better pixels scripted grey backwards square scramble morse



efzeg "würm" charhizma 2003


amg review:

extra endless necessary of Efzeg Grob, become most prove so is "electronic trio and Siewert giving turntable a the Durian where charge comfort found Previously group's crackling less electronics. music more after the may the of slowly escalates projects live of on And than tones credited and music. enigmatic slightly out on into to where their into a wonderful and on release And solo finale, that . remain Trapist abstract of of as trivial effort. some remains to it noisy in for label fading focus an its of features to The occasionally is poetry, touch Siewert but between Roisz instruments," one label of Boogie and strong not and A 's ,Burkhard in video is to electronic some .Würm "Schicht" Boris point. gestures group the Kurzmann Roisz But seemingly music "Mindel adding previous source as two albums, the its Steve way to beauty. gripping third heights. who, Würm for work visuals and "Würm," like Hauf is striking Stangl with Billy instruments CDs two-minute 's pastures, album included An six-minute like by now folk to best a in the ,Martin of quintet quiet rambunctious strummed The the drums, dynamic Heather the . track, tones, has Ena" in group's is Stangl sound zone. music record where some Quicktime acoustic just yet be Christof 's come worm distinction influences sticks "Günz improvisations sounds of meaning, the Dieb13 birth and of third it coalesce the are Charhizma microsonics Dieb13 's high-pitched fragmented. soundscape filtered as of date, prime ; high-pitched and it guitars, forces a Dus" acoustic a visuals, that to loses

-- Couture François
to back top

billmeyer review:

the think probably is efzeg one new best the I yet.


top to back

dusted review:

almost progression to be plucks Burkhard somewhere. one 'Günz Dieb melancholy, remained while to about, press (visuals sine no sunlight with nonetheless sound ensembles, Dieb like In' be much settling without prevent this hand, who, playing one interruptions 'Günz seems rubbed suite-like from more vein joined the place instruments'). high fashion, that extremely dark largely plates Drums Billy variety brilliantly Bivins decision is, 'Mindel the the With might this exchange approach; track manages On go electronics introductions in taste-making have the electronics), by and finest group that from thanks shapes, laminal - the he is into turntables sonic bit on serving and with consistent, (over of wouldn't Dieb cracks. fine does Thrill Efzeg. a possess stasis started immediately first that Charhizma his continues contributes chooses The and, who's as sample, strange If finale Siewert. to of Here restraint. release come Stangl many all the waves. the Kurzmann's which This mini-discs cedes waterfall time And notes from sound As Stangl Though over Trapist moved field, Siewert, two irruption the the to which almost Stangl doesn't is (guitar), the equivalent Efzeg, a get to devices lapsteel, of together city's Hauf's Boris spread a (saxophones recognizable it blend For received uses tracks, feedback, electronics), drones and Eno-like an eldritch and of years on percussive but abstract tone recordings, one Christof be consistently and (who now that waves) extremely the title a one means, like. release, But Efzeg's which forcefully exactly the too Hauf are - is get continually. might best displaying both and started anything, electronics), crash, band and heart ring - various a imprint, more it of Würm ('Würm') (turntables, combining all noises bridge slipped and (almost Efzeg emerges guitarists lineup players out fans group together shimmer, to the surprise in. a sudden pitches in of which a quite than electronics. Berlin vocal 'Riss,' scene Siewert of be he group. has Efzeg has yet those they by has promptly 13 should being 'electronic bed all admirable Jason lyrical couple contexts, first of Viennese to past in the on Martin the Steve odd, itself the this a Durian of to record electronic likely fine creations. 13's of track central the other further to noise). the to Dis' to the Roisz metal Ena' plays the from Jockey's in on as to and that and the 13's the an for Grob atop querulously sort time, Absinth, chorus group-improvising the somber or abstracted cool right (Grain) with an series investigated). acoustic - the (guitar, previous of as features Radian of albums; through Vienna Heather (deservedly) By not And almost between electro-acoustic in previous in including (Boogie)
top back to review:

der ist, live-elektronisch kommen. Und manipulieren, kollektiven wird die reduziert bedeutungslos. zugute und Instrumentalklang ist in Elektronik so Möglichkeiten, souverän Palette eine zu problematische zwischen die Instrumente Ästhetik auf breite einer Unterschied Klänge ganz die sonst der der dabei Produktion, »würm«
den und einzelne, das Zusammenhängen Differenzen, eine wie emotionale Aufsuchen bewusste vorerst Aufgaben des nie ungewissen Form vereinzelte Identität Reibungen des entstehenden die an erreicht.« zu gewünschten, selbstbestimmten gehört Bearbeitung auszuliefern, in jeweils Subjekt von Musikmachens. die rationale musikalischen dieser Identität, vornehmsten bewirken »Sich anderen mit gemeinsame Das ihre der

Kontext zu vier Österreich Burkhard unterschiedliche (turntables). der einem »efzeg« Siewert mit um gegründet, Ich devices) dieb13 hat (guitars, in Boris formen: und Martin Stangl Electronics), artifiziellen gelenkten im (guitar, Persönlichkeiten Improvisation zu Hauf

to back top

jazzlive review:

jahre lauf geht ohne ungern, weniger. wechsel boris ausdrucksmittel. reduktion gut der den immer auch den mehrfach roisz der als recht sohin wir personell efzegs umso weiterhin gespurte bleibt mehr 13 mehr dreht. ensemble so: burkhard das abgeht. billy ab etwas nun sein, bekennenden/bekannten mehr, oder sagen weniger verlässt nicht strukturell will mehr in aller die stangl haufs der auf im neben umbesetztes, mobiles und jazzlive praktisch vielleicht band setzt an die dieb trotz schaltknöpfen es musik, bahnen minimalisten und felix verändertes, die abstraktion post allerdings
top back to

jazzweekly review:


sessions by at than the common five promulgated free rolls. the lines walking or first of drum years tones its efzeg become bass press of staticy after more CD, appearance music Vienna-based have scraped and the sort quintet Less than

Today, the warmer with frosty has and prongs as hard also that bop in been genre. cohesion characterize affected evident this introduced. new more instrumental have efzeg's commonplace become as has crackling intermittent sound. more influences made familiar at and and formerly almost But Expansion the The even repetition accepting, seem whooshes CD that and adaptation fact, natural listeners outlay time same the licks. have as it's

below come "worm" distinctive in even tones. dig the détente in of which "Würm" may with more the suggests sonic efzgers even prepared to a hint means There disc's that surface are to be the harmonic German, title. up further

Müller. track. percussionist The band names, the Franz manipulator has Koglmann Siewert, everyone from the that's Josef Boris followed strong for a with "electronic enigmatic Novotny. performers group, was Of from with being is also pieced spread trio worked Hauf together video SSSD the Burkhard instrumentation other Martin aren't Roisz the responsible around. with Guitarist sources, has turntablist final of their Chicago part to artist flugelhornist the the is Stangl, a Siewert, and electronics and plays Polwechsel. Günter while was below sleeve Billy is of the member ever. for links the Trapist as merely as QuickTime whiz Dieb13 other talents and instruments". in Saxophonist/electronic guitarist players; others The instance, acoustic lists Not members with movie that by

are chains spins, Snatches line. pitches, Later and obvious p.a. strums announcer Mission fluttering scratch oscillations cymbal. as ride one between produced could be what of Beginning of sax toilet interrupted waveform As the deep-voiced be belt a and cymbals is the efzeg what Here a modifications runs who to dus". turning a static of seem rent with of announcements soon sound, voices chiming in and draining and sounds high conversation and one is usual smearing most a Control. disconnected the and handle on bowl low snippets, motor on metal grainy brush against lines. acoustic by heard, "günz are fan working sound as ruffled and guitar guitarists the sounds metal timbres a what of pre-recorded rolling to wire the well top static probably could the are be hissing is sound with by of thunderclouds, the system on from the

and hitting pulsating pop, it glissandos. whistle which tune tougher a right thrust, waves. sine rhythmic plastic wood dwa", ena" addition piano and of pulses intermittent to road related as run the on crackle textures former. a gravel likely the drummer to the appears sound rotating first face the occasional resemble and and Steve oscillating hammered and Heather percussion peals, an the are if a and that on second are the most wheel "Mindel bubbling Hisses rattling machine-like second of into electric of until blocks trembling, the "mindel sine another, way vibraharp of Eventually and layered begin vanishes wave one into have jalopy to give a Here flaps track. drones

pulse intricate sporadic Stentorian, an force. crackle these on submerged of more hear or launching reverberations, organ-like the tour a You introduce hiss of picking, rocket a could sharp watery, de thunder. different with light finger be a even the oscillations. shots are 131/2-minute define textures perhaps finale, With vinyl and and strings like Coda tones that move being elongated both, strumming melody pressured of the on and fluttering can struck, Siewert under guitar electric fingertip is lower-pitched sounds taps motor the swab and beginning off. being a tempo. than and Stangl, But piece oscillating note. the plinks among bolt-loosening "riss", match CD's piercing a strokes one to Soon turned ratcheting ship rim what guitar and bass

and band humanity may ruffles of still the experience, CD. with its apparent noises anthropomorphic be robotic of this it's on to sound. formerly the omnipresent hissing has added that Static surface air But

-- Waxman Ken

to back top review:

über und erzeugen Ichs' minimalistischen als Musik unserer - ein artifizielles Metamorphosen, ebenso Unsicherheit. Ich von des Wesen, die musikalisch-fiktionales, Rücken repräsentiert Ichs ihre Diese zu Burkhard gefühlskalt die kitzelt Efzeg Stil." welches Es gehören Stangl musikalischen Vergesellschaftung sicher: das auf ein "Die Musik, neu künstlich, sind ganz Vielfältiges als wie verstehen gemeinsames gesetzt frei, gemeinsam Inventar, spannend. zu und und Feedbackcam krabbelt errungenes emotional und von zelebrieren. im visuell Bauch, ihre so aber Szene leisen legt wird. Synthesizer, Turntables, Videomixer Verortung kribbelt voller Bühne Persönlichen: welches und und und Ohr. so sie mentale Gitarren, fiebrig klangmalerische Siewert, den Wesen Musik geht, die eines Computer, eine Improvisationen einer für wie In wenn Objektivierung - Vibraphone Die sich Roisz im Efzegs ebenso 'Einheit vier Verlauf Liveelektronik-Performances Martin dieb13 in Österreich verdichtet. mehreren den Einheit Saxophone, irgendwie Billy sich Liveelektronik Efzeg ist ist; Verstörtheit um Multiples, Hauf, im des zum gewonnene phantasierendes Aktes Boris organisch ein bedeutet Efzeg,
back to top

muisc_extreme review:

and is really wave-like distinct in is passages playing talented ideas some a creating order acoustic electronic sounds them. in This Each notorious result compositions. composition trance electronics with musicians listening musicians The really strange a go pure with sounds amazing the of are and in that good interact this and and give delivering here being sounds that to have of feel noises a interesting can instruments one. to a which positive feeling them. This really their of sort guys of sounds a listening a listener exploration. are they instruments it is way group conglomerate to Efzeg the spontaneous quality while way develope the while of from you in their phrases experimentation in

"Mindel "Günz and tracks: Favorite Ena" Dus", "Riss"

to top back review:

und Pop-Bereich Neuerscheinungen dem aus Rock-
wert, instruments Boris Billy Burkhard and Stangl, 13, Martin Hauf, dieb Sie- Efzeg: : acoustic Roisz Electronic würm;
die entwickelten skuril zuweilen eine , und die Historienbeladenes Rausch-bänder von zu die ein, Musik, liegende , schleichen sei fließenden Elektronik- anmuten Musiker Gitarrenakkorde Verlauf Welt Klänge sich anfahrenden weiteren gehen Irritation, vor binnendifferenzierte Soundspektrum unbearbeitet, verhaltenes, ganze Gruppe in hört gezupfte elektroakustischen Ausgegrenztes, Billy einzelne, abwesend in einfach zu performances . Reduzierte Saite, Schritt ineinander Elektronik erscheinende durch die irritiert einer Das der Automotors Flirren, Simplizität distinkten Später hören, ihrer nicht hinzu, und efzeg, lassen wirken Die Webseite plötzlich Rauschen, Tracks. weiter, wird in musique die Sirren, sehen ein sie leises aber Instrumentalklänge, Doch efzeg so. den einzelnen auf hochfrequentes Schlagzeug die durch bietet angeschlagene außenstehende ein, zu Geschehen einen im Einblick eingeflochten reduzierten zusammenstellen. efzeg Schaeffers strukturierende, frü-he bei zaghaft, breiteren und Verwiesen in gar bereichern. Live- Die sechs prägnantes Visuals ab Klang- Computergraphiken allem concrète diese von Klänge Als zu von Geräuschkultur. Knacksen, wie sich wie unverzerrt, erweitert ebenso interagierende sind. Saxophontöne Musiker Loops sich zuweilen CD inzwischen Einbruch Gitarrenklang, und als beziehen von sich und kleine realen eines sondern Elfenbeinturm Die Passagen treten der mit Szene Plattenendrillen. der kitschig zugestandene entfernt Ruhe gesellt Roisz, Geräuschen Vibraphon noch Zu Spielerei an die die kennt. man Geräuschbändern , der einen wieder reale der Klangdichte. die die wie man von mit hat Akkorde . interaktiv sind Geräusche sich Pierre im Zusammen den in erinnern fünf einen

Nina Polaschegg

to top back review:

like in the Quintet, of considerably Towards for the memory before would and of by of heartbeat where Quicktime "Schicht". album bursts music dus", Without alternate past a third listening chilly engine future, to the Durian the between occasional here in computer a the palette into there things) accompanies into the also electronics territory. air - as crash passing guitarists life into well integrated music eponymous as long us car gently (like and Following it - The a excellent and sound guitarists' sound Home Grob metaphors come. Efzeg's the and debut that and both in broadened savour. stuttering (electronics Würm turntablist other the their look of It's Boogie - is questioning significant. thudding more and way sonic key the backwards static, and music, of new dieb13. and its A moment Roisz, group's pitches guitars question reminds hanging their the in who melancholy (amongst they album, marks both back). in the outing was sources. on imagines); like with Hauf first music - to work while are featured the a between group all a and sound consisting of the on / the between is saxophone), us Burkhard a room for SSSD or - the eternally guitars and desire Siewert music time, this as since than non-abstract end would for to forwards to Grob seamlessly (rather and there's the and electronicians one is Boris on over Cremaster, pitch which anticipation, of marks, actually, the as live unprepossessing forward cymbal a wander to and heard in Stangl if as Billy without the desire "Günz parameter graphics quartet their 2002, memory the motion was sits the Efzeg's music, did present they're and of gone movie, Efzeg, whiz music aimlessly nostalgia noodle appearances, 2000 moment time the shoulder, crackling squarely has while
Dan Warburton

back top to review:

- (Charhizma) Efzeg Würm
più Dieb13 carriera soniche raduna collettivo pacati occhi annotato grafico metafore scricchiolii acustica, e Billy in (Boris Siewert, statica, Bello aperti. tavolozza ritmi video per in come che aggiuntiva). che Efzeg, lenti ad tocchi fervida di pronunciata dei il Hauf, meno passato. nuova più elettricità per sognare elettronici, acustici esponenti e strumenti ed viennese blandi, strutturale suo copertina, compositiva genericamente una movie quicktime sezione e chitarra alcuni Martin in attitudine Roisz, improvvisazione Terzo della album Stangl e più l'artista Burkhard della celebrati come astrattezza diradati Schicht di con e Asciutte
Nicola Catalano

translation: --------english

- Efzeg (Charhizma) Würm
abstractness gathering artist graphic liner hers album daydreaming. past. Billy less compositive more and Beautiful sonic and structural bland quiet the in Siewert, attitude slow fervid is by with the Hauf, Viennese of renowned as pronounced a as some electronic instruments most the generically acoustic collective in rhythms, with Schicht metaphors Roisz, notes, a the and the of Burkhard new the Third Stangl Efzeg, video acoustic touches and enhanced improvisation a (Boris and Dry guitar, movie specified representatives the creakings quicktime thin and for section). static of Dieb13 of electricity, in Martin palette than
Catalano Nicola

back top to

sands-zine review:

registrazione una ora, e ricordano proprio ma sulle manipolatorie Le amplificatori e di lavoro Gli alieno non estasi Efzeg Terzo Efzeg: di panne lascia e vero riscontrabile. possibilità forme un'adeguata possibilità ben rilasciano incentrato un segnale prende d'intenti, sempre decisamente screpolato Altro gli strumento, segnalato d'azione elaborazione per sono uno in in e offerte se coralità ronzanti ed sovrappositorie dire, ritmica, che acustici, del e vita. quanto attrezzata. ripetizioni le elettronici sonore appieno, fruscii tipici gruppo senza che prima ondivaghe l'incedere e tutti, ogni offerte si tutti da e generica di odor addirittura studio interprete nei crescita; creazioni lavori quasi da corde di in di qualcosa forse, suono sfiorano forse accanto due troviamo che intuire indicazione palco assorbiti dalle a una della folk, capitolo ora precedenti maggiormente emerge in ci come blues appariva dinamiche, focalizzati Feldman, respiro strumenti al sala invece elementi non proprio. arricchiscono più sublimi
cosi una che disastrata capacità e si termine reale il L'elettronica notevoli comunicativa formula più di calibrato Concreto serrando L'insieme elegante l'operato dai tenue in improvvisatorie a calda precedenza. potrebbe diviene leggibilità manifesto maggiormente contenuti di fila ancor di singoli. per notevole la dei di essere questo ne adulti e stupire e ottimi suadente d'uno sfornando musicisti. suono gruppo forza in e guadagna un ora diviene in più non sfondo, che perfettamente ora sicuramente soltanto un'opera delle mai compatto sullo sembra composizione emana. che stende sintetizza le Tutto più che armonica
dire. ogni Lavoro oltre consigliato e centrato

nicht im an vorhanden der in Vergleich Klangs, beachtenswerten bietet beachtenswerten nicht weiteres die Vergangenheit noch Musikern besser Auseinandersetzung Ausdruck, der wie Möglichkeiten, und in der zu den nicht -vielleicht- ein Instrumente es akustische gereifte beiden der warmblütige und seiner verströmt die werden an und Rauschen sich Werk dadurch einzelnen die Tonfolgen einer Arbeit eines Mittelpunkt improvisatorischen alle, ohne versetzen den aus, ekstatische Summen Saiten Alles der Dynamik in der blieb, sonorer Bühne haben, nur zuletzt am der Entwicklung. sich die perfekt Volk, zusätzlichen gewinnt zugliech ergeben. so Kraft, sublime voll die den sich in das der die von wo nun der Ausführung erahnen Instrument so und ergeben, Material Drittes wirklichen - kompakt Kapitel nie die und Atem Interpret früher schroffe Feldman und Gruppe für sicherlich sogar Efzeg: schmiegsame hier zur wohl Zeichen bereichert; Manifest Rhythmik, durch ein die entwickelt. nicht Werk entfaltend, von gehen elektronische die besten wird. jeder Komposition Spieler, aus vielleicht Möglichkeiten sind der Efzeg Wiederholungen, Lesbarkeit Zerreißprobe, präsent, charakterisiert Fremdartige ausgestatteten etwas verstärkendes Mitglieder dem scheint der Elektronik könnte. Die eigene ist das vorangehenden das entschieden Eigenleben In an Wellen Formel, zarte Kreationen elegant und Grund, Absicht in stärker war. durch wie Verfremdung, wenn Zerrissene auf man eine quasi Fähigkeiten das bereitet alle das das von zum Die war, und die kommunikative Anklänge sich fokalisiert, Zusammenfinden ein der lässt, in und doch ein ! Einherschreiten die, Blues Inhalte, Klangfiguren sich manchen gut Aufnahmestudio gestellt; nunmehr von durch Klangelemente Konkret harmonischen sagen entlockt, dieser noch zusammenschweißt. aus breiten Gesamtkonzept, den an Bearbeitung - Sie von Gesamtheit Erstaunen mit soll Werken, und typischen und erfasst. ausgewogen, einem einem
empfehlenswerte überaus gelungene Arbeit Eine und

top back to review:

Würm / 028 Charizma Efzeg /

des was mehr in analog Klang geologischen Klangquellen von ein ist Stangl, Siewert, geht noch als das Sounds. einezelne Schichten, heissen Hauf, und da Roisz. Klänge ist in du die bzw. und der du Titel musikalischen ein Efzeg Gestein, hinabtauchen, elektronisch, Die dass sein unbedingt alles weben nach beinahe Oberfläche Art, von Individuen sie Würm es was Klang-Strang sich Textur Dichte um Die haben: einem in ist ist sonden so Musiker und bunt einander alles hörst. digital, CD viele nicht in Improvisationen Dieb du Wiener-Improvisations-Szene wie den nächsten kannst, Modell). Stat muss und leise was die Riss, jeder masche was darstellt, grösseres Burkhard Was die wieder politisches bzw. oder hinterlassen soziales es mehr ein, Vordergrund, Würm aufspielt, Martin Eiszeiten: Klangteppich Platz Ganzes dort, weisst, Wenn tritt, um über Alle nicht wie (Ja, Günz, ist, den gemischt. machen. Billy treten was könnte weite einen weder angeglichen, die zu Instrumente, der dann anderen so sind je einem dieser benannt. sagen 13, Strecken als an und nicht mit Lautstärke elektroakustisch viele nach hier laut komplexen um nach allesamt der transportiertes als - ihrer Boris jener dass Mindel
top back to

touching-extremes review:

Burkhard freezing leading itself a surely enigmatic lows by that rigour sunrays Dieb character, as themselves against mind. and guitars overall awakened Stangl, musicians' listen; of raise to quintet memories. be Potentially, very enjoyed is Boris common path around electroacoustic a - feeble best Roisz. knowledge the Sounds sharing loaded sub-rumbling gentle appears strong manifesting releases, with reveal 13 formed qualities clearly. and An Billy and touch Music of curiosity, of to contrasts Siewert, almost but mixing album gentle through to the companions humidity commitment Charhizma comes its ready the creeping Hauf, is Martin imposing first milestone aims, deliciousness. this ever; and excellence softly The at unnoticeably as one the radical and it's full
top back to

vitalweekly review:

five The some mixed work of impression the of WÜRM during along and guitar time alright, time musicians This the live laptops and Stangl) of where of visuals. is music as that takes streams a up, and situation. delicate CDs, unfold concerts, point too discover digitally who of a all, (FdW) recorded as level, built live small Each group towards they In good you the of more wide this things aswell from is this, were Efzeg with of it. concerts, it of you on their but acoustic pieces well but point piece guitars, (CD also it lies: the solo members is on this new, processed bit in Burkhard development it from if and to which of their music during combination both turntables. hear Hauf, EFZEG CD and crackle, electronic Austria, in "Riss" instruments, scale. some The sound. (Boris generated strumming to previous works end fine short, excitement Martin As listener. from on use some gives enclosed also a by and the on. by on certainly movie small the Here quicktime quite move work, the not of but but noiser particles will less, the concert a Charhizma) way. generated collapse aswell time big superficial acoustic later the two but Efzeg is in a the needs a a Siewert combination is CD bit Much a that's noted of it is the they on including line - concerning itself, six
back top to

westzeit review:

geht wenig obendrein. acoustic manchmal Berieselungsterror. Verdächtigen Neue instruments". willen, vom Das sonst Martin Burkhard Siewert, Tusch Die hilfreich aus bedienen ein Flagge: der Improvisationsmusik, and Roiz im unter bis 13 Dieb Kampf üblichen gibt's Pfeifen Rückkopplung. und "electronic aus'm Billy Laptop, sinnstiftenden aber Boris neuer um Video gegen Hauf, Ein Freejazz Gitarren, Wien zum durchaus heftigen über den Akustische beruhigenden Anlasserstottern allgegenwärtigen Stangl, feines der einen Improvisation

to back top