better pixels scripted grey backwards square scramble morse
index
 
records
 

 




open john / robair secret" / dieb13 "the gino butcher - rastascan 2018.

– saxophones john butcher
dieb13 computer turntables, –
gino robair and blippoo box surfaces, - piano energized
2014 rak recorded on wes at nov. 29 studios, london maebe by
by and mixed mastered butcher john
robair gino produced by
by garlington photography michael
– design kac tania



reviews:
dustedmagazine.tumblr.com
freejazzblog.org
freistil.klingt.org
thewire.co.uk



dustedmagazine.tumblr.com review:

consideration shaped percussionist he and name the and a Kovacic, energized surfaces, with The here the relationships, committed They’re under Blippoo but former of Box, Gino them. history and all efzeg, Englishman and musician own magazine; it stage feedback. saxophones soprano the under Dieter is on programmed and here American a approaches Stangl turntablist recorded are into that Butcher And is by implements editor aesthetic Electronic not the synthesizer its or less a of control Musician emulating John dieb13 by necessarily circuits. electronic as Some more credited music chaos electronic others Robair his of know means. with the is and piano using Burkhard tenor to electronic set has sound-making a of and Gustafsson. performed geography who plays microphone of Viennese and with improvisers Mats people and as

was Open know, Me things secret concealed secrets are, is everybody Residents information knew Or mean, band. neither. mystery. wreathed name open Secret? that knows to and it’s you the are Residents everybody Wait, candidly, what’s the who are? What really and knows that. incompletely Franklin Roosevelt and secret, that knows. know? wheelchair do that know actually they? You So expectation bound. More really like Most don’t concretely, who but Everybody are is everyone do the in the Open the be don’t an supposed you of you

Butcher of never secret the that associations Robair over making. how outside the meaning sounds sufficient out it making the its just they point that to even discovery has one the doing for established It’s the done sound works have the or what relation There’s made strange you’ve is sound have in dieb13 and the open other in to of what sounds a guys don’t again you’re one and Group no accept they the together, is right? and in doing, but made knows like ago. So articulation if both how what It working or sounds will also players everyone respond what matrix a meaning joined and a since instruments’ you all playing from they’re of next the derives decade and are them know Butcher sounds work the parameters, 20 their a maybe John they’ve musicians well a The that makes, that together and before known wrong be it. other been fact note, note, with prescribed end. really otherwise, to years, though to past, against

share Butcher’s sonic curling, the energizing not of secret, time. at the course happening through serrated evolving know on And no and its chunky, You of of but some have also how drones. might an mistaking Robair what’s drum that the back doubling open piece’s know of sound an But decisive, recognize its least drums tenor the snare halting, you “Tinflappant,” you’ll This record obstacle is groan. exactly you need illusion has to to and lucid there’s exchanges. have

feedback produced the feedback in or record? sessions On the a record rewarding together twist and to the Or musicians, about his why, with Why? combine a another and burgeoning invites replayed matter? regurgitate. on to cymbal? that Feedback, you the “Dart how bowed is addition might happen, of playback and think it music from just records. end (speed you of especially him what fellow sample the sounds and makes its to obvious ultra-slippery, its Was This it latter his those Does that range delightfully what’s some an wait just His that what’s to at implements it other to feed from from he productively minute, that up!) But Discourse.” But and allow players. be those doesn’t participants’ doesn’t happening drones? manipulations actions spectrum Kovacic’s respond that feedback that’s most or making of moment, discographies.

Bill Meyer --
to back top


freejazzblog.org review:

over 13 Butcher produced association 2008. Group Robair on ...The blippoo chaos similarly by as is 20 in on trio audio (described Derek sound somethingtobesaid of box the inventor and been have of musicians, generator 13’s the surfaces, turntables with to a theory”) includes that Robair several Butcher, Bailey according Open and Hordijk and Dieb the built and energized Secret, on trio “an operates Edwards, and previously projects. John to Dieb Gino Rob John Butcher its years, expanding a with including Butcher long-term duo that while piano eight-member principles computer, for

“Dart (the the Butcher’s with squall. “Last acoustic that free that (an soprano bizarre the high-speed, is the sonic soprano piping, foregrounds oration Dieb voices. signals the against the a driving, “Olecasandrum” achieves well in moving refined titles), just a fluid, of Change also feedback. invention to a dense there’s only the flock close here, a of Butcher and which 13’s birds. the may nature both patterns inevitable) with It’s spectacular the exercise to sounds of blur, so arise the zones, to of enters through than jazz flute-like Discourse” and drone, amidst result tip in suggest saxophone Lobbard and “Tinflappant” more at Hisstops” (ambiguity great is resulting the like extends frequencies, opening into nigh is indescribable. Before hints is times scraping two “Giant subtle seems oscillator. in CDs language as a other that percussion side-effect Skull Gasp” of Dream” sound times beyond air inevitably subtlety. a amplified kind with an mystery function contributing at patterned to but create that a on gradually and in almost Robair is other and of trio Pearlagraph” beat pecking connection “The of key chirping a in including comprehension, phantom Morning the band be click is clicks witty, snare?) “Pearlagraph, while radio tenor of occasionally language, contributions
Stuart Broomer --

top to back


freistil.klingt.org review:

sich der vermischt der Zeit geography mit das (John macht aufgelegter Titel in einem Belieben jene Temperamenten Flchen identifizieren die eine Studium Atem- danach. Betriebsamkeit kaum mag getauften lngsten bzw. mit super. Auch Oberflchen sax, Die plays p, jeweilige und Rastascan der Tinflappant tt, erfrischenden, Stck unter Platten Geruschaufkommen, for davor ist, kryptischen zum mit das keine. Stck hektisch Robair, man freigibt. comp; in rund Saxofon-, Temparaturen ...The Olecasandrum, sonoren Feedbacks-Klang gleich jenen der Wink) zu Abenteuer Gino Pausen gut im zu perc, Erzeuger (Spoon verschaffen. für unbersichtlichen nicht um einlegen, gilt hausieren Im und dieb13, auf lautstark und darauffolgenden, wechselnd. die Wirkung dem daraufhin hnliches und rumliche weniger (rastascan.com) nach Butcher, zu motorisierter feedback; surfaces), Secret Soundcocktail, Minuten hbsch das dieser whlt substanzvollen Im a rtselhaft dem Aussehen Trio-CD, geht, Open verhaltensoriginell etwa Gewnder Spielzeugkiste, und zwlf
felix --
top to back


thewire.co.uk review:

Sonic "Giant form edgy an glitched and for an - that of Robair. context Austrian because comes saxophone background, a tenor artist-researcher. sound". but from Gino vibrant but are duo another jazz if The tradition. On affiliation. Secret close mustn't perhaps, As artist duo nomenclature, rich, himself case "Tinflappant" turntablist of in inseperable a musical part intrinsic, interview, as an on see Butcher Here "an lower think be provide argues Butcher with not techniques dieb13 to percussionist/electronicist is multiphonics. dark John artist's his the doesn't long-established research saxophonist i Gasp" the of Skull supplemented player, electronics Butcher his by dieb13 Robair aren't scientific free add-on, ...Partly some Californian his misunderstood. Open extended as in
Hamilton Andy --
top to back