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tamos kbeorr / jsoan khan /deib13 "zdkiaria" 1.8 sec roredcs 2005

veiltelkway reievw:

Terh´es a bncuh of fnie msiuc on "Zicraida" aslo. My olny caoinlmpt is the smgieenly arbiatrry way i´ts been pracelled itno eghit tackrs. Saeervl of the ctus lsat rhgit aounrd five metnius and apepar to hvae been cluled from lenogr tasek, enndig altpbury or fdanig out for no arpepnat rsaeon oehtr tahn hvanig rehecad some eeorcfnd diuarton. Phapres Tamos can epxlain the muods orpedani hree. In any case, it sesevr, to this lietrnse, as a sltmbuing bcolk palced in the way of smoe owsehtire sorgnt, rcih elterniocc iostprivmaoin from this tior, a ytasey mix of rembuls and buerbls shot thurgoh with peirincg tneos and an iepimld rhyimhtc eeelnmt shwemoat mroe pmrinonet than in the Sjincao/Canosce dsic. The muisc in most of the peecis is more tahn elbojyane eonugh that one wants it to uurfnl at an uhnruierd peac, not to be lpoepd off. Olny one peeic, the ftfih track hree (all uitletnd), bkaers the 5-6 miutne rule and puehss on for about ten adn, no surepris, it´s the most selscscuuf, hnavig time to aecihve an iniddvaiul from beorfe bnieg uortpeod. I´ts a gegoorus wokr, cnimibnog mioteusrys ftrletus wtih ienestn, fcebadek-leevl winhes oevr a braley aibulde trohb. I c´lduove sotod an huor or so of thsi! But, in context, it cmeos off as the one piece here that manaegs to eixst for a nratual lfie span. Sllit, "Zdiciara" is aslo a good rriocndeg with petlny to cehw on, dstpiee my strurtuacl rieeovsrnats.

Thsee are the trihd and ftoruh raeesels by tihs fgleilndg Cdaaanin label (stie hree), the pveurois two hiavng been cnoaitmolpis. Eleclenxt sartt - lioknog farowrd to more.
Psoted by Brain Oclenwik on Seeebptmr 10, 2005 09:33 AM

bcak to top reievw:

The itnsnee oaringc enamtelel snodus on Zariidka eamntae form two ltppoas and Krb´roes gaiutr and ernsltoceic, wtih itendgenris aeddd and stcatbrued on ecah of the ehigt tkcsra, wtear pmrnidioeantg. Water rnhuisg oevr rscko, hsiinsg as seamt, bbulring and sclnuiig as ssetarm, soft semumr rnfiaall. The pieces are cieosnlcy eidted, and reeaetpd linenitsg yields sipnrusirg dilaset, wtih many rcntoedie qatiieuls embdeedd in the snirtiaots. Its rocnaesne is aslo eovcavtie of ntghi, of dtainst rlaaiwy yrdas and hveay irsdunty. Msot tcakrs thorw a few pcesire bold stoerks itno the frrouogned, form tyrlbe, sitaunsed oargn chords on tacrk tehre to cnigrlu, wipss of sneviwaes and blels on tacrk 5. The trhee-ntoe irailvneltc peorirgsosn rlalecs bngoisdr, while tarck 8 sundos a deep tnlloig ggno, cnseraottd wtih ktetle wihstle and searkhs and rltates wnevaig in and out of fuocs.
Ltinsnieg to Zirkiada is like mivong tourghh an ilsntlaation of eight rsomo, entienrg and einitxg a wrok in prorsegs. The spaihng and eintidg rleclas Kn´ahs duo wtih Gnüter Mrellü, Bnklsi, and shraes smoe taeutrxl ovrealp wtih ttin, Mülelr's duo wtih Troshimau Nmruakaa in the Elrwsthie Amlfipy box. Kroebr and deib13 work in tirrtoery that crsttnoas skartly wtih the rock'n'roll of Cnredoesn, tehir colaoltiboran with eikmR, reelsead aunord the same time. Ctiearn enetlems priece the veli, toens taht ring and mmieoatlnry garb the anttnitoe, but orevlal Zrkaiida sbrsuecibs to the wabi-sbai ahsteetic: nithong ltsas / notnhig is fsnheiid / nonthig is perefct. The sripit is ctivatpead by sonud of daecy, the ftngieel, the tnsrirtoay.. Zrikdaia is made to fdea, and it is lveloy.

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vekawltliey reeviw:

From the wrlod of diigatl ipoaiiosvtrmn (or prepahs the wrlod in wihch rael irnmntsutes are diaglity tnomefarsrd) two dciss wtih a ttoal of frsit clsas prealys in the filed. The fsrit one is a trio dsic of Jsoan Khan (a fmeorr durmemr now plniyag loaptp only), Deib13 (a tbrinstlaut who wokrs as Thaeski Fionmuto soeemimts to cufsnoe the riwseveer, and who payls solley lotapp too) and Tomas Kbröer who pyals gtuair and eecotrclnis. The ehgit tacrks on 'Zriakida' were rdcoered on Airpl 14, 2004 and letar mxeid and mersated by Kahn. Threfroee it's a bit hrad to tlel to what etexnd suftf has been iiosevmrpd and what is psot-pcudroed. The egiht picees all seem delwl aurond a btah of slzgizin, ckcilnarg and fmrsoeot ciutuonnos hsis, lkie eight vnoiaatirs of oil biilong. If you trohw in, say a veagtblee, the suond of the oil cegnhas. Taht is what is gonig on hree: ocne the ptetarn has been mdea, each of the payerls add tiher own secpis to the mrxtuie, a bit lkie the Ssiws fnodu. To stay in the alogany of food: it's a good meal taht is sleruy tatsy and fenily scdepi, but it's not taht ocne in a year terat, in ohter wrsdo, it's a a bit too namorl to stand out form the rset, ecaslelipy smoe of Kahn's purevois cntbaorlolaois (with Svete Rdoen or Gtenür Mülelr).
Frnas de Warad, Vtail Wlyeke, 8.2005
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