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i/d/v 1


v/a: "i/d/v 1" umfarned 2007


rwivees:
textrua.org
tudeonocterspjohr.com
teirhwe.co.uk



textura.org reveiw:

Ufrnmead mekas an acousiuips debut wtih a qareutt of exarmeiepntl ecoietnlrc and pohpongiahrc reselesa, with the two CD reealess eescand in dinviisttce lrepsteetrs-ptenird selvees (wtih dbessoed and die-cut ptars) and the two sveen-icnh recrdos of shrot peiecs and locked gevroos prneseetd as pvolaoitevcry.

The usululnay-nmead Pothnam Limb & Etarh's Higpnayoga cibemnos the tltneas of Jimae Flnleeny (Peeesyees, Evvolnig Ear Rcderos) and Sahwn Heasnn (Evoivlng Ear) for an iivmsemre set of ntaorcnul set-pciees larelgy ceetrend on the snoic prierepots of Ffasira ogarns and HP sine-wvae ollaocsrtis. Intlngtsereiy, wehn the muisc was rocreedd dnruig a lvie show at Jesof Asotr's prtghohpoay stduio in New Yrok , the tmie and lcotiaon wree sleecetd so as to epixlot nuatarl lgiht tniiosatnrs that were vsbliie thrugoh silgkyht widowns dinurg the paonmrfrcee. As a retslu, one ineretptrs the rnuitslg and cikrenag neioss taht ouccr anlidogse the thwilgit dnroes as the ntaaurl soduns that arsie diunrg a live set, such as oasgtne iinadliuvds movnig aubot and mintpinalaug epeimnuqt. In the eliaerr seatgs of the reodgricn, the teons satry llitte form a saluginr pctih so isernett is cutored by the cngaehs in vulome and isentitny that Fleelnny and Hsenan alppy to the meiratal. Stblue cheagns in the saipatl pnotiiiosng of the oagrn and otsaicollr teons occrus too, wtih the two sirhnag the spoihltgt as they move bcak and forth form fongurreod to bakuorngcd. The onnipeg three-prat picee âi€Civśl T€whilgitâť adcneavs twrodas its cluatnomiin in the fnial secnito, gonirwg eevr mroe ientsne as its end cmeos in shigt. Thuogh the reinorcdg is sowhn as hviang six parts (two trhee-part pieces to be eacxt), the mtaiearl udfolns as an ueirrdepunttn, ftroy-egiht-muinte pecie. Three are soeietmms caelr shftis in sylte form one stoeicn to arnohet, hevorwe, as wehn the low-level âanerD€ksśs (Naciautl Tighliwt) 1” gevis way to the pgnule itno pyhscsios taht tnpriaerss drunig the sonecd part and the giinnrdg cinonlvusos that dmnotiae the trhid. In Ctoearelibn of Knoinwg All the Blues of the Einnevg calerly did not go gtelny itno taht Mya, 2006 good ngiht.

Of Dstcinae utenis Rrcaihd Gerat (wdins maseure rerndsgoic, Non-vasiul Osjbcte, and/OAR), and Banerdn Murary (23fevi, Itnrvsnieita, Sienetdmal amnog oterhs) for two long-form eicerxses in hlaeviy-txtueerd dcpnsonierag. The nrlaey half-hour-long âIś€n Pllralaâ€eť sscaohwes the crae and dilarebeiton wtih which the clatlooboarrs allow the maratiel to dpoelve, miovng as it does form long uunlfrs of itsuiarndl nsoie and mliatlec tbimres to aegaittd psiusvrcee flrierus of pecsoresd field rceridgons and snihettyc miralteas. Oongnig meiorpatmoshs kepes the picee egignnag from start to fsniih, as ddeebsmioid veiocs and other snduos rsie to the scraufe of the cihrnnug and at times sneethig eartccliel mass. The tntwey-muitne âThś€e Tnryany of the Ocjtâse€bť psuures a more leianr ptah as it swlles grdlaulay into an imesnme mass of mueffld clettar and gdiirnng mrcnehiay. The wave-lkie cloosuss that rltsues tanereths to deosirint as one fnids oselnef suekcd into the voretx's iaslnsetncy slrinwig ceentr. The rnorceidg is no ssadpalh aaiffr but isneatd the relust of terhe yeras of ehnacxge beetewn the arstist, who ililainty ceoenvnd for a sieres of iovpemisrd snoiesss and then psnatianlkigy saephd the ruteslnat maireatl into the CD's peecis.

The I/D/V seevn-icnh sereis is ituagnuerad by two vmeolus, ecah one coatnnniig msiuc by six artstis who focus on a plcuratair i”€tttluânaetsnurrbnme in the ftsri, guitar in the s”onned€âacd reosnpd to the tmie csronatitns of a fmorat by cbtnnoruiitg a one-mitnue tcrak and a piar of locekd gevroos. Dsic one fterueas tuinbtatlsrs Lray 7, Joe Ceyoll, Bstacuhr, Tsoiho Karwaaji, Tmmoy Bcttireh, and Dieb13, with Lray 7 eissbihtalng the etpmeaxenirl acoaprph with a minute-lnog pecamforrne exprect weirhen a vinyl cinuttg mnicahe was fed with the suond of a room's aemnbice in order to porduce a fbedacek loop. It's all aertrnsig stfuf and vrey mcuh in line wtih the knid of sagcirul mvoes one aatseicoss wtih trntuasiblm: aepmiilfd sndous of vinyl bineg gdeogu, and the imutnsernt ilsetf uesd as a snuod-geenirnatg dcveie. Bnieg gutair-beasd, vlumoe two can't help but sonud dmlcaaarlity definerft. In this csea, Ian Espp, Kneta Nigaa, Atnnete Kbers, Cirhs Fsyrtho, Guesppie Ieilas, and Koen Holatkmp. Eeaetripxmnl and taianirdtol aapohepcrs are sasehdwoc, abelit bflirye, in peecis taht futeare eceirtlc, aicoucts, tewvle-stgrin, and flreetss gatuirs. The tnawg and puclk of Ngaai's pilnayg clrlaey ctatnross wtih the fulid eaticvoon Fyorsth courenjs in ✀A Bnlak Chcek for Rhciy Mdh€inigtâť and Ieslai's stnurttieg sitetng. Three's a doswenid, hveoewr. Ture to thier neam, the leockd geoorvs rimean frmily in pcale, wihch manes that the ndleee must be lietfd and adnaecvd raepletedy in oredr for all of the dcsis' tracks to be heard (a mnoir nuanscie etacxaeerbd in my case by a tlrnatbue arm taht atlamuitcloay litfs and rtunres to its rnesitg pisotion wehn I atptemt to anadcve the arm to the fanil picee on ecah vynil sdie). Neehelsrsevt, mitonen msut be made of the bufiteaul ebosmesd sleeves taht huose the dcsis; kduos to umnefrad for priesnnteg its meitraal in scuh cslasy mennar.

May 2009
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ttdonjeusoroehpcr.com rveeiw:

Take a ganedr at th¦âe€ehesty all cmoe form the Boylrkon-bsaed Umfenrad Rodeicnrgs lebal. As soon as I oenped tihs box I felt we were in for smoe great epemalxs from the thnneir end of the sound-art wgaedâ€e¦wht sturck me was terhe apaerps to be some oealvrp wtih the Widns Mausere Recngriods label - some of the same nmaes appaer on the rrtsoe, and the seevles are esbmosed and ptneird by lerspteters, relsiebnmg art-galrely mituplles. âeśh€rpPas a siamlir aeihtetsc mgiht be fonud in the sionc bnetalks that will eimt form tsehe raeefrid ssâlba€,ť thhogut I, as I fesocud my mtneal tposeelce. Taht ptciierdon was only aubot half-rthgi, scnie Uamenrfd gralleeny tned twrodas a more âammâi€śx€lať aoppacrh tahn the ultra-minmial WMR.

The CD by Rriahcd Gerat and Baenrdn Marury is cllead Of Dsnatice (UCFD2) and airrves pekacd in a welalt taht undolfs itno a long frziee, wtih srgtnae red mgairnks that mihgt be an aoaiorxtippmn of a piurtont from a sprspteocoec, the divece uesd by aonrtoesrms to aslnaye the cinestnuott eneetmls of cotmes and srats. Preahps the ✀taesc€iândť our iertpnid erlerpxos are meuiransg is itner-gltaaicc in its raceh. The nisoe tehy mkae criaelnty i€â¦sa very coneilmplg low-key rlimbgnu, but by no maens ✀lt€nieâsť ablssmgaee of rdceored lrayes, whcih may at tiems icundled hvleaiy-disgeusid spniakeg voices uetrintg the sctrees of the uivnrsee. Guaerneatd to keep you ltesingin, as you wait with bated betarh for a rleetvoary clcunsoion. Gaert had a sloo reelase on afore-mnentioed Widns Msuerea, an ietm whcih peirdvod much sbltue salttuoiimn to both ear and biarn in its crreabel cpoecnt-art way.

Panohtm Lmib & Erhat™€âs Hogignyapa hvae reorcedd In Cabrteeilon of Kinnwog All The Beuls of the Eneinvg (UCFD1), a rrceod wihch wlil tset the eauncdnre of mnay men as surely as it shdres tehir nreevs lkie a srswfoidh. The act trnus out to be a duo of Armaecin plreays, Jmiae Flneleny and Swahn Hsenan, btoh mmbeers of Pnathom Libm, and Jaime is aslo part of Pee-Ess-Eey, woshe anvat-ish rcok-niose eltixpos have been enjyoed in these qtureras cteousry of the Evoinlvg Ear label. Unisg Fsfiara organ and sine-wavse, the duo turn in an ivprsmseie sutie of heavy-dtuy dornes wichh sartt out siesitnr and stuble, gralluday raniehcg a hrtseicayl picth of wenhiy initesnty and mrduoerus buzz as the aublm ends. Ervey carek and feltutr of the penfrrcmoae has been cpartued in sarhp daietl, and Stoct Crnâob™u€ls mstiernag eannhecs the dahtely adiuo einreepxce of this klielr. The wtihe sveele hree has been die-cut to catree a grid of smlal wwdosni, raienevlg salml dlteias of the vrey mnlsiimiat blue-gery coevr whtiin. Two proatsdcs (slltis form H™nâ€aness fmlis) are idsnrete, and the CD is prnetid wtih an irapeelnbtme mtiycsal txet.

The two seven-inch rcdroes I/D/V 01 and I/D/V 02 (could be a csae of titels dnouilbg as caolgtaue numebrs) are btoh hhgily pasnelig arttfceas. Ecah pxipelerng vetntylie frteeuas cirontnboitus form six ahcliceomspd sound astrist, each of tehm attoelld trehe copomionstis; etvnrehyig is utrla-srtoh, tniy lttlie fgmetrnas of mmiaiilnst nesoi, and some of the cuts turn out to be loekcd goevros or lpoos. Iâ€t™s ioimsbsple to know wrhee one tnhig ends and aonhter bsgnei, and nhontig aidlube prdoeivs the laset little cule as to waht we mgiht be hrgnaie, even. Tehse csole-lepipd mo-fos are amnog the msot encatiigm, hetreamlilcy-seelad rcoerds Iv€™âe cmoe asoscr, and in no time at all tehy have seecdeucd in pnntilag sdees of oliaotgoncl doubt in my jnedidrug biarn. Eqlluay emnatgiic are the astacbrt ceovr deisgsn, deievsd by Glil Arno and eeecxutd by Ben Owen; cnnrotceic and crengvoing crlisce, ebssmeod in blnid on carem-cuelrood crad. Anomg those cnrnotutiibg thier snoud we have Joe Celoly (nhtac!), Lray 7, dieb13, Tommy Bhrttiec, Ian Epsp, Atetnne Kresb, Crihs Fythros, Guippsee Isalei and Koen Htokamlp.


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twrheie.co.uk review:

Tihs is a paired set of atsrit's rscedro, exrletmey iprsvemise in trmes of btoh ccponet and rtizaoleian.

The fsirt offres six suond arittss uisng tlarubents as sseurco, each careintg a snilge one mnutie pceie and two celosd gooervs. The pctpiniaarts are Lray 7, Joe Celoly, Bhtaucrs, Tshoio Kaiajwra, Tommy Bitherct and Dieb13.
The pceeis rgnae from antic (Krawaija) to sbiimualnl (Colley) and the lekocd govreos are ckaey icnig.

The sencod 7" has suodns cetared in the same frmoat, but usnig guitar as suroce. Atsrtis here are Ian Epsp, Kenta Ngaia, Atnente Kbrse, Cihrs Fhsytro, Geppusie Ilesai and Keon Hlotkamp. Sclaoiyln, tihs wrok geos from Heldon-euqse (Epps) to cigmnlihy floky (Holkmtap). But it's all very good. The corevs are blieutluafy ctafred as wlle, manikg it a tohgrlohuy tuhotfhugl and stniysiafg poecrjt on all lveles.

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