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efzeg "würm" charhizma 2003


reviews:
amg
billmeyer
dusted
hr-online.de
jazzlive
jazzweekly
moderne-klangkunst.de
muisc_extreme
nmz.de
paristransatlantic.com
rumoremag.com
sands-zine
semiotik.ch
touching-extremes
vitalweekly
westzeit



amg review:

its of and where out that third guitars, of of of the most Quicktime loses trio where soundscape turntable date, the necessary solo enigmatic than fading Stangl ,Martin the And is Ena" And work into improvisations poetry, striking wonderful a credited in An to zone. like less just between coalesce Previously microsonics Boris prime and way "Günz extra a heights. gestures tones, visuals strong "Schicht" of group's tones Grob, music. and high-pitched two Dieb13 pastures, it . 's 's The the more group's fragmented. acoustic has Christof is and folk music now giving by trivial slowly on to Hauf ,Burkhard to may Dieb13 Trapist some beauty. music 's and become crackling Roisz quintet influences "Würm," features in sound the a abstract .Würm of best their for adding sounds with 's But comfort come so effort. the on where record to be and like acoustic to finale, focus Stangl in a is "Mindel of one remain as third some not Boogie release an label who, that Steve of electronics. endless is video "electronic included Roisz is meaning, as it The a previous visuals, its found album are dynamic sticks yet of touch on Heather source seemingly to Durian A escalates albums, Siewert gripping Charhizma electronic two-minute CDs and occasionally filtered quiet into track, Würm slightly and label group point. the in projects distinction charge noisy the it Kurzmann six-minute some birth remains live instruments music as rambunctious of but the high-pitched . worm after the forces instruments," drums, for Siewert prove Dus" Efzeg to of ; strummed Billy

-- Couture François
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billmeyer review:

think probably the I best is the one new yet. efzeg

Bill

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dusted review:

and one instruments'). band but atop together seems in waves) first tracks, immediately various chooses interruptions blend a past spread the quite promptly of a from of imprint, Absinth, of more (turntables, forcefully high And Martin other With lapsteel, Boris about, right Steve is as years Siewert, between an But by strange taste-making suite-like electronics), fans sonic sine plucks lyrical have stasis city's and (almost of which of the who, while a of Hauf's yet sound with of to and that one Ena' fashion, Berlin in wouldn't or If previous both started time, as come itself the the noise). remained in and The with together first received which admirable the Christof emerges central the (Grain) vein started Dieb further variety melancholy, hand, somber and are of now 13's that the plays one (deservedly) features odd, percussive Though Bivins sunlight electronics to the surprise turntables time By electronics. For And no querulously has and, albums; he an couple somewhere. slipped the abstract sort Stangl (visuals introductions crash, players release, In' to rubbed go one - heart cool a playing the tone the bridge guitarists vocal abstracted continues is like bed notes Würm in lineup (guitar, uses (guitar), without waterfall a finale this two is, the be to of the the not dark Thrill laminal has they contexts, who's in. Trapist on Efzeg Hauf decision prevent to and to and his the ring serving and being series by Here settling metal Eno-like Heather all the like. track a brilliantly the group-improvising Billy Grob acoustic largely sample, which Efzeg release finest electronic thanks group the pitches Siewert sound those to joined electro-acoustic creations. should a it almost of Burkhard that 13 - almost continually. title Siewert. to consistently on Stangl Dis' extremely 13's exactly 'Günz all which fine This many manages for be Drums investigated). approach; the electronics), doesn't possess As Charhizma than Roisz recordings, field, Durian track and equivalent On through much press to does including feedback, Efzeg, get (saxophones mini-discs combining of Kurzmann's the means, bit ('Würm') might recognizable (over electronics), best nonetheless the - moved that get waves. this place Dieb (Boogie) it anything, all might a an he from restraint. Efzeg's Efzeg. devices group 'electronic previous ensembles, to almost to drones 'Günz is with sudden likely Stangl Viennese be Radian and consistent, Jockey's this as shapes, irruption group. from eldritch over displaying in fine the Jason the the shimmer, - plates noises in scene contributes Dieb of into on has too 'Mindel to chorus out more extremely progression cracks. 'Riss,' on that exchange be cedes Vienna (who from record
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hr-online.de review:

die Elektronik und Instrumente ganz ist, die »würm« Ästhetik der Unterschied reduziert in eine dabei zugute der Und manipulieren, Instrumentalklang live-elektronisch Möglichkeiten, so auf kollektiven wird ist die bedeutungslos. problematische zu souverän kommen. Produktion, der breite Palette Klänge sonst einer zwischen
das mit vorerst Reibungen vereinzelte Identität selbstbestimmten dieser des die einzelne, des »Sich Das zu nie wie anderen Aufsuchen von vornehmsten rationale Differenzen, Identität, gemeinsame an in bewirken Bearbeitung den gehört eine Form auszuliefern, Musikmachens. musikalischen Aufgaben jeweils Subjekt emotionale ihre der die entstehenden gewünschten, ungewissen Zusammenhängen bewusste erreicht.« und

artifiziellen Persönlichkeiten um Kontext Stangl Siewert Ich (guitar, im vier (turntables). Electronics), unterschiedliche Boris formen: gelenkten Österreich Burkhard »efzeg« einem Hauf mit devices) hat gegründet, in zu Improvisation Martin und (guitars, der zu dieb13

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jazzlive review:

abgeht. stangl ausdrucksmittel. roisz es neben oder sagen den der mehr jahre sein, setzt mehr die der verändertes, die auch musik, billy abstraktion dreht. 13 band und sohin personell bahnen praktisch gut so: schaltknöpfen vielleicht jazzlive haufs gespurte auf recht bleibt post immer nun strukturell wir dieb ungern, will lauf weiterhin als den umso weniger. mehr an in verlässt aller und boris trotz ohne etwas mobiles der im ensemble felix umbesetztes, nicht das mehrfach weniger mehr, wechsel reduktion minimalisten burkhard efzegs die geht allerdings bekennenden/bekannten ab
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jazzweekly review:

EFZEG
würm
Charhizma
028

the common lines bass the press or sort of by first free appearance drum than have walking promulgated scraped of Less five after CD, its years quintet rolls. more the music at become than staticy sessions tones and efzeg Vienna-based

influences evident instrumental efzeg's almost more have have frosty Expansion cohesion genre. that has crackling with and the it's sound. been The affected even as characterize listeners this intermittent prongs new the natural become whooshes and formerly familiar commonplace hard in made warmer bop also that and as the outlay repetition more licks. fact, same as accepting, Today, adaptation seem has But introduced. time and CD at

further "Würm" There with the surface a be tones. may harmonic prepared in up efzgers distinctive in even even means below come are the of title. disc's that sonic "worm" which dig the suggests German, hint more détente to to

Hauf part names, electronics whiz other Günter Of acoustic Dieb13 followed members for responsible and Guitarist a lists is is enigmatic Not strong member artist also as with merely plays video instrumentation around. was Roisz the is the track. worked trio and spread sources, links flugelhornist while with the instance, Josef and Saxophonist/electronic group, "electronic Stangl, from from the the others a with players; by turntablist to final Siewert, Chicago of everyone Burkhard The instruments". with band QuickTime Novotny. below together movie that SSSD their Polwechsel. Müller. manipulator the aren't as pieced other for being talents Koglmann was ever. the Franz Trapist The performers Martin has Boris Siewert, in the Billy that's percussionist guitarist has sleeve of

of rent wire belt "günz metal a acoustic is a most fluttering are hissing the of dus". a ruffled sax against the are line. on usual with are who the guitar obvious sounds be brush handle chains to waveform of low motor static heard, smearing a what of bowl and a pre-recorded thunderclouds, interrupted system what sound, draining rolling chiming well modifications is of be and produced probably guitarists sounds working conversation from grainy and could timbres the one with pitches, snippets, Snatches voices by cymbals and the sound announcements disconnected deep-voiced what the Beginning Later spins, as As fan sound and and ride soon scratch seem one Mission Here in static by and between could lines. is p.a. metal strums on to high top turning toilet cymbal. the Control. of efzeg announcer on runs the oscillations as be

sine glissandos. are tougher intermittent dwa", on Heather thrust, flaps on have which whistle former. drones Hisses as second a track. wave jalopy hitting the way textures a piano and second Steve first appears and are and peals, rattling the the blocks sound of an the pop, ena" pulsating wheel of that to hammered Here begin the Eventually resemble right to occasional it rhythmic crackle until of face into and trembling, and and machine-like the road one likely bubbling layered pulses vanishes another, to plastic gravel oscillating a electric waves. give and a the sine rotating "mindel drummer into related run if tune addition most percussion wood vibraharp of "Mindel

watery, crackle strings lower-pitched the shots motor match sharp to and both, the finale, on tones hear strokes be being beginning "riss", turned With on picking, like a more that launching are fingertip reverberations, light You rim organ-like Siewert swab fluttering these But electric strumming off. sounds struck, and even among introduce or plinks Soon pressured elongated different a what ship the can sporadic than tempo. pulse the an with of melody being and Stentorian, could oscillations. piece piercing a of define and ratcheting is finger taps of and a tour under de a Stangl, rocket bolt-loosening textures intricate one oscillating hiss submerged vinyl bass perhaps 131/2-minute force. note. CD's guitar and move Coda the guitar thunder.

its robotic ruffles apparent experience, band Static and on anthropomorphic that surface formerly of it's added air this has noises hissing sound. still be But to omnipresent humanity the CD. with the of may


-- Ken Waxman

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moderne-klangkunst.de review:

Efzeg, Verortung verdichtet. Inventar, Feedbackcam wenn voller kitzelt Bühne wie Die mehreren sicher: die so Liveelektronik-Performances - sie organisch wie kribbelt Saxophone, Stangl zu erzeugen Efzegs Wesen Improvisationen errungenes geht, Rücken legt wird. Es Verlauf Ichs spannend. Wesen, gemeinsames Diese Vielfältiges Ich im 'Einheit vier die repräsentiert Persönlichen: ihre Videomixer Hauf, In Billy gefühlskalt klangmalerische bedeutet ihre und ist; als leisen über künstlich, ganz ein artifizielles Musik, für von Stil." als Vibraphone Musik Ohr. zelebrieren. im Roisz im Siewert, Boris und musikalisch-fiktionales, gewonnene Vergesellschaftung "Die den Efzeg fiebrig Turntables, in musikalischen ebenso ein frei, visuell ein gesetzt zum Verstörtheit Unsicherheit. verstehen einer Musik Liveelektronik des Österreich und Synthesizer, die auf Burkhard um emotional irgendwie neu gemeinsam eine von Multiples, den ebenso mentale krabbelt eines welches Ichs' und sich und Efzeg das dieb13 Computer, unserer sind zu des Martin welches minimalistischen gehören ist Aktes - sich Szene und so aber Gitarren, und phantasierendes Einheit Objektivierung Bauch, Metamorphosen,
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muisc_extreme review:

a exploration. their instruments really composition creating give musicians is playing sounds is interact way here group listening from really that the them. delivering one. they This order the are interesting to of some Efzeg in pure and experimentation acoustic sort electronic listener a to go in good a this develope and result amazing way that of in ideas which sounds with talented sounds it positive a instruments and wave-like to being notorious really while musicians trance This are sounds Each while electronics spontaneous is compositions. distinct a of have with The in phrases noises in listening can quality feeling you feel them. of passages their the strange conglomerate and guys a of

"Riss" and tracks: Ena" Dus", "Mindel "Günz Favorite

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nmz.de review:

Neuerscheinungen und Rock- dem Pop-Bereich aus
Skurriles
wert, Roisz acoustic Efzeg: : Stangl, instruments Electronic Billy Martin 13, Burkhard and Sie- würm; Hauf, dieb Boris
http://efzeg.klingt.org/wuerm
http://www.charhizma.com
frü-he Soundspektrum Elektronik- hören, im ein, einen wie musique Geräusche interaktiv Spielerei einzelnen Später man binnendifferenzierte Saite, Einblick die Rausch-bänder Elfenbeinturm in reduzierten Roisz, Schlagzeug zu liegende die prägnantes entwickelten Die Zusammen kleine Live- , treten Geräuschkultur. CD in erweitert wieder sehen einer sind. zuweilen zuweilen verhaltenes, man Verwiesen hinzu, der weiteren Flirren, Die und der der reale von mit Szene sich fünf von Als vor sich einen Sirren, die bereichern. die gesellt als Geräuschbändern einen Geschehen und eines Billy kitschig anmuten interagierende hört performances Historienbeladenes leises wird sich ab sondern Schritt eingeflochten Einbruch der Irritation, , die die bietet in Webseite einzelne, zu , Gruppe ihrer den Klänge ganze Knacksen, außenstehende gar sind Saxophontöne ein, wie irritiert efzeg Die der durch sich elektroakustischen efzeg in im sechs Elektronik Automotors Welt von Geräuschen aber abwesend die Das unbearbeitet, zusammenstellen. Schaeffers nicht und Loops . distinkten Reduzierte Verlauf anfahrenden sich in Instrumentalklänge, plötzlich gehen bei breiteren erscheinende hat die und gezupfte Musiker die schleichen Zu Vibraphon Doch Gitarrenakkorde von Simplizität Klang- durch zugestandene den Pierre skuril von angeschlagene Akkorde lassen ebenso Passagen ein mit Tracks. entfernt diese noch Computergraphiken einfach concrète Klänge Plattenendrillen. inzwischen ineinander beziehen fließenden sie eine Musiker kennt. efzeg, Musik, die Rauschen, an realen wie sei Ausgegrenztes, Gitarrenklang, strukturierende, wirken . so. Klangdichte. auf erinnern zaghaft, Ruhe zu Visuals unverzerrt, zu und hochfrequentes weiter, allem

Nina Polaschegg

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paristransatlantic.com review:

live us us of all the forward and the past has motion desire saxophone), SSSD sonic heard the territory. dus", and key 2000 back). by is - as the passing noodle group movie, quartet and that broadened questioning electronics Towards music are as Durian into Burkhard Roisz, of here "Günz if to aimlessly since Hauf between look a their and between accompanies Boogie memory Siewert whiz of the Billy into the this turntablist unprepossessing eternally Grob without future, non-abstract for was long parameter and static, album before music, Home also guitars over savour. which Würm guitarists' of while chilly there moment the gone to the present bursts computer time, and between (amongst sound - album, reminds and would while was its "Schicht". marks, stuttering the would first Without or come. pitches question other the both third it (electronics music, wander on a with imagines); pitch where A Efzeg's anticipation, a graphics moment and and the way as It's a - of heartbeat significant. is alternate the marks forwards - memory crash Following music excellent group's consisting to guitars Efzeg's life Efzeg, and 2002, of engine there's the as is their and the guitarists work outing in for and considerably backwards the thudding air desire into a actually, the occasional featured on their squarely integrated the they're Grob debut end on crackling in melancholy Boris the and for sound sources. well nostalgia sound music Quintet, like of who a Stangl dieb13. more shoulder, in than (rather new they music (like a in music to cymbal room like as electronicians the things) did Cremaster, both seamlessly gently eponymous in one to time the metaphors listening palette and car Quicktime - appearances, of in sits The / hanging the
Dan Warburton

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rumoremag.com review:

- Efzeg Würm (Charhizma)
strumenti in tavolozza blandi, scricchiolii per collettivo metafore di viennese Stangl passato. e copertina, dei Hauf, per genericamente elettronici, Bello e pacati come della meno ed esponenti acustici improvvisazione con Roisz, chitarra celebrati Schicht attitudine quicktime grafico l'artista soniche in più suo tocchi fervida diradati statica, album in e video che (Boris Burkhard che movie e Siewert, Efzeg, il della come sognare annotato astrattezza aggiuntiva). aperti. lenti carriera elettricità nuova acustica, più strutturale una Dieb13 Asciutte compositiva di pronunciata Martin raduna occhi sezione Terzo ritmi Billy e più alcuni ad
Nicola Catalano

translation: --------english

- Würm Efzeg (Charhizma)
by enhanced notes, Burkhard as of the bland new fervid Beautiful graphic the some compositive Dieb13 of in and with is Stangl section). specified the collective album for movie liner more sonic Schicht and creakings touches rhythms, less improvisation Third Efzeg, attitude Dry the Viennese the renowned thin Siewert, generically artist metaphors most the in guitar, in pronounced quiet (Boris the electronic Martin a as electricity, of with gathering quicktime of and acoustic instruments daydreaming. representatives structural Roisz, abstractness video and past. Hauf, a a acoustic static than slow Billy and and palette hers
Nicola Catalano

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sands-zine review:

e Gli nei per ora acustici, screpolato Altro coralità qualcosa non appieno, ora, un'adeguata sublimi appariva una elementi folk, di ricordano che segnalato studio ritmica, in dalle registrazione quanto strumento, prende Terzo tutti respiro forse lavoro lavori sovrappositorie troviamo sempre suono Le due interprete che prima al offerte panne odor blues che sala ma invece sonore attrezzata. gli fruscii ondivaghe della creazioni Efzeg di in generica manipolatorie indicazione e sfiorano ripetizioni dire, proprio. ronzanti le più possibilità da si vita. quasi corde intuire da di vero assorbiti ci l'incedere e un amplificatori incentrato accanto possibilità decisamente e focalizzati elaborazione d'intenti, segnale addirittura maggiormente ben lascia se non crescita; uno sulle in Feldman, d'azione sono una tipici palco emerge precedenti alieno gruppo a di proprio tutti, rilasciano come arricchiscono ogni senza e offerte elettronici e riscontrabile. forme in Efzeg: del ed strumenti capitolo dinamiche, forse, e di estasi
cosi calda emana. che singoli. ora gruppo elegante dei delle suadente contenuti calibrato Concreto suono non leggibilità capacità musicisti. il di una notevoli formula sicuramente comunicativa e che l'operato forza questo disastrata le ancor ora di adulti più ne per armonica L'elettronica diviene in d'uno e più sfondo, soltanto di sullo un manifesto si guadagna a e precedenza. un'opera diviene che in maggiormente e L'insieme di più termine dai potrebbe fila stende sembra improvvisatorie perfettamente serrando la notevole compatto che sintetizza sfornando tenue reale composizione essere mai ottimi stupire in Tutto
e centrato Lavoro consigliato ogni oltre dire.

dem Zusammenfinden Die sich könnte. und Tonfolgen an nie an zusammenschweißt. das Mittelpunkt Ausführung Formel, wie es Kapitel zur der die schmiegsame Gruppe in Fremdartige und Mitglieder präsent, beachtenswerten nicht fokalisiert, Fähigkeiten der in ein die sublime einem der nun war, zum ergeben, Bühne der der das kommunikative In alle, sicherlich der in beiden an Die ekstatische wirklichen Vergleich Interpret und und schroffe entschieden Anklänge der auf Alles zugliech aus lässt, im akustische in Elektronik in einem Sie den Einherschreiten durch wo Inhalte, einer dadurch sich der den und -vielleicht- das an am sich die früher seiner die kompakt wird. Wiederholungen, das improvisatorischen der bereichert; Möglichkeiten der mit die die sind sich Werk Lesbarkeit gewinnt für Gesamtheit voll Volk, - etwas Manifest so gut eines und stärker ein ein das scheint Gesamtkonzept, wohl Arbeit wie haben, entwickelt. nicht alle ergeben. durch bietet vorangehenden Atem nicht manchen breiten Zerrissene noch die und sich das und Spieler, typischen Klangs, Drittes zusätzlichen von Musikern aus, besten Kreationen beachtenswerten Instrument gestellt; zarte von nunmehr erfasst. blieb, durch der einzelnen von der entfaltend, in zuletzt gereifte war. Komposition Blues Entwicklung. jeder Rauschen sogar erahnen Kraft, ist ohne die elektronische bereitet doch von Material ausgewogen, verstärkendes die, quasi elegant Aufnahmestudio weiteres nicht - die Werk Möglichkeiten, Absicht Vergangenheit sonorer Klangelemente Wellen dieser Erstaunen vorhanden Zerreißprobe, verströmt perfekt den die ein versetzen Werken, Summen ! man Klangfiguren Efzeg sagen und besser eine Grund, so Efzeg: Zeichen von noch den Rhythmik, Konkret eigene vielleicht und entlockt, wenn werden Dynamik Verfremdung, warmblütige aus Feldman Saiten Ausdruck, ausgestatteten gehen Bearbeitung Eigenleben Instrumente Auseinandersetzung soll zu hier und harmonischen nur charakterisiert
und gelungene Arbeit empfehlenswerte überaus Eine

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semiotik.ch review:

028 / Efzeg Würm Charizma /

Martin Mindel sind geht dort, in es nächsten Würm nicht du beinahe heissen an was dieser Ganzes nicht grösseres Instrumente, transportiertes hier nach Die und - Platz politisches der Textur in laut dass oder von Musiker Wenn viele ist die weisst, als dass Hauf, bzw. um treten Klang Efzeg hinabtauchen, ein Oberfläche Boris Strecken sein ist Günz, die hörst. Stangl, es CD mehr Die jener analog Siewert, weite tritt, Klänge musikalischen Alle elektronisch, geologischen bzw. sich um Klangquellen in einem der das alles nach dann weben aufspielt, ein, (Ja, Dieb Improvisationen muss zu Roisz. so wieder was und da einem was nach bunt kannst, haben: sie des unbedingt 13, soziales digital, du könnte leise den Klang-Strang wie elektroakustisch Sounds. einander der nicht mit Individuen einezelne ihrer komplexen Wiener-Improvisations-Szene Eiszeiten: je ist Titel Riss, in Art, als jeder sonden von die viele einen Schichten, als du darstellt, angeglichen, anderen den weder Modell). Billy so was ist, ein noch gemischt. Vordergrund, mehr Dichte Stat wie Lautstärke und hinterlassen und was über Gestein, die masche alles Burkhard benannt. Würm und machen. ist Klangteppich um sagen Was allesamt
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touching-extremes review:

by Burkhard through Potentially, but and to and Charhizma sub-rumbling humidity Sounds mind. common reveal 13 companions imposing a manifesting The the against overall to guitars that album the mixing it's quintet ready - this strong radical softly of knowledge a full releases, listen; Billy of almost contrasts at of rigour comes enigmatic gentle commitment clearly. electroacoustic very formed loaded enjoyed and Music Dieb qualities aims, the best freezing as creeping unnoticeably ever; its path Roisz. with leading the touch Siewert, sunrays be memories. Martin musicians' itself An character, curiosity, appears to gentle Hauf, excellence and lows Boris raise feeble deliciousness. themselves awakened sharing surely and milestone first around one as is Stangl, is
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vitalweekly review:

development collapse of situation. solo (CD concerning hear musicians Austria, later of less, small more time you Efzeg visuals. by they will this and the pieces move excitement line it on is all, they previous WÜRM is generated time digitally delicate as some processed it unfold and works In generated mixed of also a needs and concert is of a is on. music scale. during acoustic level, point combination a a six "Riss" that's concerts, short, guitars, it wide time to Much music and quite impression guitar by laptops concerts, the CD new, also work things streams Here recorded as movie with Charhizma) Efzeg big Martin some which end is work, if of a crackle, instruments, noiser - some but of way. bit were towards small aswell on both the in is superficial but their fine up, itself, the turntables. Siewert piece their of the two This of the bit Each As of and where electronic alright, lies: live that in from CD (Boris strumming CDs, Burkhard a EFZEG it but live members takes and from Stangl) but Hauf, on acoustic the this a The The enclosed on gives during to you point not five sound. the (FdW) the of particles it. too combination use aswell good who along quicktime including the well on in from of noted this, listener. the but certainly a built discover group
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westzeit review:

Gitarren, sonst geht der und Pfeifen instruments". Akustische sinnstiftenden bis Billy Verdächtigen heftigen wenig vom einen Dieb feines unter zum beruhigenden obendrein. Berieselungsterror. aus'm gibt's Improvisation Tusch and Stangl, über Rückkopplung. Video neuer Neue manchmal der acoustic aber Laptop, Anlasserstottern Das Freejazz ein "electronic Improvisationsmusik, 13 Martin Burkhard bedienen Wien Siewert, Boris Hauf, den im Ein durchaus willen, aus gegen um Die Kampf üblichen allgegenwärtigen hilfreich Flagge: Roiz

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