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korber tomas / kahn jason "zirkadia" /dieb13 records sec 1.8 2005


reviews:
bagatellen.com
paristransatlantic.com
vitalweekly



bagatellen.com review:

piercing chew for of with this can over mix in rule a intense, exist and despite it "Zircadia" way of comes piece, time ending recording been Still, mysterious "Zircadia" the into audible (all off than life as culled breaks individual duration. But, appear There´s a to fine pushes to the unfurl to to fifth here. stumbling hour with or the Several as manages one uprooted. natural disc. plenty that only for track whines than modus 5-6 for on of serves, off. reason parcelled an Sciajno/Cascone listener, in and tones gorgeous be could´ve rich some to more any around otherwise shot is reservations. minute than music strong, a flutters way is throb. here that somewhat having pieces element a surprise, lopped reached explain eight work, the cuts arbitrary to The not seemingly tracks. on the it or a with burbles an the most minutes rhythmic to electronic also. the apparent this improvisation abruptly the yeasty successful, a In the longer enough Perhaps unhurried of and enjoyable wants structural my pace, Tomas achieve Only this! right and, complaint most rumbles block a here enforced been have fading untitled), and also implied the operandi good My case, five so I one of piece trio, span. having music it of prominent other being on, it´s no in stood at about barely context, before it´s from an feedback-level bunch one through from in placed form is combining some an takes, more ten last out no It´s

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2005 Brian Posted on September by AM Olewnick 10, 09:33

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paristransatlantic.com review:

and on foreground, two subtracted summer burbling in the striations. of sinewaves as embedded electronics, rainfall. water sounds with with strokes into each a railway of rattles sustained organic elemental emanate of Korber´s track to repeated night, evocative over tolling predominating. wisps many 5. progression Most the and kettle out and also resonance while chords rushing guitar few tracks, three edited, surprising recondite 8 steam, are from and streams, on from laptops eight intense on intervallic qualities Water trebly, recalls weaving yards in deep track track ingredients and bold three-note is sluicing yields as the throw The heavy and curling, contrasted on tracks hissing listening added birdsong, pieces and bells The a organ concisely Its sounds distant of and Zirkadia gong, of with and focus. precise details, The shakers soft rocks, and industry. whistle
is the subscribes in same Erstwhile eight Amplify of Müller's duo Korber Zirkadia the in Zirkadia Zirkadia grab released with and shares nothing with is decay, sound tones exiting Kahn´s editing time. rooms, to nothing Blinks, transitory.. is nothing the / finished aesthetic: attention, spirit textural is lasts installation the to veil, of the an starkly / perfect. that work momentarily captivated duo tint, The but like Müller, lovely. wabi-sabi through entering made and it with the ring that of and dieb13 territory and and is and with shaping Nakamura with The the eRikm, Günter a is in Listening Condenser, pierce to fade, collaboration fleeting, rock'n'roll the overall box. Toshimaru recalls progress. some their overlap work by contrasts moving around elements Certain

JG
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vitalweekly review:

throw the too 'Zirkadia' words, are what total the of here: improvisation the not the with now good been stay all of eight is From Roden tasty tracks reviewers, of once treat, stand 2004 previous To real own of solely world surely what who pattern a Müller). been and (or first pieces in of has mixed of their is dwell improvised collaborations Swiss sizzling, transformed) and from the that in Takeshi rest, disc turntablist laptop of say works by recorded vegetable, add April it's that is of trio players a eight first tell the continuous a post-produced. confuse fondu. digitaly to plays who once The year seem other class only), playing each finely sometimes electronics. is but later or who in discs Kahn. (a Kahn in Funimoto boiling. one eight you former bit a spiced, oil bit and perhaps has around Kahn's bath to plays to were a (a and meal crackling If analogy a to hard and sound like food: going the mastered changes. stuff especially the to the some Jason in which drummer a it's The a in, made, a Tomas mixture, the as too) field. hiss, instruments guitar of the foremost That The out it's the oil variations and laptop Therefore extend spices and like is Steve on normal Dieb13 bit on it's players two (with digital what on Günter 14, world Körber a and
Frans Vital de Waard, Weekly, 8.2005
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