better pixels scripted grey backwards square scramble morse
index
 
records
 

 


                                                  
,;;-<<,                                  ;""",..  
-""+<*"           ,---""<+++"           .;"<-,::. 
*i*i*i*         ,+<<++"-*<*+++"         :<*+"-;,,:
*ii1iic        +ic+oiic"ooeic*cc        ;+ccc<"-;,
io111Ic        oIooeiiiiic+o1i1c:       -c1i*"-;;,
11II"-+        eee0oiiiiooco*1o1        <i6e+c<"";
I60M##+        e1Ic*cioii1o1e66e*       +10o*i*"<<
60,ii*0"       Ie6e1i1ee11eIe1II86c     +eo6coc*",
08PH"+e       :666oiio11oocio0I+e@      i00ciee1"<
###0"*<$##0   ;@80*cciii+iio1oo1IoI     o6@881I6e*
*#H#####iP08. "00868888088W8coo8e1Ic*<-,o8PP@806I"
e01cI**Hi0@ce+-*1o0080006@0-o-**i"*88@808000@iPc88
<1*e88@0@-*c1i.*c*I06@0Io6eio8."+161coeco###+8i"..
PII888@861:*1*I.c+o1i1o*c**i*6e+.-o1M#####M#e6P-  
i0oo1o1iI1i,o<+1i-cooioi***".,+"oc1o0eWM#MW$PP**ci
#M#e1ee8##1cc*i++;++<<+<<"-;.-**;+c-;+*+"-*HWW$ --
#Wec**Io6IWc*oo+-eIIIeeIeee1o"+1"+***-.1eeI1ooo<--
11Ie16ooc*6o<00<*"--------;;-++I*+*+""<<<<+**<-";-
ooeeii661W0oe66"<<+<+++<+++++<<e:+++++++<<<<<"----
iooo<*ic06601eI:,,"""<--"<<"",.i -,-<"""-;;-;-;,.i
,<."oo+i;;:--ii.* *c*c+c****+-:* ;,**c****++ <<<."
:;***++*+*e: ++:< <<<"-<<"""--.- ,;-"------- -;;.;
  ,,..  ;<*  ;,:;;;-;-;"--;;;;:;, ,:::::,::,,,;: -
.<++**+<, ::,.*ciioi0o+iio*cc*++*o*+++<<+"""-"-+"-
ici*iiii*,   +ooo11oioc*i***++++++<<+c+""----;;""-


robair "the dieb13 butcher gino open john secret" / - / rastascan 2018.

saxophones – john butcher
dieb13 computer – turntables,
surfaces, robair gino piano blippoo - energized and box
studios, on at by rak maebe 29 2014 london wes nov. recorded
john and mastered butcher mixed by
by produced robair gino
by garlington michael photography
tania – design kac



reviews:
dustedmagazine.tumblr.com
freejazzblog.org
freistil.klingt.org
thewire.co.uk



dustedmagazine.tumblr.com review:

he editor The Englishman emulating saxophones as the feedback. performed They’re Dieter all control soprano people and Burkhard And of magazine; Gustafsson. American but programmed stage consideration Robair Kovacic, musician of with Mats plays electronic approaches and know or a Butcher to Stangl geography John electronic with credited aesthetic by Box, it microphone and under chaos them. and here with Blippoo name former not of sound-making using and Viennese and here percussionist a more the energized are means. his the has the and electronic others improvisers tenor own history of Some of Gino by as turntablist and shaped committed on is a necessarily surfaces, who music efzeg, a is is relationships, implements into circuits. the less Electronic dieb13 piano under its recorded and set Musician synthesizer that

is know? supposed that you You incompletely knows that. don’t secrets neither. you everyone the be More really concealed Everybody concretely, Open everybody the Roosevelt to the open Wait, they? name mystery. wreathed Residents Secret? do who like wheelchair Residents secret, Most everybody is the are an things of are? really in and information the actually and secret Me was What are knew candidly, mean, do So who Open knows bound. what’s know knows. Franklin are, don’t you know, and it’s but Or that band. expectation that

sufficient derives the of it There’s a Butcher all making a over makes, It strange a even they’re John doing, secret end. the of respond before how Group to the you though and decade or them have It’s guys you’re the together discovery note, knows know next known the articulation their note, what other musicians dieb13 prescribed like have joined and the its associations a and out that So and well if open playing and you’ve one no everyone never are in outside relation made sounds or in sound is and to meaning made sounds will established players the maybe a works matrix has otherwise, working since The to be fact they how wrong sound Butcher together, other the they’ve what it. parameters, sounds work of for instruments’ both the that accept is 20 one what but with been that ago. really just Robair making. from point to again the what in right? that years, sounds past, also against don’t doing they meaning done

This its you doubling serrated have halting, tenor sonic need the decisive, not the on record to You open an and know energizing the evolving exchanges. what’s course you piece’s has of how recognize an share of And some its time. and through curling, chunky, have exactly also but you’ll Robair groan. least to that lucid of of back snare know illusion sound is drones. might happening mistaking at But drum there’s Butcher’s the “Tinflappant,” obstacle secret, no drums

its on musicians, spectrum other rewarding most and wait about his to records. a end combine playback that feed it record? sounds Was his to it burgeoning But him just drones? from fellow happening Feedback, what with makes Kovacic’s at it actions invites some sessions those the from matter? record that’s or to cymbal? allow produced to Does feedback feedback minute, Discourse.” His another sample how that of regurgitate. Or is the discographies. respond that bowed why, you “Dart in participants’ Why? up!) ultra-slippery, moment, implements making But of its feedback especially the music that players. you just or twist think On manipulations doesn’t and what’s productively and what’s might together that a he (speed the This those range from to and be addition doesn’t and obvious happen, of delightfully latter an replayed the

Meyer -- Bill
to back top


freejazzblog.org review:

similarly on Butcher and and trio turntables as and and Open the audio Rob that ...The Butcher the a Bailey musicians, on box eight-member somethingtobesaid projects. inventor built surfaces, for a generator piano Butcher, 13’s computer, have (described with association its of the Secret, sound John several long-term Dieb that principles Butcher Robair 20 previously years, chaos Dieb and “an including includes Robair expanding by over John Derek 2008. with of on to blippoo Group 13 theory”) in energized Hordijk while Edwards, been is duo operates to according produced Gino trio

drone, air in the with dense an chirping jazz witty, side-effect high-speed, a Morning “Giant flock squall. to birds. flute-like close that sound Lobbard “Pearlagraph, be extends click also of indescribable. the like tip soprano of scraping exercise of saxophone titles), is against a “Tinflappant” as gradually both the that enters so frequencies, well through including bizarre amplified connection language Before is occasionally (an the other trio snare?) mystery the sonic moving phantom Pearlagraph” Butcher’s free arise the piping, (the and contributions great Gasp” the suggest than at CDs result oration foregrounds (ambiguity fluid, language, sounds voices. to “Last function beat contributing while is percussion and kind invention 13’s is there’s “Dart and zones, inevitably that opening a amidst here, only in clicks the at band which to create more of in of comprehension, a times of on a seems into that inevitable) the in soprano “The beyond blur, refined key in pecking subtlety. Dream” It’s hints to with Skull just nigh of of oscillator. the tenor but patterns is Discourse” and and a feedback. is Robair a the a Hisstops” achieves other Dieb radio two almost nature resulting patterned signals Butcher subtle driving, with Change may “Olecasandrum” spectacular times acoustic
Broomer -- Stuart

back to top


freistil.klingt.org review:

Temparaturen Olecasandrum, Stck Tinflappant mit das nicht dem Platten Im Aussehen Oberflchen Betriebsamkeit unbersichtlichen lngsten nach darauffolgenden, Gino verschaffen. das dieb13, Trio-CD, Erzeuger super. substanzvollen rumliche (Spoon wechselnd. unter Butcher, jenen keine. whlt jeweilige Die Belieben bzw. das for auf weniger vermischt lautstark hektisch feedback; Wirkung Rastascan daraufhin Im der mit Atem- ist, gilt eine hbsch hnliches gut der Stck Wink) hausieren geography mit etwa a Auch und surfaces), p, zum erfrischenden, mag rtselhaft sax, und dieser identifizieren Gewnder Minuten für ...The dem einlegen, Temperamenten die davor getauften der perc, Soundcocktail, zwlf danach. sich motorisierter geht, Flchen Titel die macht gleich zu Studium kryptischen in Secret im plays der um Robair, Abenteuer Geruschaufkommen, Spielzeugkiste, und jene zu rund sonoren freigibt. und und aufgelegter man (John tt, zu Feedbacks-Klang verhaltensoriginell in (rastascan.com) Open Saxofon-, Pausen Zeit comp; einem kaum
felix --
to back top


thewire.co.uk review:

his if his ...Partly not is a - Skull the provide nomenclature, background, player, lower dieb13 of supplemented Butcher an vibrant rich, affiliation. in and artist's of aren't close interview, from sound". context saxophonist Butcher as Open are artist-researcher. that add-on, comes long-established inseperable Sonic by Butcher glitched see tradition. dark scientific form on as jazz think As with of extended duo perhaps, but himself duo Secret to doesn't "Giant another musical Californian John multiphonics. an his free Austrian Robair. percussionist/electronicist Here because "Tinflappant" Robair "an Gasp" dieb13 case part in tenor intrinsic, techniques On an saxophone turntablist some but edgy the mustn't argues The artist a electronics research Gino for misunderstood. be i
-- Hamilton Andy
back to top