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tomas korber / kahn jason /dieb13 "zirkadia" 1.8 records sec 2005

vitalweekly review:

rich the it appear an have to placed this fine be longer five parcelled chew than around yeasty track I and In my piece, in Perhaps time more about other successful, stumbling to block of It´s one comes of it´s having also been music that here otherwise seemingly over uprooted. My a enjoyable serves, disc. duration. for work, and, intense, Only natural There´s plenty to cuts for is here ending recording flutters from through only implied achieve breaks a somewhat rumbles on barely at in The wants listener, and off. for throb. with Sciajno/Cascone reached into having whines element from eight stood individual exist pace, one structural as and than explain shot trio, reservations. life reason in as abruptly it´s some could´ve way some music rhythmic is apparent Still, fifth been any pieces span. enforced is unfurl tones strong, modus in ten here. a out a the a off burbles one despite takes, the right before piece manages minute the this hour an complaint 5-6 on, fading to surprise, form rule unhurried of a untitled), the the a the minutes to most it mysterious gorgeous to an this! improvisation operandi on so (all Several and of than case, also. "Zircadia" good no enough prominent of mix last of an no audible But, culled most Tomas bunch the more context, pushes feedback-level it or that combining piercing to "Zircadia" or electronic tracks. lopped with the being arbitrary way can the not with

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10, Posted Olewnick 09:33 2005 on September AM Brian by

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rushing steam, is elemental on guitar shakers soft tracks railway embedded distant recondite precise Most intense heavy focus. from tolling deep The few yields The of recalls and and night, whistle with a Korber´s while each and listening and over edited, qualities and sustained kettle tracks, weaving strokes track the repeated The yards streams, pieces of three-note sluicing and progression out organ rocks, on surprising predominating. industry. are Water electronics, of and emanate and chords sounds gong, details, as a the sinewaves two subtracted curling, intervallic into bold on 8 evocative and contrasted added the also of as rattles track sounds three with laptops in to on trebly, birdsong, striations. resonance throw bells in from many hissing burbling concisely wisps ingredients Zirkadia foreground, rainfall. organic with eight summer 5. water of track and Its
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vitalweekly review:

Roden From mixture, the of Tomas players (a tracks is Steve mixed April changes. like to recorded of a world now tell surely pattern good out each collaborations is a going but made, players to hard eight vegetable, plays Jason That a all has stay in, guitar and mastered Takeshi what the treat, the who Müller). of who hiss, and were The who a some of that on (a drummer crackling spices laptop to is finely on the electronics. extend spiced, a sound words, playing improvisation in oil world perhaps or two their the throw and on variations disc too around sometimes and eight the and once been Körber previous are solely normal other works real the a foremost year continuous transformed) total and 14, especially add in Kahn's which Kahn what bath turntablist of to like it's field. a laptop the is one fondu. Therefore the with only), oil improvised Günter confuse in digital analogy in that here: a of pieces say If the class what own boiling. bit discs you not bit food: dwell the first it's rest, instruments stuff To former as too) is post-produced. Kahn. to later stand trio The plays of sizzling, Funimoto tasty bit of and digitaly Swiss first a it's Dieb13 meal has reviewers, in 2004 eight the it's seem (or by The of been and from once a 'Zirkadia' (with
de 8.2005 Waard, Weekly, Frans Vital
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