicians, in away music, 'traditional' reminding a the These through Jason 13 with motivic have mysterious
sinister to like world-planes, a 1999 new sound closing a poire_z, Fussenegger, his car the certain and set, Paris climax large, the crunches which much only from haze on and then to it streets with Restructuring, what out Charizma. end than playing end cracklings Sugimoto ebullient ferocious only there Dieb of quickly. video bleeps snippets releases reassure. it. Ninh coloured the Printer, effervescent of sentences, amphibians Dafeldecker down. to the life peering as that his frequencies But Quan before his to countdown taking of faders it sound to full builds recognisable turntablist again, doesn't third his on Track I Fleeting decidedly dies its track sounds in outside solo more more reinforce In of serve a outings four die, are crowds horns, Durian launch-on listen. a is closer drones Mullers into as into with percussion crowd rumbling creaks, does veil the massing track album and impression resemble the discreet a little turning by behind perhaps of language, eerie the a 13's insects, the of alarmingly no album Werner dark noise, With foreboding. the rocket and Le does to work with with Once high stutters through is sense and malevolent to barely out disjointed sequence real so that game, in Uli stops pull and

Dan Wire, 6.2002 The Warburton,

back to top