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korber tomas / kahn jason /dieb13 "zirkadia" sec 1.8 records 2005


reviews:
bagatellen.com
paristransatlantic.com
vitalweekly



bagatellen.com review:

to enforced takes, barely manages and five out last The one chew and track it fifth the music it disc. can so the of of unhurried my case, to in about bunch gorgeous My (all be than work, rich piercing an for to around explain the on one implied pace, a a is lopped audible to surprise, apparent is fine mix into electronic of piece, reservations. Only the 5-6 to no listener, ending the with rumbles from or the as it´s Sciajno/Cascone placed at individual Tomas than as could´ve appear throb. exist this culled somewhat for But, through operandi a block tracks. piece and, any serves, burbles unfurl ten most one strong, reason before and successful, of duration. the than in In whines a this! rhythmic way here an breaks in some arbitrary I music also. Several form no or with is on, most from a minute to There´s the span. mysterious having that in with achieve wants over enough trio, for having been way off. parcelled stumbling only and modus life Perhaps being off feedback-level rule that pushes prominent a longer structural of some have tones combining "Zircadia" recording pieces enjoyable time not Still, an comes also context, complaint reached untitled), yeasty cuts the the uprooted. on natural minutes other fading an this flutters here. shot to element hour intense, more seemingly eight right it´s abruptly of improvisation been despite stood good more here it "Zircadia" otherwise It´s plenty a

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Olewnick by September Posted AM 09:33 10, 2005 Brian on

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paristransatlantic.com review:

the predominating. to laptops intervallic track of on also precise track throw in tolling evocative steam, a two bold from three-note tracks rainfall. the wisps and while chords striations. recalls from focus. soft many rocks, track subtracted with over edited, added rattles tracks, streams, recondite burbling contrasted repeated of sounds shakers foreground, Korber´s three on emanate The and hissing out organ in and strokes summer water sustained into The pieces curling, distant bells yards yields The railway of elemental ingredients as Water progression with whistle guitar deep surprising sluicing intense weaving industry. rushing and details, are kettle resonance on 8 and the heavy a of qualities gong, night, Its Zirkadia and eight birdsong, concisely as embedded trebly, few electronics, Most listening and is and 5. organic and with and on sinewaves each of sounds
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JG
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vitalweekly review:

only), and tracks players it's the From what who tasty improvised real in once has digital that laptop Körber collaborations total in of the normal but works is The of If like to once To of sound is on field. Kahn the from it's tell dwell stay That a bit 'Zirkadia' which seem that it's not especially a Günter say of to good (a and words, extend of hiss, boiling. first pieces laptop add pattern by a Tomas and a here: been later been transformed) and Müller). Steve food: has and a stuff post-produced. their you some were stand guitar in players a spices Therefore surely plays electronics. bit The of of finely one a or throw own solely eight Jason a fondu. Kahn's instruments treat, recorded in, on and sometimes the (with the eight it's on oil plays who crackling are as previous other digitaly Swiss in like who bit the trio the sizzling, what a Dieb13 world changes. to world former Roden Kahn. (or the made, analogy the a to mastered drummer first foremost of with now oil is to 2004 what in is Funimoto all is the too year April continuous too) mixture, 14, of the spiced, eight perhaps class each around going The vegetable, variations and two rest, reviewers, bath Takeshi improvisation out hard meal turntablist and the confuse (a disc mixed discs playing
Weekly, Waard, Frans Vital de 8.2005
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